REACTION: The Warning Interview with Zach Sang, 2024
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- เผยแพร่เมื่อ 21 ต.ค. 2024
- The Warning is a rock band from Monterrey, Mexico, consisting of three sisters: Daniela, Paulina, and Alejandra Villarreal. They gained popularity through their TH-cam channel, where they posted covers of classic rock songs and eventually began showcasing their original music. The band's style is characterized by energetic performances, powerful vocals, and impressive musicianship.
Original link: • The Warning | S!CK, En...
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"That's a you-problem" and "It's in BOOKS"... Deliciously blunt! 😂😂😂
@@Hans_Reese Pau has never been one to mix words she tells it like it is one of many qualities to love about Paulina!
Quinn from Freeze The Fall literally watched the Lunario concert when she was 11, connected with Ale, got a Jackson guitar, and started teaching herself guitar by learning Dany's parts in Queen Of The Murder Scene. Now FTF is inspiring young girls.
I really love this interview for some reason. I think because he gets down to a personal level with our girls.
LOL! "...they know us as people! That's crazy to think about actually...they know us as people!" How can...wait what?...How can you say that Paulina? You've put yourselves out there for 10 years!! How does that NOT equate to endearment?!?!?! Love and Aloha Ale, Pau y Dany!!! Mahalo Glenn!
They SHINE in these situations, as HUMANS!!, as real people. Pau said she felt it was "Weird" that people felt they knew her as a person; that came, and comes, from them opening up on social media, and interviews. Think of all the vlogs they gave us, especially the covid years,, sure, they can try to always show the "good" side, but , in a familiar setting the real person will always show. I am glad you showed this, even tho i've seen it multiple times.
Very good point on their arrangements. Listening to other bands sometimes you hear a part to the song and you think this would fit better in a different place. I've NEVER felt that in ANY of their songs. Such masterful songwriting. Great reaction!! Thanks!!
I absolutely feel like I know Dany, Ale and Pau. Not like any other band I have ever experienced.
Ale’s bass is so important to the band’s sound. She is a tremendous bassist, and still only 19 years old.
Agree, these two gentlemen asked very interesting and seldom asked questions. Great interview! ⚡
Yes Genn, theirs is a unique story. Is fascinating that we get to see how a band grows and develops musically and all due to the Internet and you tube.
I find it interesting that when they’re answering, they look more at each other more than the interviewer. Especially Ale. So much connection between them.
One of the better interviews that I have seen.
Thanks Glenn. 👍
These ladies have so much intelligence and wisdom. I could only imagine how awesome their parents are.
These beautiful goofballs must be fun to hangout with.
Great interview. They are always so good about including their team in the discussion and they are great ambassadors for Mexico. It is scary to think about them as a Disney product with a corporation telling them how to dress and feeding them songs to play. We're so lucky that the band and their team played the long game.
The Warning ,nacieron para ser escuchadas en vivo,su talento no tiene limites
Yes, a great interview. This is how TWA becomes the most informed fanbase ever. Even the latecomers from 2020 got to know The Warning before they "hit it big" and had the time to go back into their history and find out all about the early years. That is probably why most of us older fans feel like Uncles and Aunts, and Grandparents. Protective to a fault!!
It’s obviously easy to interview Dany, Pau and Ale because they are love to talk about their music. ❤ Most refreshing band in many, many years. 🤘🤘🤘
It sounds like a lot of the album was top loaded going by the song credits . .
Great to see Ale speaking more . I know on the Hagendorf interview she said shes more talkative if she is relaxed and comfortable . . I guess having different questions helps there too . . The girls seem excited to be answering them . .
Glad you got onto this . . Realy enjoying the channel and its The Warning content .
Till next time take care .
Bye from NZ👋🇳🇿twa
Keep Me Fed! A perfect title for this time and age. Every morning I open TH-cam to see if there is anything new! Looking to be fed even more!🤘🏼🤘🏼🤘🏼❤❤❤
Best interview of the THE WARNING.
Great response.
