As much as I love The Poetic Edda, Winter probably would have been the best track to show him since it's directly influenced by Vivadi. Kind of the best of both worlds. Hope you get to it at some point!
The vocals are done by Blake Mullens from Disembodied Tyrant throughout the whole EP, he's playing guitar on the EP too, and mixed & mastered it as well. That guy's a beast.
I will go see them Live in few hour's at the Olympia in Montreal. The will be obviously with Shadow Of Intent, also with Ingest, Zenith Passage & Fleshgod Apocalypse. 💣🤯 Thanks for this great preview of a wonderful Brutal Night! 🔥😎🤘
I really needed to see this. DT is going on that fleshgod tour and I get to see them in Baltimore! Might bring a camera and film some drum cams! Hell yea, I love yalls videos
Someone touched on the big impact sounds already and I'd like to expand on that a bit. The term "808" when used for big sub bass drops goes back to the Roland TR-808 drum machine which, in its original form, doesn't actually have that sound on it. What people would do is record a sample of either the low tom or the kick from the 808 and pitch it way down. With the way the tom sounds are designed on the drum machine, doing this with the low tom gives the resulting sound that characteristic drooping quality with the pitch going down over time. Over the years people have used all kinds of sources to produce these types of sounds and now "808" has become more of a blanket term, rather than referring to the Roland drum machine specifically. One of my favorite "fun facts" about this is early 90s Jungle producers recording the test tone from their Akai S950 samplers and pitching that down for clean, rich bass lines. The impacts in this song are likely several layers of sounds, a sub bass hit surely being one of those layers. In a live setting these sounds, and anything else the band can't easily reproduce themselves, are typically are played back from a laptop or other dedicated playback decive, synced to the drummer's and/or the whole band's click track. Judson also mentioned a compressor while thinking about how this might have been achieved. Mixing techniques definitely play a big part in making these sounds feel big. Whoever mixed this song likely achieved this with compression, or even some clever volume ducking by timing a quick fade-in of all the other elements.
definitely no mathcore elements. i hate to be pedantic, but i don't understand why people don't take genre labels a little more seriously. it's not about being an elitist or whatever, it's just inaccurate to call this mathcore. the progressive elements are very sparse too. symphonic deathcore is a good enough label. no hate in my comment, but im willing to be annoying over genre labels since the entire point is to have accurate language to describe what we're hearing. it's like when people unironically called Archspire "Metalcore" despite there being zero hardcore elements or breakdowns in their music.
i mostly just don't want to confuse Judson. his friend may one day recommend mathcore and will be a little confused to hear how entirely different the genre is if he takes your comment seriously.
Actually disembodied tyrant is now a full band and i've seen the vocalist/guitarist play that kind of symphonic part on the guitar and..... it is impressive
Now that you've mentioned them, you should show Judson some See You Next Tuesday - like Before I Die... or 8 Dead 9..., I'd be curious to see how he reacts to how many riffs they can pack in to under 2 minutes
For Judson's curiosity, those slam kicks are a layer of 808 impacts that are layered under the kicks in the DAW. They act as risers to create that impact on the drop. Hope it helps. Also I had a question since a long time now, why does he starts the song with one side of earphone open till the song kicks in? is it for the reference with regards to the key of the song?
Broooo i cannot wait for you to react to "Winter" by these guys - by far their best song on there 🙂↕️🙂↕️ You'll definitely find it the most interesting to react to hahahaha. Its a beautiful deathcore rendition of the actual Winter piece by Vivaldi
I would say those big bass drops are not just a guitar, bass or drums. This kind of deathcore effect used to come from putting an 808 sub bass sound underneath the hit. Deathcore took this from rap music as far as I know. I would anticipate a band that wants to get that effect live they'd have to have an sfx layer, be it from a keyboard or from backing tracks. Not an expert on this style of music, mind you, I could be wrong, guitars are so detuned in these days it might just be a treated bass and guitar, perhaps? I have no opinion on this myself, it falls outside of my interests.
One part that makes these reactions entertaining is Judson's "I bit into a lemon"-face to extreme metal - in alternation to the joy when he finds something he can relate to. Another part is that Richard brings up some pearls that flew under my radar and makes me want to look up a bands back-catalogue. To give something back: "Der Weg einer Freiheit - Aufbruch (live)" - translated: "The Way of a Freedom - Awakening (or Departure)" - they are from Germany, Atmospheric Black Metal, this song is hypnotic and also features some clean vocals and slow parts. The lyrics are surprisingly hopeful. Enjoy the listen. :)
Rather than uncomfortable i would say i need resistance and challenge in my music to not get bored. If it doesnt do that then i stop listening one way or another.
