Wait until some tube goes out that hasn't been made in 40 years. I'm all for keeping the remaining legendary units in pristine condition and making them available to everyone like this.
Didn’t they have an SSL Bus Compressor? As in wouldn’t it make the most sense to compare it to something you have with audio you process as much exactly the same way as you can?
I saw the demonstration at Namm. Its the real deal. The technology behind this is real interesting. I believe they were going to start selling or renting the technology to other studios so they can start renting their equipment out as opposed to sessions. Would be cool to access the equipment say at Abbey Road. Technology is moving us Onward and Upward...
I saw it at NAMM too. At first they were just giving a way free rentals. I think I still have a video I took of it working with all the robotic knobs dialing. It was probably most impressive thing I saw that year at NAMM.
I've used Mix:Analog a few times and I really liked it, BUT it was only useful to me on the mastering phase, which I rarely would do myself. I've always wanted something that could be inserted into the mix I'm working on, either on individual channels or on busses that I can mix through - I like this idea a lot
I wonder in the long run if it's not cheaper to use a service like this. No worry about gear going down or tubes to change out or the massive amount of money to pay for the "real" deal units. It's a very interesting concept. Always appreciate your view on things.
Looks cool for home mixing. Say you’re song is pretty much 90% mixed. Then you want to use the fusion or SSL comp. Cheaper to spend $6 to set the SSL real quick on the master and bounce. My limit on new analog gear is usually around $1,200 or so most the time. Unless my investments are doing good…no way I’m affording an SSL G compressor of Fusion! I could probably afford to get a Distressor though, and try it here.I bought most my expensive gear when I recorded people. Now I just make music for fun 🤷🏻♂️
I was thinking the same exact thing. Of course it would be great just to use like it was your own gear, but it’s a great place to have fun and test out things before you buy, or if find you don’t like it, not buy it. Great video !! 👍🏻👍🏻
@@mixanalogcloud I looked on there and its all newer stuff or remakes and only 5 are available . There's a Dave Smith OB6 but I already own a Matrix 1000 and Cheetah MS6. I'm looking for old analog stuff but thank you this is exactly what I was referring to.
Would be great to save this on analogue synths. Off course abit expensive for a jam session but great if you had a part already roughly dialed in using a plugin and then just tweak the analogue and bounce
For the record you were switching the in/out button, not the by pass. That's why the output volume was affecting the source. Thanks for checking this out! I was literally watching their last NAMM appearance video, just last night! Spooky 😅 Doing gods work... sound god... Darude 👊🏽🤙🏽👍🏽
Hey man, please make an in depth video about *HARRISON MIXBUS 32c* ! Does it really sound as good as people are claiming ? Do some null tests too ... It would be nice to hear your opinion about it. Cheers ! Love your channel ; )
Nice video.. Worth mentioning that Brian Lucey the grammy aware winning Mastering Engineer is a part of this solution (endorsing it at least). In a video on the Agartha Podcast YT channel he talks about the kit and how it was upgraded etc. Appreciate that they could do more on the website too of course.. Keep on keepin on..
FYI, “the cloud” IS a server rack. Just thousands of them. The cloud is only server racks inside data centers that replicate amongst each other globally.
A long time ago there was a website where you could upload a sound and it would play the sound over speakers in this abandoned industrial space somewhere in Canada and record it with all the reverb, after which you could download your sound reverberated. I wish I could remember the name of it, but it was pretty cool. Tech has really come a long way.
@@konvulsion2 i didn't end up buying one but i did use it via this service and it worked well. ssl came out with official fusion plugins so id probably buy that because its a thousand dollars cheaper. i still hope to own one someday though
... just checked their Instagram: You'll find movies showing their robotics in action there. How is latency handled / which delay you'll have to expect? When you turned knobs, I realized reaction is delayed substantially - while this should work fine for static settings, I imagine it could be difficult to ride parameters that way?
true, and you'd expect that really with the interface. Question is, is if you have analogue gear that needs dialing it, could it sound work because you simply can't dial in an EQ as good as an immediate plugin?
Just tune your latency and you can perform some ride. With some practice you can make it. You can make it step by step either. I'm really in love with Analog Acess. It's been a very useful tool to me.
