I'm a new bass player. I have a musicman stingray. It has strings on it , I pluck them, they make sounds , The sounds make me smile, the neighbors get mad ! .... That's pretty much all I know about playing bass so far after 1 month. Happy New year everyone !!😎🍀
You forgot the THICC strings. When i first got my bass 4 months ago, that string thickness game me a really good, hefty feel for it. And my bass came strung with .40 to .95, i want to go with .45 to .107 with the D'Addario EXL170BT
@@darkySp They're not going to sound any different to the normal Daddarios. But I spent my first 10 years playing bass complaining that my D string was way too stiff and the A a close second. That's the feeling the balanced set fixes. Plus the 107 is great for occasionally drop tuning!
Those Ernie Ball cobalt flatwounds are some of the brightest, most untraditional flats out there, noted for sounding very much like rounds. As the manufacturer describes them: "Featuring a SuperBright Cobalt ribbon wrap, Cobalt underwraps and optimal hex-core to wrap ratio, the new Flatwound bass strings are the first flat that actually feels like a flat and sounds like a round." So not the best set for a comparison like this one that aims to educate people on rounds vs flats, although an excellent accidental showcase of how awesome those cobalt flats are.
Thanks for pointing that out. I definitely had a hard time telling much difference. Seemed like any difference had more to do with her palm muting than the actual strings, even when playing with a pick.
@@billtackett8217 yeah, if you try other brands you'll definitely get more of that dead "Jamerson" type of sound. I play the Fender 9050 flats and love them. They're also some of the cheaper flats on the market. But I've heard great things about La Bella, D'Addario Chromes, GHS Precision Flats, and TI flats. The TI flats are by far the most expensive. And the D'Addario are also on the brighter side.
Absolutely correct ! I use the cobalts flats for 2 years now and i love them. I would say, they are a hybrid between roundwounds and traditionell flats. If you have a bass with much fret noise the cobalts flats can also help.
I play a Fender Jazz bass and use Rotosound flatwound strings. AMAZING! Highly recommend! Before that I used Rotosound nickel (you demonstrated them in this video, they were the one's in the blue packaging). This is what I notice: (1) Roundwound = brighter sounding, you can hear your pick and fingers moving across the strings, and they don't last as long as flatwound, (2) Flatwound = darker sounding, not bright sounding, very smooth strings when you run your fingers over them, no pick or finger sounds when you move over them, and they last a lot longer than roundwound strings.🙂
Thomastik flats + PJ Yamaha workhorse. Covers everything from jazz to sludge. Most importantly - Thomann, you have to keep Julia, she is extraordinary.
Love flatwounds for that bassy bass sound and I started playing bass on flats so they are kinda like home. Really though, you need to own two basses, one with flats the other with rounds.
I’m new at bass. I’ve been plying guitar and singing professionally for forty years I’ve always had a band but now I’m doing a solo and recording my own backing tracks. This was very informative thank you for doing this. I am loving the bass and struggling with technique. All the best I’m from Louisiana home of some incredible bass players
If you grab any other companys flat wound strings dont expect em to sound like the ernie ball cobalt flats.. Traditional flats have a darker warmer tone not as much bite on the top end as round wounds. And cheers
I took up bass about a year ago after playing guitar. Best advice is to try Scott’s bass academy. I wish I had had something like that when I picked up guitar. Brilliant resource.
By playing mostly staccato notes, it makes it very difficult to hear the difference in tone between the different strings. Playing the notes full and open would be a better demonstration of this.
@@fidodido664 To be fair, there are far too many bass demos done by other folks that doing the same thing. I leave this same comment to all those who it applies to. Just pointing out the fact of that when the playing is just staccato/ palm muted, it is nearly impossible to hear any definitive dynamics and full tone. The purpose of my explanation are directed to those who question my reasoning of the comment :)
Honestly those flatwounds sounded pretty much like rounds, minus extra string noises (which I guess makes sense since its what they're advertised as, but I wasnt expecting them to sound that close). Maybe there should have been another pair of flats in there that go for the traditional flatwound sound
biggest difference in flats and rounds is how they age, flats just lose that initial brightness but then stay consistent, rounds will just die completely as they age
They sound like that brand new but once they're worn down they're the best sounding flatwound string on the market in my opinion. Only drawback is that they aren't as smooth and silky to the touch as other flats
Ever since I first tried the Ernie Ball Flats, I have not been able to enjoy any other strings. They sound great and oh man, are they comfortable to play.
Hi Julia ! I’m 69 retired and started taking bass lessons 20 months ago. James Jameson ,Duck Dunn,Rocco Prestia are my top 3 bass players. My favorite is Ernie Ball flat wounds standard thickness because of Motown and Stax.
Hi, Julia! I play an Active SDGR Ibanez. My favourite strings in this video are the Ernie Ball Slinky Flatwound 45-105. I play rock. I started playing bass guitar some months ago for my recordings so I thank you for your videos and demonstrations and Thomann in general. You make it look easy but I understand that, although being the bass a guitar all the same (I am singer and guitarist) it is a whole lot different concept, which I think it's great since I like exploring new lands! Love and good playing 😘☕🎸!!
Flatwound Ernie Ball Slinky Flats .45-.130 feels comfortable and there's no zing sound as you move around the neck. Also the smoothness of the strings is great on your fingers
I really like D’Addario Half Rounds, they are a very good alternative if you want a bit more vintage tone, but still want to be able to access some growling pick sounds too. Very underrated string choice, I think.
@@francesnieznay6623 what a co-inkydink: I have the same bass, and use the same strings. That is a great, underrated bass. Very balanced and versatile. I love my 78 jazz frankenbass, but the l2500 has the greatest palate of tones.
Love the half rounds. Went to them years ago when Dean Markley stopped production of the "Ground Rounds" those were the best I ever played and would still be using them.
My string of choice from this selection was also the fllatwounds. They are my preerred strings on all but 1 of my basses. However, I prefer Thomastik-Infield flats for both my 1984 Rickenbacker 4003s, and 1967 Höfner 500/1. My 1999 Fender Precision wears Smith brand roundwound 30 gauge, and 2007 Fender Telecaster Bass is wearing the LaBella “1954 original” (James Jamerson/Carol Kaye strings_, but will most likely be switching to Thomastik-Infield flats with my next order from Thomann. Thanks from Texas!
I am very partial to the RotoSound rounds. I love the warm tone and they have perfect tension. I use RotoSound flats on my fretless p-bass. I love the sound and finger-feel.
I have a 5 year old set of Cobalt flats on my third-string passive Fender JazzV and they sound and feel very good. That said my USA Custom Shop fretted Washburn XB925 and fretless Carvin LB75 both have old sets of Thomastik-Infield Jazz Flats and they are the perfect string. They’re expensive but just keep improving with age. They get softer feeling, the tone gets richer while not losing brightness. I use them for everything from rock, jazz, and blues to classical depending on the gig. They’re perfect.
When I first started playing 100 years ago there was only one option---flatwound. Round wound strings didn't exist----or if they did I never heard of them. I have tried all sorts since and eventually I went back to flats. I find Fender stainless steel light gauge are as good as any, and relatively cheap too.
Yeah, I use the Fender 9050 flats. I don't know why these don't get more love on "best flatwound bass strings" lists. I liked them better than the D'Addario Chromes I tried and they're like $12 cheaper.
Sorry, got you beat!! Been playing 200 years now. I know what you speak. Tried alot of things, but at least I've found a gauge I got on all my basses and that's EX light 95's of any brand, cheap or expensive. YES as in Chris Squire and Mr. Entwhistle were the first to bring roundwounds into the spotlight Early 70's with their distinct sound. Guys were putting them on RICKENBACKERS and chewing the crap out of the frets almost immediately. Used GL BRITE FLATS back then on my 4001 and still never replaced frets and got that 73' to this day, with flatwounds on it. Very cool sound. Also, newly acquired HOFNER BEATLE bass will recommend EXTRA LITE FLATS for sounding like PAULY'S. SO many to choose, Just make yourself happy, there's no way you'll make anyone else!! ENJOY THE BASS. WE ARE SPECIAL AND IMPORTANT TO ANY KIND OF MUSIC.
