Sinful Cargo (1936) JACK LA RUE🍕CLAUDIA DELL
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- เผยแพร่เมื่อ 3 ต.ค. 2024
- Stars: Conrad Nagel, Eleanor Hunt, Claudia Dell, Jack La Rue
Director: Crane Wilbur
An investigator looks into the activities of a movie producer he believes is involved in smuggling Asians into the U.S. (aka Yellow Cargo)
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Great sound, perfect images. I have enjoyed this movie a lot. Thank you so much for rescuing those jewels.
The sound recordist is the legendary Glen Glenn. Mack Stengler was a good Cinematographer.
We can never _really_ tell what it was like for these actors to work together, but the end result was definitely tied to the skill of Conrad Nagel, Eleanor Hunt, Vince Barnett, Claudia Dell, and
Jack La Rue. The fast editing keeps the story moving all the time - it's not the greatest of stories, but the fun is due to the interaction between the characters. Thanks for this always enjoyable movie!
You can have my share of Vince Barnett. I've seen him in other films as well, and he detracts from every one of them.
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At 12:46, "Hey! Remind me to HATE you!" is a classic line.
Tremendous audio.... loved the car sounds! Great storyline.
Eleanor Hunt and Conrad Nagle sure had a great chemistry. She was a real doll.
She's all but forgotten today, unfortunately. Her career didn't last that long, either, and her adopted daughter said that she was an alcoholic. I've seen her in other films, and she comes across as highly attractive........except in 'Blue Steel', a creaky 1934 western.
Yes, Eleanor Hunt is quite a spunky actress in a "Lois Lane" and Torchy Blane vein. Not "beautiful" in the conventional sense of the word, but attractive enough and lots of Glenda "Torchy Blane" Farrell type personality as an intrepid Girl Reporter. A shame Hunt didnt become a bigger star after a promising star as a Sam Goldwyn contractee. I believe Hunt was married to a Grand National Pictures producer, George Hirliman, hence her leading lady status - billing in a handful GN productions.
Why are some people being so critical? This is a movie from the 1930s. Look at the camera that guy is carrying, and just imagine the equipment they had to work with. Thanks for a nice movie!!
There were better cameras available in that era. I think the point was that 'Bulb' Callahan was using Stone Age equipment and that that reflected his own skills.
Mr. F excellent, something different, thank you! Mare
M
The makers of these old movin pictures surely did like to present characters with Irish names, especially constables.
Fun movie, thank you for uploading.
Thank you for watching!
I was born in the wrong era... This world is too crazy and fast paced anymore!
Love to go back to a simpler time!
You'd have to reduce the population radically. The US population was less than 130 Million at that time, and now it's 330-to-350 Million and the borders are still open to 'the wrong kind of people'. That's the insurmountable obstacle you'd have to overcome. That, and the technology which has overtaken the Human race.
Thanks for posting this enjoyable B flick nonsense.
Love the cars....
Like these old movie there great thank you 😊
The hats designed in the 1930's and early 1940's were a joke on American Women and whole fashion Industry.
The materials were cheap, designs were not to enhance an outfit or bring out the beauty in a face?
In the hundreds of films and movies I've watched, not once have I seen a hat made to match an outfit, suit, or dress?
LaRue (driver of illegal truck) became famous for playing sexy bad guys.
Is he the brother of "Lash"Larue??
@@vernwallen4246 I've checked that out. No relation so far as I could tell.
I knew this was going to be a good movie when I saw that Frank Sylos was the art director.🙄
Iv'e haven't done watching this move but it was funny when a woman said to another woman Dame to Dame
Ed
Feminists today hate other women just as much as ever.
And male 'misogynists' hate women almost as much as women hate themselves and each other.
Damn, next time you need a camera man, leave Vince Barnett at home. The slapstick makes me wish that he had been edited out. Same deal with the movie Bank alarm.
I agree. They should have used Frank Jenks, who also played a photographer in 'Rogues Gallery' in 1944.