I remember you reviewing this in the past. Interesting. I wonder if this can be a sector for people who have a lot of analog gear. Thanks. Stay safe :)
the brainworx plugin doesn't have oversampling, which i think doesn't make it that useful for especially high spectrum sounds or more heavy saturation in general. starts to sound digital quite easily there :(
It's pretty reasonably priced, and it has different gear than mix Analog. I probably still stick with Mix Analog for the gear that they have, but will come to this site when they don't have it. I also like the fact that you can use any gear you want while only having to book one session, which is not possible yet in Mix Analog.
Well, a cloud is technically a remote server rack. For you this is basically what's called a private cloud or an specialized public cloud depending on how do you want to look at it
In my experience with the plugin version, the saturation dial does nothing unless you engage the alt tube button on the right, and that's what appeared to happen here. Would have loved to have heard the air dial boosted also, but you didn't try it, just switched it on and off. This is why reading the manual is non-negotiable. Disappointing review on these points, but it did sound richer than the plugin version, so that's something i guess.
I know you said at the end that you don't care about opinions about you, but my opinion is that you seem like a cool guy. Also - very nice and interesting content, as always!
I feel like this really defeats having analog equipment because the biggest thing for me with analog equipment isn’t the sound its the controls. Being able to move multiple controls at the same time and finding the sweet spot is the thing I adore about analog.
You have analog equipment and the biggest thing for you isn't the sound? Interesting, never heard this before. If I could get the same sound of my Arp Odyssey in a plugin and not have to deal with sticky dusty 50 year old pots, I would be ecstatic
@@generichuman_ Yeah for me it's really about the workflow I can make a good mix both analog and digital but analog will get me there quicker most of the time. People who think they need analog to sound good aren't expecting the right things. Nowadays you can make a great mix analog and a great mix digital they will both sound great not one beter then the other just different. For me the analog workflow gets me to my desired destionation quicker. Hybrid is my favourite though, automation in the box big balance on a console eq on console and physical compressors.
the In/OUT is only for the saturation noob, and the Saturation noob it self is a wet/dry blend.. (all the way to the left 0 all the way to the right 100)
I am not sure where they are located but I would also like to see more details on how the robotics and patching works. I think it is reasonable to be a little be disbelieving as this would be quite easy to fake. Like cheap mastering where you pay someone and they run it through Landr but charge you for their expertise. It would be hard to tell unless you were experienced with the gear and/or knew how to spot the harmonic content that you'd expect to see through using the analog gear. Very interesting.
The company is located in Colorado, USA. They have brought gear to both the NAMM and AES shows. Plus they now have a robotic setup in a grammy-winning engineer's studio. They can also build you a custom robotic setup for your own gear if you have the money. They are legit.
@@RealHomeRecording thank you for validating this. Terrible that we have to keep both eyes wide open these days. I appreciate your input. Also now following your channel.
QUESTION - Do the devices (that are in a standard music studio eg. the Analog EQ or Compressors) have only manual ways to change the settings - or is there a way to control them electronically - eg USB connection to computer? Is that what you mean by robotics or relays they are using to change the settings?
I know its off topic but do someone know how to run vst plugins and use on desktop? because I want to de-ess/EQ youtube content on the fly. I use Equalizer APO for this but it can't load every plugin. Thanks
There's no way to mix in context with either service, right? I mean, you can master entire mixes or edit individual tracks (or bussed groups), yet I don't see a way to do as much alongside other tracks which is a huge part of mixing. Good mixers don't solo things constantly and go from one to the next.
This is a good example of my belief that a multiband feature in your saturation as being overrated/unnecessary. If it's really good then you don't need to remove any parts or isolate anything. If its good saturation I think you should be able to just slap it on the entire track and that's it.
@@razzerraw1108 Depends on which one of the plugins, not all of them are nice. Their Nebula plugin is on sale right now. Bought it with some Tim Petherick libraries. Amazingly close to real hardware but not so nice in terms of workflow in comparison to "normal" plugins. Also, all Acustica stuff is heavy on the CPU.