I just switched out my 1 year old stainless Rotos for the (45 65 80 100) set of the EB cobalt flats. Now given the fact that the old strings were, well, old, these flats were definitely brighter and carried plenty of overtones; I am totally digging the sound. And the feel is so silky and smooth under the fingers. I did see comments about string friction for those who play fast, but since I am not at that level, I have not noticed any "stickiness" or other negatives. Ok, perhaps one negative might be that since string noise is almost gone, I might get lazy and not pick my fingers up when moving around the neck, creating a bad habit. So, I guess I'll just have to keep playing flats. I am curious how the overtones will hold up as time passes. Time will tell. Thank you for the review, and God bless.
I like 45-105s, because you can get such gnarly, funky staccato tones with them, but I also enjoy playing basses with light-gauge strings when I get the chance. It's fun to be that fast that easy, haha!
D'Addario Chrome flats are my current favorite. Warm and round but able to get a good bright slap tone out of them as well. Silky smooth and slick too. Using them to play country at the moment but would work for pop, funk, reggae. Second favorite would be my old go to, Light gauge GHS Bass Boomers. Loved the tone I got from those with a pick for rock. They have a great slap tone as well.
Just a day or two ago, in Julia's segment on short scaled basses, I asked if she had made any comments on flatwound vs. roundwound strings.....and HERE IT IS! I'm just two years late. Thanks! I still prefer flats on my basses, but I still enjoyed the information. Thanks, Julia.
I started playing bass a year and a half ago. I have 2 Yamahas: a TRBX 147 (PJ config) and the TRBX 604. I really like flatwounds: so smooth and thumpy. I mostly play rock from the 1960s and 70s, with a little blues now and then.
My favourite strings by far are the Elixir nickel roundwounds. They stay crisp sounding for ages and keep a very nice "gnarl" all throughout their lifespan.
I use Fender flats on my Jazz, Pyramid Gold flats on my short-scale P-bass, DR Black Beauties on my PJ TUNE bass, GHS Halfwounds on my fretless, Stringjoy balanced medium nickle roundwounds on my 5-string, Stringjoy custom light roundwounds/D'Addario custom lights my 8-string, and stainless roundwounds on my Warwick Corvette $$. I grab whatever bass and string combination I think will best suit the music. And hello to Julia! I really like the different licks you used for this test. Very nicely controlled and smooth.
Hi, to me it was a big improvement to switch from Stainless Steel Strings to DR Pure Blues 45/105. These strings create a warmer sound, but you can also get the right amount of overtones while slapping, btw. I use just a vintage P-Bass. Cheers Frank
RotoSound Flat wounds almost always, but I play mostly jazz/hip hop/R&B/Country. Just love the feel of the Monel Flatwounds. Runner up would be Elixir.
Yeah..... I'm a guitarist who tries to play bass.... mainly for recording (too scared to play bass live). I have tried black nylon strings in the past and was very surprised by them and would like to try flat wounds just to compare. When it comes to round wounds I like to use 40s so those heavy gauge monsters will be giving me nightmares just thinking about trying them, ha ha. Always enjoy your playing, Julia....... Your a good bloke too, Andy. All the best.
Very well done! Hadn't used flats for decades. Decided to give it a go, just for kicks. Research and decided on the EB Cobalts, 50~105. Was playing 50~105 on my nickel plated steels for several years, so the higher gauge D and G was a given. Love, LOVE the Cobalts. So much so that I ordered another set for another bass. THE brightest, "round wound sounding" string I've ever heard! Incredible clarity, articulation and solid fundamental tone, with out the ringing overtones and scratchy finger noise. Superb results with the EB Cobalts. Plus, I'm about 30% faster on flats. And that's okay by me! lol
Hello Julia! :) I am a big fan of those Ernie Ball flatwound. I think they sound fantastic and like the way they play, even though like Andy I'm a guitar player that just attempts to play bass ( though I'm playing it more and more over guitar lately)
Hi Julia and Andy, Happy 2020 for both !!! Just saw your video today, January 10. And very sad to know about Neil Peart (R.I.P.). I heard some interesting of some strings , unfortunately through the tiny speakers of my cellphone. Well, I’ve been playing bass since I was 12. My 1st love: a Höfner. At the beginning I put nylon strings but I really didn’t like the sound of them, then I switched to Ernie Ball 45-65-85-105 or to 40-60-80-100. The sound was much better, considering that the bass is semi-hollow body. 2 years later a Rickenbacker 4001 arrived to my hands. I kept using the same prescription on strings and the sound is like keying lower notes in a piano..... great sound !!! I tried once thicker strings but adds to much pressure to the neck. 50 years later, with all the improvements of technology, certainly I’d like to try different strings on both if I’m lucky enough to win. All the best for you guys !!!!
very nice video you have made, as a seasoned bass player(46yrs now i am 62), I play in a 50's and 60's band and do have ten basses in my collection, 2 are 5 string basses. My preference in strings are medium flat wounds. rock and roll music back then was going from the upright bass to electric bass. so to get that upright bass sound I have found that flat wounds are more of that upright bass sound, especially when played right over the end of the neck. Every bass player has their own sound what they want depending on the music they are playing, from slap to heavy metal, that is where round wounds come in to play. I don't degrade any bass player who uses a pick either, it is a preference, I myself use my fingers, so rock on to all you low end lovers and play that bass the best you can!
Thanks, Julia for your videos. I, too am a fan of flatwounds. I recently put some LaBella Deep Talkin' Bass 760FS (45-105) on my (Carvin) fretless and am REALLY liking them. I think I want a set for my P-style fretted bass. For fretted J-style basses, I my favorite is the RotoSound Swing Bass 66. I don't even mind the sound when they lose that "zing"
Totally agree with your taste Julia, it was a great surprise while I was looking at the video and realized that flatwounds strings sounds more good than I expected, and I 've been using roundwounds since I have 14 !!!, and I'm 47 now, woowww...Also agree with the second option, Rotosound sound's great... here in Argentina strings are very, very expensive and I used to boiled my strings to keep them as new and bright as possible. By the way , please please , bring Harley Benton's products to Argentina, those bass and guitars sounds and looks amazing, and I love to have one ! ( yeah, I know the Pbass was a Marcus Miller, but I talking about a lot of instruments I saw in other videos ;-) ) Thanks for the video, really love it !
If you play colbalt flats they are not a traditional flat wound and sound super bright when compared to something like rotosound flats or la Bella flats.
Thanks Julia.. Now I know I put the right Bass string on my PJ Greco Bass guitar.. it's like a short scale Bass.. Nice advice.. God bless you Julia I hope I see perform live here in the Philippines..
cool I like flatwounds & round wounds also But when I changed roundwounds on my short scale Eb 1 Epiphone to Flatwounds I really had to change the action . I decided I need 4 bass' 2 short scale & two fullsize with both types of strings & then I got the chance to try a friends Acoustic Bass .. Kind of somewhere in between short & full size .. But so nice to have the option . Glad you got the gig at Thomann .. But for you I wish in the future much more . keep on being cool .
hybrid slinky bass strings are my go to, I really enjoy that gauge. I've been using the roundwounds cause they're cheaper but I aim to buy the flatwound version when possible. I play hard rock/doom and it helps get the lows I'm after but gives a punchy clarity when using the higher strings, helps cut through the mix. I prefer the sound of flatwounds for that more vintage sound also.
Hi Julia. I have 2 basses. A 1985 made in Japan Squier Jazz with EMG pickups. It has DR Black Beauties 45-105??? I play this primarily at Church for a range of traditional hymns to contemporary worship music. My other bass was a gift. It’s a 1999 Carvin B4. That has a set of very old GHS pressure wound strings. I use it as a backup. I’ve only been playing bass for about 5 or 6 years. I love to get in a pocket and groove. I grew up playing 6 string electric. I also like Elixir bass strings.
