Really great things: 1) these videos are produced without ego 2) the information is fantastic and inspirational 3) the music and bands chosen are top-notch. I'm off to download samply and listen to Bleach!
Ahhh thanks so much! The ego thing makes me so happy too, there can definitely be elitism in music more so than other art forms (maybe because of the performative aspect idk?), I really hope to try and make recording and production seem more approachable.
Holy shit finally someone mentioned they used a Ramsa to record Bleach. Literally have NEVER seen a video where it’s mentioned. Only in blogs and forums. That said Ramsa and their preamps /transformers were a HUGE hidden secret to the sound of early grunge , which is funny as f because in the 2000s countless engineers started calling them trash and “unusable for high gain music” and refused to use them only for the problem a to be easily fixable when digital recording and plug ins became viable to pro analog studios
@@Mooskittl If you can accept you are working with a piece of gear designed for notably lower headroom and spl than what we use today.. sure why not? I was hired to produce and engineer an album from scratch after telling a band we could easily achieve an early sub pop grunge sound if they wanted the sound of that era with a few exceptions, we mostly just used a sans amp NYC and the Ramsa with effects (and parallel amping with a Boss Katana for high end ) to get the guitars right, the drums - just the Ramsa WR24 preamps since drums are loud enough to not have to push the pre amps much, the bass was loud enough too and wasn’t too processed. The other instruments like acoustic guitar and vocals I used a Daking mic pre just so I could boost my gain there and not the Ramsa, which I push to overdrive on rare occasions but usually on a parallel track or less so for the saturation it provides which is a great “limiter” just to pass drums through for a sound that is clearly of the era but not at all the sound of a sampler . I can’t find the article these days, but I read on gear slutz the engineer who designed the Ramsa boards was an in-house recording and mixing engineer for Motown who preferred those RCA consoles they used earlier on for artists in the 60s. He recreated a lot of both the design and supposedly transformer and pre amp sound with the analog Ramsa boards. Ramsas were amazing quality back in the day. Kind of goes to show how much Panasonic cared and REALLY inspected their gear where they were made at Matsushita. You won’t get Grammies with it but you will have a proper engineer experience and people WILL recognize the sounds assuming bands use physical or even vintage gear and maybe you can find an affordable one unlike many other brands. The secret gear list of old school bands from Nirvana to Eric Johnson to Pepper shows they all used analog Ramsas too
@@NOOB-nz9kc It's been a long process so far, but I'm learning a lot and doing it with a DIY spirit so I can say it's going well! I'm hoping to release at least an ep by the end of this year. I'll comment again later hehe, thanks for asking!
It would be such a joy for you to do a video essay on Enya, how she very quietly become one of the best selling artists of all times defying the Pop sound of the 1980s, influencing many more artists. I've never seen a TH-cam essay on her music production process, most just seem to reduce discussions about her to her 'reclusive' living and how her music is just calming bubble bath music, which is kinda a shame considering the unique melodies she composes. Heck, she must've been doing something right when she consecutively delivered 5 albums from 1988 to 2000 selling a minimum of 10 million copies each.
L totally agree!!! Such a popular best selling artist quietly workin at home in her castle! I only ever remember seeing one video of her working at home . From memory she was doing all her own producing .
this new direction for the channel is really great, I just want to say. On the topic of inexpensive equipment, in the last month, I've seen video of the Stones recording, with Mick on a 7b, and Keith on a 57, drums similarly mic'd. I recently noticed Sheeran recording on a 7b running into a Focusrite. Its the talent, I say, not the equipment. I think its also fair to say that inexpensive (relatively speaking) equipment doesn't mean 'inferior product'.
True! One of my dream series that MAYBE we could do one day is inviting stars in to record on "my first producers" rigs, like the Scarlett beginner pack, just to show how great someone can sound even on that affordable of equipment. Maybe one day :) and thanks glad you're enjoying the new stuff!
@@AudioHaze I'd like to suggest a target for a professional musician or producer who might be willing to come on and talk about some of this stuff: Andy Partridge of XTC. He seems generally willing to do interviews with people who are interested in the band's music, and I've seen him interviewed on several channels and podcasts that aren't that widely-known. And while he didn't produce XTC's records, he has done production himself for other artists and would be able to speak knowledgeably on what the band did, especially in their early days. He's also done some stuff that's "lo-fi" in ways that would be unexpected; the band's later album "Apple Venus", for example, was partly recorded in Abbey Road studios while also being partly recorded in a literal garage.
Cool video. I remember 1998 I recorded my singer songwriter album in 2 sessions (drums/percs, guitar, bass, keys), no click , Mackie mixer, 2 Adats, 1 Alesis Quadraverb, 1 Alesis Compressor and (believe it or not) a BBE Sonic Maximiser inserted in the Buss out (carefully tuned to sweetened the highs and low end) and more than 20 years later I get blown away how fresh, dynamic and open it sounds. Conclusion: “ you DON’T need a lot to sound great.