Big audio stores have demo units… that you then can buy for less as B Stock… why don’t they setup this type of thing, because it’ll also be a means for people to test the equipment also without having to make it to the store and the demonstration area?
I tried this service for 30 min two weeks ago. I actually was able to use Black box after 15 min of many attempts to put it into plugin. But strictly at the end of rent time it was off. I sent them a message with video of my attemps but they didn't answered anything
I experienced the same left right differences on some units, not sure if it was a lag or something... But the sound is definitely there , i quite liked the sonic outcome
Hey, du machst immer schon viele coole Clips, manche mag ich nicht aber das ist einfach Interesse und Geschmack. Was wäre wen du ein TH-cam Life Video bringen würdest!?
It would be really cool for same song with same setting on the black box plugin and the actual analog gear to see the difference in the saturation and depth, and only you can make it possible sooo pls 🙏😂
My rule of thumb is "buy", don't "hire". Actually, I own the black box hg-2. It was a present by some fans of our band Tripple Tree. Very expensive and very worth every penny
Labour costs is the new way of saying the monetary value for the amount of hours and effort a human is required to dedicate to a task. It's a term that's been around for yonks.
*Hello, do you have any tips for recording electronic pianos ( VSTi ) to sound more warm ? I use Sonar X3 as DAW and several plugins, but my recordings of solo piano are thin and looks plastic, looks lile mono sound. I´d like I could make it more like an acoustic piano, very warm, more wood, natual. Some way I could improve a little bit was passing the output sound of my Focusrite Pro 40 thru an analog mixer like Mackie 32/8 which has a great headroom and capture the analog sound from another computer/interface and apply some plugins. Apparently, the THIN problem happens when DAW mixes down to 2 channels and lose harmonics. Any ideas or plugins, compressors, exciters, any tips ? Thank you.*
It takes me so long and so much trial and error to tweak all my stuff that there's no way I could be expected to do it between the hours of 11am and whatever. I need whatever I use to be available 24/7 and I would hate to pay extra every time I need it.
What if my opinion is purely positive and filled with gratitude? Does that matter, just a little? ;) I think I'm gonna look for some amping for vocal tracks in the future. Could make a difference!
We soon will be replacing all TH-cam presenters with robots. The idea being that we could have them booked for our own personal use and not have to wait for the information or review that we need. 😜😜😜✌️
how tf does latency work here? latency over a network is constantly fluctuating, meaning plugin delay compensation in the DAW cannot possibly work properly without time travel. tf??
![[LIVE] : ONE ลุมพินี 86 | คู่เอก "คมเพชร vs ชาติพยัคฆ์"](http://i.ytimg.com/vi/m3q_dRYDuU8/mqdefault.jpg)
It's a nice service, only problem would be, the more I use or try units there, the more I'd like to own them myself.
You can weed out the ones you don't like and find the unit that's gonna glue your sound together.
@@arthurallsopp9344 Tbh, it will be an GSSL clone for me, since I'm too broke to justify some $3000 or whatever device.
Wait until some tube goes out that hasn't been made in 40 years. I'm all for keeping the remaining legendary units in pristine condition and making them available to everyone like this.
This is one of the coolest things I’ve ever seen.
What if this was just Chris running it through various AirWindows plugins? 😂
Didn’t they have an SSL Bus Compressor? As in wouldn’t it make the most sense to compare it to something you have with audio you process as much exactly the same way as you can?
I saw the demonstration at Namm. Its the real deal. The technology behind this is real interesting. I believe they were going to start selling or renting the technology to other studios so they can start renting their equipment out as opposed to sessions. Would be cool to access the equipment say at Abbey Road. Technology is moving us Onward and Upward...
I've never wanted something more of tech that we have now... i was wrong. I like this.
I saw it at NAMM too. At first they were just giving a way free rentals. I think I still have a video I took of it working with all the robotic knobs dialing. It was probably most impressive thing I saw that year at NAMM.
@@mjbangmusic I was thinking the same thing. It was most impressive.
