Julian Bream plays Concierto de Aranjuez by Joaquin Rodrigo (Part 2)
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- เผยแพร่เมื่อ 16 มิ.ย. 2009
- The Concierto de Aranjuez is a composition for classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. Written in 1939, it is probably Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the twentieth century.
This video is from Julian Bream's wonderful movie called "A Musical Journey through Spain" - เพลง
So sad, I started playing guitar in 2020, year when Julian died, I wish could meet this wonderful musician
El sentimiento que transmite en cada nota Julian Bream me fascina. Un guitarrista sublime.Una de las mejores, si no la mejor interpretación sin entrar en comparaciones, que siempre son odiosas. Que pena que nos dejará recientemente. Descanse en paz MAESTRO.
Danke ✌️ Sie gehören zu den besten der besten 👍🏻 Danke Ruhe in Frieden
The first time I heard this concert was in 1974. Bream was the soloist (he was quite young at the time) and the orchestra, as far as I can remember, was the Symphonic of Chicago under Fritz Reiner. I was really thrilled. It was the first time I heard about the concert and Julian Bream. Until today I prefer his interpretation to that of any other guitar player, including John Williams (a great master of the guitar, no doubts about that.)
I think, in my humble way of understanding that this is the best interpretation for its quintessential technique, rhythm, aroma, interpretative strength and harmony.
This entire DVD has inspired me so deeply for the past 2 or 3 years. I've seen clips from various people posting them and I finally bought the thing a few months ago. This part is my absolute favourite and I think bream does a really good job as an orchestral performer. I heard a saying once that the artist must submit his/her ego to the better cause of the band[orchestra] and Bream does that so well without sacrificing his own stamp of originality.
Saw Julian Bream in Glasgow, dude pulled out a Lute and transported me back 500 years .
Quite wonderfully brilliant isn't he
@@mandyjohnson8447 yes :)
Thanks for posting. I love Julian Bream's interpretation of Rodrigo. I think it has a very natural and authentic Spansh feel.
David Godsell h
that is the most individual way I have ever heard that climactic rasgueado part played. (8:00) There is so much of Bream's character in that, it's truly stunning.
Julian Bream es el mejor intérprete de este monumento musical...
Love is the bliss I feel when the wonder and beauty of this piece is fully experienced in the heart.
Played in the Essex Philharmonic orchestra in the 50's when a young Julian Bream held the audience and amateursin the orchestra spellbound. And he played an encore!
Il migliore.. per sempre...
The best ❤
Holy crap, I'm actually crying. BRAVO
Fabulous, simply fabulous. Yes, there are many who are in contention -Andres Segovia, John Williams, and Angel Romero come to mind. Julian's passion has always grabbed me. .....and may I add, "Them that play appreciate - them that don't criticize - if only to get their name in print." ~Sailor
Magic!!! Close to prefection....I love Miles's version of this too.....wonderful!!
五十数年前に聴いたジュリアン=ブリームのアランフェス協奏曲は当時最高の録音だった。Liveは初めて聴くが、その昔の響きも残っていて懐かしい。
Well said. Stunning is the word. Bream turns his guitar into a harp for some passages in the climax. You have to see him do it to believe it is his guitar. Well, this piece is said to have been Segovia's favorite, so it's not surprising to find Bream pouring his soul into it also.
Actually, Segovia never played it. He said it wasn't very "guitaristic".
@@u7007317 Didn' t know about that...
I think he was resented because Aranjuez was not written for him, but for Sainz de la Maza...
Perfect ...💔
R I P Maestro❤️
This is indescribable! Divine!
Que decir , solo escuchar esta maravilla.
Love JB and would love to hear Sean Shibe play this as well!!!! :) :) :)
Tác phẩm và nghệ sĩ guitar hay nhất của thế kỉ 20.
Why did you cut the end off? What in the world possesses you to put this fine work up on Tube ...and then cut off the end?
The first 3 minutes are actually dance-able in Argentine tango. The rest is not.
One of the best performance out the for that piece. the movie is called "Guitarra!" and is a journey of the guitar history via Spain
Thanks, was wondering what this dvd was...Amazon time.
Julian Bream un genio de verdad che!!!!!
I think it's played a little fast, at least at the beginning where it seems to rush a bit. A slightly slower, more lilting tempo seems to suit it so much more. I love Julian Bream big time, but I really love the tempo of Paco De Lucia or Pepe Romero's version. All wonderful really, just my personal feeling.
....failed musician comes with criticism
I think it depends entirely on which master you first hear it played from. I always come back to Bream because his is the first recording I had of it.
How is Rodrigo not up their with Mozart. This is superb.
Ha van valakinek szíve csak azt érinti meg ez a muzsika!!!!!!
Oh-what happened to the ending? Anyway, the i s a sublime art work performed by a sublime musician. It always moves me so deeply.
I think I cut it off because at the time youtube didn't allow videos longer than 10mins
thanks a lot
I think Julian Bream played the climax triple notes "correctly" at 1:49 . I believe the triplet are the same timing of each 1/6 notes. A different guitarist Wictoria exaggerated the first note and slurred played the triplet as 1/4 note followed by 2 1/8 notes. She did that wrong multiple times in multiple performances. The climax triple notes is like Beethoven's destiny symphony's 4 notes knocking on the door. Rodrigo fine tuned the melody of Aranjuez, and it has been said that the more you want to exaggerate the melody, the weaker it gets. Julian Bream played it easy and the melody comes out strong and hard on me.
superb
exactly!
woof
that rasgueado at the end...