I've said elsewhere, unlike the frequent norm in deals with labels... DPA and their parents where not looking at performing as a way out of povery. The label was at the table for seven months because The Warning were not jumping at the flash of cash.
It was a good deal for both sides in terms of content benefit but DPA walked away from the process intact. The simple measure of the fact they are not "indentured to", but "partners with" Lava is how much access to their new material is made available for fans and others before the vinyl is pressed and how much DPA respect their fans. One of the biggest contributions this band will make to music is how new talent can create and control their own package before offering it up to partners. The major thing Jason Flom and Lava will contribute is how to meet talent on equal terms and create a truely WIN/WIN outcome for all.
Kudos to all involved in this landmark time in rock music. This will create changes beyond sound.
Take Care
David
And here I was, assuming their label pressured this album out of TW, foisted unwanted co-writers and a one-trick producer on them to hurry the process, and basically wore the band down to where they finally said 'f*ck it, print it'. Hence, a likeable, not loveable album that feels a little forced and detached.
Like 'The Spaghetti Incident?' without the covers.
I'm glad this wasn't the case!
🤟T⚡️W👑
@@78Mustang All the things you said about TW. Do you have evidence for this, or is it just speculation that came out of your butt???
@StepnieW okay, let's go back and re-read..."Here I was assuming..." (making an assumption)
'Speculation' can be defined as an 'assumption' (there's that word again
🤔) or guess without any formal evidence. So, you kinda answered your own question, while you were asking it!
Point#2, I would never "say things about TW!" I was speculating (there's that word again🤔) about a situation they may have found themselves in...FYI, as people, artists, and a band, I hold them in the highest regard.
And finally, about my butt, I will paraphrase Will Smith from the 2022 Oscar's, and kindly ask you to keep my butt out your damn mouth! And have a nice day.
@@78MustangThanks for your response. Your understanding of the industry is well informed. It just happens that three sisters came along who had no "need" for long term label obligations and simply wanted to play their music.
They talk about wanting to learn from others and to grow beyond being a cover band and topliners in the creative process.
They make no secret of their sense that the band is their business and they approach it in a business like way.
When they launched Keep Me fed Jason Floom came down to LA to personally introduce them in the private launch at the Whiskey.
MTV's Push, Pepsi's backing, first Latin American band signed to a major US label etc... shows that the industry is hitching its' wagon to The Warning rather than the traditional talent role of begging for a label to pick them up. Their profile in the rock scene grows incrementally and they learn and grow with it.
I look forward to seeing more reflections from you.
Take Care
David
@@78Mustang Just an add on to my other comment... Most of the fans of the warning, affectionately called The Warning Army are positive and polite in their interactions with reaction channels and each other. That said, the more DPA grow the more loose ends they will find trailing along.
One has to wonder what makes those like StephieW think they have the right to demand evidence etc... I found the Warning by default because I was actually doing an academic paper on reaction channels and choose some music sources to listen to as a way to monitor and gauge the reactions and the responses to them. I don't consider myself a "fan" of any performer but that doesn't mean not respecting or admiring them.
Some people need to "live through" the object of their fandom and that has proven to be the kiss of death for a lot of talent. The need some people have for talent to not evolve or branch out or otherwise change has plagued the likes of Shirley Temple and a host of others.
It ends up tainting the self appointed critic's interactions with other fans or non fans who are exploring the music because the critic needs their personal belief confirmed.
Take Care
Sorry to add more verbage.
David
Thanks, Glenn. I had already heard the interview at the time, but it is a good interview, and it is not bad to listen to it again.
By the way, Glenn, since you like this type of material, I suggest you react to the interviews:
"¿QUÉ ES LA MÚSICA? #172 - Rudy Joffroy (Manager de THE WARNING) | La historia y éxito de THE WARNING".
"¿QUÉ ES LA MÚSICA? #178 - Daniela Villarreal (THE WARNING) | Mi vida e historia en la música".
"¿QUÉ ES LA MÚSICA? #182 - PAULINA VILLARREAL (THE WARNING) | Mi vida e historia en la música"..
