Fugue in E♭-Minor (original composition)

Noteworthy features of this fugue:
→ the first six beats of the countersubject are rhythmically identical to the part of the subject that starts after the first two beats
→ the stretto section starting at 1:41 is very extensive, taking up more than a third of the piece; it includes three stretto entries of the countersubject at 2:14
This fugue has three parts and is written for one player.
Score: musescore.com/user/28825706/s...
Here is a better sounding version: • Fugue in E♭-Minor (bet...
Have a nice day! ^.^

[@c-3por2d2]

Очень свежо, хотя ритмически, например похожа на до минор из ХТК

[@averynhiell]

Спасибо вам! (:

[@enzobtarullo2757]

Heard a couple of your compositions. You are very talented. Keep it up. Who is your best composer? I think JS Bach is by far the best

[@averynhiell]

Thank you so much! I don’t have a favourite composer, but Bach is probably my greatest inspiration. (:

[@theharmonixgroup6437]

Hhhhhh I really like the subject 🥰 the counter point are predictable 😁 in this piece

[@averynhiell]

Thank you so much for your feedback! ^.^ What would be less predictable counterpoint?

[@antheus3906]

You typically accomplish your modulations on beat 4, which leads to rapid tonal shifts. And the ensuing stretches lack to my ears a clear harmonic progression, focusing instead on melodic/rhythmic ideas. Try to write motivic music like a fugue (but not necessarily a fugue) which conforms to a clear harmonic progression such as one Bach might have used. You could find such progressions in less decorative genres like chorales.