@@jordanadudek I'm curious how you lit the bedroom shots of the player sitting on the bed @00:12 . Is that all natural light from the windows with diffusion?
Thank you so much!! 🥲 Glad to see some of the hard work is being seen by others in the community! All sound design credit goes to my good friend James Joseph
DUDE! Absolutely loved this video! The Cinematography, to the lighting, the composition and the color grading all on point! You gave me HUGE inspo for a shoot I have coming up this weekend! 🖤
Would love to! I may do a color grading breakdown that just encompasses my philosophy. It’s nothing special, but can hopefully be a better guide for all types of work!
@@ianthrash Honestly man, hearing that you're inspired is what makes it all worth it. It's definitely easy to get caught up in the numbers and views, but at the end of the day connections like this what it's all about.
@@jordanadudek I feel that, every time a filmmaker reaches out on my channel it’s just incredible. When someone says that they’ve been inspired by my content i never forget it - you can put your heart and soul into something, but at the end of the day when it actually resonates with someone that’s what matters!
Dude epic!!! love the handheld feel very grounding, and authentic, good lighting too. You should check out light ratios, some of the low key scenes were a little over lit and due to your light ratios losing you a lot of dynamic range, ( looked like some were 8 -1, 4-1 is contrasty too with more shadow details, a good low key close up ratio is 2-1 and 4-1 for a mid/wide) not trying to discount your work, just my 2 cents as a Lighting DP. fantastic work Im dying to see an extended cut, with a deeper character arc and hero journey. Great spec AD with a deeper story thats 100% sellable mate :)
Man you are spot on with that analysis. Not making excuses, but it was definitely the limitation of having a two man crew and quick turnarounds on location. In an ideal world, we would’ve had an extra hand to really focus on the details and intricacies of what we were doing. You don’t know how much I appreciate that feedback as well! It’s a tough balance of needing to get coverage, while also wanting to create art that is meaning and impactful. Would honestly love to have you on a set, or even a call to hear more about your thoughts and perspective on filmmaking!
@@jordanadudek Glad you appreciate the comment, It looks like more than a 2 man crew, so nice job!. One last thing that might help you, is when lighting with colour and frankly any key source thats lighting your subject, you want to motivate it by showing it in a wide or camera move, so when that light hits your subject the audience knows where and why its there, adding light/colour to the scene, it really helps having a wide to motivate the light for the corresponding close up. Shoot me a message if you want to chat in more detail
There honestly is a bit of a degrade, but not as much as there used to be. Vimeo is a great platform for that, but I haven't upgraded to a professional profile, so my space is limited there 🙃
Don't take me wrong, I instinctually clicked on this video cause I thought it was a Danny Gevirtz spec commercial I haven't seen yet 😂 Your profile picture is a one-to-one match with Dany's this is an amazing coincidence haha
Nice work. If you’re looking for some thoughts, I would recommend tightening up your lighting ratios. 2-4 stop difference should get you the mood you want while not stretching out your range too much. If you really want your hone in your spec work, try to shoot for 30s and 60s lengths. There’s a lot to be said for someone that can tighten their work to fit within ad space, and still hit all the story points. Bonus points if you can use the content to cut a 15, 30, and 60 second spec, AND some social media bits 😎 All the best!
Thank you for the critical thoughts! This really does help more than you know, and I'm always looking for more feedback. You're absolutely right about the timing too. I let this one get a tad long for a legit "spec" piece. I'm the legit WORST about social media!
Thank you Zane! Are there any certain types of content you’re looking for? I was planning on a breakdown video, and just wanted some feedback on what you might want!
@@jordanadudek thanks. I'd like to hear about the conceptualization of your script, your influences and more of the logistical arrangements. The crew on hand, location scouting, how you decided/found your talent. And then what your intention is with this spec... is it for a portfolio or do you have local brands/businesses/athletes in mind to follow up with? I'm finding 'story' more interesting than gear, editing, and grading breakdowns of late. Well done once again. You've crafted a stunning film.
Man, thank you so much for this feedback. And your last point is exactly what I’d like to cover, because I do think it plays the biggest factor in the content we create. It all comes down to story. What types of content are you producing/trying to produce?!
@@jordanadudek I've worked in videography type of production for a long time. My hope is to move into more emotive storytelling - commercial and short doc content. I'm learning a ton from The Art of Documentary course created by Mark Bone and Michael Del Monte. Great community and such valuable insights.
@@ZaneColquhoun it’s certainly important to learn about how to tell stories, and it becomes infinitely more important the higher up you go IMO. I have heard good things about the Mark Bone program!