THÜMM name owns. Register it and you guys should do it, and come on, if the bass riff hits, it's just a matter of trying out ideas with it until you get to the right amount of, stuff, as George carlin says...
Eh, the song doesn’t tickle my fancy all that much, so I’ll turn my commenting attention to your quality band brainstorm. Richard’s “thümm” riffs with Judson’s suave Sinatra-esque vocals?😂 I like the sound of that! As to the sound of Ü as a front rounded vowel, the closest English equivalent I can think of is like the y in “you”.
i am on the downhill slide of my 50s. i am the OG audience for metal....WTF was this. lol. it's all metal people it's the liberal left that wants to divide us into groups...lol epic track judson you're on point; you luscious dirty underwear wearing street meat. ❤🩹 richard, therapy my brother.
Deathcore can be good, but like with most other metal subgenres, the average band of any genre, will be quite mediocre. But i think Whitechapel still holds up, and i think projects like Disembodied Tyrant and Disfiguring the Goddess(might be deathcore, but certaintly has deathcore moments.) Help expand the genre and try to do different things. ' But it isn`t my favorite metal genre at all, it is fine
@@philipr4195 Yeah, "meme" is obviously a bit of a shorthand. What I really think is that it seems deathcore bands all want to outdo themselves and each other in sounding extreme and musically clever, but somehow it all ends up sounding the same (down to the breakdown with random patterns and the vocalist going "MMwhwuueeergh"). I'm not dismissive of these musicians' skills, because it obviously does take skill to play some of the stuff they do. And there are usually a couple snippets in deathcore songs that I do like and that I think are well composed. But those bits never seem to gel together into an actual song that I want to listen to start to finish. I feel like every single deathcore songs becomes just a loud and overproduced mush of randomness. I really do not mean any offense to people who do like it. It's just really not for me.
As much as I love The Poetic Edda, Winter probably would have been the best track to show him since it's directly influenced by Vivadi. Kind of the best of both worlds. Hope you get to it at some point!
all 4 songs on this ep have essence of the four seasons, but winter is the best track i agree
Facts man
Vivadi, who is that?
@@vanhelsing4602 1600's legendary Italian composer
@@Tyius420 It was a joke, he misspelled. It's Vivaldi, of course I know.
Now do "Winter" please! 😅
Dude yes! Was praying you guys would do anything at all from this EP
Absolutely do Winter next!
Winter winter winter winter!!!!!!
You had me at future Shadow of Intent
The vocals are done by Blake Mullens from Disembodied Tyrant throughout the whole EP, he's playing guitar on the EP too, and mixed & mastered it as well. That guy's a beast.
Like the Gaerea shirt, cannot wait for the album to come out.
that big sound is the 808 dropped in with the kick and bass hitting at the same time
I would have figured 'Winter' would have been the one to start with but.. since we're here.. the rest are worth exploring too IMO.
Silverchair on piano is refreshing!
Double bass was absolutely ridiculous, in a good way.
This is dope! I hope the rest of their album sounds like this
This is probably the weakest song on the whole EP.
@@Friendlygiant666 You take that back RIGHT NOW
@@DrBrovahkiin I'm not saying it's a bad song. It's great. I just think the other ones are even better
Was hoping for this!
Glad I get to see Judson's reaction to this
I will go see them Live in few hour's at the Olympia in Montreal.
The will be obviously with Shadow Of Intent, also with Ingest, Zenith Passage & Fleshgod Apocalypse. 💣🤯
Thanks for this great preview of a wonderful Brutal Night! 🔥😎🤘
I WAS THERE! This shit was INSANE 🤟🤟🤟
Being an Aussie I instantly noticed it was Silverchair
Piano intro almost sounds like an Earth song. I bet Judson would love anything from "Bees Made Honey in the Lion's Skull".
It sounds like a rendition of Tomorrow by Silverchair
Edit: typed this out before he finished lol
reminds me of the underwater theme of mario 64 :D
They did play this song live, it was awesome.