I've used Mix:Analog a few times and I really liked it, BUT it was only useful to me on the mastering phase, which I rarely would do myself. I've always wanted something that could be inserted into the mix I'm working on, either on individual channels or on busses that I can mix through - I like this idea a lot
I wonder in the long run if it's not cheaper to use a service like this. No worry about gear going down or tubes to change out or the massive amount of money to pay for the "real" deal units. It's a very interesting concept. Always appreciate your view on things.
Thomann has this kind of thing for testing guitar pedals before you buy them, its pretty cool
wow didnt know that, how do i access this feature? i could use a new pedal 😂
@@cursedsound www.thomann.de/blog/en/stompenberg-effects/
Looks cool for home mixing. Say you’re song is pretty much 90% mixed. Then you want to use the fusion or SSL comp. Cheaper to spend $6 to set the SSL real quick on the master and bounce. My limit on new analog gear is usually around $1,200 or so most the time. Unless my investments are doing good…no way I’m affording an SSL G compressor of Fusion! I could probably afford to get a Distressor though, and try it here.I bought most my expensive gear when I recorded people. Now I just make music for fun 🤷🏻♂️
I was thinking the same exact thing.
Of course it would be great just to use like it was your own gear, but it’s a great place to have fun and test out things before you buy, or if find you don’t like it, not buy it.
Great video !! 👍🏻👍🏻
This is a great thing guys. I bet there already in the works to do this with vintage synths with CV MIDI gate controls. Sounds very promising.
Vintage Drum machines 808, 909, DMX, TOM. This could be something really awesome.
playasynth.com/
@@mixanalogcloud I looked on there and its all newer stuff or remakes and only 5 are available . There's a Dave Smith OB6 but I already own a Matrix 1000 and Cheetah MS6. I'm looking for old analog stuff but thank you this is exactly what I was referring to.
how would you deal with the latency.. would you monitor with your keys???
Do this and AB it vs the ITB version of Black Box :^)
That i would like 2 see
Real tubes and saturation still rules. Try a real Fairchild, for instance.
Would be great to save this on analogue synths. Off course abit expensive for a jam session but great if you had a part already roughly dialed in using a plugin and then just tweak the analogue and bounce
faCTS! THE JUPITER 8 WOULD BE LEGENDARY!
For the record you were switching the in/out button, not the by pass. That's why the output volume was affecting the source.
Thanks for checking this out! I was literally watching their last NAMM appearance video, just last night! Spooky 😅
Doing gods work... sound god... Darude 👊🏽🤙🏽👍🏽
Hey man, please make an in depth video about *HARRISON MIXBUS 32c* !
Does it really sound as good as people are claiming ?
Do some null tests too ...
It would be nice to hear your opinion about it.
Cheers ! Love your channel ; )
download their demo and try it for yourself. demo is limited only by very quiet occasional bursts of white noise.
Also look at Ardour, Harrison Mixbus is modeled on it, and Ardour is nowhere near as expensive
It does But I don't use it anymore because its features are not practical
Nice video.. Worth mentioning that Brian Lucey the grammy aware winning Mastering Engineer is a part of this solution (endorsing it at least). In a video on the Agartha Podcast YT channel he talks about the kit and how it was upgraded etc.
Appreciate that they could do more on the website too of course.. Keep on keepin on..
FYI, “the cloud” IS a server rack. Just thousands of them. The cloud is only server racks inside data centers that replicate amongst each other globally.
I fink we knew dat...
A long time ago there was a website where you could upload a sound and it would play the sound over speakers in this abandoned industrial space somewhere in Canada and record it with all the reverb, after which you could download your sound reverberated. I wish I could remember the name of it, but it was pretty cool. Tech has really come a long way.
Bro, can you recall the name? Sounds cool
@@RTCLR123 "I wish I could remember the name of it" is a pretty big clue that he can't recall the name.
Well, UAD's Capitol Chambers smokes that, I'm sure.
And you can adjust it real-time, even the mics' placement.
i really wanna test out the ssl fusion before i get one and now i have a way, thanks!
Did you get a Fusion in the end? Does it convince you? I'm also after one
@@konvulsion2 i didn't end up buying one but i did use it via this service and it worked well. ssl came out with official fusion plugins so id probably buy that because its a thousand dollars cheaper. i still hope to own one someday though
In the picture, those are servos/ecu remote controlling the knobs on the faceplate.