Hi Julia, i enjoyed the segment on string comparisons. I have both a P Bass and a Getty Lee J Bass and I play half rounds on the PB and rounds on the JB. I play blues, blues/rock (mostly) and recently I have switch my JB to half rounds. I love the feel of these string smooth silky feel, but with the “halfs” I them to be just a little brighter. My technique is not such that I can slap or pop the strings confidently so the smoother and warmer which suits the style and genre of music I play.
I play a 1973 P bass with normal gauge round wound strings which I bought back then. Julia you are the bomb. Spectacular playing but with so much positive energy but always feeling the groove.
Love flatwound .045 ... Used to play a Japanese Hoffner knock off 50 years ago... Still have the guitar. Put flat wound .045 on that guitar every time out. Now have a Yamaha and a Gibson Les Paul Jr that I also have same flat wounds Ernie Ball. Great video comparison thank you
I'm a guitarist that dabbles within the bass world. I've played a *Squier P-Bass* for about 12 years now in *pop-punk/heavy rock* bands with *D'Addario XL Nickel Light (45-100)* strings. I never really thought much of it. About a year ago, I purchased a short-scale *Fender '64 Reissue Mustang* bass which came set up with a fresh set of *D'Addario XL Chromes Medium (50-105)* strings already on it and it has changed *EVERYTHING*. I used them for playing a musical, I've used them for home-recording, I've used them for *Rock, Pop, RnB,* and they both sound and feel great. I love the tone I get from them on my mustang. I still keep the long scale P-Bass for when I want to play heavy rock/metal and use round wounds on that, otherwise, I'm purely on the mustang with the sweet-sounding flat wounds!
I'm playing modern metal, groove metal and some pop stuff with 45-128 EBS strings without 4th(105) string on my both four strings basses (both tuned to drop C).
I bought a new Hofner Ignition bass recently and I am definitely going to change over to flatwound strings. I play 6-string normal mainly, and the round wounds on my bass hurt the heck out of my fingers. Am hoping flat wounds will be less painful.
I play covers in a band from 1960s-1980s. On two bases, a 1978 Fender Mustang (Short Scale) and a Japanese Fender Precision life. Strings on both are at least 10 years old and have a ‘distinctive’ sound. The Mustang has fender strings on it the precision Lite has Ernie ball slinky’s on it.......I think lol. Both are a standard gauge as I don’t like super heavy strings, I know what you mean by “scary”. My choice for next strings? Flat wounds as I love the feel of them. Great video.
Julia, an excellent video about the different playability of those strings. I don't have the money to make choices, so you've really helped me with making a selection. I play round wound D'Addario's, but now hearing you play each string type, I really enjoyed the livelier tone of flat wounds. Thanks for clearing a lot of mystery and anxiety for me when buying strings.
I've tried several sets of rounds over the past few years on the Sire V7 I bought from Thomann but got hooked on flats as soon as I tried the Thomastik Infeld Jf344 (43-100) set. These have a clear and bell-like tone and are super-pliable and easy to play. I eventually swapped these onto my pbass where they really shine. I now have a great set of Labella 760fl (43-104) flatwounds on the Sire - which I highly recommend. Tone is smooth and fat and the highly polished feel under the fingers is the best of any flats I've tried. Having said that, those Ernie ball Slinky Cobalt Flats (45-105) that Julia was playing sound like you can get the tone of a roundwound with the feel of a flat. Would love to try those! Please stay at Thomann Julia, your enthusiasm for the bass really comes across in these videos and you're a real asset to this channel.
I like the flatwounds sound from DR. I have 5 string bass and I would like what difference between 45-125 and 45-130? What's difference with coats of strings?
I play Rotosound 66 Funkmasters on a 1978 P bass. They are really thin roundwound strings. 30 50 70 90. I used to play the 606 piano-wound version, which tapered so just the core wire passed over the bridge. They were my favourite. So much feel and sustain. You can really ‘play’ the instrument, not just thump out a basic rhythm.
Hi! I play Cocco .45 - .105 Stainless Steel. They has a warm, round Sound. Roto Sound "Swing Bass" i play, when the Sound must clear in the Middle. I love this two :-)
Nice demo. I'd chosen Thomastik-Infeld Power Bass round wounds for my P-bass, but after hearing this I'm leaning toward the Slinky cobalt flats. Think I'll give them a try.
Ernie Ball EB2834 Super Slinky (45-100) for Alternative Rock and some Jazz. I love the bright growly Sound of them! Plus they are lasting way longer than other String-Companies ;)
I prefer flatwounds! I have flats on my Jazz which I bought new in 1977 and have very little fret wear for 43 years of playing. I have other basses that I've used rounds they haven't faired out as well! You got a really good tone on the new bass with all the strings!
The Flats sounded brighter then what I would have expected. I usually use 45-65-85-105 D’Addario XL. I play a mix of music jazz, rock, funk, R&B to name a few. I just picked up a set of Ernie Ball Hybrid slinkys 45-65-85-105 to try. Haven’t used Ernie Ball strings in years.
I have played GHS Boomers 45-105 for most of the past 35 years. Over the past 5 years though, I have changed up some. I have two Jazz Basses and two Precision Basses (and a few others). I've tried to get the best out of each bass, string and setup wise. As it has played out, I have flat wound strings no both of my Precisions, and Round Wounds on both of my Jazz basses. One of my J's has a lighter gauge set of strings. I think a 40-100 set. It came that way so that's all I know about them. The Flats are Labella Deep Talking Bass and Rotosound Flats. I bought one of the Jbasses in 2001, and I still have the original round wound strings. They are dead as can be and really have a sound that combines some characteristics of both round and flat strings. They make it back onto the Jazz every now and then, just for that reason.
A little late to the party, but I primarily play 5 string basses using Ernie Ball Hybrid Slinky so the low B is a lighter gauge. On my fretless basses I tend to use flatwounds, and on my 53 p-bass I use the black tapewound strings and they sound amazing. On pretty much all of my guitars I tend to run Ernie Ball Regular Slinky 10s, with exception to my acoustics, which get Martin Silk & Steel. My cello gets a mix of Larsen and Spirocore. That's pretty much it.
I've been using Elixir bass strings on my Lakland 44-02 bass for years 45-105. It provides a smooth, natural feel that also enhances grip. You can take a look on my TY channel.
Enjoyed the video! I had to listen several times (& take notes-pun not intended!). Like Julia said... at the end of the day it depends on the style of music. I play contemporary Christian music with a little bit of playing along with 70’s funk mp3’s I presently play LaBella flats on my Fender p/j because I bought the bass used 3 years ago w/ those strings already on it. It sounds ‘ok’ but hate to experiment when bass strings cost so much. It was great to hear you play different sets on the same p/j !! I had to use headphones to really appreciate the differentiations. My 2nd bass is an Ernie Ball MM Stingray. It has EB Super Slinkys on it and I think they’re too tinny sounding & I’m only playing them because I spent $20 on the set & hate to hv them sit but there’s a young player at church who I tend to supply with stuff because he (or his parents) can’t afford tuners/strings/gig bags etc. Ok... of the sets you played I believe the EB Cobalts are my favorite for the p-bass pickups on my p/j bass. And they’r ok with cutting-through the mix when I switch to the bridge p/u. For use in my Music Man Stingray I’d go with the Rotosound 66’s. “But” the Rotosounds could sound different on my MM vs the bass you were demo-ing!! It’s so subjective!!! I need 2 more basses!!! (But I’d be sleeping on the couch!) Thanks for considering me in your string giveaway offer. Blessings ! Dave V Raleigh NC USA
Very interesting and helpful comparison. Thank you. I was a little surprised that I liked the flat wounds more than I expected. The most insightful part though was that Julia sounds like… Julia (which is great, of course). A seasoned musician can change instruments, strings, and amplifiers, etc. - but the player will make small and subtle adjustments in playing position and strike, etc., in an effort to have a sound return to them that feels like home. Changes in guitars, amps and strings obviously makes a difference. But the biggest factors are the soul, the fingers and hands.