You said that Christian is a fender jazz bass but I heard him say that he used an Ibanez eagle base from the 70s and if I remember correctly he also used to PV 215 and A lanyhead
Love your channel. I am a busy guy in my daily life with little time for music (unfortunately) I've found that my little 8x8 room with an electronic drum kit, one guitar, one bass, one midi controller for keys, and a SM58 are all I need to write and record ideas. Been writing and recording better AND faster then ever since I started simplifying my setup, and things are sounding better then ever once I put more time in learning to mix vs buying expensive gear or plugins! Your channel has helped tremendously; thanks for that.
Thanks for the research and the facts. Just really cool to see how things were done. I once did a late night living room 4 track recording with drums and piano that still sounds crazy good. My friend used that same drum kit mic setup and a couple of SM-57s on a Kawaii console through a Teac board into a quarter inch Teac 4 channel reel to reel and it was magic. Use the gear you have, be creative, and be yourself.
Good stuff! There really are no technical limits to creating great art in music anymore. Your only limit is your own creativity and musical proficiency - that can be plenty to overcome, but having the technical side of the recording proces covered sure helps.
Words of wisdom right here :) it was cool to see how even back in the early 90s lots of the same methods still applied, but in an entirely different way as well haha
Awesome video, man. Lots of details I didn’t know about the sessions, cool to learn this stuff! One thing to point out - Otari were masters at confusing their customers by naming ALL of their R2R products “MX5050”. What you have pictured at 5:18 is an Otari MX5050 BII2 2-track mixdown deck (I recently owned one). The 8-track machine they used at Jack’s was the Otari MX5050 MKIII-8, which you actually pictured at 1:27 ! (Bottom right of the photo). I own its predecessor, the MX5050 8S HD 😵💫. There is a great video here on YT of Fran Lab’s MKIII-8 that does an enjoyably thorough run-through. Cheers and long live analog recording/Nirvana 🤘🏻!
@@AudioHaze Yeah, as a fan of their tape machines, it drives me absolutely insane. Makes it nearly impossible to easily find model info online in ways you can definitely imagine, not to mention they will combine multiple models in one manual 🤦♂️ . But pretty cool you serendipitously put that shot of the MkIII-8 machine they used there. Here’s the FranLab video if it interests you: th-cam.com/video/7mqLX-Q5Yvw/w-d-xo.html And also this is pretty fun: th-cam.com/video/T_HG-TOisHk/w-d-xo.html Kurt was passionate about recording to tape at a time that digital was already beginning to take over in studios via ADAT. In Utero is a real testament to that notion, with Bleach quietly being a blueprint for what spirit he wanted to get back to in studio. I think he’d dig that you make videos like this. 🤘🏻
Thanks man! Just look up some after effects and premiere tutorials and you'll be on your way! It starts to get fun once you get an understanding of the software
I am subscribed because I love the quality of them all. I am from Seattle and not much of a Nirvana or Grunge fan, although Kim Thayall and Mike McCready have both come to a handful of my old Brasilian Jazz group and my solo gigs around town. They are both pretty nice chaps.
4:25 actually jason everman was a member of a lot of Seattle grunge bands while those bands were just starting to form. He always quit the band he was currently in before they actually recorded anything with a record label. Soundgarden and nirvana were two of them.
I just wanna recommend a channel for nirvana tones, there's a youtuber called aaron rash and he goes into the specifics of kurt's guitar tones! his videos are extremely helpful to anyone that may want to try to get those iconic sounds
This was an excellent presentation of the actual information from bleach, great videos from you, also amazing mix from the Radiohead's weird fishes, thank you for the Inspo at the end too
I would love to see how you would approach recording and mixing something in the Bleach style! Not necessarily trying to recreate it it exactly but just getting a similar vibe in your own way. It's so simple and stripped down I love it
Man, I love this channel. I’d love to see you cover the production of Boston’s first album, recorded in Tom Schulz basement in the early 1970’s (unheard of at the time)
great video, thanks for doing what you're doing! I will throw a suggestion of covering something produced by Rick Rubin, any album from the early years of his carrer has an amazing cleanliness to it. Truly pleasing to listen to it Either Raising Hell, American Recordings, Danzig, Wildflowers, Blood Sugar & Sex Magic, among many others.
Yes I was definitely considering the chili peppers record! That whole story is wild, with the mansion and using all the rooms in the house (little rusty on the exact story lol)
Agreed. I'd go for either "Electric" by the Cult, or "Reign in Blood" by Slayer. Two benchmark eighties recordings that really put the bands involved in the map.
