This is pure gold! One of the greatest, grandest and most meditative early morning ragas played with such pristine purity, humility and immersion! This is why nothing else can supplant Dhrupad. Also, the setting in which it has been performed and filmed so dexterously in such a high-quality audio and video adds to the gravitas. Great work!
I think we should stop speaking of 'our' music but just music. I just discovered him and am completely drawn to his rendition. Drupad is a gift of nature
Love from IRAN for India, people, culture and the Great Traditional Music 😍😘🥰 Raag Ahir Bhairav and Raag Madhuwanti are best for my Yoga and Meditation practices as they are quite distinct from each other, both in structure and emotional character, though they share a contemplative quality that can be beautifully expressed on the Rudraveena. Here’s a breakdown of the differences and unique aspects of Raag Ahir Bhairav: ### Raag Ahir Bhairav - **Thaat:** Bhairav - **Time of Performance:** Early morning - **Arohana (ascending):** S r G m P D n Ṡ - **Avarohana (descending):** Ṡ n D P m G r S - **Vadi:** r (Re) - **Samvadi:** D (Dha)
In Ahir Bhairav, the komal (flat) **Re** and **Ni** give it a soft and meditative quality, while the shuddha (natural) **Ga** and **Dha** add a balanced depth. The phrase structure is generally smooth and flowing, embodying a calm, devotional, and introspective feel. It’s a blend of Raag Bhairav and Raag Ahiri, which gives it a unique charm suited to serene, morning reflections. ### Raag Madhuwanti - **Thaat:** Todi - **Time of Performance:** Late afternoon - **Arohana:** N r G M P N Ṡ - **Avarohana:** Ṡ n D P M G r S - **Vadi:** Pa - **Samvadi:** Sa Madhuwanti has a romantic, yearning feel, often evoking feelings of longing. The Tivra (sharp) **Ma** is crucial, giving it a distinct flavor quite different from the devotional mood of Ahir Bhairav. ### On the Rudraveena Both raags have a naturally meditative and introspective quality that is deeply enriched by the resonance and depth of the Rudraveena. However, **Ahir Bhairav** is generally more serene and devotional, while **Madhuwanti** conveys a sense of romantic longing. Each raga’s mood and melodic movement offer a different experience on the Rudraveena, but both are deeply introspective in their own right. th-cam.com/video/lOWlToiC2QA/w-d-xo.htmlsi=cfi2rTJwxZnI08U4 I heard many but this Lady at above Video made my Yoga & Meditation Raag Madhuwanti is a beautiful, soulful raag, typically performed in the late afternoon, and it's quite well-suited for the Rudraveena, with its deep, resonant tones. Madhuwanti belongs to the Thaat Todi, and it has a distinct, melancholic, and romantic character, often evoking feelings of longing and devotion. Here’s an outline of the raag to better capture its essence: Arohana (ascending scale): N r G M P N Ṡ Avarohana (descending scale): Ṡ n D P M G r S Vadi (most prominent note): Pa Samvadi (second prominent note): Sa Pakad (signature phrase): N r G M, P N Ṡ, Ṡ n D P In this raag, the komal (flat) notes are Re and Dha, while Ga, Ma (Tivra Ma), and Pa are shuddha (natural) notes. The raag is best known for its subtle, gliding movements between notes and the delicate use of Tivra Ma, which gives it a unique and tender quality. For the Rudraveena, the resonant and deep tones complement the mood of Madhuwanti, bringing out the longing and romance in a meditative, majestic way. It’s a captivating experience that highlights the depth and tranquility of the instrument, especially if played in a slow, contemplative tempo. iN ADDITION: Raag Madhuwanti is a beautiful late afternoon raga in Hindustani classical music, known for its soft, romantic, and emotional mood. It is usually played in the early afternoon and is associated with feelings of longing and devotion. The raga belongs to the Thaat Todi but differs from other Todi ragas because of its shuddha (natural) ma, rather than the komal (flat) ma. On the Rudraveena, a rare and ancient Indian instrument known for its deeply resonant and meditative sound, Raag Madhuwanti can evoke a powerful, emotive atmosphere. The raga’s scale combines both unique elements: Aaroh (ascent): N S G M D N S’ Avaroh (descent): S’ N D M G R S The key phrases emphasize Madhuwanti’s gentle, yearning nature, and on the Rudraveena, the use of microtones and the long, held notes are ideal to bring out its depth. This creates a serene and introspective performance, highlighting the raga’s emotional depth and the instrument's rich tonal quality.