... just checked their Instagram: You'll find movies showing their robotics in action there. How is latency handled / which delay you'll have to expect? When you turned knobs, I realized reaction is delayed substantially - while this should work fine for static settings, I imagine it could be difficult to ride parameters that way?
true, and you'd expect that really with the interface. Question is, is if you have analogue gear that needs dialing it, could it sound work because you simply can't dial in an EQ as good as an immediate plugin?
Wytse was on 4g so probs not the best up down speeds to test latency 😁
Just tune your latency and you can perform some ride. With some practice you can make it. You can make it step by step either. I'm really in love with Analog Acess. It's been a very useful tool to me.
I remember you reviewing this in the past. Interesting. I wonder if this can be a sector for people who have a lot of analog gear. Thanks. Stay safe :)
Why dont have the reverb hardware?
Finally a legit way to compare plugins wirh their hw counterpart
I'm curious, how did this analog version compare to the plug in version that you recently reviewed?
I can tell you the analog version is way better. I assume you are comparing the version of PA right?
the brainworx plugin doesn't have oversampling, which i think doesn't make it that useful for especially high spectrum sounds or more heavy saturation in general. starts to sound digital quite easily there :(
The plugin version is way better and sounds better.
Finally a proper EDM tune!
I want to see a robot arm like aria. In fact i want a full evangelion robot in headphones i can upload my conscious to.
Im in...
*heavy breathing at this idea *
It's pretty reasonably priced, and it has different gear than mix Analog. I probably still stick with Mix Analog for the gear that they have, but will come to this site when they don't have it. I also like the fact that you can use any gear you want while only having to book one session, which is not possible yet in Mix Analog.
Bought the PA version of Black Box a while ago. Lovely plug in 👍
The reaction at 8:24 is priceless…my man couldn’t even talk 😆
i will spend money on it for sure if someday they add reverb devices like bricasti, lexicon...
Well, a cloud is technically a remote server rack. For you this is basically what's called a private cloud or an specialized public cloud depending on how do you want to look at it
The cloud is someone else his computer ;)
In my experience with the plugin version, the saturation dial does nothing unless you engage the alt tube button on the right, and that's what appeared to happen here. Would have loved to have heard the air dial boosted also, but you didn't try it, just switched it on and off. This is why reading the manual is non-negotiable. Disappointing review on these points, but it did sound richer than the plugin version, so that's something i guess.
"Snake oil is me reviewing plugging without reading the manual" He said that in 0:32 in vide: "REVIEW: WAVES Abbey Road Vinyl
"
I know you said at the end that you don't care about opinions about you, but my opinion is that you seem like a cool guy. Also - very nice and interesting content, as always!
I feel like this really defeats having analog equipment because the biggest thing for me with analog equipment isn’t the sound its the controls. Being able to move multiple controls at the same time and finding the sweet spot is the thing I adore about analog.
You have analog equipment and the biggest thing for you isn't the sound? Interesting, never heard this before. If I could get the same sound of my Arp Odyssey in a plugin and not have to deal with sticky dusty 50 year old pots, I would be ecstatic
@@generichuman_ Yeah for me it's really about the workflow I can make a good mix both analog and digital but analog will get me there quicker most of the time. People who think they need analog to sound good aren't expecting the right things. Nowadays you can make a great mix analog and a great mix digital they will both sound great not one beter then the other just different. For me the analog workflow gets me to my desired destionation quicker. Hybrid is my favourite though, automation in the box big balance on a console eq on console and physical compressors.
you would be well served with a midi controller, like midi fighter, and plugins. lots of knobs with real time feedback.
the In/OUT is only for the saturation noob, and the Saturation noob it self is a wet/dry blend.. (all the way to the left 0 all the way to the right 100)
A parallel feed, not necessarily a mix knob
I am not sure where they are located but I would also like to see more details on how the robotics and patching works. I think it is reasonable to be a little be disbelieving as this would be quite easy to fake. Like cheap mastering where you pay someone and they run it through Landr but charge you for their expertise. It would be hard to tell unless you were experienced with the gear and/or knew how to spot the harmonic content that you'd expect to see through using the analog gear. Very interesting.