Very useful vid guys. Keep them coming! I think it would be a great idea to put a small list of string/gauge/pickup combinations that are being tested in the corner of the video for context and the ability to trace where we are in the scheme of comparison. On my J-bass I have flatwound TI strings; thumpy, yet articulate. Versatile with great playability. Rumour has it that it also helps somewhat to have a good bassist playing them.
I've been playing bass since 1985, I own 7 basses of which 5 are Fender Jazz basses. I play the Rotosound strings you played, on two of my basses (1 Jazz bass , 1 Precision), I play LaBella flats on the precision and D'Addario flats on the Jazz bass.
I love flatwound strings too - I guess it's because I like a super mellow bass tone (plus you don't get that screech when sliding your fingers up and down the strings). I have a jazz bass that's fitted with flatwounds. The only downside is they're not really suitable for playing slap. Fun fact: flatwound bass strings were the norm until about the 80s when most bass players started using roundwounds.
I have a Jackson bass and I’ve always played round wounds, but to be honest I didn’t hear a lot of difference in tone. I don’t know if it sounded different in the room, but the recording didn’t have a lot of tonal variance. With that said, I’d like to try flat rounds for fun. I play rock music...on the heavier side...and would be curious to the feel and sound of flats playing that. Julia is awesome, I’ve seen some of her other videos, she’s definitely a keeper!
This was helpful! I dug the Rotosounds for their warmth, though I didn't expect them to sound like that or to like them. I hear they tear up a fretboard however. I've got a Fender Jazz Deluxe (active pickups) and tried DR Sunbeams (nickel) and I preferred them over stainless, though I got them in light gauge and they felt really loose and sloppy. I then went to my trusty Ken Smith stainless taper core in their medium gauge - less warmth and sustain on the Jazz though I love them on my rock 5string. I'm going back to DR Sunbeams in a medium gauge in hopes of a better feel with that warm sound I love. I play rock cover tunes and would love to know what string type is most well-suited to a variety of tunes like that.
I think I liked the first strings best Soundwise, obv can't tell by the feel. I've recently started getting really into playing my bass, and am really enjoying it. Finding so many sick videos on TH-cam of solo bass performances, and it's so interesting seeing the bass do it's thing in the spotlight, rather than hidden away next to the drummer as we usually tend to be haha. Really interesting video as I want to try n get my bass sounding a bit nicer, so this comes in handy. Epiphone Toby Tobius IV is what I'm using at the mo, & with what ever strings it came with bought new. Seems good for rock/metal but I wanna get a squier jazz bass 70s classic vibe soon hopefully. (Can no way afford a fender yet, and the squier are nice to play) Love the Daphne blue with red(ish) scratch plate. Wicked skills Julia has brought to Thomanns TH-cam presence. I recognise her from being dressed as Rey in the funk Star Wars jam on here a few weeks ago. Keep up the good content & happy New year to all low end lovers!!!!
Slinky Cobalt Flatwounds are the bomb. Have tried nearly all the flats and tapes except LaBellas and Tomastiks (expense has them slotted for the end of the line try, maybe someday). But after using these and playing them for a couple of years on various basses, I realize there’s no need to continue wasting more time on strings. These cobalts or DR’s Legend for flats and you’re good to go. Less gear wondering and more playing🤙🏼
My internet connection, and/or the tiny speakers I am listing on, can't accurately reproduce what you guys can hear live.... SOOOOoooo, I have to go with my preference of the flatwound. BUT, I would enjoy hearing your evaluation of the flatwound vs. the new, trendy nylon wrapped strings, that are receiving a lot of attention.
Hands down, the tone and feel of the Ernie Ball Slinky flatwounds really stood out. Very articulate, yet warm. Using either fingers or a pick can really cut through and sit very well in the mix.
For me, my world is round not flat! Personally I would have slapped the preamp on, cranked the bass and treble, stuck the light gage rounds on and give them a hiding with a pick! Cause they make the rocking world go round! Welcome to the channel Jules! Xx I usually use coated/treated or maxima gold and Rotosound if on a budget! Could we have a vid comparing coated/treated, gold, nickle and steel strings please, and maybe bronze and coated/ treated bronze on acoustic basses please! Thanks guys!
I generally pick the strings to fit the bass, tone-wise. I've found, in general, that Ernie Ball strings are the brightest rounds and Roto Sounds are the warmest. For flats, I play Labella exclusively- the tone is perfectly balanced. I have medium slinkys on my stingray, medium La Bellas on my Gretch knock-off, drop-tuned Rotos (BEAD instead of EADG) on my Jbass, heavy La Bellas on my Pbass, medium Rotos on my ESP, and La Bella tapewounds on my acoustic electric Alvarez. I would never recommend up tuning a B string to an E. My heavy-gauge strings made me tighten a truss all the way as it is! Have fun experimenting!
I tried Dunlop flatwounds for a while and liked them very much. They are on the dark side in terms of sound and very comfortable to play without being flabby like T.I. strings.
the best strings and I use them on all my basses are Elixir nanoweb 45. I also used some decent strings in the past like DR Marcus Miller but I`m excited to try the new Mark Bass strings as I put my hands on them for a brief moment and they felt and sounded great...
I'm a new bass player. I have a musicman stingray. It has strings on it , I pluck them, they make sounds , The sounds make me smile, the neighbors get mad ! .... That's pretty much all I know about playing bass so far after 1 month. Happy New year everyone !!😎🍀
That's probably my favourite comment of the day ! haha :) Happy new year and keep having fun playing your bass ! // Guillaume
You forgot the THICC strings.
When i first got my bass 4 months ago, that string thickness game me a really good, hefty feel for it. And my bass came strung with .40 to .95, i want to go with .45 to .107 with the D'Addario EXL170BT
@@darkySp Do it. The Balanced Tensions are a dream.
@@nick.raptis I still have 2 of my cheap string sets to go through, but i'm definitely picking up the EXL170BT later when i get the need
@@darkySp They're not going to sound any different to the normal Daddarios. But I spent my first 10 years playing bass complaining that my D string was way too stiff and the A a close second. That's the feeling the balanced set fixes. Plus the 107 is great for occasionally drop tuning!
Those Ernie Ball cobalt flatwounds are some of the brightest, most untraditional flats out there, noted for sounding very much like rounds. As the manufacturer describes them: "Featuring a SuperBright Cobalt ribbon wrap, Cobalt underwraps and optimal hex-core to wrap ratio, the new Flatwound bass strings are the first flat that actually feels like a flat and sounds like a round."
So not the best set for a comparison like this one that aims to educate people on rounds vs flats, although an excellent accidental showcase of how awesome those cobalt flats are.
Thanks for pointing that out. I definitely had a hard time telling much difference. Seemed like any difference had more to do with her palm muting than the actual strings, even when playing with a pick.
@@billtackett8217 yeah, if you try other brands you'll definitely get more of that dead "Jamerson" type of sound. I play the Fender 9050 flats and love them. They're also some of the cheaper flats on the market. But I've heard great things about La Bella, D'Addario Chromes, GHS Precision Flats, and TI flats. The TI flats are by far the most expensive. And the D'Addario are also on the brighter side.
Yeah thy didnt sound like true flats too me should have done some roto sound flats.
Absolutely correct ! I use the cobalts flats for 2 years now and i love them. I would say, they are a hybrid between roundwounds and traditionell flats. If you have a bass with much fret noise the cobalts flats can also help.
I feel a bit of joe dart
Flatwounds on a P-Bass is what I grew up with and what I fell in love with, and what brought me to bass playing.
I play a Fender Jazz bass and use Rotosound flatwound strings. AMAZING! Highly recommend! Before that I used Rotosound nickel (you demonstrated them in this video, they were the one's in the blue packaging). This is what I notice: (1) Roundwound = brighter sounding, you can hear your pick and fingers moving across the strings, and they don't last as long as flatwound, (2) Flatwound = darker sounding, not bright sounding, very smooth strings when you run your fingers over them, no pick or finger sounds when you move over them, and they last a lot longer than roundwound strings.🙂
Thomastik flats + PJ Yamaha workhorse. Covers everything from jazz to sludge. Most importantly - Thomann, you have to keep Julia, she is extraordinary.
