⚘❤⚘❤⚘❤VIELEN VIELEN DANK, Herr Pau NG für dieses Herrliches Video!🌹💒☄Was für ein GROSSARTIGE PRÄCHTIGSTE Meisterwerk und Unglaublich tolle Leistung! 💐✨🌹🎉🎉🎉🎁👑🇮🇹❤🎭🎻🎂🍷🍷🍾🍾Herzlichen Glückwunsch zum Geburtstag! 💙 Wie SCHÖN!🌹🍨Liebe und Dankbarkeit! ☀️
@@rainday6 Dr. Burney's " An 18th Century musical Tour in France and Italy ", Burney mentions Signor Fioroni very fondly. Burney " begged " Signor Fioroni to publish his works, which Signor kindly played for him. Unfortunately, there is no follow-up. ( This book seems to be written before Rolla came into Italian musical scene. )
I am a big fan of Rolla. The writing above doesn't mention, but he was a big promotor of Beethoven in Italy, conducting his symphonies at La Scala for the Italian Premier. BTW, from 7:00 on, isn't that a " Voi Che Sapete " ( Mozart, Le nozze di Figaro ) variation??? Or the other way around??? In any case, Buon compleanno, Maestro Rolla!
@@superspook693 Thank you. Interesting. Rolla also conducted Le nozze di Figaro's Milanese premier at La Scala. I guess it was Rolla's sense of humour that he slipped the melody into his own BI 482. 😉
@marikomariko3992 A.Mozart. If there were copyrights in the 18th century like today, A.Mozart would be in court every day! But it is a taboo subject and in the 21st century, the myth of A.M. Misilveček's oratorio "Abramo ed Isacco" in 1776, attributed to A.Mozart. "His"(?), "La Betulia Liberata" in 1771, is now widely performed; Since the authorship of the opera "La Finta Semplice" was challenged in Vienna in 1769, in order to prevent a scandal, father and son went on a tour of Italy. A.Mozart came to the opportunity to learn the trade from Misliveček. He copied Misliveček's notes and thus learned to compose; hence Mozart's handwritten oratorio "Abramo ed Isacco" (from his legacy). The only mention of "Batulia" is a letter from Leopold Mozart dated March 1771, "he has also been commissioned to compose an oratorio for Padua...". Mozart did not send "Batulia" to Padua! In fact, the Mozarts never returned to Padua after Milan in December 1771. "Betulia" was performed in 1772, in Padua - the composer of the music was NOT Mozart, but Giuseppe Callegari. Epilogue - "Betulia" was not performed during Mozart's lifetime. A.Mozart did not let "Batulia" be performed in the "Tonkunstler-Societat" - a society to help musicians founded by Gassmann in Vienna in 1771; known for its performances of oratorios. Even the widow Constance, who had such financial problems, did not sell the written (unperformed) oratorio "Batulije"! Since that one copy was written By Mozart's hand, it must be his oratorio; and Misliveček's oratorio "La Batulija Liberata" from 1771 is LOST anyway(!)
@@Reciclassicat Thank you. I found this video , his Arias and Choral works. They are so beautiful and it makes sense that he was a very popular operatic composer during his time. th-cam.com/video/Mqj2krbNbIQ/w-d-xo.html
![[UNCUT] The Loyal Pin ปิ่นภักดิ์ EP.15 (1/4)](http://i.ytimg.com/vi/TLBjiHvkKtE/mqdefault.jpg)
⚘❤⚘❤⚘❤VIELEN VIELEN DANK, Herr Pau NG für dieses Herrliches Video!🌹💒☄Was für ein GROSSARTIGE PRÄCHTIGSTE Meisterwerk und Unglaublich tolle Leistung! 💐✨🌹🎉🎉🎉🎁👑🇮🇹❤🎭🎻🎂🍷🍷🍾🍾Herzlichen Glückwunsch zum Geburtstag! 💙 Wie SCHÖN!🌹🍨Liebe und Dankbarkeit! ☀️
Très beau morceau, merci beaucoup
L'eleganza e la maestria della musica di Rolla erano proverbiali; Egli merita una TOTALE riscoperta!