Per me la più bella
Say what? Why on God's good Earth was the ending cut off?
Hermosa interpretaciçon. Como siempre el maestro Bream impecable, aunque hubiera preferido un tempi algo más lento.
Sí. Mas lento, solo un poco, sería espectacular...
When can John Williams and John Williams play this together.... I want to see that live...
John Williams playing with himself live??? I don't want to see that. But Bream and Williams yes. Sadly one's dead now and the other is too old.
@@Andy-yo3hd John is still playing and recording, and in a very good shape.
@@CatalogueVillalobos That is good news.Thank you ☺️
Who the hell is John Duarte? And where is he from? How come the guy had the bottle to speak evil of a man like Yepes?
Pero, el equipo técnico que grabó esta parte no dejó terminar la obra, la dejó inconclusa. Muy bien Bream, pero el equipo de grabación se equivocó.
This is bugging me could some one tell me if this piece of music has been used in movies or does it sound like some thing else that has been used ????
En mi opinión de estar escuchando con detenimiento un 80% Segovia, Bream y Williams y después todos los demás, puedo decir que Bream es el mejor intérprete de la guitarra clásica del Siglo XX. (Claro las bases interpretativas están con el gran Segovia.) Sin embargo, esta versión del Concierto de Aranjuez no le da el toque español correcto. Él es un intérprete perfecto de la música española, pero a este Concierto le faltó ese toque. Más bien parece como si estuviera tocando Britten, Walton o algo más contemporáneo. La interpretación de Williams es superior. (Lástima que Segovia se rehusara a tocarlo :( ) La de Pepe Romero es genial. Creo es la mejor versión en youtube. La de Paco de Lucía le da un toque más flamenco, muy diferente y original. Sin embargo, aún así me quedo con la de Williams. Es mi sentir.
Yo creo que nadie le da el toque tan exacto e idiomático que le da Narciso Yepes.
Es más, creo que no hay mejor intérprete de Rodrigo que él, lo cual queda demostrado para mí en su disco dedicado a solos de guitarra de Rodrigo.
Coincido en que Bream es el más grande intérprete del siglo XX y hasta ahora, del XXI...
@@CatalogueVillalobos respetable tu sentir. Yo me quedo con la versión de John Williams con la orquesta de Filadelfia y Eugene Ormandy como director, allá por los lejanos 70. Hay una excelente versión aquí en youtube en la que dirige Andre Previn, muy semejante a la versión que escuché desde niño. En segundo lugar, tengo una grabación exquisita del genial Pepe Romero. Me gustan más que las de Yepes. Sin embargo, respeto el sentir de los demás.
Bream, Romero, Williams
Timing perfect more fluid than John Williams more feel for the piece i feel light and shade is better and feel of origin is there.
Beautiful but we must listen to Paco De Lucia on this piece is unequalled ... and the production is superb.
Where was the atmospheric ending. I feel like someone stole my last Rollo
I love that ending too. Why did they cut it off? Sacrilege!!!
Why did they have to ruin the only video recording of Bream playing the "Concierto" with footage of random sheep and Spanish rural backwater instead of scoping in on him and his guitar? What a wasted opportunity this documentary was in that regard!
Slightly faster than John Williams :D
Easier to dance to in Argentine tango.
I LOVE Julian Bream but in all honesty, I've heard him play this piece MUCH better... The climax at 8:15 definitely was not great...
Rodrigo obviously influenced Morricone!
Yepes version is more refined
...what on earth are you talking about?!?
comparing Yepes to Bream is like comparing chalk to cheese! I have tried to appreciate Yepes's work but i find it bordering on the amateurish. Also to suggest that Bream is part of "The Segovia Circle" what is this? Is it some dark guitar conspiracy? Bream really had very little to do with Segovia. The fact is that Yepes has fallen out of favor because he simply lacks the virtuosity needed to capture the hearts of a more educated and discerning classical listenership.
Rory Wilson Yepes and Segovia both dissed Paco de Lucía. That demeans them more than him.
I’ve never heard of Bream doing that.
I've always found Yepes to be a strange mixture. People often rave about his performance of Recuerdos de la Alhambra. Much as I admire the technical control he exercised on his tremolo in that piece, I never thought it sounded particularly attractive. His tremolo was so fast and tight that he gave the notes no room to breath - it was as if he was playing a washboard. He was undoubtedly a virtuoso, capable of pulling off amazing technical feats. But he would so often follow them up with some very clunky playing of relatively easy passages. For all that, I do listen to his old recordings occasionally.
I think his rasgueado technique is not that good
I tend to agree in this particular performance. He usually played the climax a lot better than he did here. It also sounds like the conductor had difficulty timing off it. When Bream made this recording, he was still recovering from the broken right arm he sustained in a road accident just a few months earlier.
Guitar sounds out of tune.
your brain is out of tune
I think you have changed the meaning of tune:-)
Terrible idea to show the nature when the Maestro is at work!!!
Julian Bream un genio de verdad che!!!!!