That was so funny.. great reaction Juds
I really needed to see this. DT is going on that fleshgod tour and I get to see them in Baltimore! Might bring a camera and film some drum cams! Hell yea, I love yalls videos
Shadow of intent got me into deathcore!
Album of the year so far.
Someone touched on the big impact sounds already and I'd like to expand on that a bit. The term "808" when used for big sub bass drops goes back to the Roland TR-808 drum machine which, in its original form, doesn't actually have that sound on it. What people would do is record a sample of either the low tom or the kick from the 808 and pitch it way down. With the way the tom sounds are designed on the drum machine, doing this with the low tom gives the resulting sound that characteristic drooping quality with the pitch going down over time.
Over the years people have used all kinds of sources to produce these types of sounds and now "808" has become more of a blanket term, rather than referring to the Roland drum machine specifically. One of my favorite "fun facts" about this is early 90s Jungle producers recording the test tone from their Akai S950 samplers and pitching that down for clean, rich bass lines.
The impacts in this song are likely several layers of sounds, a sub bass hit surely being one of those layers. In a live setting these sounds, and anything else the band can't easily reproduce themselves, are typically are played back from a laptop or other dedicated playback decive, synced to the drummer's and/or the whole band's click track. Judson also mentioned a compressor while thinking about how this might have been achieved. Mixing techniques definitely play a big part in making these sounds feel big. Whoever mixed this song likely achieved this with compression, or even some clever volume ducking by timing a quick fade-in of all the other elements.
Talking about death core, i think Judson would like All Shall Perish, particularly "awaken the dreamers", something a bit more musical
Melted my brain off
Siverchair tomorrow such a great song
I label them as “Progressive symphonic death-mathcore”…😂😂😂
The entire EP is just beyond insane, I’ve never heard anything like it.
definitely no mathcore elements.
i hate to be pedantic, but i don't understand why people don't take genre labels a little more seriously.
it's not about being an elitist or whatever, it's just inaccurate to call this mathcore.
the progressive elements are very sparse too.
symphonic deathcore is a good enough label.
no hate in my comment, but im willing to be annoying over genre labels since the entire point is to have accurate language to describe what we're hearing.
it's like when people unironically called Archspire "Metalcore" despite there being zero hardcore elements or breakdowns in their music.
i mostly just don't want to confuse Judson.
his friend may one day recommend mathcore and will be a little confused to hear how entirely different the genre is if he takes your comment seriously.
silverchair!
I just saw them live last friday 20th with zenith passage, ingested, shadow of intent and madddaafukkinnn Fleshgod Apocalypse!!!!!
Yes Pls show him the winter LMAOOOOO he will love it
10:50, Bro is watching fellow bro experience their first come up on shrooms. That almost degenerate grin.
😲Silverchair is my favourite band. The Poetic Edda is such a cool song, Judson agrees, yes.
Brutal
That Silverchair intro :D
YES! Have you finally made the react!
Just do the whole EP.
WINTER! 😀
It would be great to see a reaction on Catharsis "Arsonist's Prayer"
Actually disembodied tyrant is now a full band and i've seen the vocalist/guitarist play that kind of symphonic part on the guitar and..... it is impressive
Allegiance is pure gold
winter next please!
Winter!
MOAR!
Would love to hear Judson break down their newest track Malphasian from the new EP.
Technically, musically, The Poetic Edda is incredible.
Now that you've mentioned them, you should show Judson some See You Next Tuesday - like Before I Die... or 8 Dead 9..., I'd be curious to see how he reacts to how many riffs they can pack in to under 2 minutes
You should check out Inferi - Behold the bearer of light 🙏🙏🙏
Please I need to see AD NAUSEAM, ULCERATE, DEFEATED SANITY, reactions! (all from their latest stuff) That would be so great...
Seconded!
Was praying for this. This album is def a turning point in NeoClassical Death Metal.
..now I wait for the new triumphant imperial
Winter part II because it correlates to it
You have to do Winter. Vivaldi - core at is finest!
I fully agree with everything dude said about Deathcore, it's uncomfortable and awesome.
How did you not show him Winter?!
For Judson's curiosity, those slam kicks are a layer of 808 impacts that are layered under the kicks in the DAW. They act as risers to create that impact on the drop. Hope it helps. Also I had a question since a long time now, why does he starts the song with one side of earphone open till the song kicks in? is it for the reference with regards to the key of the song?
It helps them in the editing to make sure that what he hears is synced up with what we hear :)
@@sxelady oh okay! Thanks for clarifying 😊
Let Judson cook!