The company is located in Colorado, USA.
They have brought gear to both the NAMM and AES shows. Plus they now have a robotic setup in a grammy-winning engineer's studio.
They can also build you a custom robotic setup for your own gear if you have the money. They are legit.
@@RealHomeRecording thank you for validating this. Terrible that we have to keep both eyes wide open these days. I appreciate your input. Also now following your channel.
@@scottharris7222 you're welcome. And thank you for following!
Please consider reviewing the T-TackS stuff
Second that
QUESTION - Do the devices (that are in a standard music studio eg. the Analog EQ or Compressors) have only manual ways to change the settings - or is there a way to control them electronically - eg USB connection to computer? Is that what you mean by robotics or relays they are using to change the settings?
Besides the great product they are offering the customer service is awesome!
I don’t think anyone really expects things to be in actual clouds: most of us know that it’s a physical server somewhere.
It’s likely a virtual windows server.
@@KennyGuyte A virtual server on a real server? :D
I know its off topic but do someone know how to run vst plugins and use on desktop? because I want to de-ess/EQ youtube content on the fly. I use Equalizer APO for this but it can't load every plugin. Thanks
There's no way to mix in context with either service, right? I mean, you can master entire mixes or edit individual tracks (or bussed groups), yet I don't see a way to do as much alongside other tracks which is a huge part of mixing. Good mixers don't solo things constantly and go from one to the next.
Yeah, good mixers dont think...setup is there and you go by the gut/feeling
I wish it existed for synthesizers not just processing
I love hearing you talk
Amazing :) Do you know of a similar service for guitar amps?
Where is the level compensation control on this HG-2, so as to be use-able ?
thanx for that one! i hope they'll keep that price and add more stuff
Tried it and loved it
Can you compare it to the plugin? I'm a little skeptical also. 🧐
He already did a review of the plugin awhile back.
I don't care if you don't want to hear my opinion about you!
My opinion about you is: Lovely dutch music guy..
Please test some UAD emulations!
Wow... Thanks for this one. I'll absolutely check it out :)
This is a good example of my belief that a multiband feature in your saturation as being overrated/unnecessary. If it's really good then you don't need to remove any parts or isolate anything. If its good saturation I think you should be able to just slap it on the entire track and that's it.
How it sounds in comparison with the Plugin-Version of Blackbox by PluginAlliance?
Thomas Schneider Plug-in version Blackbox sucks.
City Tape Music why dont you like the plugin?
jmoney 0d It does not react like hardware. You can hear the harmonics is kind of static, less musical than the hardware, sounds plastic.
@@citimu940 Do you have any thoughts on Acustica Audio Plugins? Do you think they bring anything new to the table ?
@@razzerraw1108 Depends on which one of the plugins, not all of them are nice. Their Nebula plugin is on sale right now. Bought it with some Tim Petherick libraries. Amazingly close to real hardware but not so nice in terms of workflow in comparison to "normal" plugins. Also, all Acustica stuff is heavy on the CPU.
It would be very interesting to see your review on IK multimedia plugins. I've read their 1176 black emulation is very good.
Big audio stores have demo units… that you then can buy for less as B Stock… why don’t they setup this type of thing, because it’ll also be a means for people to test the equipment also without having to make it to the store and the demonstration area?
Party people are deaf anyway, they will not notice 😅👊🏻
Especially when wasted! I have escaped from a few full house parties because of ear piercing distortion... not many other people did tho hahah
^ this. i got into a big argument with an old studio buddy about this exact point when talking about his 909 and my TR-8
You need to do a shoot out Video of
Analog Obession's Buster SE vs UAD SSL Comp.....please please do that bro....
That beat tho 🔥
Have anybody heard the noise
When you used this plug-in
This problem confuses me for a long time
Great vid as always! Please do a snake oil review about the Singomakers plugins. Have a good day :)
Analog mojo is grain density. Try adding it digitally : )..
Pretty cool but there will undoubtedly be latency on both the audio stream and the control signals.
