"Feature": Software developer's polite way of describing a bug that a customer found. (I've worked in s/w development of various sorts for 35 years.....) Thank you for this video Martin, I'll be following it next week when my Rev2 arrives 😀
Yes. It's important to understand... THE importance to 'follow' like a 'method''s way working concept. Thanks a lot. Clear and more. Also, of course, with any others good synth. Merci. Alban.
Thank you for sharing your knowledge and workflow. You can see by your views that this genre is very popular with many of your subscribers. I hope to see the other two parts to this series soon! It's been a few months and I know we're all anxious to see part 2 and 3. Thanks again!
Ganz grosses Kino - vielen Dank. Auf eine solche Reihe habe ich gewartet. Und schön auch zu sehen, dass das Hochwasser der Wupper dein Studio verschont hat. Grüsse aus Hattingen.
Martin, you have inspired me to do my own track and my first TH-cam video, premiering tonight 20:00 BST if you like. Thank you again :) th-cam.com/video/wU_MpKYQ8Eg/w-d-xo.html
Excellent tutorial and insight to your approach, especially with the short / long notes, use of velocity modulation and using the mod wheel to control some of the levels/filter. Interesting that you started by setting the filter first, usually I head straight for the volume amp. So many different ways to approach this style of music :-) Looking forward to the next episode with samplers. That tends to be my start point although you made the synth programming look far less daunting. Thank you!
So obvious, negative clearly means positive. Lol. What happens in those meeting where these kind of decisions are made? Very informative and structured video. You explained very clearly. Thanks for that.
@@MartinStuertzer what exactly are the conditions when the modulation is applied in reverse? Is this only for velocity->filter attack or any source->filter attack? Or is this specific for mod slot 2 only?
Thank you! Great videos and can't wait to see the next one. Hope you cover some software delays. Maybe you can share a couple presets for the VST's? :)
Thanks for this, well-explained. But I missed when you picked the oscillator shape? You said the first decision was the chord to play. I assume you're using a saw shape?
Always found rev2 extremely happy sound for dub techno. Despite the huge modulation. You proved me wrong. I would like to see u tune a prologue sometime i feel its the king of dub it treated proper . thanks for this tutorial and your time. You the best
I think the rev2 holds its presence even when turned a little bit back. Thats cool for headroom and the whole mix. Rev2 is a mix monster. Never fat but always fitting. I love that filter. Its a special one. Its not weak. Its unique. Try to copy that with a vst or hardware. No chance. The prologue is a great instrument too! I had the xd and it made indeed very good dub plucks.
The Sub37 is one of my favourite synths! If you look for a polyphonic synth the Sub37 won´t help you but for monophonic stuff it is an outstanding instrument.
Salute Bro. Thanks for the video! I want to ask ... what kind of synthesizer are you using .. and is there a digital analogue in VST format? Or would you recommend a VST synthesizer that is very similar in sound to the one you are using. Thanks to . Good luck! :)
In this video I use the Sequential Rev2, which is an analog hardware synthesizer. To replicate this sound with a software I would recommend Repro-5 by U-HE (very accurate replication of the Prophet) or Arturia Pigments (very flexible and good sounding "allrounder").
great tutorial but its missing one important part... what type of oscillators do you use, what are the settings of the oscillators... pulse width, etc... We dont have all the same synth so it would be great to know how to reproduce the sound...
That is true, I should have explained what the Init Patch on the Rev 2 does. The first Oscillator is a Saw wave. The second Oscillator also uses a Saw wave and is either tuned 12 semitones lower than the first one or 7 semitones higher.
Tolle Musik und Informationen. Kann man dich, jetzt mal grundsätzlich gefragt (wenn irgendwann Corona kein Thema mehr ist), auch in Bayern live erleben?
Danke! Ich habe schon einmal in Erlangen gespielt und ein Set war für das allererste Lockdown-Wochenende angekündigt. Falls mich jemand einlädt komme ich gerne!
well, can dub-techno or say the movement of these cluster chords be any different .. the dotted delay and the typical reverb does get stagnant after a while. The effects need as much modulation as does the source.
Yes, with samples (Digitakt) is online and I will release another one next week where I use the Iridium. Please check the playlist in which this video is part of to catch them!
@@MartinStuertzer I understand. Thank you for the reply. I’m a Rev 2 user and even though i like a lot the pads and chords i’m getting out of it im trying to decide if i should get rid of it and add a Virus Ti2 or keep them both. I really love the sound of the Virus too.
@@MartinStuertzer Sorry, could i ask for a complicated thing: I'm in one click from bying either prophet 6 desktop, or Rev2 -8 keyboard version, I really like the this tut, and amazing modulations, but p6 sounds so good to me. Could you suggest anything?
