I am impressed. I write and only play my own material and borrow and blend all Metal styles. I might flat pick the verse with a low gain pedal and then use Doom like power cords for the chorus etc. The thing about this pedal it sacrifices beyond stupid gain in favor of leaving in some rich harmonics to give a detailed tapestry in the mids. Dare I say it? It simply has tone instead of only might!!
Great demo - but to show the bass-range you need to crank the depth first: it's like our cut control but inverted. Meaning at fully CCW you'll get a low cut at almost 800hz making it tight but thins out the bass. Fully it let's the whole range through and gives the bass control full effect - it goes into ridiculous territories even with the active 16dB bass boost 😁
Im thinking the comp may come into play more when you are cranking that low end-might stop some of that big bloom you get on ringing chords. I was surprised how well it played into a driven channel. Daniel is the man!
The comp is basically a blend between different clipping styles: LED to Germanium with all in between settings - this way it works great as a fuzzy distortion (fully CCW), classic Big Muff style (noon) and even low gain overdrives (fully CW) :)
I like the three band equilizer section, but more bass would be fine. The boost function is great. It's not really a doom pedal, but I like it. I have to try it...
You should definitely try it - it's for sure not lacking bass when played into a high headroom amp: it has the big bass of a muff style pedal and the active bass control can add another 16dB to it. In fact it has so much bass it's getting ridiculous - given the amp can take it (which most modelers can't due to the limited headroom of 3.3-5V due to A/D-conversion in contrast to 300(+)V in a tube amp :)
I am impressed. I write and only play my own material and borrow and blend all Metal styles. I might flat pick the verse with a low gain pedal and then use Doom like power cords for the chorus etc. The thing about this pedal it sacrifices beyond stupid gain in favor of leaving in some rich harmonics to give a detailed tapestry in the mids. Dare I say it? It simply has tone instead of only might!!
sounds like a killer pedal
Great demo - but to show the bass-range you need to crank the depth first: it's like our cut control but inverted. Meaning at fully CCW you'll get a low cut at almost 800hz making it tight but thins out the bass. Fully it let's the whole range through and gives the bass control full effect - it goes into ridiculous territories even with the active 16dB bass boost 😁
Sounded really good. Not too fuzzy at all. Probably a useful device.
Im thinking the comp may come into play more when you are cranking that low end-might stop some of that big bloom you get on ringing chords.
I was surprised how well it played into a driven channel. Daniel is the man!
The comp is basically a blend between different clipping styles: LED to Germanium with all in between settings - this way it works great as a fuzzy distortion (fully CCW), classic Big Muff style (noon) and even low gain overdrives (fully CW) :)
@@danielringl8501 ahhh i see! i was taking it literally from the name alone :)
Can’t deny to be happy about the mids, can you? Haha. I Love this pedal, it’s a different beast
You got me 😅
I like the three band equilizer section, but more bass would be fine. The boost function is great. It's not really a doom pedal, but I like it. I have to try it...
You should definitely try it - it's for sure not lacking bass when played into a high headroom amp: it has the big bass of a muff style pedal and the active bass control can add another 16dB to it. In fact it has so much bass it's getting ridiculous - given the amp can take it (which most modelers can't due to the limited headroom of 3.3-5V due to A/D-conversion in contrast to 300(+)V in a tube amp :)