Hey awesome video man! really enjoyed it, i just want to correct like 3 things, all fairly minor. 1) At 1:57 this was a music video test and not a rehearsal. 2) The bass Krist used was most likely his Ibanez Eagle, which is close to a jazz bass so i don't blame you there! 3) Title is a bit misleading, bleach only got to go plat because nevermind. also I'm just gonna add this, I don't think Kurt used a univox hi-filer on the last sessions he did in December. if you do some digging you can find that he smashed his univox in October, and then he gathered the parts off of his smashed univox and made a mustang with the spare parts sometime around November. he used that guitar the way through late 88' and early 89'. and there is some practice footage from December 1988 where he was seen using that mustang before the December session! and I don't think he was seen using a univox until may 89'. looking through LiveNirvana (website for nirvana nerds) concert photos and session history defiantly suggests that he used that mustang instead of a univox. they also have a equipment guide! anyways, great video about how the album was paid for and how Jack did production! you clearly did your own research and it was really great, besides a few oopsies!
Thanks for those correction! Always great to hear feedback like this :) I will say that the univox information came from Endino, specifically a conversation he had with another creator Aaron Rush, although I would understand that 35 years ago the information may have gotten a little blurry, so perhaps it was a modified stang! Glad you enjoyed the video my friend :)
Thanks again for another excellent documentary! Your hard work and professional presentation show through, as well as your passion for all things music. Nicely done!
I got a greenburst Eastwood Sidejack baritone guitar a few years ago. It's a remake of the Univox Hi-Flyer except I got the baritone version (tuned BEADF#B, 28.5" scale vs. the standard 25.5" of a Strat/Tele). If I put a capo on 5th fret and run it through a DS-1 I can definitely get some convincing "Bleach" sounds from it. Negative Creep sounds pretty gnarly tuned down too lol
Bouncing tracks became almost another instrument for us.. When you have a 4 track as the start, it kinda has to be.. But it makes you learn about your overall sound
christ what a good video, just the pick me up i needed to get me out of a creative slump. thank you. I have reluctantly liked and subscribed - i say reluctantly because i am gonna be bummed when you blow up and dont have time for us lil guys anymore T_T lol
HAHA I always try my best to be active in the comments :) although true when these vids hit the algorithm they can be hard to keep up with. Thanks for the kind words though man, I'll try and make the subscription worth it!
@@AudioHazehe original version of their album Twin Fantasy was recorded on a laptop in Toledo’s van as well as a dorm room with cheap gear. Not sure how much other info is out there though
I absolutely love nirvana, they have to be my favourite band, I really learned a lot from this video considering I thought I already knew almost everything about the band 😅. great video dude keep it up.
I'm currently tracking an album, before anything else honestly treat your space with some moving blankets or foam or something. Especially for drums. It will do more than literally everything else put together.
Man it's too easy to record at home now. A similar setup using a DAW can easily be achieved in a medium/small sized room with minimal acoustic treatment like sound blankets or something. Great video dude!
I don’t know where he got the information of a jazz bass being used on bleach but I’ve never heard that before, To my knowledge krist used a black eagle bass for all of these sessions, he used them heavily in 88 all the way up until the end of nirvana. You can read about this in bass player magazine. Krist himself talks about it.
He also got some information for the guitar wrong, the first two sessions of bleach a Randall commander 2 was used, during the third session it was being repaired so jacks twin was used, but going into a 2x12 cab.
A couple notes; the spelling of "Chris" on Bleach was not a misspelling. It's the way he spelled his at the time, now Anglicized name before shifting to "Krist" sometime after Bleach in recognition of his Croation heritage. Although "Kurdt" is _technically_ a "misspelling" of Kurt's given name, he had been - and at times after _Bleach_ and up until his death in letters and journal entries - spelling his name this way. His daughter Frances often uses this spelling when referring to him in text. Oddly, the "other" famous Aberdeen Washington band is Metal Church (great, great guys. I've met them). A band who had gotten signed and reached a level of indusrey recognition and success several years before Nirvana recorded _Bleach._ Their founding member and primary writer is Kurdt Vanderhoof. I've always wondered if Cobain was aware of that (which, chances are _very_ likely he was. I wish I'd have asked Kurdt Vanderhoof about it when I met him) and if so, whether Cobain's use of the spelling had anything to do with it; i.e. a nod to the first successful rock musician from Aberdeen? A _jab_ at him? Did he just like the spelling? Was it a totally random coincidence? Anyhow, I digress. I just thought I'd add these tidbits and help the algorithmic black magik with a comment.
