Definitely one of the primary mix elements used for performances of 'Music for Sound-Joined Rooms', usually juxtaposed with that glorious phasing metalic drone as on the Ohm comp excerpt or the Music Gallery Toronto 1982 tape. Sounds wonderful as a standalone Character.
One of the most amazing composition I have ever heard... She was not here also when she was here...
Thanks for the adjacent we really needed another dimension
Thank you @Joaquin Izquierdo
As Amacher said: "You have to listen for the ghosts.
And then once you started hearing them, they were always there.”
Yeah it's like another world
Great channel name
No.
how she imagine these sounds? (!) magic.
I agree but also : maybe she d o e s them at the same time as imagining them ?
Stupendo!!!
Sensibilità ai vertici
Bravo...
Pier Van Sax
Ambient music sperimentale
Blessings
love it!!
Curious where this recording came from? It's not actually a recording of Maryanne Amacher's Adjacencies.
good question ! It sounds like one of her later (post 1980) 'Music for Sound Joined Rooms' pieces..
Definitely one of the primary mix elements used for performances of 'Music for Sound-Joined Rooms', usually juxtaposed with that glorious phasing metalic drone as on the Ohm comp excerpt or the Music Gallery Toronto 1982 tape. Sounds wonderful as a standalone Character.
BEST
Where did you find this recording?
OMG
But this is absolutely not Adjacencies.