i have this pedal and im sending it back, it has no and i mean no Low end/bass, the bass knob has to be dimed all the way to get a tiny trickle of and low end and it just cant do any metal that i play, this pedal has mid and high frequencies only and the bass knob is esthetic lol, if you like the option to add a full bodied sound or some umff or a touch of low end wooff dont get this pedal it has none, the balls are removed lol, basicly a neutered distortion pedal. I own the DARK FLAME and the UZI pedal from joyo and those are good but I have plenty of distortion/pre amp pedals ranging from $300 to $40 and this compared to metal muff, DOD death metal, Revv G4, Diezel VH4, Waza Craft Metal Zone, you name it, makes the R-24 RIGEL PREAMP pale in comparison to every dirt box i own. All my distortion pedal's, all of them in comparison had more body/umff/low end if you would like to add it if you need, with the R-24 RIGEL PREAMP there is no option, it barley exists. As all can see in this video is that the bass is cranked/maxed out and you never see that in any distortion pedal videos, the bass knob on other pedal videos is never past the 2 O'clock position and this video its cranked but there is hardly any bass to the guitar tone.
It sounds like it would be good for recording. On my phone speaker it was super loud, so it will cut through any mix an be really clear you really don't need much bass if your recording that is taken care of by the kick drum and the bass guitar
Personally, I have this and it sits in just fine with any combination of modern high-gain preamps, I won't even begin to start trying to list them or I'd be typing for aeons, I'm not disputing that the low-end is slim, it is what it is. Although that can be dealt with if you're comfortable with a soldering iron as it's not a complex affair, anyway I pretty much always use two or more pedals with each having its own signal path fed from a simple lone input to four identical split output signals with the input and outputs all buffered, it was a simple build that didn't take long nor cost very much for the components and enclosure, I don't know if any four-way signal splitter/router utility pedal options are available to buy but the same thing can be achieved using a couple of AB/Y boxes. Using such a setup allows so many combinations along with boosting if needed or wanted for each pedal as some pedals yield far better results with a different boost or low gain OD acting as a boost rather than all being hit with the same boost or with the case of other pedals stacking can achieve excellent results, I have another for doing the same with amp heads + cabs and combos, offering and delivering exactly the same principles. So for just a random example, I'd utilize two of the following for their great low-end chunky thunking yet tight and precise tracking MESA Rectifier, Rivera Knucklehead, VHT/Fryette Pitbull Ultralead, ENGL Powerball, Diezel Herbert, DMoll or VH4, Randall 667, SATAN/Fortin Meathead, NATAS, Orange Thunderverb...etc. Then use any pairing of the following for the more forward mid-range qualities MESA MKIV, MKV or Triple Crown, Peavey 5150 Mk II, 5150+ 6505 or 6505+, EVH 5150 III or Stealth model, Marshall JCM800, 900 or DSL, PRS Archon 1st version, 2nd version/MkII or MT15, Orange Dual Dark, Blackstar Series One, Bogner Ecstasy 101B, Überschall Or Überschall Ultra...etc. A number of LittleLabs IBP boxes in order to achieve the phase relationships on the mics of each cabinet to get as optimal as possible results at source then start tracking once everything is dialled in with the obligatory DI signal too in case it could be needed when it's time to mix everything down. Simply swap out full rigs and multiple micd up cabinets for preamps in any format including any pedals, of course, feeding Two-Notes Torpedos and the excellent value Mooer RADARs with various IRs to suit and Voxengo's PHA-979 for achieving and manipulating the phase relative to one another for results that aren't noticed in the mix as "not real amps recorded properly". The Rigel I've not had at in order to alter the tone stack's low-end I've utilized a lot like the good old Rockman was in the 80s and even nowadays mostly as it works really well for lead stuff that has to sear through a really dense, modern mix without needing much if any surgical work, an absolute bargain for the results but yes indeed not a beefy, chugging monster that it can and maybe should be. \m/ all the best \m/
@@nekromachine so all that lol = if you dont like thin LOW-END or the freedom of having that option to fatten the lowend up with this pedal when the low knob is cranked dont buy, not gonna buy other gear or solder to get what should be there, thats why the knob is there lol to add the amount YOU want, all other pedals (Diezel VH4, REVV G series, Dracarys) have tons of low end and you have the option to thin it out if you want with this pedal there is only 1 option.. thin lows. no thank you, I like options and flexibility(freedom) and not being locked into a thin lowend corner.
Wow..! Sounds great. 🤘😁
Seems like it's a single channel of the KSR Ceres? The settings seem to match it.
EDIT: I needed to keep watching. You mentioned it. Nice.