Hell yeah! I play flats on an 1985 BB1100S. I can easily dial-in a vintage tone or a modern aggressive tone, all with my amp set to flat.
Yeah! You know what you're doing, I play an ibanez 5 string bass. Really thick strings though, but the tone is great and versatile
Yep Have them on my jazz bass and can play anything on them even punk!
I keep Thomastik Flats on my Fender PJ and it is a beast
It's 2021 and they did so.
Love flatwounds for that bassy bass sound and I started playing bass on flats so they are kinda like home. Really though, you need to own two basses, one with flats the other with rounds.
All those strings sound great when Julia plays them.
I hope we move away from the age where people simp for women. Even though it is done on the same level of performance as everybody else.
@@CS_Mango
My first thought too
@@CS_Mango you beat me to the "simp" comment. Made my day lol
What a sleaze
Careful- you've awoken the incels!
I’m new at bass. I’ve been plying guitar and singing professionally for forty years
I’ve always had a band but now I’m doing a solo and recording my own backing tracks. This was very informative thank you for doing this. I am loving the bass and struggling with technique. All the best I’m from Louisiana home of some incredible bass players
If you grab any other companys flat wound strings dont expect em to sound like the ernie ball cobalt flats.. Traditional flats have a darker warmer tone not as much bite on the top end as round wounds. And cheers
Lurk around (use the search function) the talkbass.com forums to get a lot of info FAIRLY quickly. And carrots.
I took up bass about a year ago after playing guitar. Best advice is to try Scott’s bass academy. I wish I had had something like that when I picked up guitar. Brilliant resource.
Cool, it seems to be Julia's first appearance on Thomann's YT channel. Julia, you're a star!
By playing mostly staccato notes, it makes it very difficult to hear the difference in tone between the different strings. Playing the notes full and open would be a better demonstration of this.
Exactly. She is plain stupid.
@@fidodido664 To be fair, there are far too many bass demos done by other folks that doing the same thing. I leave this same comment to all those who it applies to. Just pointing out the fact of that when the playing is just staccato/ palm muted, it is nearly impossible to hear any definitive dynamics and full tone. The purpose of my explanation are directed to those who question my reasoning of the comment :)
Indeed not the BesT way of comparing them
fidodido665 you can’t hear the difference, and she’s stupid? 😂😂😂
Agree, 100 %. I don't know what this demo is good for. 😳🙄
Honestly those flatwounds sounded pretty much like rounds, minus extra string noises (which I guess makes sense since its what they're advertised as, but I wasnt expecting them to sound that close). Maybe there should have been another pair of flats in there that go for the traditional flatwound sound
biggest difference in flats and rounds is how they age, flats just lose that initial brightness but then stay consistent, rounds will just die completely as they age
They sound like that brand new but once they're worn down they're the best sounding flatwound string on the market in my opinion. Only drawback is that they aren't as smooth and silky to the touch as other flats
I agree with the flatwounds. To my ears, they sounded best all around.
Ever since I first tried the Ernie Ball Flats, I have not been able to enjoy any other strings. They sound great and oh man, are they comfortable to play.
Hi Julia ! I’m 69 retired and started taking bass lessons 20 months ago. James Jameson ,Duck Dunn,Rocco Prestia are my top 3 bass players. My favorite is Ernie Ball flat wounds standard thickness because of Motown and Stax.
And what do you want? A scooby snack?
@@fcb9950 this was 2 years ago and it’s just a nice comment from a 69 year old…. would u like a sticker for being weird on the internet ? ^__^
my top three bass payers are stanley clarke, jaco pastorius, and Jeff Berlin
@@fcb9950 a$$ hole comment
My favorite strings are the Labella Deep Talking Flats.
Also surprisingly I found the Fender Flatwounds to be quite good for a lot less money.
Hi, Julia! I play an Active SDGR Ibanez. My favourite strings in this video are the Ernie Ball Slinky Flatwound 45-105. I play rock. I started playing bass guitar some months ago for my recordings so I thank you for your videos and demonstrations and Thomann in general. You make it look easy but I understand that, although being the bass a guitar all the same (I am singer and guitarist) it is a whole lot different concept, which I think it's great since I like exploring new lands! Love and good playing 😘☕🎸!!
Flatwound Ernie Ball Slinky Flats .45-.130 feels comfortable and there's no zing sound as you move around the neck. Also the smoothness of the strings is great on your fingers
I really like D’Addario Half Rounds, they are a very good alternative if you want a bit more vintage tone, but still want to be able to access some growling pick sounds too. Very underrated string choice, I think.
I agree been using them for over 40 years,past 10+years on a G&L 2500.
@@francesnieznay6623 what a co-inkydink: I have the same bass, and use the same strings. That is a great, underrated bass. Very balanced and versatile. I love my 78 jazz frankenbass, but the l2500 has the greatest palate of tones.
Love the half rounds. Went to them years ago when Dean Markley stopped production of the "Ground Rounds" those were the best I ever played and would still be using them.
Hello and welcome Julia, I’m currently learning the Bass Guitar 🎸 I got one for Christmas and I can’t wait to be part of the Bass Family😊
My string of choice from this selection was also the fllatwounds. They are my preerred strings on all but 1 of my basses. However, I prefer Thomastik-Infield flats for both my 1984 Rickenbacker 4003s, and 1967 Höfner 500/1. My 1999 Fender Precision wears Smith brand roundwound 30 gauge, and 2007 Fender Telecaster Bass is wearing the LaBella “1954 original” (James Jamerson/Carol Kaye strings_, but will most likely be switching to Thomastik-Infield flats with my next order from Thomann. Thanks from Texas!
I have flats on my acoustic bass and I love them, really like this Testing by Thomann..
I am very partial to the RotoSound rounds. I love the warm tone and they have perfect tension. I use RotoSound flats on my fretless p-bass. I love the sound and finger-feel.
I have a 5 year old set of Cobalt flats on my third-string passive Fender JazzV and they sound and feel very good.
That said my USA Custom Shop fretted Washburn XB925 and fretless Carvin LB75 both have old sets of Thomastik-Infield Jazz Flats and they are the perfect string. They’re expensive but just keep improving with age. They get softer feeling, the tone gets richer while not losing brightness. I use them for everything from rock, jazz, and blues to classical depending on the gig. They’re perfect.
When I first started playing 100 years ago there was only one option---flatwound. Round wound strings didn't exist----or if they did I never heard of them. I have tried all sorts since and eventually I went back to flats. I find Fender stainless steel light gauge are as good as any, and relatively cheap too.
Yeah, I use the Fender 9050 flats. I don't know why these don't get more love on "best flatwound bass strings" lists. I liked them better than the D'Addario Chromes I tried and they're like $12 cheaper.
You started playing 100 years ago? Are you Yoda?
@@justincase3360 I am whoever you want me to be! I think it's called poetic licence.
@@kingstumble LOL
Sorry, got you beat!! Been playing 200 years now. I know what you speak. Tried alot of things, but at least I've found a gauge I got on all my basses and that's EX light 95's of any brand, cheap or expensive. YES as in Chris Squire and Mr. Entwhistle were the first to bring roundwounds into the spotlight Early 70's with their distinct sound. Guys were putting them on RICKENBACKERS and chewing the crap out of the frets almost immediately. Used GL BRITE FLATS back then on my 4001 and still never replaced frets and got that 73' to this day, with flatwounds on it. Very cool sound. Also, newly acquired HOFNER BEATLE bass will recommend EXTRA LITE FLATS for sounding like PAULY'S.
SO many to choose, Just make yourself happy, there's no way you'll make anyone else!! ENJOY THE BASS. WE ARE SPECIAL AND IMPORTANT TO ANY KIND OF MUSIC.
time stamps for better A-B audio comparison
2:35 nickel roundwound .045
2:52 cobalt flat .045
3:09 nickel roundwound .040
3:26 nickel roundwound .040 (again?)