I never played the Prophet 6 so I can't give you an educated opinion here. I really like my Prophet 5 / 10 and think that it sounds much better than the Rev2.
Super, thanks! I always have a problem with sidechain compression because there's no clear, standard wording to describe it. In this case, you mean use the kick drum hits (=source) to increase the compression RATIO on the chords (=target), right?
Mit einer Stimme ist es nicht ganz einfach, man muss sich da mit dem Sub-Osc und dem zweiten Osc helfen, um drei Töne gleichzeitig zu bekommen. Ab da geht es dann eigentlich so weiter wie hier beschrieben. Ich nehme das aber mal auf, mit dem A4 kann man noch interessante Sachen machen auf dem Gebiet!
![ว้าว!ลุงบีมแบกทองมารับขวัญหลานกันยกบ้าน [cc] แดนแพทตี้ SS2 | EP.49 |](http://i.ytimg.com/vi/Osihq1OAs-4/mqdefault.jpg)
Have a good school! my rev 2 is coming next wednesday ...thanks
Martin you are a highly commendable teacher.
So precise with each step 👍
and sharing the work flow.
Thank you so much. 👌👌👌
Thank you, you are welcome!
love it, i am totally gonna buy a rev2, i like the crisp, bright sound, in combination of my MS20 acid sounds. 🥰
Ohhh yeah, that satisfied my dub chord craving for the day.
This is an amazing tutorial, thank you so much. In particular, using velocity to tune the filter level in Ableton is a great technique!
"Feature": Software developer's polite way of describing a bug that a customer found.
(I've worked in s/w development of various sorts for 35 years.....)
Thank you for this video Martin, I'll be following it next week when my Rev2 arrives 😀
Yesss Yesss Yess,
Finally some insight in the Magic ❤️❤️❤️
Yes. It's important to understand... THE importance to 'follow' like a 'method''s way working concept.
Thanks a lot. Clear and more. Also, of course, with any others good synth.
Merci.
Alban.
Thank you for sharing your knowledge and workflow. You can see by your views that this genre is very popular with many of your subscribers. I hope to see the other two parts to this series soon! It's been a few months and I know we're all anxious to see part 2 and 3. Thanks again!
My big mistake was to announce part 2 and 3 before I had the time to record them! :)
Thank you I learned a lot, fun to follow along
Very valuable tutorial. Thx for that!
Ganz grosses Kino - vielen Dank. Auf eine solche Reihe habe ich gewartet. Und schön auch zu sehen, dass das Hochwasser der Wupper dein Studio verschont hat. Grüsse aus Hattingen.
VIelen Dank! Das liegt alles etwas auf dem Berg bei mir, daher bin ich von dem Unglück verschont geblieben.
Great tutorial, I've just ordered a Rev 2 but also eagerly await your tutorial with the Moog Matriarch?
I friggin love this explainer. I was just thinking about how to make dubtechno chords on my rev2 and Yt put this in my feed. No kidding. 🙏
Dubstep Chords auf dem Presentierteller, vielen Dank für das Tutorial Martin, sehr hilfreich
This tutorial is magical. Really looking forward to utilise these tricks.
Great tutorial, Martin! Thank you for sharing! Looking forward to the next part.
Gratefull to learn from the Maestro, again :)
Love your music! Thanks so much for sharing your techniques.
Niiiice
So helpful!! Thanks a lot!
Ohhhh ... Martin has a new hands on video! 😃
Thanks for sharing, Martin - Great Stuff!
Thank you so much Martin! Perfect timing for myself and I'm so glad that you're sharing such knowledge, in such a comprehensible way.
Martin, you have inspired me to do my own track and my first TH-cam video, premiering tonight 20:00 BST if you like. Thank you again :) th-cam.com/video/wU_MpKYQ8Eg/w-d-xo.html
thank you for this tutorial. just what i was looking for. cheers!
Great Martin! Thanks for giving us insight to your sound design 🙏
sounds beautiful
i did the same on my prophet 6 and now iam the new Echospace!YES!
awesome video
Excellent tutorial and insight to your approach, especially with the short / long notes, use of velocity modulation and using the mod wheel to control some of the levels/filter. Interesting that you started by setting the filter first, usually I head straight for the volume amp. So many different ways to approach this style of music :-) Looking forward to the next episode with samplers. That tends to be my start point although you made the synth programming look far less daunting. Thank you!
So obvious, negative clearly means positive. Lol. What happens in those meeting where these kind of decisions are made? Very informative and structured video. You explained very clearly. Thanks for that.
I think that it just a bug. If they fixed it it would break the preset library because all patches have the opposite modulation amounts.
@@MartinStuertzer what exactly are the conditions when the modulation is applied in reverse? Is this only for velocity->filter attack or any source->filter attack? Or is this specific for mod slot 2 only?
thx man, danke
Great tutorial, can't wait for more.
