🌟EPIPHANY: “DON’T GO FOR THE RESULT ❌…GO THROUGH THE PROCESS” ✅
ฝัง
- เผยแพร่เมื่อ 23 มิ.ย. 2024
- I had an EPIPHANY!!! 🙌 ✨🌟
“DON’T GO FOR THE RESULT ❌…GO THROUGH THE PROCESS” ✅
Build a healthy technique…and then trust it!!!
(Comment if you would like an interactive LIVE session with me and future guests on th channel!) 👍🎥
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Great video again and I love the idea of the „Community of Confused Tenors“😂
😂
Community of confused tenors sounds great! 😂
Hahaha, I join that for sure! The puppy sound I heard from a chinese tenor friend. That time i couldn't go higher than A flat or A. He told me the same like you, and now can reach C, D or even E. You are really saying the truth! I'm glad that someone can sum it so well! So, yeah. Confused tenors all the way... 😂❤
As my teacher used to say - only sick or tired singers start singing the proper way!)) Thank you for your videos. 👍 Right now I am debuting in Calaf, and this approach is the only way to go.
I'm going through that too so I had to put a step back and focus on what can be improved to keep a healthy voice. Greetings
So happy I found this channel. It is unbelievably hard to find reliable info online (or even in lessons) about singing. It is such a nebulous subject in comparison with something like guitar or piano technique. This is a goldmine and exactly what youtube has needed.
Loving the subtitles: "I was able to enjoy those beef lats"
My main thing is how to add the chest voice to the free falsetto/head voice sound! I have that free good feeling falsetto but am journeying on how to add the chest without completely dropping.
I feel you brother 😢
I’ll make a video about this soon. The answer lies in the vocal crack. As singers we get so scared to crack the voice but the crack is actually a result of 1.) the larynx jumping up and resetting itself in trying to free itself from muscular tension in the throat often by over compressing the larynx. And 2.) while doing so switching registers from chest to falsetto. Therefore the vocal crack is a great way to blend the resisters together while doing it in a relaxed state. The larynx is gonna be jumping up and down and it sounds a bit like “Tarzan” or “yodeling” back and forth but ignore the sound and focus on the sensation for now. This extreme laryngeal movement will build the coordination to add chest little by little in a relaxed way switching from falsetto to chest back and forth in a way that you’ll be able to connect the chest sound while maintaining the ease and lightness of the head voice.
@@Tenor_Simerilla ❤️
@@Tenor_Simerilla Beautifully put and I will play around with this. Thank you for this tip for the community of confused tenors, I greatly look forward to your video on this Maestro !!!
muchas gracias, maestro José, justamente estaba intentando del modo que describes!!!
You learned very well from your teacher, Maestro LiVigni. Well done presentation.
Not my teacher 🤨…but Jack is indeed an amazing teacher and singer nonetheless whom I greatly admire.
This wisdom applies to spoken text as well. The more I study operatic techniques, the better of a speaker I'm becoming. Thanks for sharing this! Something I'll be adding to my arsenal of psychological techniques.
ЭТО ПОТРЯСАЮЩЕ !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ТЫ ОГРОМНЫЙ МОЛОДЕЦ !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ПОЖАЛУЙСТА ПРОДОЛЖАЙ ВСЕГДА !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
IT'S AMAZING !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! YOU ARE A HUGE GUY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! PLEASE CONTINUE ALWAYS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!
Can you make videos about "BASS" because I'm bass, thank you!
Very helpful.
José, you probably have given me the most clearest and concise communication on technique that I’ve ever heard and I have had several voice teachers. Appreciate the clarity and examples you give!
I love the sounds that come out from you without the grunt. Its so beautiful. I also love the point of entry comment. ALl too often we want to immediately sound thick. Before the connection was way too much is so accurate for me as well. Thank you for being so candid in providing us with your comments.
Thanks for this!!! I really need it
José, me encantan las entrevistas y también sería estupendo hacer alguna en directo, por qué no?
Tus vídeos y consejos son fantásticos y nos ayudan enormemente.
Yo también soy de los que se lanzan a por el resultado en el agudo a ver si suena la flauta, por miedo, “para asegurar”😂 meto demasiada carga (pecho/garganta) y siempre, siempre resulta forzado cuando lo hago así.
Al menos soy consciente de que esa manera tiene las patas muy cortas.
Centrarse en el proceso y partir del falsete/voz de cabeza e ir añadiendo conexión con pecho/diafragma tiene todo el sentido del mundo y sigo avanzando en este sentido. Mil gracias!
I've realized this too. It's wild how sometimes you get s result with a process and then if you want to get the same result and then you imitate the result...which is not the same thing.
❤❤ be the process . Thanks
The 'process' also sounds bigger because certain harmonics won't be dampened as it would if you were using more cord/fold mass. That's always the sacrifice with chestier high notes: they feel stronger, and they are probably louder with the fundamental, but it doesn't have that intensity and that laser like focus when the tone is more head dominant. Really happy to see people like you and Jack making this stuff so much clearer for everyone with videos like this.