I have been playing the ErnieBall Cobalt Flatwounds for about 2 years now and I am absolutely thrilled with them. Sound great and last a long time.
Oh, & Julia ROCKS! Really groovy bass playing Juls! \m/
I just switched out my 1 year old stainless Rotos for the (45 65 80 100) set of the EB cobalt flats. Now given the fact that the old strings were, well, old, these flats were definitely brighter and carried plenty of overtones; I am totally digging the sound.
And the feel is so silky and smooth under the fingers. I did see comments about string friction for those who play fast, but since I am not at that level, I have not noticed any "stickiness" or other negatives.
Ok, perhaps one negative might be that since string noise is almost gone, I might get lazy and not pick my fingers up when moving around the neck, creating a bad habit. So, I guess I'll just have to keep playing flats.
I am curious how the overtones will hold up as time passes. Time will tell.
Thank you for the review, and God bless.
I love very thin strings, such as 35 or 40 ! They have a wider vibration than thick strings and it inspires me more :)
Great vids, keep on bassin' !
Same here. I'm playing D'Addario NYXL 4095.
I like 45-105s, because you can get such gnarly, funky staccato tones with them, but I also enjoy playing basses with light-gauge strings when I get the chance. It's fun to be that fast that easy, haha!
D'Addario Chrome flats are my current favorite. Warm and round but able to get a good bright slap tone out of them as well. Silky smooth and slick too. Using them to play country at the moment but would work for pop, funk, reggae. Second favorite would be my old go to, Light gauge GHS Bass Boomers. Loved the tone I got from those with a pick for rock. They have a great slap tone as well.
Yep, D'Addario flatwound son my Gibson SG bass. Plays great, sounds great. 👍
Just a day or two ago, in Julia's segment on short scaled basses, I asked if she had made any comments on flatwound vs. roundwound strings.....and HERE IT IS! I'm just two years late. Thanks! I still prefer flats on my basses, but I still enjoyed the information. Thanks, Julia.
I've been playing DR flatwound Hi Beams for about 10 years. I love them! Very much prefer flats to rounds.
I started playing bass a year and a half ago. I have 2 Yamahas: a TRBX 147 (PJ config) and the TRBX 604. I really like flatwounds: so smooth and thumpy. I mostly play rock from the 1960s and 70s, with a little blues now and then.
My favourite strings by far are the Elixir nickel roundwounds. They stay crisp sounding for ages and keep a very nice "gnarl" all throughout their lifespan.
La Bella Gold White tape wounds! I play them on the exact same bass that you played in the video.
I use Fender flats on my Jazz, Pyramid Gold flats on my short-scale P-bass, DR Black Beauties on my PJ TUNE bass, GHS Halfwounds on my fretless, Stringjoy balanced medium nickle roundwounds on my 5-string, Stringjoy custom light roundwounds/D'Addario custom lights my 8-string, and stainless roundwounds on my Warwick Corvette $$. I grab whatever bass and string combination I think will best suit the music.
And hello to Julia! I really like the different licks you used for this test. Very nicely controlled and smooth.
Hi, to me it was a big improvement to switch from Stainless Steel Strings to DR Pure Blues 45/105. These strings create a warmer sound, but you can also get the right amount of overtones while slapping, btw. I use just a vintage P-Bass.
Cheers Frank
RotoSound Flat wounds almost always, but I play mostly jazz/hip hop/R&B/Country. Just love the feel of the Monel Flatwounds. Runner up would be Elixir.
Yeah..... I'm a guitarist who tries to play bass.... mainly for recording (too scared to play bass live). I have tried black nylon strings in the past and was very surprised by them and would like to try flat wounds just to compare. When it comes to round wounds I like to use 40s so those heavy gauge monsters will be giving me nightmares just thinking about trying them, ha ha. Always enjoy your playing, Julia....... Your a good bloke too, Andy. All the best.
Very well done!
Hadn't used flats for decades. Decided to give it a go, just for kicks. Research and decided on the EB Cobalts, 50~105. Was playing 50~105 on my nickel plated steels for several years, so the higher gauge D and G was a given. Love, LOVE the Cobalts. So much so that I ordered another set for another bass. THE brightest, "round wound sounding" string I've ever heard! Incredible clarity, articulation and solid fundamental tone, with out the ringing overtones and scratchy finger noise. Superb results with the EB Cobalts. Plus, I'm about 30% faster on flats. And that's okay by me! lol
There is some really nice basses in there, wow! Talk about a nice guitar store!
What shop is that?...A bass players dream come true!!
@@amandarita1 Thats the Thomann Shop in Treppendorf, Germany. Truly an astonishing experience, If you ever visit Germany, don't Miss out on that
@@emil-cz2vp I agree this is on my "to do list" for years. Probably the biggest shop in Europe.
Hello Julia! :) I am a big fan of those Ernie Ball flatwound. I think they sound fantastic and like the way they play, even though like Andy I'm a guitar player that just attempts to play bass ( though I'm playing it more and more over guitar lately)
Hey Julia! love your way of playing! good ear and feel!
i love rotosound flats , I love Iron Maiden so, Mr Harris has this super sound
Finally a review that utilizes multiple playing styles for the full range tonality of each string type.
Hi Julia and Andy, Happy 2020 for both !!! Just saw your video today, January 10. And very sad to know about Neil Peart (R.I.P.).
I heard some interesting of some strings , unfortunately through the tiny speakers of my cellphone.
Well, I’ve been playing bass since I was 12. My 1st love: a Höfner.
At the beginning I put nylon strings but I really didn’t like the sound of them, then I switched to Ernie Ball 45-65-85-105 or to 40-60-80-100. The sound was much better, considering that the bass is semi-hollow body.
2 years later a Rickenbacker 4001 arrived to my hands. I kept using the same prescription on strings and the sound is like keying lower notes in a piano..... great sound !!!
I tried once thicker strings but adds to much pressure to the neck.
50 years later, with all the improvements of technology, certainly I’d like to try different strings on both if I’m lucky enough to win.
All the best for you guys !!!!
very nice video you have made, as a seasoned bass player(46yrs now i am 62), I play in a 50's and 60's band and do have ten basses in my collection, 2 are 5 string basses. My preference in strings are medium flat wounds. rock and roll music back then was going from the upright bass to electric bass. so to get that upright bass sound I have found that flat wounds are more of that upright bass sound, especially when played right over the end of the neck. Every bass player has their own sound what they want depending on the music they are playing, from slap to heavy metal, that is where round wounds come in to play. I don't degrade any bass player who uses a pick either, it is a preference, I myself use my fingers, so rock on to all you low end lovers and play that bass the best you can!
Thanks, Julia for your videos. I, too am a fan of flatwounds. I recently put some LaBella Deep Talkin' Bass 760FS (45-105) on my (Carvin) fretless and am REALLY liking them. I think I want a set for my P-style fretted bass. For fretted J-style basses, I my favorite is the RotoSound Swing Bass 66. I don't even mind the sound when they lose that "zing"
Totally agree with your taste Julia, it was a great surprise while I was looking at the video and realized that flatwounds strings sounds more good than I expected, and I 've been using roundwounds since I have 14 !!!, and I'm 47 now, woowww...Also agree with the second option, Rotosound sound's great... here in Argentina strings are very, very expensive and I used to boiled my strings to keep them as new and bright as possible. By the way , please please , bring Harley Benton's products to Argentina, those bass and guitars sounds and looks amazing, and I love to have one ! ( yeah, I know the Pbass was a Marcus Miller, but I talking about a lot of instruments I saw in other videos ;-) ) Thanks for the video, really love it !
The Flats she used were Ernie Ball Cobalt Flats. They are much brighter and built to Sound like rounds. Cobalts in general sound brighter.
my favorite strings were the flatwounds. I play flatwounds, too (standard gauge) :)
If you play colbalt flats they are not a traditional flat wound and sound super bright when compared to something like rotosound flats or la Bella flats.