@@jordanadudek I am based in Norway and Boston MA. Let's hope our paths cross at some point. Good luck with all your projects. Can't wait to see more of your stuff!
@@talkintome181 I needed to spread some funds across other areas of gear. I would probably still own the C70 if I had the chance. But I'm really loving the Fuji X-H2s right now too
this is stunning! Nice work man! The lighting, the composition, the framing, the rhythm and the sound design...I mean, its all there! Curious to know what kind of filters you used on these lenses? And also, did you have to do a lot of denoise process in Resolve with the RAW footage? Thanks
Thank you for watching and for the high praise! My good friend James Joseph did all the sound design, so all the props goes to him! I used the promist 1/4 on both the Vazen 28mm and 40mm. In testing it gave us the look we wanted to take the edge off. I definitely used a good bit of denoise for the night stuff. It doesn’t clean up nearly as well as the Fuji footage. Was honestly a bit disappointed with Canon Raw. I maybe should’ve bumped it to ST instead of LT
@@jordanadudek the character only spoke about his weakness/obstacles, you need to SHOW it in 1 or 2 visuals/shots, if darkness came one visual needed to show WHY it came and HOW he overcame it etc, shorter edit, more richness to story, too many repetitive shots etc. Obv I'm being critical, I'v written nike/levis big brands commercials all my life and now shoot them. I wanna see your next spec even bigger!
Next level. Jordan is killing it.
You’re gonna make me blush
This is next-level filmmaking! Video breakdown, please! 🔥🔥🔥
Thanks brother! Hoping to get one out in a week or two! Anything specific you'd like to see?
@Jordan A Dudek I love to see your editing flow breakdown and also how you set the mood for each scene in the commercial by lighting 😎
@@caotri8295 I appreciate the thoughts! Just want to make sure I touch on the topics you are wanting 👍🏻
so rad Jordan! Can't wait to see what is next. Would love to see a video breakdown
Thank you for watching Tanner! Hoping to shoot a breakdown within these next few days. Any specific shots or processes you want broken down?
@@jordanadudek I'm curious how you lit the bedroom shots of the player sitting on the bed @00:12 . Is that all natural light from the windows with diffusion?
Woah, this is so well shot and coloured. The indoor scenes are beautifully lit, and the sound design is exceptional. Incredible job Jordan.
Thank you so much!! 🥲 Glad to see some of the hard work is being seen by others in the community!
All sound design credit goes to my good friend James Joseph
Every fram a still. this is beautiful i relly love everything about this
Thank you Daniel! It was a goal to be as intentional as possible with framing and lighting, glad you appreciated that effort!!
Incredible cinematography!
Thank you for watching!!
This is INCREDIBLE. WELL DONE. I'm inspired.
Thank you for those kind words Joshua! What kind of content are you making these days?
Beautiful work. Crushed it.
Thank you for watching!!
Great job man ! Your cinematography is fantastic and sound designing is up to the mark! Love the work🔥🔥🔥🔥
Thank you!! All credit for sound design goes to my good friend and wizard, James Joseph. A link to his profile is in the video description!
wow this is really beatiful! well done jordan !
Thank you my man! You’ve got a really good eye judging from your channel.
Fantastic vibes !
Thank you! Glad you watched it 🙌🏻
Making the C70 look really good here. Nice job.
It’s a wonderful tool for a vast majority of projects. I’m glad it’s getting the love it deserves!
DUDE! Absolutely loved this video! The Cinematography, to the lighting, the composition and the color grading all on point! You gave me HUGE inspo for a shoot I have coming up this weekend! 🖤
Awesome video man, Loved the lighting.
Thank you Damien! Definitely spent a lot of extra time on set to make sure we got the look we wanted. Really happy to hear you enjoyed it.
Everything is world class, It's like I'm watching movie trailers! Cheers from Malaysia 😁
You’re far too kind! Thank you for watching. Cheers from America 😆
Absolutely so cool!!
Thanks man 🙌🏻
AMAZING!
🙌🏻🙌🏻🙌🏻
this is amazing!
Thank you so much for watching! 😃
Great use of color, light, and composition. The camera just helped a little, but the skills to pull that off are where it's at!
Thank you Nicholas! 🥲 You gave me the “pick-me-up” I needed today!
@@jordanadudek Awesome! Your work is inspiring!
Amazing work! Love it!
🙌🏻🙌🏻🙌🏻
Solid Edit and filming! Well done
This is literally amazing can't wait to grow with this channel!
I’ll have whatever you’re having 😂. Thank you for your support Matt. Seeing the community that’s already being built is what makes it all worth it.