Again keep up the good work. Like you said consistent over sometimes magic some of the time. For sure everyone, like me, loves the interviews. Che boludo. Dont worry about doing it live, Jose querido. Just keep doing it. Even maybe do part one and part two. For TH-cam and the algorithms etc. We want to see you EXPLOTAR boludol. Go on with all the progress y el éxito.
Shoutout to our fellow “Community of Confused Tenors!” Caio Caio!!! 😂🎶🎵
The classical singing is an universe. Thanks for this video
Loved the interviews, definitely would like to see more! Live sessions sound interesting too :)
Galeano Salas could be a perfect guest for a live/interview!
Another Gem 💎 lesson.
I‘ve been binging your videos and they’re so helpful! Thank you very much for sharing your perspective and tips!
Any tips for actually releasing tension in the head voice/falsetto? Feel like this is a lot of people's main problem. Thanks for a great video!
U vowel in falsetto, gathered lips in the front but abundant space in the back,still very yawn like internally, feeling the palate rise and almost “dome” like feeling of space. allowing air to release generously while singing to keep the spinning of the sound. The neck shoulder jaw and tongue very relaxed
@@Tenor_Simerilla
Thanks for sharing, Jose. Very clear explanation. Keep up the good work. Cheers.
Thank you for sharing this experience. I agree with you it's more efficient to go through the process and really experience all the stages our body goes through to reach and accompany it to our goal.
Btw I also had the same experience with this snippet. The thing is that rather than feeling and thinking this is an annoying scent on a narrow vowel that I have to open up at the end... you can focus on the silvery thread already present and just let it bloom.
I really love your explanation and its so easy to comprehend and so relatable! Its such a new idea for me to find the head voice first, definitely gonna try this in my next practice, thank you Jose!
Muchas gracias por compartir, José. Muy interesante!
Great video once again, very important keypoints, thank you 🙏❤️
Increíble estos videos!!! Saludos desde Ecuador
I find your videos insightful for all male voices. Balancing the sound when singing through the passagio is something all male singers hope to achieve. When crescendoing through the passagio to a final climax is the cherry on top. Would you ever consider a live interview with a baritone who has been cast in tenor roles?
Dude. What a great channel. I lost my high notes from reflux at the end of my third degree, when I was starting to get paid work. I can only sing low baritone now. But I still love operatic singing and technique talk.
Happy that you understand that..this is the good way and the secret of bel canto :)
7:00 mark. AH! BEAUTIFUL😊
Hi Jose! I love your videos, for me as a beginning tenor there are very useful. Recently I’ve passed my college exams, and the board of examiners said “you have a small voice”. That made me think about improving my voice power without excessive forcing. Hello from Russia and good luck!
Coucou Jose! Juste un petit mot à dire merci for your dynamic and informative videos. Had you existed during my studies I may have successfully transitioned to tenor and had a career. Still, you have reignited my passion for singing and vocal pedagogy and I wish you continued and well deserved.success! I’d also like to see you perform, so hopefully your schedule is on your website.
John
Your channel is amazing, encouraging, and so helpful. I really enjoy the mix of interviews and more specifically technically focused videos. I don't mind if the interviews are live or not - I think you have a good process with a few specific questions and a lot of getting to know the singer. If you can interview a heldentenor like Simon O'Neill I'd be really interested to hear a comparison of the approach taken by lyric and dramatic voices. Is it just a different scale of instrument, or is there more to it?
Can you make a video about the cry exercise or going from a disconnected sound to a connected sound that is in the proper position. The full voice connected sound always sounds great for me and it works but sometimes I feel like when I start to play with dynamics things get disconnected and so im left with a big connected sound, a disconnected feeling mix almost pop sound and then an actually disconnected falsetto sound. I can go between the mix and the falsetto but it’s difficult making a smooth transition to the fully connected sound. While from the full connected sound I can break into a disconnected sound really easily so its free.
Simple what im asking is, how do you get that cry transition from disconnected to a mix/a little bit of chest to a fully connected balanced sound to sound so smooth and sound not have the sound turn poppy or nonclassical?
Your vídeos are great. I would like to ask you, is your tongue position learned or you found it to just sound better for your tone? Im saying this cause I noted you like to keep the tip of your tongue "floating" instead of resting down.
Who would you recommend to follow/ or that you like for female voices ( soprano, mezzo)
What an amazing opening phrase. You have a gorgeous voice, and outstanding technique for a long career. Superstar!
❤🇱🇨!!!
Подходят ли ваши советы для баритона?
One word: legato
I mean thats a very over simplified explanation of what he talking about because he is covering many different things but it is ultimately helping the legato
Didn’t you mean Messa di voce? 😅 starting piano and increasing volume and power?
Great voice but you're in dire need of vocal chord closure. I can see registration issues. that's why you are getting vocaloy fatigued