Wow, such an articulate and well thought out score. Very, very impressive. I wonder why you used sans metre as opposed to conventional time signatures? I'd be interested to know. Also, which software did you use to notate it...?
+ComposerInUK The grace notes are occurring outside of the notated time signature, so the rhythm technically alters at each grace note iteration. The piece is by Olli Koskelin haha
That ta-ta-ta-ta at the end just made it amazing. Love it.
What a mindblowing piece!!
This should have been named "A Rhythmic Nightmare". Very well played!
Do not fear, there is no rhythm involved! Only interpretation of what the rhythm should be - This comment does not make any sense, but whatever
Wow!! I really liked this one!! You're an excellent player!!
Amazing what one can do with just one line.
Esta en un nivel que jamás había escuchado.
Wow ... Bravo!
Excellent!
Gleb - Bravo!!
Thanks a bunch, man!
Bravo!
Wow, such an articulate and well thought out score. Very, very impressive. I wonder why you used sans metre as opposed to conventional time signatures? I'd be interested to know. Also, which software did you use to notate it...?
+ComposerInUK The grace notes are occurring outside of the notated time signature, so the rhythm technically alters at each grace note iteration. The piece is by Olli Koskelin haha
like whuuutttttt...
also is there a 'pulse' to the song that you're feeling or are the grace notes changing/messing everything up?
Sour Tiger's Hideout the grace notes are supposed to be "out of time" and trip up the actual notes... this piece is trippyyyyy
sodelicious..............
i wonder how it would look seen through a kind of Musanim process...
How long after this warm up does the actual piece start?
I hate to tell you, but what you see as warm up requires a LOT of warm up...
Bravo!