The SOUNDS THAT EMANATED FROM "N A T U R E" !!!... and registered/planted themselves in the human PSYCHE !.. and his understanding of "THE D I V I N E " !!!...😔😔😴😴🌞🌞🌞🤔🤔😔😔 !!!..
@@world_musician Indeed it is an outstandingly 1st rate recording - with a Pick-up which I think I see clamped on. The Tanpura comes through nicely (rarely the case usually) & beautifully complements your playing, rather than distract from it. I listened on Bose QC 45, Sennheiser HD 599 & Sennheiser HD25 - all of them played it nicely, though I like the HD25's feed in your case (since I like slightly Bright audio).
This is pure gold! One of the greatest, grandest and most meditative early morning ragas played with such pristine purity, humility and immersion! This is why nothing else can supplant Dhrupad. Also, the setting in which it has been performed and filmed so dexterously in such a high-quality audio and video adds to the gravitas. Great work!
Yes it is😊
Welcome sir je.
ਦਿਲ ਨੂੰ ਛੂਹਣ ਵਾਲਾ , ਮਨ ਈ ਭਟਕਣ ਖਤਮ ਕਰਨ ਵਾਲਾ ਸੰਗੀਤ ਹੈ । ਬਹੁਤ ਧੰਨਵਾਦ ਜੀ ।
Parmjit ,Punjab.
I think we should stop speaking of 'our' music but just music. I just discovered him and am completely drawn to his rendition. Drupad is a gift of nature
Love from IRAN for India, people, culture and the Great Traditional Music 😍😘🥰
Raag Ahir Bhairav and Raag Madhuwanti are best for my Yoga and Meditation practices as they are quite distinct from each other, both in structure and emotional character, though they share a contemplative quality that can be beautifully expressed on the Rudraveena. Here’s a breakdown of the differences and unique aspects of Raag Ahir Bhairav:
### Raag Ahir Bhairav
- **Thaat:** Bhairav
- **Time of Performance:** Early morning
- **Arohana (ascending):** S r G m P D n Ṡ
- **Avarohana (descending):** Ṡ n D P m G r S
- **Vadi:** r (Re)
- **Samvadi:** D (Dha)
In Ahir Bhairav, the komal (flat) **Re** and **Ni** give it a soft and meditative quality, while the shuddha (natural) **Ga** and **Dha** add a balanced depth. The phrase structure is generally smooth and flowing, embodying a calm, devotional, and introspective feel. It’s a blend of Raag Bhairav and Raag Ahiri, which gives it a unique charm suited to serene, morning reflections.
### Raag Madhuwanti
- **Thaat:** Todi
- **Time of Performance:** Late afternoon
- **Arohana:** N r G M P N Ṡ
- **Avarohana:** Ṡ n D P M G r S
- **Vadi:** Pa
- **Samvadi:** Sa
Madhuwanti has a romantic, yearning feel, often evoking feelings of longing. The Tivra (sharp) **Ma** is crucial, giving it a distinct flavor quite different from the devotional mood of Ahir Bhairav.
### On the Rudraveena
Both raags have a naturally meditative and introspective quality that is deeply enriched by the resonance and depth of the Rudraveena. However, **Ahir Bhairav** is generally more serene and devotional, while **Madhuwanti** conveys a sense of romantic longing. Each raga’s mood and melodic movement offer a different experience on the Rudraveena, but both are deeply introspective in their own right.
th-cam.com/video/lOWlToiC2QA/w-d-xo.htmlsi=cfi2rTJwxZnI08U4
I heard many but this Lady at above Video made my Yoga & Meditation Raag Madhuwanti is a beautiful, soulful raag, typically performed in the late afternoon, and it's quite well-suited for the Rudraveena, with its deep, resonant tones. Madhuwanti belongs to the Thaat Todi, and it has a distinct, melancholic, and romantic character, often evoking feelings of longing and devotion.