WHEERREE IS THE BREAKDOOWWWN? Amazing commercial 🙌
holy smokes that was just amazing. keep it up dude
Thank you, man! 🙌 Hoping to keep going 😅
This is wonderful!
Thanks man! Really glad you watched and enjoyed the film!
Stunning video!! Looks like I gotta up my game with my C70
The camera is definitely capable of some pretty great imagery, just gotta go out and shoot!
Amazing
🔥 fire
Thank you for watching! 💪🏻
Stunning ❤
OK, i want to see more of this.
I wish there was more to show Want to write a pilot episode together?! 😆
Amazing
Thank you for watching David!!
We need a color grade breakdown on this video!
Would love to! I may do a color grading breakdown that just encompasses my philosophy. It’s nothing special, but can hopefully be a better guide for all types of work!
that's perfect
Thank you for watching!!
This is phenomenal! 🤯 Great work! 👍🏽
Thank you! 🙌
@@jordanadudek you’re welcome👊🏽
가슴을 두근대게 만드는 너무 좋은 영상 잘 봤습니다.
구독과 좋아요 눌렀어요!
Good job!
This is so cinematic. Lighting, composition, colors on point - excellent storytelling keep it up!
Thanks brother! Comments like yours definitely helps in the long run. Keep going yourself! 💪
Appreciate it man - your channel is gonna gain a lot of traction, your quality is insane! inspirational for me!
@@ianthrash Honestly man, hearing that you're inspired is what makes it all worth it. It's definitely easy to get caught up in the numbers and views, but at the end of the day connections like this what it's all about.
@@jordanadudek I feel that, every time a filmmaker reaches out on my channel it’s just incredible. When someone says that they’ve been inspired by my content i never forget it - you can put your heart and soul into something, but at the end of the day when it actually resonates with someone that’s what matters!
@@ianthrash couldn’t agree more Ian! I definitely fight with wanting approval from others, so it’s a tough balance.
Very very cool!
🔥🔥🔥 bro you’re ridiculous.
Thank you for your support man! You’ve really got some killer stuff yourself 💪🏻
@@jordanadudek of course!! Love good stuff when I see it! I appreciate it!
Dude epic!!! love the handheld feel very grounding, and authentic, good lighting too. You should check out light ratios, some of the low key scenes were a little over lit and due to your light ratios losing you a lot of dynamic range, ( looked like some were 8 -1, 4-1 is contrasty too with more shadow details, a good low key close up ratio is 2-1 and 4-1 for a mid/wide) not trying to discount your work, just my 2 cents as a Lighting DP. fantastic work Im dying to see an extended cut, with a deeper character arc and hero journey. Great spec AD with a deeper story thats 100% sellable mate :)
Man you are spot on with that analysis. Not making excuses, but it was definitely the limitation of having a two man crew and quick turnarounds on location. In an ideal world, we would’ve had an extra hand to really focus on the details and intricacies of what we were doing. You don’t know how much I appreciate that feedback as well!
It’s a tough balance of needing to get coverage, while also wanting to create art that is meaning and impactful. Would honestly love to have you on a set, or even a call to hear more about your thoughts and perspective on filmmaking!
@@jordanadudek Glad you appreciate the comment, It looks like more than a 2 man crew, so nice job!. One last thing that might help you, is when lighting with colour and frankly any key source thats lighting your subject, you want to motivate it by showing it in a wide or camera move, so when that light hits your subject the audience knows where and why its there, adding light/colour to the scene, it really helps having a wide to motivate the light for the corresponding close up. Shoot me a message if you want to chat in more detail
When its uploaded on youtube, there must be a quality degrade. I would like to see this in full quality
There honestly is a bit of a degrade, but not as much as there used to be. Vimeo is a great platform for that, but I haven't upgraded to a professional profile, so my space is limited there 🙃
Don't take me wrong, I instinctually clicked on this video cause I thought it was a Danny Gevirtz spec commercial I haven't seen yet 😂
Your profile picture is a one-to-one match with Dany's this is an amazing coincidence haha
Дуже круто!
Thank you! 🙏🏻
Wow man, it was so good! Defenetly will save it as a reference for future. Good luck with your channel. You "Hi" from Ukraine:)
Thank you for watching Artur! Hello from America! 😂
Anything you’d like to see in a breakdown?
@@jordanadudek yes of course 💪
Nice work. If you’re looking for some thoughts, I would recommend tightening up your lighting ratios. 2-4 stop difference should get you the mood you want while not stretching out your range too much.