Mate top quality stuff👍I would really love for you to do a similar thing that u did with the weird fishes videos with some of the artists in this series nirvana, tame impala ect ;)
@@AudioHaze the tape edges were said to lose high freq, so you'd put kicks or bass on the outside tracks 🤷🏿♂ but depends, we only working with 8 tracks so im just gonna trust them guys. it worked out for em 😀
im assuming most of the "eq" was arrangement, amp settings and microphone placement. theres so little going on frequency and instrumentally that carving space for sounds probably wasn't needed.
Check out Samply if you're tired of using three programs to do one thing (its freeeeee) samply.app/?AH
I love Samply!
The sponsor samply is only 4gb of stage for free account not 25gb,, Think they must've changed it ,which is a bummer. loved the video though.
Really great things: 1) these videos are produced without ego 2) the information is fantastic and inspirational 3) the music and bands chosen are top-notch. I'm off to download samply and listen to Bleach!
Ahhh thanks so much! The ego thing makes me so happy too, there can definitely be elitism in music more so than other art forms (maybe because of the performative aspect idk?), I really hope to try and make recording and production seem more approachable.
please do your next video on how Bob Marley influenced and inspired the rock artists.
Holy shit finally someone mentioned they used a Ramsa to record Bleach. Literally have NEVER seen a video where it’s mentioned. Only in blogs and forums.
That said Ramsa and their preamps /transformers were a HUGE hidden secret to the sound of early grunge , which is funny as f because in the 2000s countless engineers started calling them trash and “unusable for high gain music” and refused to use them only for the problem a to be easily fixable when digital recording and plug ins became viable to pro analog studios
No way?? Dude I had no idea!! That’s awesome info, anyone reading this comment give it a like, would love to get this boosted to the top.
interesting. so would this still be a viable set up today? if you wanted to capture that early grunge sound is it worth the trouble?
@@Mooskittl If you can accept you are working with a piece of gear designed for notably lower headroom and spl than what we use today.. sure why not?
I was hired to produce and engineer an album from scratch after telling a band we could easily achieve an early sub pop grunge sound if they wanted the sound of that era with a few exceptions, we mostly just used a sans amp NYC and the Ramsa with effects (and parallel amping with a Boss Katana for high end ) to get the guitars right, the drums - just the Ramsa WR24 preamps since drums are loud enough to not have to push the pre amps much, the bass was loud enough too and wasn’t too processed. The other instruments like acoustic guitar and vocals I used a Daking mic pre just so I could boost my gain there and not the Ramsa, which I push to overdrive on rare occasions but usually on a parallel track or less so for the saturation it provides which is a great “limiter” just to pass drums through for a sound that is clearly of the era but not at all the sound of a sampler .
I can’t find the article these days, but I read on gear slutz the engineer who designed the Ramsa boards was an in-house recording and mixing engineer for Motown who preferred those RCA consoles they used earlier on for artists in the 60s. He recreated a lot of both the design and supposedly transformer and pre amp sound with the analog Ramsa boards.
Ramsas were amazing quality back in the day. Kind of goes to show how much Panasonic cared and REALLY inspected their gear where they were made at Matsushita. You won’t get Grammies with it but you will have a proper engineer experience and people WILL recognize the sounds assuming bands use physical or even vintage gear and maybe you can find an affordable one unlike many other brands. The secret gear list of old school bands from Nirvana to Eric Johnson to Pepper shows they all used analog Ramsas too
The Ramsa is mentioned around 6:42
@@WilliamHaischYes, that’s why I commented to start with
Man now I'm even more excited to start recording an album, seeing that it's possible to achieve so much with so little blows my mind. Great video!
Yayyy that's the goal!
How is the album going ?
@@NOOB-nz9kc It's been a long process so far, but I'm learning a lot and doing it with a DIY spirit so I can say it's going well! I'm hoping to release at least an ep by the end of this year. I'll comment again later hehe, thanks for asking!
You got my sub. Phoebe bridges started it and now this one. Keep going! I love the thought and work put into them.
It would be such a joy for you to do a video essay on Enya, how she very quietly become one of the best selling artists of all times defying the Pop sound of the 1980s, influencing many more artists. I've never seen a TH-cam essay on her music production process, most just seem to reduce discussions about her to her 'reclusive' living and how her music is just calming bubble bath music, which is kinda a shame considering the unique melodies she composes. Heck, she must've been doing something right when she consecutively delivered 5 albums from 1988 to 2000 selling a minimum of 10 million copies each.
Okay for sure I’ll write it down and see if it’ll make a good vid!
That would be very cool.
L totally agree!!! Such a popular best selling artist quietly workin at home in her castle! I only ever remember seeing one video of her working at home . From memory she was doing all her own producing .
THAT....would be dope!!!
@@AudioHazeI second that suggestion.
man i love these video essays. the editing is top notch !!