Thanks Julia.. Now I know I put the right Bass string on my PJ Greco Bass guitar.. it's like a short scale Bass.. Nice advice.. God bless you Julia I hope I see perform live here in the Philippines..
cool I like flatwounds & round wounds also But when I changed roundwounds on my short scale Eb 1 Epiphone to Flatwounds I really had to change the action . I decided I need 4 bass' 2 short scale & two fullsize with both types of strings & then I got the chance to try a friends Acoustic Bass .. Kind of somewhere in between short & full size .. But so nice to have the option . Glad you got the gig at Thomann .. But for you I wish in the future much more . keep on being cool .
hybrid slinky bass strings are my go to, I really enjoy that gauge. I've been using the roundwounds cause they're cheaper but I aim to buy the flatwound version when possible. I play hard rock/doom and it helps get the lows I'm after but gives a punchy clarity when using the higher strings, helps cut through the mix. I prefer the sound of flatwounds for that more vintage sound also.
Hi Julia. I have 2 basses. A 1985 made in Japan Squier Jazz with EMG pickups. It has DR Black Beauties 45-105??? I play this primarily at Church for a range of traditional hymns to contemporary worship music. My other bass was a gift. It’s a 1999 Carvin B4. That has a set of very old GHS pressure wound strings. I use it as a backup. I’ve only been playing bass for about 5 or 6 years. I love to get in a pocket and groove. I grew up playing 6 string electric. I also like Elixir bass strings.
Hi Julia, i enjoyed the segment on string comparisons. I have both a P Bass and a Getty Lee J Bass and I play half rounds on the PB and rounds on the JB. I play blues, blues/rock (mostly) and recently I have switch my JB to half rounds. I love the feel of these string smooth silky feel, but with the “halfs” I them to be just a little brighter. My technique is not such that I can slap or pop the strings confidently so the smoother and warmer which suits the style and genre of music I play.
I play a 1973 P bass with normal gauge round wound strings which I bought back then. Julia you are the bomb. Spectacular playing but with so much positive energy but always feeling the groove.
Love flatwound .045 ... Used to play a Japanese Hoffner knock off 50 years ago... Still have the guitar. Put flat wound .045 on that guitar every time out. Now have a Yamaha and a Gibson Les Paul Jr that I also have same flat wounds Ernie Ball. Great video comparison thank you
I'm a guitarist that dabbles within the bass world. I've played a *Squier P-Bass* for about 12 years now in *pop-punk/heavy rock* bands with *D'Addario XL Nickel Light (45-100)* strings. I never really thought much of it. About a year ago, I purchased a short-scale *Fender '64 Reissue Mustang* bass which came set up with a fresh set of *D'Addario XL Chromes Medium (50-105)* strings already on it and it has changed *EVERYTHING*. I used them for playing a musical, I've used them for home-recording, I've used them for *Rock, Pop, RnB,* and they both sound and feel great. I love the tone I get from them on my mustang. I still keep the long scale P-Bass for when I want to play heavy rock/metal and use round wounds on that, otherwise, I'm purely on the mustang with the sweet-sounding flat wounds!
I'm playing modern metal, groove metal and some pop stuff with 45-128 EBS strings without 4th(105) string on my both four strings basses (both tuned to drop C).
I bought a new Hofner Ignition bass recently and I am definitely going to change over to flatwound strings. I play 6-string normal mainly, and the round wounds on my bass hurt the heck out of my fingers. Am hoping flat wounds will be less painful.
I play covers in a band from 1960s-1980s. On two bases, a 1978 Fender Mustang (Short Scale) and a Japanese Fender Precision life. Strings on both are at least 10 years old and have a ‘distinctive’ sound. The Mustang has fender strings on it the precision Lite has Ernie ball slinky’s on it.......I think lol. Both are a standard gauge as I don’t like super heavy strings, I know what you mean by “scary”. My choice for next strings? Flat wounds as I love the feel of them. Great video.
Those flats are slinky flats they are basically made to sound like a round would great string but not right for this comparison
Julia, an excellent video about the different playability of those strings. I don't have the money to make choices, so you've really helped me with making a selection. I play round wound D'Addario's, but now hearing you play each string type, I really enjoyed the livelier tone of flat wounds. Thanks for clearing a lot of mystery and anxiety for me when buying strings.
I've tried several sets of rounds over the past few years on the Sire V7 I bought from Thomann but got hooked on flats as soon as I tried the Thomastik Infeld Jf344 (43-100) set. These have a clear and bell-like tone and are super-pliable and easy to play. I eventually swapped these onto my pbass where they really shine. I now have a great set of Labella 760fl (43-104) flatwounds on the Sire - which I highly recommend. Tone is smooth and fat and the highly polished feel under the fingers is the best of any flats I've tried. Having said that, those Ernie ball Slinky Cobalt Flats (45-105) that Julia was playing sound like you can get the tone of a roundwound with the feel of a flat. Would love to try those! Please stay at Thomann Julia, your enthusiasm for the bass really comes across in these videos and you're a real asset to this channel.
hey i have a question, do you have adjust the intonation at all switching between gauges
I like the flatwounds sound from DR.
I have 5 string bass and I would like what difference between 45-125 and 45-130?
What's difference with coats of strings?
I play Rotosound 66 Funkmasters on a 1978 P bass. They are really thin roundwound strings. 30 50 70 90. I used to play the 606 piano-wound version, which tapered so just the core wire passed over the bridge. They were my favourite. So much feel and sustain. You can really ‘play’ the instrument, not just thump out a basic rhythm.
I recently inherited a 1977 Ibanez Black Eagle. I play the guitar but never tried the bass.
What kind of strings should I choose?
Hi! I play Cocco .45 - .105 Stainless Steel. They has a warm, round Sound.
Roto Sound "Swing Bass" i play, when the Sound must clear in the Middle. I love this two :-)
Nice demo. I'd chosen Thomastik-Infeld Power Bass round wounds for my P-bass, but after hearing this I'm leaning toward the Slinky cobalt flats. Think I'll give them a try.
Ernie Ball EB2834 Super Slinky (45-100) for Alternative Rock and some Jazz. I love the bright growly Sound of them! Plus they are lasting way longer than other String-Companies ;)
My Pbass, JBass, and SDGR all have DR Hexcore Lo-Riders, in my experience these have been the best well-rounded strings for all styles.
I agree and my last name is also Ibarra! haha
Yeeaah... What's twice the half of one and half twice?
I prefer flatwounds! I have flats on my Jazz which I bought new in 1977 and have very little fret wear for 43 years of playing. I have other basses that I've used rounds they haven't faired out as well! You got a really good tone on the new bass with all the strings!
The Flats sounded brighter then what I would have expected. I usually use 45-65-85-105 D’Addario XL. I play a mix of music jazz, rock, funk, R&B to name a few. I just picked up a set of Ernie Ball Hybrid slinkys 45-65-85-105 to try. Haven’t used Ernie Ball strings in years.
I have played GHS Boomers 45-105 for most of the past 35 years. Over the past 5 years though, I have changed up some. I have two Jazz Basses and two Precision Basses (and a few others). I've tried to get the best out of each bass, string and setup wise. As it has played out, I have flat wound strings no both of my Precisions, and Round Wounds on both of my Jazz basses. One of my J's has a lighter gauge set of strings. I think a 40-100 set. It came that way so that's all I know about them. The Flats are Labella Deep Talking Bass and Rotosound Flats. I bought one of the Jbasses in 2001, and I still have the original round wound strings. They are dead as can be and really have a sound that combines some characteristics of both round and flat strings. They make it back onto the Jazz every now and then, just for that reason.
Flat wounds: to save all the edits in the DAW made to remove the noises between notes!
Hahaha most definitely
@@Ben59910 ;)
A little late to the party, but I primarily play 5 string basses using Ernie Ball Hybrid Slinky so the low B is a lighter gauge. On my fretless basses I tend to use flatwounds, and on my 53 p-bass I use the black tapewound strings and they sound amazing. On pretty much all of my guitars I tend to run Ernie Ball Regular Slinky 10s, with exception to my acoustics, which get Martin Silk & Steel. My cello gets a mix of Larsen and Spirocore. That's pretty much it.