The interviews are in Spanish, but there are very interesting details that I have not seen in any other interview.
Yeahh they are really interesting and deep in details.
and we re waiting the ITW of Ale in "¿QUÉ ES LA MÚSICA? 😉
There is a definitive change from the first part of the interview to the last half. I think Zach realized these weren't some half assed teenagers. They were serious musicians who weren't talking crap. His tone changes when he hits the, have we met before, moment. I can't fault him. He's interviewed some flash in the pan musicians. I think they've been warned.
I just watched a short 6 minute part interview with Lalo, The Warning's sound guy. It is in Spanish but has subtitles, and gives an interesting look behind the scenes. Uploaded by Gero Gonzalez. You might want to add it to your list of 'oh dear what have I started'.
For some reason I needed to wipe my eyes.
Eloquent, wise, experienced, deliberate, cute…cut from a whole different mold from their contemporaries. I have to wonder how big an influence their parents were in establishing the relationships, principles and goals and work ethic.
Very interesting interview as always. As far as influencing others, Quinn, the lead singer of the band Freeze The Fall, was inspired by The Warning after a Meet and Greet in Canada. I think she got her guitar signed by the band. Now the band has covers of The Warning, and Quinn covered Breathe that is worth watching.🤘⚡ ⚠️
And now there is another pair of sisters from Spain that are also inspired by the Warning and are creating their own music. Glenn and Adrian have featured one of their videos.
Hopefully in the future they will have more time to write their songs/music themselves.
One thing Im getting watching this reaction,even though I already watched the actual interview a couple times before,for all those haters out down saying its so terrible DPA had to work with a producer other than David Bendeth(David was and is a great producer he didnt need to do that project Error but he did and it turned out so great and DPA will remember what he did for them the rest of their lives) and with so many different writers, listen to how much they loved working with Anton and the other writers,and especially Pau,she doesnt sugarcover anything,if she doesnt really care for somebody or something you can tell it,they loved this process even though it led to a rushed process much more than the first 3 LPS!!One thing Ive learned over the years of following these amazing artists,people,entertainers trust in TheWarning!
When they don't like something (or someone mostly), they don't talk about ever again. Simply as if you don't have anything good to say about it, don't say anything.
an obvious suggestion would be for you to check out their after movies, recaps from their tours or big shows, probably start with the one when they opened for the killers(which i believe is a mini doc) and then onwards keep it chronological:p those are always a good time, plus you get to see them grow as people and as musicians
Really enjoyed your added insight during this interview.
It added to an already very engaging interview.
Thank you!
😘
Great interview, great commentary on your part too!
It is a pleasure to hear your reactions, always.
THE W⚠️RNIN💜
It wa only a matter of time when Ale comes out of her shell.
One of the best interviews out there.
❤✌🤘⚡🔥
Great observations! 👏🏽👏🏽👏🏽
Thank you!
This is a great interview. Thanks Zach Sang Show.
Love your reactions
Glenn - I greatly enjoyed your “color commentary” on the interview. It added a lot.
Well, Glen, I think you and I have the same feelings about this whirlwind writing sessions that the girls had it may have worked out well for them, and this point it’s a done deal, but I’ve said it before and I’ve said that before too they have albums where every song is a real winner prior to this one. Can’t say that for this one I need to have them get back to that special telepathy. I wonder if that will ever happen again. But thanks again for the interview and your thoughts over the top.!(wow that was really disjointed and I did it all myself)
Well said.
"They have albums where every song is a real winner prior to this one." Like Pau said, that's a you-problem.
"I need to have them get back to that special telepathy." They don't need to get back to something to satisfy their "purist" fans.
They only need to do whatever is in their hearts and Keep Me Fed is the product of that.