Thanks man!! We’re trying out best, just wait until you see the next one 😈😈😈
@@AudioHaze well, now i’m even more excited for the next drop !!!
this new direction for the channel is really great, I just want to say. On the topic of inexpensive equipment, in the last month, I've seen video of the Stones recording, with Mick on a 7b, and Keith on a 57, drums similarly mic'd. I recently noticed Sheeran recording on a 7b running into a Focusrite. Its the talent, I say, not the equipment. I think its also fair to say that inexpensive (relatively speaking) equipment doesn't mean 'inferior product'.
True! One of my dream series that MAYBE we could do one day is inviting stars in to record on "my first producers" rigs, like the Scarlett beginner pack, just to show how great someone can sound even on that affordable of equipment. Maybe one day :) and thanks glad you're enjoying the new stuff!
@@AudioHaze I'd like to suggest a target for a professional musician or producer who might be willing to come on and talk about some of this stuff: Andy Partridge of XTC. He seems generally willing to do interviews with people who are interested in the band's music, and I've seen him interviewed on several channels and podcasts that aren't that widely-known. And while he didn't produce XTC's records, he has done production himself for other artists and would be able to speak knowledgeably on what the band did, especially in their early days. He's also done some stuff that's "lo-fi" in ways that would be unexpected; the band's later album "Apple Venus", for example, was partly recorded in Abbey Road studios while also being partly recorded in a literal garage.
Your channel is so great dude, just came by it the other day and I've been hooked, great quality stuff here.
Cool video. I remember 1998 I recorded my singer songwriter album in 2 sessions (drums/percs, guitar, bass, keys), no click , Mackie mixer, 2 Adats, 1 Alesis Quadraverb, 1 Alesis Compressor and (believe it or not) a BBE Sonic Maximiser inserted in the Buss out (carefully tuned to sweetened the highs and low end) and more than 20 years later I get blown away how fresh, dynamic and open it sounds.
Conclusion: “ you DON’T need a lot to sound great.
Now that is a throwback rig haha!!
where we can hear this album ?)
dude this video got me up off my ass to finish a few songs for a record i’m working on. i love ur videos and the way your making them man keep it up
You said that Christian is a fender jazz bass but I heard him say that he used an Ibanez eagle base from the 70s and if I remember correctly he also used to PV 215 and A lanyhead
Friend of mine recommended me your channel. It took around 2 minutes and now I'm super fascinated by your expertise.
Holy shit! I have the same Sennheiser mic used to record Krist's bass! One step closer to Rock greatness!
Your channel is tremendously underrated. Always phenominal and informative
Aye thanks so much man!
I love your videos! Brings hope to the DIY! Good work man
Thanks man that’s really the goal at the end of the day! :)
These videos and sponsorships are getting reeeal specific to what I'm interested in haha.. Would love a video on recording horns!
Hahahaha yeah trying my best to cater to the audio engineer in all of us lol
Love your channel. I am a busy guy in my daily life with little time for music (unfortunately) I've found that my little 8x8 room with an electronic drum kit, one guitar, one bass, one midi controller for keys, and a SM58 are all I need to write and record ideas. Been writing and recording better AND faster then ever since I started simplifying my setup, and things are sounding better then ever once I put more time in learning to mix vs buying expensive gear or plugins! Your channel has helped tremendously; thanks for that.
Thanks so much! That sounds like a pretty solid set up at the end of the day, you could get a lot of mileage out of that who knows :)
Thanks for the research and the facts. Just really cool to see how things were done. I once did a late night living room 4 track recording with drums and piano that still sounds crazy good. My friend used that same drum kit mic setup and a couple of SM-57s on a Kawaii console through a Teac board into a quarter inch Teac 4 channel reel to reel and it was magic. Use the gear you have, be creative, and be yourself.
Great video mate
Thank you so much :)
Thanks for making these videos. Really enjoying them.
Glad you’re liking them! They’re definitely not easy so that means a ton
Good stuff! There really are no technical limits to creating great art in music anymore. Your only limit is your own creativity and musical proficiency - that can be plenty to overcome, but having the technical side of the recording proces covered sure helps.
Words of wisdom right here :) it was cool to see how even back in the early 90s lots of the same methods still applied, but in an entirely different way as well haha
Awesome video, man. Lots of details I didn’t know about the sessions, cool to learn this stuff! One thing to point out - Otari were masters at confusing their customers by naming ALL of their R2R products “MX5050”. What you have pictured at 5:18 is an Otari MX5050 BII2 2-track mixdown deck (I recently owned one). The 8-track machine they used at Jack’s was the Otari MX5050 MKIII-8, which you actually pictured at 1:27 ! (Bottom right of the photo). I own its predecessor, the MX5050 8S HD 😵💫.
There is a great video here on YT of Fran Lab’s MKIII-8 that does an enjoyably thorough run-through. Cheers and long live analog recording/Nirvana 🤘🏻!