Here’s an outline of the raag to better capture its essence:
Arohana (ascending scale): N r G M P N Ṡ
Avarohana (descending scale): Ṡ n D P M G r S
Vadi (most prominent note): Pa
Samvadi (second prominent note): Sa
Pakad (signature phrase): N r G M, P N Ṡ, Ṡ n D P
In this raag, the komal (flat) notes are Re and Dha, while Ga, Ma (Tivra Ma), and Pa are shuddha (natural) notes. The raag is best known for its subtle, gliding movements between notes and the delicate use of Tivra Ma, which gives it a unique and tender quality.
For the Rudraveena, the resonant and deep tones complement the mood of Madhuwanti, bringing out the longing and romance in a meditative, majestic way. It’s a captivating experience that highlights the depth and tranquility of the instrument, especially if played in a slow, contemplative tempo.
iN ADDITION:
Raag Madhuwanti is a beautiful late afternoon raga in Hindustani classical music, known for its soft, romantic, and emotional mood. It is usually played in the early afternoon and is associated with feelings of longing and devotion. The raga belongs to the Thaat Todi but differs from other Todi ragas because of its shuddha (natural) ma, rather than the komal (flat) ma.
On the Rudraveena, a rare and ancient Indian instrument known for its deeply resonant and meditative sound, Raag Madhuwanti can evoke a powerful, emotive atmosphere. The raga’s scale combines both unique elements:
Aaroh (ascent): N S G M D N S’
Avaroh (descent): S’ N D M G R S
The key phrases emphasize Madhuwanti’s gentle, yearning nature, and on the Rudraveena, the use of microtones and the long, held notes are ideal to bring out its depth. This creates a serene and introspective performance, highlighting the raga’s emotional depth and the instrument's rich tonal quality.
What a wonderful way to start the morning! 🙏 🙏 🙏
Wonderful raga beautifully played.Maharani ma kalika annant sundri annant dyalu veena pdharini bless you all
"tres sitaras la rompen amigo"
Wonderful !!!!!!! Thank you.
Your devotion shines through the swaras.
Great !
Beautifully played! It's my dream to play the Rudra Veena!
Beautiful
Excellent…very pleasing to my ears ! 😊👏🦋
Thank you for the upload, it was so meditative, gripping and emotions beyond can't be deduced to words. God bless you!
Very melodious playing wonderful
👏👏👏👏👏👏👏👏👏👏
❤thankyou for this meditativeness❤🙏
I
Am very glad to your program
Great n mesmerizing... my fav raga..❤
Wah...
🙏🙏🙏🙏🙏
❤️
🙂🙏💙
This is beautiful, and the recording is excellent.
What recorder and microphones are you using? They sound like omnidirectionals.
Thanks. I was using pickup the world pickup and simple condenser recorded via zoom h6
@@elkabir123 Thank you.
Do you do online classes and where can I find a rudra Veena. I'm from Australia btw
Hi. I do teach online and will be happy to help yo find rudra veena you can email me at elkadud@gmail.com
הי, היכן זה מצולם?
At 54:49
The SOUNDS THAT EMANATED FROM "N A T U R E" !!!... and registered/planted themselves in the human PSYCHE !.. and his understanding of "THE D I V I N E " !!!...😔😔😴😴🌞🌞🌞🤔🤔😔😔 !!!..
at 5:45 tanpura takes over main instrument.....beauty of "Dhrupad is lost"
try headphones or decent speakers...
still in field recording its difficult to control the sound
@@elkabir123 The bass comes through perfectly with good headphones, very high quality sound recording!
Am listening to it in my B&O, it is an awesome recording...
@@world_musician Indeed it is an outstandingly 1st rate recording - with a Pick-up which I think I see clamped on. The Tanpura comes through nicely (rarely the case usually) & beautifully complements your playing, rather than distract from it.
I listened on Bose QC 45, Sennheiser HD 599 & Sennheiser HD25 - all of them played it nicely, though I like the HD25's feed in your case (since I like slightly Bright audio).