Awesome insight into how the camera manufacturers actually do it! A lot of things I did not know. It's too bad there is not more information like this on the web!
Very interesting and useful. I am attempting to achieve high colour rendering of heritage prints in a studio setting. I have a measured 12641-2 target with spectral and XYZ data. Can I use this data, which is comparable to your monochrome filter set, to calculate the spectral sensitivity of camera sensors? I am trying to produce ICCs for an OM camera with 30 and 60 mm macro lenses, which produce different colour outputs. For the light source, I have standardised on a xenon flash, filtered to produce a CCT of ca 4960K, i.e. near D50. Can your software be adjusted to suit this application? Presumably this calibration can be done at the photosite level, identifying variation in sensor sensitivity or uneveness of lighting or effects of the lens.
Awesome insight into how the camera manufacturers actually do it! A lot of things I did not know. It's too bad there is not more information like this on the web!
Seriously thank you for this! Super beginner to all this and it's a lot to take in especially the math involved
Awesome explaination Uwe!
Very interesting and useful. I am attempting to achieve high colour rendering of heritage prints in a studio setting. I have a measured 12641-2 target with spectral and XYZ data. Can I use this data, which is comparable to your monochrome filter set, to calculate the spectral sensitivity of camera sensors? I am trying to produce ICCs for an OM camera with 30 and 60 mm macro lenses, which produce different colour outputs. For the light source, I have standardised on a xenon flash, filtered to produce a CCT of ca 4960K, i.e. near D50. Can your software be adjusted to suit this application?
Presumably this calibration can be done at the photosite level, identifying variation in sensor sensitivity or uneveness of lighting or effects of the lens.
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