OH shoot really? I had no idea, that's wild lol, never heard of company just straight up naming all of their products the exact same thing.
@@AudioHaze Yeah, as a fan of their tape machines, it drives me absolutely insane. Makes it nearly impossible to easily find model info online in ways you can definitely imagine, not to mention they will combine multiple models in one manual 🤦♂️ . But pretty cool you serendipitously put that shot of the MkIII-8 machine they used there. Here’s the FranLab video if it interests you:
th-cam.com/video/7mqLX-Q5Yvw/w-d-xo.html
And also this is pretty fun:
th-cam.com/video/T_HG-TOisHk/w-d-xo.html
Kurt was passionate about recording to tape at a time that digital was already beginning to take over in studios via ADAT. In Utero is a real testament to that notion, with Bleach quietly being a blueprint for what spirit he wanted to get back to in studio. I think he’d dig that you make videos like this. 🤘🏻
dawg you are crushing it with this documentaries. i'm tryna be like you for real
Thanks man! Just look up some after effects and premiere tutorials and you'll be on your way! It starts to get fun once you get an understanding of the software
@@AudioHaze appreciate it!! always learning!!!
Leaving a comment to boost the algorithm. Good stuff recorded the amp with a 58! Mind blowing
I am subscribed because I love the quality of them all. I am from Seattle and not much of a Nirvana or Grunge fan, although Kim Thayall and Mike McCready have both come to a handful of my old Brasilian Jazz group and my solo gigs around town. They are both pretty nice chaps.
Damn, another banger video. Sharing the heck outta this one. Thanks again man!
Eyyy thanks Ethan!
This is the fifth video. I’ve watched by you my man you do great work and you really inspire. I love your channel. Keep it up.😊
These videos are beyond valuable, thank you!
4:25 actually jason everman was a member of a lot of Seattle grunge bands while those bands were just starting to form. He always quit the band he was currently in before they actually recorded anything with a record label. Soundgarden and nirvana were two of them.
Thanks. I'm about to start recording songs and your videos have been very useful in helping me plan how I will go about it.
You do a really good job. I'm relieved to know I'm not the only one who likes really geeking on this stuff
Loving the channel - love how you approach and think of music!
I just wanna recommend a channel for nirvana tones, there's a youtuber called aaron rash and he goes into the specifics of kurt's guitar tones! his videos are extremely helpful to anyone that may want to try to get those iconic sounds
Yeah great channel! I used some of his work as research for this vid, I linked him in the description
@AudioHaze I didn't even realize that!
Please do all of the Nirvana's albums! I love these videos sm
i LOVE these kind of videos from you, your videos are great and pls do one of those videos about alex g that would be very cool
Thanks! I’ll write it down on the idea list :)
This was an excellent presentation of the actual information from bleach, great videos from you, also amazing mix from the Radiohead's weird fishes, thank you for the Inspo at the end too
Thanks dude! We've got a follow up to the Radiohead video coming up very soon :)
WAIT SO NOT ONLY DID BRO DO TAME IMPALA HE ALSO DID NIRVANA? nah ur my favourte content creator hands down wallahi wallah
YESSSSS SIRRRR, WE GONNA DO 'EM. Thanks dude! hahahaha
@@AudioHaze GET 'ER DOOONE
Long time follower, glad to see you separating yourself from all the gear TH-camrs. This is really awesome!
Thanks man!! Yeah I started feeling like all I was doing was contributing to purchase anxiety and I hated that, this is muchhhh more fulfilling
I appreciate what you're doing so much man! Thank you!!!!
my band is gonna be recording an album for a similar price. 4 songs in 6 to go and we're loving it so far
HECK YES I'm rooting for you guys!!
thanks dude i loved this album back in the day
I love these videos, thank you. Please keep making them.
I would love to see how you would approach recording and mixing something in the Bleach style! Not necessarily trying to recreate it it exactly but just getting a similar vibe in your own way. It's so simple and stripped down I love it
Man, I love this channel. I’d love to see you cover the production of Boston’s first album, recorded in Tom Schulz basement in the early 1970’s (unheard of at the time)
Okay! I'll add it onto the list to see if there's enough documentation out there :)
@@AudioHaze Man, talk about DIY. Tom Schulz really brought a lot of that DIY ethos into his productions.
Really good videos buddy! Great production quality along with great info!
Thank you so much my friend! Trying our best our here :)
great video, thanks for doing what you're doing!
I will throw a suggestion of covering something produced by Rick Rubin, any album from the early years of his carrer has an amazing cleanliness to it. Truly pleasing to listen to it
Either Raising Hell, American Recordings, Danzig, Wildflowers, Blood Sugar & Sex Magic, among many others.