A delightful piece. Thanks. Interesting in reading about him to find that he also was a very respected opera conductor.
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Ahi ahi, hai tagliato la Madonnina! Non si fa... Verrà un Cherubino a punirti. Cari saluti e Buon Anno!
Very nice! And we get a "two-fer" here: the introduction by way of the mention in Rolla's bio to the music of his teacher, Giovanni Andrea Fioroni.
Pau NG, Fioroni turned out to be a truly undiscovered (by me, that is!) gem!
@@rainday6 Dr. Burney's " An 18th Century musical Tour in France and Italy ", Burney mentions Signor Fioroni very fondly. Burney " begged " Signor Fioroni to publish his works, which Signor kindly played for him. Unfortunately, there is no follow-up.
( This book seems to be written before Rolla came into Italian musical scene. )
I am a big fan of Rolla. The writing above doesn't mention, but he was a big promotor of Beethoven in Italy, conducting his symphonies at La Scala for the Italian Premier. BTW, from 7:00 on, isn't that a " Voi Che Sapete " ( Mozart, Le nozze di Figaro ) variation??? Or the other way around???
In any case, Buon compleanno, Maestro Rolla!
Yes voi che sapete you are right
This BI 482 by Rolla was composed around 1825 therefore it's a later work
@@superspook693 Thank you. Interesting. Rolla also conducted Le nozze di Figaro's Milanese premier at La Scala. I guess it was Rolla's sense of humour that he slipped the melody into his own BI 482. 😉
Bellissimo da riscoprire! C'è dentro anche Mozart (Nozze di Figaro), ha scopiazzato un po'...
My ears are in pain with those chirp sound QAQ
The work is really nice, but can't help with the chirps
@marikomariko3992 A.Mozart. If there were copyrights in the 18th century like today, A.Mozart would be in court every day! But it is a taboo subject and in the 21st century, the myth of A.M. Misilveček's oratorio "Abramo ed Isacco" in 1776, attributed to A.Mozart. "His"(?), "La Betulia Liberata" in 1771, is now widely performed; Since the authorship of the opera "La Finta Semplice" was challenged in Vienna in 1769, in order to prevent a scandal, father and son went on a tour of Italy. A.Mozart came to the opportunity to learn the trade from Misliveček. He copied Misliveček's notes and thus learned to compose; hence Mozart's handwritten oratorio "Abramo ed Isacco" (from his legacy). The only mention of "Batulia" is a letter from Leopold Mozart dated March 1771, "he has also been commissioned to compose an oratorio for Padua...". Mozart did not send "Batulia" to Padua! In fact, the Mozarts never returned to Padua after Milan in December 1771. "Betulia" was performed in 1772, in Padua - the composer of the music was NOT Mozart, but Giuseppe Callegari. Epilogue - "Betulia" was not performed during Mozart's lifetime. A.Mozart did not let "Batulia" be performed in the "Tonkunstler-Societat" - a society to help musicians founded by Gassmann in Vienna in 1771; known for its performances of oratorios. Even the widow Constance, who had such financial problems, did not sell the written (unperformed) oratorio "Batulije"! Since that one copy was written By Mozart's hand, it must be his oratorio; and Misliveček's oratorio "La Batulija Liberata" from 1771 is LOST anyway(!)
☝Such a wonderful immersion in the 18th century! I respect Leopold Mozart for his Sacred Baroque cantatas and oratorios🎼
I think this Mozart-issue is one of the worst-kept taboo subjects now. BTW, I cannot find any info on A.M. Misilveček'.....🤔
I guess he means to Josef Mysliveček: en.wikipedia.org/wiki/Josef_Myslive%C4%8Dek
@@Reciclassicat Thank you. I found this video , his Arias and Choral works. They are so beautiful and it makes sense that he was a very popular operatic composer during his time. th-cam.com/video/Mqj2krbNbIQ/w-d-xo.html