Cool playing
*That is literally a MESA BOOGIE MK-IV*
I love joyo Thailand
*So wait???! You are not using a noise gate??! What about a CAB SIM? ..I sure would like to see the demo with a graphic EQ on it.*
Darrell Dimebag would have liked this pedal
i have this pedal and im sending it back, it has no and i mean no Low end/bass, the bass knob has to be dimed all the way to get a tiny trickle of and low end and it just cant do any metal that i play, this pedal has mid and high frequencies only and the bass knob is esthetic lol, if you like the option to add a full bodied sound or some umff or a touch of low end wooff dont get this pedal it has none, the balls are removed lol, basicly a neutered distortion pedal. I own the DARK FLAME and the UZI pedal from joyo and those are good but I have plenty of distortion/pre amp pedals ranging from $300 to $40 and this compared to metal muff, DOD death metal, Revv G4, Diezel VH4, Waza Craft Metal Zone, you name it, makes the R-24 RIGEL PREAMP pale in comparison to every dirt box i own.
All my distortion pedal's, all of them in comparison had more body/umff/low end if you would like to add it if you need, with the R-24 RIGEL PREAMP there is no option, it barley exists. As all can see in this video is that the bass is cranked/maxed out and you never see that in any distortion pedal videos, the bass knob on other pedal videos is never past the 2 O'clock position and this video its cranked but there is hardly any bass to the guitar tone.
Try the Thrasher!!
It sounds like it would be good for recording. On my phone speaker it was super loud, so it will cut through any mix an be really clear you really don't need much bass if your recording that is taken care of by the kick drum and the bass guitar
Personally, I have this and it sits in just fine with any combination of modern high-gain preamps, I won't even begin to start trying to list them or I'd be typing for aeons, I'm not disputing that the low-end is slim, it is what it is. Although that can be dealt with if you're comfortable with a soldering iron as it's not a complex affair, anyway I pretty much always use two or more pedals with each having its own signal path fed from a simple lone input to four identical split output signals with the input and outputs all buffered, it was a simple build that didn't take long nor cost very much for the components and enclosure, I don't know if any four-way signal splitter/router utility pedal options are available to buy but the same thing can be achieved using a couple of AB/Y boxes.
Using such a setup allows so many combinations along with boosting if needed or wanted for each pedal as some pedals yield far better results with a different boost or low gain OD acting as a boost rather than all being hit with the same boost or with the case of other pedals stacking can achieve excellent results, I have another for doing the same with amp heads + cabs and combos, offering and delivering exactly the same principles.
So for just a random example, I'd utilize two of the following for their great low-end chunky thunking yet tight and precise tracking MESA Rectifier, Rivera Knucklehead, VHT/Fryette Pitbull Ultralead, ENGL Powerball, Diezel Herbert, DMoll or VH4, Randall 667, SATAN/Fortin Meathead, NATAS, Orange Thunderverb...etc.
Then use any pairing of the following for the more forward mid-range qualities MESA MKIV, MKV or Triple Crown, Peavey 5150 Mk II, 5150+ 6505 or 6505+, EVH 5150 III or Stealth model, Marshall JCM800, 900 or DSL, PRS Archon 1st version, 2nd version/MkII or MT15, Orange Dual Dark, Blackstar Series One, Bogner Ecstasy 101B, Überschall Or Überschall Ultra...etc.
A number of LittleLabs IBP boxes in order to achieve the phase relationships on the mics of each cabinet to get as optimal as possible results at source then start tracking once everything is dialled in with the obligatory DI signal too in case it could be needed when it's time to mix everything down.
Simply swap out full rigs and multiple micd up cabinets for preamps in any format including any pedals, of course, feeding Two-Notes Torpedos and the excellent value Mooer RADARs with various IRs to suit and Voxengo's PHA-979 for achieving and manipulating the phase relative to one another for results that aren't noticed in the mix as "not real amps recorded properly".
The Rigel I've not had at in order to alter the tone stack's low-end I've utilized a lot like the good old Rockman was in the 80s and even nowadays mostly as it works really well for lead stuff that has to sear through a really dense, modern mix without needing much if any surgical work, an absolute bargain for the results but yes indeed not a beefy, chugging monster that it can and maybe should be.
\m/ all the best \m/
@@nekromachine so all that lol = if you dont like thin LOW-END or the freedom of having that option to fatten the lowend up with this pedal when the low knob is cranked dont buy, not gonna buy other gear or solder to get what should be there, thats why the knob is there lol to add the amount YOU want, all other pedals (Diezel VH4, REVV G series, Dracarys) have tons of low end and you have the option to thin it out if you want with this pedal there is only 1 option.. thin lows. no thank you, I like options and flexibility(freedom) and not being locked into a thin lowend corner.