Alright gentlemen……I have a request……Vola-Cannibal. Pretty please fellas?
Is that... The GAEREA, COMA-shirt?
Via Nocturna - Therion
Broooo i cannot wait for you to react to "Winter" by these guys - by far their best song on there 🙂↕️🙂↕️
You'll definitely find it the most interesting to react to hahahaha. Its a beautiful deathcore rendition of the actual Winter piece by Vivaldi
WINTER
Bro should have played the epic music videos. Really enhances the experience
Neeeeeed some Brand of Sacrifice- "Demon King"
I would say those big bass drops are not just a guitar, bass or drums. This kind of deathcore effect used to come from putting an 808 sub bass sound underneath the hit. Deathcore took this from rap music as far as I know. I would anticipate a band that wants to get that effect live they'd have to have an sfx layer, be it from a keyboard or from backing tracks. Not an expert on this style of music, mind you, I could be wrong, guitars are so detuned in these days it might just be a treated bass and guitar, perhaps?
I have no opinion on this myself, it falls outside of my interests.
..,I agree that the compression and EQ can be too much to listen to with headphones, more than anything to take care of your ears...
One hundred first
One part that makes these reactions entertaining is Judson's "I bit into a lemon"-face to extreme metal - in alternation to the joy when he finds something he can relate to.
Another part is that Richard brings up some pearls that flew under my radar and makes me want to look up a bands back-catalogue.
To give something back: "Der Weg einer Freiheit - Aufbruch (live)" - translated: "The Way of a Freedom - Awakening (or Departure)"
- they are from Germany, Atmospheric Black Metal, this song is hypnotic and also features some clean vocals and slow parts. The lyrics are surprisingly hopeful. Enjoy the listen. :)
Fully support more atmospheric black metal on this channel, I think Judson would as well!
Mgla age of excuse !!!
Rather than uncomfortable i would say i need resistance and challenge in my music to not get bored. If it doesnt do that then i stop listening one way or another.
"The eyee" -covers eye-
Lmfao He knows
If you want good bass drops, In Gloom is the band.
THÜMM name owns. Register it and you guys should do it, and come on, if the bass riff hits, it's just a matter of trying out ideas with it until you get to the right amount of, stuff, as George carlin says...
Eh, the song doesn’t tickle my fancy all that much, so I’ll turn my commenting attention to your quality band brainstorm. Richard’s “thümm” riffs with Judson’s suave Sinatra-esque vocals?😂 I like the sound of that!
As to the sound of Ü as a front rounded vowel, the closest English equivalent I can think of is like the y in “you”.
That was pretty good, but not as good as Wolf Alice 😉
Melo Black Metal Core???
i am on the downhill slide of my 50s. i am the OG audience for metal....WTF was this. lol. it's all metal people it's the liberal left that wants to divide us into groups...lol epic track judson you're on point; you luscious dirty underwear wearing street meat. ❤🩹 richard, therapy my brother.
Man, I'm with Judson on this one. Deathcore is one of the few subgenres in metal I can't get on with. The whole genre just seems like such a meme.
Deathcore can be good, but like with most other metal subgenres, the average band of any genre, will be quite mediocre.
But i think Whitechapel still holds up, and i think projects like Disembodied Tyrant and Disfiguring the Goddess(might be deathcore, but certaintly has deathcore moments.) Help expand the genre and try to do different things. '
But it isn`t my favorite metal genre at all, it is fine
Lorna Shore's new music is great.
So is deathcore and slam the same thing? I never understood that
Can't wrap my head around listening to a song like this and the comparison you draw is "meme" lmao
@@philipr4195 Yeah, "meme" is obviously a bit of a shorthand. What I really think is that it seems deathcore bands all want to outdo themselves and each other in sounding extreme and musically clever, but somehow it all ends up sounding the same (down to the breakdown with random patterns and the vocalist going "MMwhwuueeergh").
I'm not dismissive of these musicians' skills, because it obviously does take skill to play some of the stuff they do. And there are usually a couple snippets in deathcore songs that I do like and that I think are well composed. But those bits never seem to gel together into an actual song that I want to listen to start to finish. I feel like every single deathcore songs becomes just a loud and overproduced mush of randomness.
I really do not mean any offense to people who do like it. It's just really not for me.
"what if Fleshgod was also a half shity metal core band"