If you really want your hone in your spec work, try to shoot for 30s and 60s lengths. There’s a lot to be said for someone that can tighten their work to fit within ad space, and still hit all the story points. Bonus points if you can use the content to cut a 15, 30, and 60 second spec, AND some social media bits 😎
All the best!
Thank you for the critical thoughts! This really does help more than you know, and I'm always looking for more feedback.
You're absolutely right about the timing too. I let this one get a tad long for a legit "spec" piece. I'm the legit WORST about social media!
well done!
Thank you so much Dennis!
Beautiful work. New subscriber.
Thank you Zane! Are there any certain types of content you’re looking for? I was planning on a breakdown video, and just wanted some feedback on what you might want!
@@jordanadudek thanks. I'd like to hear about the conceptualization of your script, your influences and more of the logistical arrangements. The crew on hand, location scouting, how you decided/found your talent. And then what your intention is with this spec... is it for a portfolio or do you have local brands/businesses/athletes in mind to follow up with? I'm finding 'story' more interesting than gear, editing, and grading breakdowns of late. Well done once again. You've crafted a stunning film.
Man, thank you so much for this feedback. And your last point is exactly what I’d like to cover, because I do think it plays the biggest factor in the content we create. It all comes down to story. What types of content are you producing/trying to produce?!
@@jordanadudek I've worked in videography type of production for a long time. My hope is to move into more emotive storytelling - commercial and short doc content. I'm learning a ton from The Art of Documentary course created by Mark Bone and Michael Del Monte. Great community and such valuable insights.
@@ZaneColquhoun it’s certainly important to learn about how to tell stories, and it becomes infinitely more important the higher up you go IMO. I have heard good things about the Mark Bone program!
Awesome Video! What Song is this?
Thank you Graham! I think this track is Fixation - Pendulum Theory
DOPE! Inspiring and well made. Where are you based?
Thank you for watching! Currently based in Memphis, TN. But I also have ties to Nashville and Atlanta
@@jordanadudek I am based in Norway and Boston MA. Let's hope our paths cross at some point. Good luck with all your projects. Can't wait to see more of your stuff!
🙌
XH2s and C70? Yes please
Both have incredible sensors. Hard to pick one or the other tbh
how much smoky halation do you want ?
yes.
Hey, you're not wrong 😂 Got the look we wanted though!
Great work what lens used pls ?
Thank you for watching! I used the Vazen Anamorphics for RF mount, specifically the 40mm and 28mm
Very nice!! Looks pro! You wouldn't have any raw footage available? Would like to play around with davincie before i buy a c70...thx, n
I honestly don’t. I no longer have the C70. We finished this film a while back, and just now had a chance to post it 😆
@@jordanadudek why sold the c70?
@@talkintome181 I needed to spread some funds across other areas of gear. I would probably still own the C70 if I had the chance. But I'm really loving the Fuji X-H2s right now too
tufffff
🤌🏻🤌🏻🤌🏻
Just when i was about to type can you upload BTS. I saw last title =) . looking forward for the breakdown and great video.
Hahahah funny how that works sometimes. What are some things you’d like to see in the breakdown?
@@jordanadudek What I want to see is, Leneses , lighting and grading
this is stunning! Nice work man! The lighting, the composition, the framing, the rhythm and the sound design...I mean, its all there!
Curious to know what kind of filters you used on these lenses? And also, did you have to do a lot of denoise process in Resolve with the RAW footage?
Thanks
Thank you for watching and for the high praise! My good friend James Joseph did all the sound design, so all the props goes to him!
I used the promist 1/4 on both the Vazen 28mm and 40mm. In testing it gave us the look we wanted to take the edge off.
I definitely used a good bit of denoise for the night stuff. It doesn’t clean up nearly as well as the Fuji footage. Was honestly a bit disappointed with Canon Raw. I maybe should’ve bumped it to ST instead of LT
Song name plsss
Song is Fixation - Pendulum Theory
Breakdown video?
I definitely need to do one of those for the video! Anything specific you'd like to see?
@@jordanadudekdefinitely would love to see pre production, how you came up with the idea, and the lighting consistency.
Nice cinematography, empty story
Thank you for watching! What was it about the story that felt empty to you?
@@jordanadudek the character only spoke about his weakness/obstacles, you need to SHOW it in 1 or 2 visuals/shots, if darkness came one visual needed to show WHY it came and HOW he overcame it etc, shorter edit, more richness to story, too many repetitive shots etc. Obv I'm being critical, I'v written nike/levis big brands commercials all my life and now shoot them. I wanna see your next spec even bigger!