Yes I was definitely considering the chili peppers record! That whole story is wild, with the mansion and using all the rooms in the house (little rusty on the exact story lol)
@@AudioHaze yeah you got it right, there's plenty of info sources I think gives room for a lot of content :)
Yes! Rick Rubin is a great record producer that doesn't get enough accolades.
Agreed. I'd go for either "Electric" by the Cult, or "Reign in Blood" by Slayer.
Two benchmark eighties recordings that really put the bands involved in the map.
Commenting just to support the channel, thanks for this!
Hey awesome video man! really enjoyed it, i just want to correct like 3 things, all fairly minor.
1) At 1:57 this was a music video test and not a rehearsal.
2) The bass Krist used was most likely his Ibanez Eagle, which is close to a jazz bass so i don't blame you there!
3) Title is a bit misleading, bleach only got to go plat because nevermind.
also I'm just gonna add this, I don't think Kurt used a univox hi-filer on the last sessions he did in December.
if you do some digging you can find that he smashed his univox in October, and then he gathered the parts off of his smashed univox and made a mustang with the spare parts sometime around November.
he used that guitar the way through late 88' and early 89'. and there is some practice footage from December 1988 where he was seen using that mustang before the December session!
and I don't think he was seen using a univox until may 89'. looking through LiveNirvana (website for nirvana nerds) concert photos and session history defiantly suggests that he used that mustang instead of a univox. they also have a equipment guide!
anyways, great video about how the album was paid for and how Jack did production! you clearly did your own research and it was really great, besides a few oopsies!
Thanks for those correction! Always great to hear feedback like this :) I will say that the univox information came from Endino, specifically a conversation he had with another creator Aaron Rush, although I would understand that 35 years ago the information may have gotten a little blurry, so perhaps it was a modified stang! Glad you enjoyed the video my friend :)
Thanks again for another excellent documentary! Your hard work and professional presentation show through, as well as your passion for all things music. Nicely done!
Thank you so much man that means a ton! Glad you enjoyed :)
@@AudioHaze You do great work and deserve to be acknowledged and appreciated!
I got a greenburst Eastwood Sidejack baritone guitar a few years ago. It's a remake of the Univox Hi-Flyer except I got the baritone version (tuned BEADF#B, 28.5" scale vs. the standard 25.5" of a Strat/Tele). If I put a capo on 5th fret and run it through a DS-1 I can definitely get some convincing "Bleach" sounds from it. Negative Creep sounds pretty gnarly tuned down too lol
Very good hearing on the debut Nirvana debut album. Nice to hear on how it was created with all involved.
Glad you enjoyed!
Bouncing tracks became almost another instrument for us.. When you have a 4 track as the start, it kinda has to be.. But it makes you learn about your overall sound
ive just discovered your channel really enjoying your stuff man keep it up 🔛🔝
Thanks for sharing this info. It’s a great album. Subscribed. Looking forward to seeing more videos.
Thanks for checking it out man!
a little mistake: in the radioshack footage they aren’t practicing, they were trying to do music videos for the songs If You Must and Paper Cuts :)
I'll say it again Ricky, I love this breakdown series!! You're the research master!! Hahahaaa. Keep up the great work. ✌
Thanks man! This one was too hard but someone of them can be REALLY tricky hahaha, you'll see next week hehe
thanks for these insightful well-produced vids :)
Thank s for checking them out!
christ what a good video, just the pick me up i needed to get me out of a creative slump. thank you.
I have reluctantly liked and subscribed - i say reluctantly because i am gonna be bummed when you blow up and dont have time for us lil guys anymore T_T lol
HAHA I always try my best to be active in the comments :) although true when these vids hit the algorithm they can be hard to keep up with. Thanks for the kind words though man, I'll try and make the subscription worth it!
Love these videos!
Thanks so glad to hear!!!
Dude, a panther just walked into your room. RUN RUN RUN.
I am confused are you referring to my cats 😂😂
@@AudioHaze Yes. I was being silly.
Would love to see a Car Seat Headrest essay, love your vids
Oooh good idea! Do they have any record they recorded on a tight budget? That’s the main point of this series :)
@@AudioHazehe original version of their album Twin Fantasy was recorded on a laptop in Toledo’s van as well as a dorm room with cheap gear. Not sure how much other info is out there though
Love these videos.
Thanks dude!
Thanks for the content. Subscribed.
Glad you enjoyed :)
I enjoyed this
I absolutely love nirvana, they have to be my favourite band, I really learned a lot from this video considering I thought I already knew almost everything about the band 😅. great video dude keep it up.
I'm currently tracking an album, before anything else honestly treat your space with some moving blankets or foam or something. Especially for drums. It will do more than literally everything else put together.