@@StepnieW I think we have gone down this road before! How on earth do you know what is in their hearts?! This is not a "me-problem"! I can tell the difference between "good" and "awesome", and the majority of the songs on this album are "good" songs! They, unfortunately, do not have the luxury of time, to do this on their own....gotta pay the bills, and when you turn production over to a third party, what do you think they were going to say....we're not thrilled with it, but we're happy enough?! The "Live" versions of these songs had to be relearned and rehearsed (Pau's words) to play on tour.........I think it made them better!
@@warrenschulze350 "How on earth do you know what is in their hearts?!" In many interviews, they said that the songs in KMF are the closest to the sound they listen to daily. You don't listen to the kind of music you don't love every day.
"What do you think they were going to say....we're not thrilled with it, but we're happy enough?!"
Again, it's just another speculation, and you're accusing Dany, Pau, and Ale of lying.
They use fruits in their songs when they write as a code . For themselves realy like . . Huele a Melon for When Im Alone . . And i know for sure that Automatic Sun was. . Its title for writing sake was Automatic Orange . .
So they do employ different methods .
Beautiful warning girls
🤘💥💥💥
Good point-songs from 9 years before I was born included: Mack The Knife, The Battle of New Orleans, Put Your Head On My Shoulder, 16 Candles, Smoke Gets In Your Eyes...
I am not a musician but from your explanations of toplining I get that Anton had already predetermined cadence and duration of each song before DPA heard anything about it. I believe that the band had much more input into the songs than just taking essentially set drum samples and filling in the blanks with lyrics. That may not be how you intend it but my own background is very literal.
I was just defining toplining itself, since it may be a new idea for some. We don't really have enough info to know exactly how it went on this album, and it may have differed with each song. It could be he started with something and then it went through a lot of changes from their input during the process. And with several different songwriters, it's possible they didn't topline everything and that it was just one of the processes used.
🤟
❤⚡⚡⚡🎶🤟🤘🤟
Buena entrevista me entero de lo que no dicen en las entrevistas en español
Mas bien , quienes les entrevistan , no les preguntan.
@@Tbcycoji exacto
Ale laughs at 4:25! and Pau says Mexxxyco, like an American...WTx
🤘
🤘🏻⚡️🔥
Yes i agree . . I hope it changes too . .
I suport The Warning but if others are now encroaching on the song writing its a slipery slope till some one else is their writer and they just supervise . .
These writing sessions were instigated by Lava . . .
"I suport The Warning but if."
Pau said she loves writing songs with other people. That's all you can ask of an artist, do whatever is in their heart.
Rather than giving in to "purist" fans and what they want The Warning to sound like. I say good riddance.
Do all the writers that appear on the album KMF get royalties? That would seem to me a big chunk of money that DPA would loose. But I don't know how those things work so not sure?
Yes, but, it'd be different agreement with every song, and not necessarily straight splits of the royalties. I would expect The Warning does OK! Can't really know without more direct info.
@@glennandadriansrocktalk Ah ok. Well hopefully the negotiated a deal that benefited DPA
The ladies wrote the songs for *Error* album in 2019. They did a kickstarter campaign for studio time & a North American Tour also in 2019. The first song from *Error* the ladies debuted live was *"Martirio"* during their Argentina tour with Eruca Sativa November 2019.
Glenn. Can you take some criticism?? During these interviews videos. You have a tendency of talking while the video is still playing. With you talking & the interviewer/interviewee talking at the same time. It's hard to understand anyone. I know you got a lot to say. Just pause the video. Say what you want to say. Backup 5 seconds & resume play. Would appreciate that very much.
Yes it's always a tough call - they edit these interviews super-tight so there's no space at all to comment! I'll keep it in mind - thanks.
🤘⚠️🤘
There is a mention of working with many writers and I counted 13 people getting writing credits? Is that normal? Was it like that in years past? Anyone know?
Thank you
As i understand, they write each song of the album with diferent writers. Some like Anton and Dan Lancaster wrote with them more than one.
In past albums they were wrote by them and in Error they credit David Bendeth for their help with the finish product while recording even they had the songs written in 2019
I feel like they say “I feel like” alot. I love them but it is noticeable. It’s probably a Gen Z thing.
It is!