I tried this service for 30 min two weeks ago. I actually was able to use Black box after 15 min of many attempts to put it into plugin. But strictly at the end of rent time it was off. I sent them a message with video of my attemps but they didn't answered anything
They should have streaming video on the site, or at least a video example of their set up so we can see how it works, and that its real.
What producer made that beat?
Pipikaka Boom Boom
I tried, and not absolutely fan, i had some differences between right and left channels . And well, i Can be close with plugins. I have to test more.
I experienced the same left right differences on some units, not sure if it was a lag or something... But the sound is definitely there , i quite liked the sonic outcome
That was actually an idea of me 8 years ago :)
Interesting idea, but nothing for my everyday workflow.
this vst is free ?
the plugin to access their gear is free
Sandstorm never sounded better.
Hey, du machst immer schon viele coole Clips, manche mag ich nicht aber das ist einfach Interesse und Geschmack. Was wäre wen du ein TH-cam Life Video bringen würdest!?
Live TH-cam Aufnahme!!!!!!!!!!!!!!!!!!!!!
It would be really cool for same song with same setting on the black box plugin and the actual analog gear to see the difference in the saturation and depth, and only you can make it possible sooo pls 🙏😂
Wow, I'm thinking of trying this for a 'pre-master' to get the analog sound! Great vid as always, relax it's only music ;-)
such a cool idea!
My rule of thumb is "buy", don't "hire". Actually, I own the black box hg-2. It was a present by some fans of our band Tripple Tree. Very expensive and very worth every penny
Labour costs is the new way of saying the monetary value for the amount of hours and effort a human is required to dedicate to a task. It's a term that's been around for yonks.
Interesting and helpful content every time, keep up the good work my guy!
You’re still getting a digital signal are you not?
Great video 👍🏽
what about the GUI ?! lol
*Hello, do you have any tips for recording electronic pianos ( VSTi ) to sound more warm ? I use Sonar X3 as DAW and several plugins, but my recordings of solo piano are thin and looks plastic, looks lile mono sound. I´d like I could make it more like an acoustic piano, very warm, more wood, natual. Some way I could improve a little bit was passing the output sound of my Focusrite Pro 40 thru an analog mixer like Mackie 32/8 which has a great headroom and capture the analog sound from another computer/interface and apply some plugins. Apparently, the THIN problem happens when DAW mixes down to 2 channels and lose harmonics. Any ideas or plugins, compressors, exciters, any tips ? Thank you.*
It takes me so long and so much trial and error to tweak all my stuff that there's no way I could be expected to do it between the hours of 11am and whatever. I need whatever I use to be available 24/7 and I would hate to pay extra every time I need it.
As I understand it, you don't HAVE to reserve it, but if you need a specific piece of gear a reservation ensures that it's available.
Didn't you cover this already? Not that I mind, but,,,
A Great alternative !!!!!!!!!! 👌
Is it 6 dollars for 30 minutes on multiple pieces of equipment or just one?
One
@@-Deena. that's depressing
@@austinsummersofficial631 ...but succinct.
What if my opinion is purely positive and filled with gratitude? Does that matter, just a little? ;)
I think I'm gonna look for some amping for vocal tracks in the future. Could make a difference!
haha very cool concept!
5:48 that face 😂😂😂
8:44 "analog gives that extra dimension" in what sense you mean that? i'd like to know
great video as ALWAYS
Turning your digital audio into actual physical electrical current and processing it can add a certain level of magic to your music
One should be able to hear a difference. If not, keep progressing and training your ears.
Game changer thats all i am saying.
As we say in Russia-life is bad without goof
i had this idea years ago - but too complicated... what if more people wanna use it at the same time.. too many problems... this will fail
You have to be careful with your internet connection?...... are the internet connections in Norway metered?.... that would totally suck
And do the UAD LA2A vs Analog Obsession......LALA......free LA2A comp....
THATS FUCKIN CRAZY!!!
We soon will be replacing all TH-cam presenters with robots. The idea being that we could have them booked for our own personal use and not have to wait for the information or review that we need. 😜😜😜✌️
how tf does latency work here? latency over a network is constantly fluctuating, meaning plugin delay compensation in the DAW cannot possibly work properly without time travel. tf??
Who is the producer/Dj this is a jam in a half lol