The historical background to keep in mind is that the INS was just about a dozen years old at that point (1936). Before that, the borders were wide open, as long as you passed health inspection at Ellis Island. However, if you were Asian (Chinese, that is) you were SOL since the passage of the Chinese Exclusion Act in 1892.
That lasted until 1942, when we needed China's cooperation against the Japanese during WW2.
Also, getting a truck across the Mexican border in 5 minutes? Those were the good old days!
We never needed the Chinese, the Japanese, or the Mexicans.
Borders were not wide open. In fact, Immigration was a huge issue in the later part of the 19th Century. Big Business and Politicians tried passing Laws to legalize a Sterilization Act on Immigrants, Mental patients, and Lower Income Houeholds. There was a time when Sterilization was enforced on those in Mental Hospitals or anyone with a low IQ. Unfortunately many children who were taken from their Parents by the Social Welfare System ended up in Mental Health facilities due to overcrowded Orphanages and Schools for underprivileged?
Taken from homes with one Parent if a Parent died! Especially during the Depression if a Parent worked and had no daycare, couldn't afford it, or left an older child to care for their siblings?
Immigration was a huge issue because most Immigrants were impoverished.
However, during war it was necessary for residents of neighboring Mexico to send Vocarro's, farmers to nearby States across the US border to work the farmlands while American Soldiers were sent away to fight.
This Seasonal farming continued up through the 1980's without any real issues of Immigration. When Immigration Laws changed that's when there was a significant influx of illegal immigrants who stayed in the US. The US made the problem.
The workers use to come and work and they had housing saved their money and went home to their families. The returned to the same farms every year. They came from Paraguay, Venezuela, Peru, Columbia and Mexico.
Actually, it was 1882.
@@scarygary-qq1pj True. The original legislation was supposed to sunset after ten years, but instead was made permanent in 1892.
I was hung up on that neat fifty-year span that the act was in force, and instead of an expiration date needed another congressional act to undo it.
@@Prof.Tarfeather You, like most people discussing this issue, commingle permanent immigration and temporary immigration.
Aside from Ben Franklin warning us about his dislike of Germanic immigration and the unwanted influx of Irish immigrants following the potato famine, the two big waves of immigration causing the most push-back among nativivists were the Jewish immigration from Eastern Europe and the Italian immigration from Southern Italy and Sicily.
This was permanent immigration. These people came in search of a better life, and they never looked back at what they were leaving behind.
Mexican immigration, for a long time, was more temporary in that agricultural workers followed the harvest and the money, and at the end of the season or when they had saved up enough money, would return to their families until the start of the next season or for good if their savings allowed them a better living standard in Mexico. Only a minority actually wanted to come to the US as their permanent destination.
But as the US tightened legislation and made crossing the border ever harder, those workers eventually were forced to come to a decision about on which side of the border they were to settle to make their living. So temporary migration became more and more permanent, as the risk of crossing the border became ever higher.
It also contributed to a wider spread of immigrants beyond the traditional western states that used to constitute first New Spain and then Mexico, were it was possible to conduct life's daily affairs with only a knowledge of Spanish.
So today you find immigrant labor in Washington's apple orchards, the chicken processing plants tn the South, dairy farms in the Upper Midwest and as far removed as Upstate New York and New England.
Another fun show.
Excellent movie but folks who watch will give your opinions
Ed
At 20:30 they pull into a gas station and tell the attendant to "Fill it up." *Then they both light up cigarettes while they're waiting there. Yeah, right.
It used to not be illegal, before many catastrophes were kindled. And folks, out of habit, and absent-mindedly, used to do it without fear. I was there.
@@trukeesey8715 Me too. I remember staying in back seat while driver ( dad; uncle .) Got out to stretch legs n yak with attendant t LIGHT A CIG WITH A MATCH SCRAPED ON NEAREST SURFACE OR PANTS LEG. It was customary. No one ever considered any danger.
