@@zanderixx6322 IDK, it's up there with most iconic (proto-)industrial stuff like Xenakis's "Orient-Occident" (1960), ultimately misanthropic, industrial in and out... Means I wouldn't insist there's anything "more industrial" than that; it's in the Top League already.
@@barmaley-division I consider that what Geert-Jan and his pals have tried to achieve with Staalplaat Sound System is some sort of "land-art" in music.
@@zanderixx6322 Oh, that's the case then - I didn't know... That's a good fact to be aware of. Although field recording is the most common technique amongst this kind of artists, I only knew of Deep Listening Band who used to record their sound specifically in an abandoned mine/factory or even a tank. And this recording is definitely, "industrial in and out" then, thanks!
![Chris Langan - The Interview THEY Didn't Want You To See - CTMU [Full Version; Timestamps]](/img/n.gif)
Wow, some serious industrial stuff. 💣💥
More "industrial" than this ...
@@zanderixx6322 IDK, it's up there with most iconic (proto-)industrial stuff like Xenakis's "Orient-Occident" (1960), ultimately misanthropic, industrial in and out... Means I wouldn't insist there's anything "more industrial" than that; it's in the Top League already.
@@barmaley-division what I meant is many of these installations were located in industrial building sites (as well as outdoors)
@@barmaley-division I consider that what Geert-Jan and his pals have tried to achieve with Staalplaat Sound System is some sort of "land-art" in music.
@@zanderixx6322 Oh, that's the case then - I didn't know... That's a good fact to be aware of. Although field recording is the most common technique amongst this kind of artists, I only knew of Deep Listening Band who used to record their sound specifically in an abandoned mine/factory or even a tank. And this recording is definitely, "industrial in and out" then, thanks!