I've been using Elixir bass strings on my Lakland 44-02 bass for years 45-105. It provides a smooth, natural feel that also enhances grip. You can take a look on my TY channel.
Enjoyed the video! I had to listen several times (& take notes-pun not intended!).
Like Julia said... at the end of the day it depends on the style of music. I play contemporary Christian music with a little bit of playing along with 70’s funk mp3’s
I presently play LaBella flats on my Fender p/j because I bought the bass used 3 years ago w/ those strings already on it. It sounds ‘ok’ but hate to experiment when bass strings cost so much.
It was great to hear you play different sets on the same p/j !!
I had to use headphones to really appreciate the differentiations.
My 2nd bass is an Ernie Ball MM Stingray. It has EB Super Slinkys on it and I think they’re too tinny sounding & I’m only playing them because I spent $20 on the set & hate to hv them sit but there’s a young player at church who I tend to supply with stuff because he (or his parents) can’t afford tuners/strings/gig bags etc.
Ok... of the sets you played I believe the EB Cobalts are my favorite for the p-bass pickups on my p/j bass. And they’r ok with cutting-through the mix when I switch to the bridge p/u.
For use in my Music Man Stingray I’d go with the Rotosound 66’s. “But” the Rotosounds could sound different on my MM vs the bass you were demo-ing!!
It’s so subjective!!!
I need 2 more basses!!! (But I’d be sleeping on the couch!)
Thanks for considering me in your string giveaway offer.
Blessings !
Dave V
Raleigh NC
USA
Very interesting and helpful comparison. Thank you. I was a little surprised that I liked the flat wounds more than I expected.
The most insightful part though was that Julia sounds like… Julia (which is great, of course). A seasoned musician can change instruments, strings, and amplifiers, etc. - but the player will make small and subtle adjustments in playing position and strike, etc., in an effort to have a sound return to them that feels like home. Changes in guitars, amps and strings obviously makes a difference. But the biggest factors are the soul, the fingers and hands.
For me, flat with a pick, all day :) I think it sits better in a mix - less frequency competition with the guitars.
Recently replaced strings to GHS Precision Flats 45-105. Bass is a Squier American Standard Precision Bass. Wonderful sound!
Very useful vid guys. Keep them coming! I think it would be a great idea to put a small list of string/gauge/pickup combinations that are being tested in the corner of the video for context and the ability to trace where we are in the scheme of comparison. On my J-bass I have flatwound TI strings; thumpy, yet articulate. Versatile with great playability. Rumour has it that it also helps somewhat to have a good bassist playing them.
I've been playing bass since 1985, I own 7 basses of which 5 are Fender Jazz basses. I play the Rotosound strings you played, on two of my basses (1 Jazz bass , 1 Precision), I play LaBella flats on the precision and D'Addario flats on the Jazz bass.
To my ears, I liked the rotosounds 66 with blue packaging ,nickelplated wound over steel core, round wound
TI Flats are my favs. I have them on a Jazz, PBass, and a P/J. I also have various roundwounds and tapewoiunds on other Basses.
I love flatwound strings too - I guess it's because I like a super mellow bass tone (plus you don't get that screech when sliding your fingers up and down the strings). I have a jazz bass that's fitted with flatwounds. The only downside is they're not really suitable for playing slap. Fun fact: flatwound bass strings were the norm until about the 80s when most bass players started using roundwounds.
I have a Jackson bass and I’ve always played round wounds, but to be honest I didn’t hear a lot of difference in tone. I don’t know if it sounded different in the room, but the recording didn’t have a lot of tonal variance. With that said, I’d like to try flat rounds for fun. I play rock music...on the heavier side...and would be curious to the feel and sound of flats playing that. Julia is awesome, I’ve seen some of her other videos, she’s definitely a keeper!
This was helpful! I dug the Rotosounds for their warmth, though I didn't expect them to sound like that or to like them. I hear they tear up a fretboard however. I've got a Fender Jazz Deluxe (active pickups) and tried DR Sunbeams (nickel) and I preferred them over stainless, though I got them in light gauge and they felt really loose and sloppy. I then went to my trusty Ken Smith stainless taper core in their medium gauge - less warmth and sustain on the Jazz though I love them on my rock 5string. I'm going back to DR Sunbeams in a medium gauge in hopes of a better feel with that warm sound I love. I play rock cover tunes and would love to know what string type is most well-suited to a variety of tunes like that.
I think I liked the first strings best Soundwise, obv can't tell by the feel.
I've recently started getting really into playing my bass, and am really enjoying it.
Finding so many sick videos on TH-cam of solo bass performances, and it's so interesting seeing the bass do it's thing in the spotlight, rather than hidden away next to the drummer as we usually tend to be haha.
Really interesting video as I want to try n get my bass sounding a bit nicer, so this comes in handy. Epiphone Toby Tobius IV is what I'm using at the mo, & with what ever strings it came with bought new.
Seems good for rock/metal but I wanna get a squier jazz bass 70s classic vibe soon hopefully. (Can no way afford a fender yet, and the squier are nice to play) Love the Daphne blue with red(ish) scratch plate.
Wicked skills Julia has brought to Thomanns TH-cam presence.
I recognise her from being dressed as Rey in the funk Star Wars jam on here a few weeks ago.
Keep up the good content & happy New year to all low end lovers!!!!
I play a Fender Squier jazz bass. And I prefer roundwound mediums. Thank you for sharing 👍
My favorite setup is Flat wound med weight tuned down a whole step like Carol Kaye of the Wrecking Crew ...
So much to take in in such a short time. Thanks
Rotosound Swingbass 66 round wound on my Farida Jazz bass thru an Ashdown gives me the JJ Burnel "Growl" l crave.
Hi Julia, I wish soon you'll be a legendary Bassist.,
I use GHS Flat wound on PJ bass. I love their tone..
Slinky Cobalt Flatwounds are the bomb.
Have tried nearly all the flats and tapes except LaBellas and Tomastiks (expense has them slotted for the end of the line try, maybe someday). But after using these and playing them for a couple of years on various basses, I realize there’s no need to continue wasting more time on strings. These cobalts or DR’s Legend for flats and you’re good to go. Less gear wondering and more playing🤙🏼
My internet connection, and/or the tiny speakers I am listing on, can't accurately reproduce what you guys can hear live.... SOOOOoooo, I have to go with my preference of the flatwound. BUT, I would enjoy hearing your evaluation of the flatwound vs. the new, trendy nylon wrapped strings, that are receiving a lot of attention.
Hands down, the tone and feel of the Ernie Ball Slinky flatwounds really stood out. Very articulate, yet warm. Using either fingers or a pick can really cut through and sit very well in the mix.
For me, my world is round not flat! Personally I would have slapped the preamp on, cranked the bass and treble, stuck the light gage rounds on and give them a hiding with a pick! Cause they make the rocking world go round! Welcome to the channel Jules! Xx I usually use coated/treated or maxima gold and Rotosound if on a budget! Could we have a vid comparing coated/treated, gold, nickle and steel strings please, and maybe bronze and coated/ treated bronze on acoustic basses please! Thanks guys!
I generally pick the strings to fit the bass, tone-wise. I've found, in general, that Ernie Ball strings are the brightest rounds and Roto Sounds are the warmest. For flats, I play Labella exclusively- the tone is perfectly balanced. I have medium slinkys on my stingray, medium La Bellas on my Gretch knock-off, drop-tuned Rotos (BEAD instead of EADG) on my Jbass, heavy La Bellas on my Pbass, medium Rotos on my ESP, and La Bella tapewounds on my acoustic electric Alvarez. I would never recommend up tuning a B string to an E. My heavy-gauge strings made me tighten a truss all the way as it is! Have fun experimenting!
I tried Dunlop flatwounds for a while and liked them very much. They are on the dark side in terms of sound and very comfortable to play without being flabby like T.I. strings.
the best strings and I use them on all my basses are Elixir nanoweb 45. I also used some decent strings in the past like DR Marcus Miller but I`m excited to try the new Mark Bass strings as I put my hands on them for a brief moment and they felt and sounded great...