@@sophieseeker6620 You absolutely right Sophie. It was same with the new technology called "lawnmowers". A neighbor cut off his toe with one of them. Out in Apple Country Virginia, Humpy Smoot thought better than to wear a rubber suit while applyin pesticide, and wound up as a vegetable in Winchester hospital for the remainder of his life's time.
Exciting and fun😊
In the background of that scene is a sign that reads April 15th. Tax time! 😡
Stupid stale vaudeville stunts do not make this a “crime drama” 🙄
The credited cast here is far short of the total. They should have mentioned the motorcycle cop, his superior, the little girl in the waiting room, her mother, the cop at the pier, the ex-con actor, the newsman in the immigration office, the secretary, the Chinese officer, and the men at the airport. Most Poverty Row studios did better than that.
That Chinese general looked like Hideki Tojo.
Top white cops sort out johnny Foreignrt!
They had it in the Sun on Highway 61.
All 6.97 miles of it.
Is it just my imagination, or does Florence Hunt, the newspaper girl, bear a striking resemblance to Lillian Wessner, the hospital nurse? Same hair, same build, same voice.
My error. That's 'Eleanor Hunt', not 'Florence'.
It's your imagination.
Aka Yellow Cargo----less PC but more accurate. Very Interesting and even suspenseful Poverty Row B that Holds up quite well. The Location shooting and car chases are excellent !
Amazing the number of films that deal with illegal Asian trafficking.
Not a Trump supporter, but I wonder what he would have to say about this film's anti-Asian immigration rhetoric...? Would Trump and others recognize the Racial group that is usually RESPONSIBLE for smuggling them in as cheap labour....?
Eleanor Hunt is pretty good as a "Sob Sister" reporter...brash, pretty , obnoxious, a pretty smart cookie------ 3 whole years before Hildy Johnson / Roz Russell.
Up until a few years ago, no one conflated legal and illegal immigration. Immigration has been used as a form of invasion all throughout human history. Trump was never accused of being a racist until he ran for President. Imagine that? Got awards for helping minorities. Has had a homeless black woman living in Trump tower for well over a decade, getting 3 meals a day and fresh flowers weekly. She gave one interview before 2016 election because she was disgusted by the media calling him a racist. It is illegal to traffic human beings for any purpose. There is real slavery happening today in Lybia because of the actions of Hillary Clinton and Barrack Obama. Not too many people you can point to and say their actions are RESPONSIBLE for modern day slavery. When Bill and Hillary were stealing billions from the Haitian people, Trump was paying for eye surgeries for 200 Haitians to see again.
@@tinaarko6625 I cant believe you took all this time write me this refutation of a simple comment about the Film. If you arent careful, you may end up on the wrong side of history. A year later as America goes to the polls to hopefully vote Trump out of office, Do you still stick to this story / line of reasoning...?
@ I'm not your enemy. Trump supporters aren't your enemy. We are all just Americans, it's that simple.
Goof: at about 5:58, there is the Shirley Temple wannabe with her mother; then in the space of about a minute, the two of them are gone and a man is sitting there. That's too quick a switch in a waiting room of a business where none of the execs are supposedly there.
Eleanor Hunt reminds me of Glenda Farrell, only not as smart
But just as cute, and with nice legs.
A
I can see a brilliant idea and story-line screaming to be produced; but it doesn't happen here. There's too much of a combination of incompetence and lack of money. Bad camera work, bad lighting, bad sound recording, bad editing, bad directing, and the one thing that can save a picture, isn't there........brilliant acting. The only redeeming quality of this film, is Eleanor Hunt's bright, aggressive and overachieving character. She's the sole draw of energy in a production that falls way too short of expectations. LOL!!!! "You were creased with a bullet"
Thank you for reenforcing my original comment.......... Hahahahahahahaha!
Actually, film making was much more labor intensive prior to all the so called technical improvements.
What do you expect from Poverty Row?
I agree about Eleanor Hunt. Far more attractive than the porn stars we see today.