Totally! Absolutely can't emphasize this enough, even if the treatment is blankets and pillows
Really a great video. Thank you! ❤
Thanks for checking it out! :)
You should look into the first OMD record 1979 recorded in a dingy studio by the band highly influential in the synth pop world
Loved this, quality video and content 😎
Thanks man!
Man it's too easy to record at home now. A similar setup using a DAW can easily be achieved in a medium/small sized room with minimal acoustic treatment like sound blankets or something. Great video dude!
While everyone keeps telling how complex it is to make music, it is so great to hear “you can do this too” …. Thanks for the video.❤
Yayyyy that's so great to hear!! Thanks for watching my friend
This is great. And really inspiring. Thanks!!
Glad you liked it my friend!
Great show!
this channel is great
Krist is a sick bass player. He definitely deserves some credit.
Great channel, thanks
Thanks for checking it out!
Great video!
Thank you so much!
Stellar content man 🎉😂
Thanks dude!
Great content!
Thank you so much!
Watching this video is just so fun dude
I learn alot
I love these production videos
Thanks dude glad to hear!
for the overhead and toms: how'd they route the overheads and toms? were those run through a mixer first that then ran stereo out into tracks 3 and 4?
Right! So they ran the toms + overheads together as a single stereo signal into tracks 3+4
I don’t know where he got the information of a jazz bass being used on bleach but I’ve never heard that before,
To my knowledge krist used a black eagle bass for all of these sessions, he used them heavily in 88 all the way up until the end of nirvana. You can read about this in bass player magazine. Krist himself talks about it.
He also got some information for the guitar wrong, the first two sessions of bleach a Randall commander 2 was used, during the third session it was being repaired so jacks twin was used, but going into a 2x12 cab.
Shit, I love this video it's very interesting. And the sponsor is useful asf
A couple notes; the spelling of "Chris" on Bleach was not a misspelling. It's the way he spelled his at the time, now Anglicized name before shifting to "Krist" sometime after Bleach in recognition of his Croation heritage. Although "Kurdt" is _technically_ a "misspelling" of Kurt's given name, he had been - and at times after _Bleach_ and up until his death in letters and journal entries - spelling his name this way. His daughter Frances often uses this spelling when referring to him in text.
Oddly, the "other" famous Aberdeen Washington band is Metal Church (great, great guys. I've met them). A band who had gotten signed and reached a level of indusrey recognition and success several years before Nirvana recorded _Bleach._ Their founding member and primary writer is Kurdt Vanderhoof. I've always wondered if Cobain was aware of that (which, chances are _very_ likely he was. I wish I'd have asked Kurdt Vanderhoof about it when I met him) and if so, whether Cobain's use of the spelling had anything to do with it; i.e. a nod to the first successful rock musician from Aberdeen? A _jab_ at him? Did he just like the spelling? Was it a totally random coincidence?
Anyhow, I digress. I just thought I'd add these tidbits and help the algorithmic black magik with a comment.
Hey thanks for all this info, I wasn't aware!
@@AudioHaze Thanks for the entertaining and informative content, it's appreciated.
Cool fact: Jack Endino said had anyone else written School it would've been a pop song.
You ask me to comment to help... So BAM. Good video.
EYYY thanks man!
interesting video. a north kit? interesting. single headed macaroni shells.
Macaroni shells is what they're called eh? Never heard of that style in the first place, I like that name better though hahaha
I'm pretty sure Krist mentioned in an issue of the bass player magazine that he used an Ibanez black eagle on most of bleach.
Yes I saw that mentioned! Appreciate the clarification
Cool video man
It's amazing how the 58 appears nearly on every rock recording
So true
Mate top quality stuff👍I would really love for you to do a similar thing that u did with the weird fishes videos with some of the artists in this series nirvana, tame impala ect ;)
Oh that's definitely happening my friend! Got one next week about Phoebe Bridgers, and it'll certainly become a recurring series
they shoulda put the bass on track 8, low freq kicks and bass were normally recorded on outside tracks.
Didn't know that! Why's that?
@@AudioHaze the tape edges were said to lose high freq, so you'd put kicks or bass on the outside tracks 🤷🏿♂ but depends, we only working with 8 tracks so im just gonna trust them guys. it worked out for em 😀
Kurt still owes Jason Everman $606.17. Good investment and he left the band to become a badass of his own.
Bleach was like my musical gateway drug. So excited to see this.
So glad to hear! It really set the stage for the rest of the 90s
WE CAN DO IT EVERYONE!!!!!!!!
HECK YES
Excelente 🎉 Please do Wutang❤❤❤❤❤
Great idea!!
This is dope!
im assuming most of the "eq" was arrangement, amp settings and microphone placement. theres so little going on frequency and instrumentally that carving space for sounds probably wasn't needed.
That’s probably accurate, given the little detail endino gave about post production it’s probably very minimal