Superb 👍
great stuff thanks Martin
Thanks, great stuff!
Ty for this
Very nice tutorial!
THANKS!
Amazing 🤩
Thank you! Great videos and can't wait to see the next one. Hope you cover some software delays. Maybe you can share a couple presets for the VST's? :)
Thank you! I will go into the FX settings and compare the delays that I have.
Thanks for this, well-explained. But I missed when you picked the oscillator shape? You said the first decision was the chord to play. I assume you're using a saw shape?
Can't wait for that matriarch video :)
Always found rev2 extremely happy sound for dub techno. Despite the huge modulation. You proved me wrong. I would like to see u tune a prologue sometime i feel its the king of dub it treated proper . thanks for this tutorial and your time. You the best
I think the rev2 holds its presence even when turned a little bit back. Thats cool for headroom and the whole mix. Rev2 is a mix monster. Never fat but always fitting. I love that filter. Its a special one. Its not weak. Its unique. Try to copy that with a vst or hardware. No chance.
The prologue is a great instrument too! I had the xd and it made indeed very good dub plucks.
Martin, I value your opinion. I've got room for one good tweakable hardware synth. Would you pick the sub37 or the rev2?
The Sub37 is one of my favourite synths! If you look for a polyphonic synth the Sub37 won´t help you but for monophonic stuff it is an outstanding instrument.
Do you think you could achieve something similar with the waldorf M?
Yes, pretty much any 2 oscillator poly synth, will sound great with the M.
It is a very good tutorial Martin !!!
I'm missing some subtractive EQ tip, what do you think? Have you got something done?
Salute Bro. Thanks for the video! I want to ask ... what kind of synthesizer are you using .. and is there a digital analogue in VST format? Or would you recommend a VST synthesizer that is very similar in sound to the one you are using. Thanks to . Good luck! :)
In this video I use the Sequential Rev2, which is an analog hardware synthesizer. To replicate this sound with a software I would recommend Repro-5 by U-HE (very accurate replication of the Prophet) or Arturia Pigments (very flexible and good sounding "allrounder").
great tutorial but its missing one important part... what type of oscillators do you use, what are the settings of the oscillators... pulse width, etc... We dont have all the same synth so it would be great to know how to reproduce the sound...
That is true, I should have explained what the Init Patch on the Rev 2 does. The first Oscillator is a Saw wave. The second Oscillator also uses a Saw wave and is either tuned 12 semitones lower than the first one or 7 semitones higher.
Tolle Musik und Informationen. Kann man dich, jetzt mal grundsätzlich gefragt (wenn irgendwann Corona kein Thema mehr ist), auch in Bayern live erleben?
Danke! Ich habe schon einmal in Erlangen gespielt und ein Set war für das allererste Lockdown-Wochenende angekündigt. Falls mich jemand einlädt komme ich gerne!
@@MartinStuertzer Wie kann ich dich am besten kontaktieren?
phelios@posteo.de ?
i have a pro 3 and don't know if i should go for a rev 2 or ob6 ?
The depth perception on this video is trippin me out
What would you do with a monophonic analog synth with 3 oscilators?
You could tune osc two up by 3 semitones and osc three up by 7 semitones. That'll give you a minor chord sound.
well, can dub-techno or say the movement of these cluster chords be any different .. the dotted delay and the typical reverb does get stagnant after a while. The effects need as much modulation as does the source.
This is great. Thank you. Have the other videos you mention - samples and Matriarch- been made yet?
Yes, with samples (Digitakt) is online and I will release another one next week where I use the Iridium. Please check the playlist in which this video is part of to catch them!
@@MartinStuertzer Thanks 🙏
I should try it with monopoly
Great tutorial, thank you! Do you prefer the Rev2 over the Virus Ti for making dub chords/stabs?
The Virus offers more interesting features for chords and pads in my opinion!
@@MartinStuertzer I understand. Thank you for the reply. I’m a Rev 2 user and even though i like a lot the pads and chords i’m getting out of it im trying to decide if i should get rid of it and add a Virus Ti2 or keep them both. I really love the sound of the Virus too.
@@davefmmusic I am not sure if the Virus is worth the money in 2022. If you can get it used for a good price go for it!
@@MartinStuertzer Yes i also think its kinda expensive for 2022 but to be honest i’ve had nothing but bad experiences with used gear in the past.
@@MartinStuertzer If you would have to keep only one of them which one would be?
Hey folks, do you think it's possible to have the same sound and modulation with prophet 10 or 6 ?
Totally! It should be easier because the Prophet 10 has more "drift" and you can skip some of the modulations that I used with the Rev2.
@@MartinStuertzer Sorry, could i ask for a complicated thing: I'm in one click from bying either prophet 6 desktop, or Rev2 -8 keyboard version, I really like the this tut, and amazing modulations, but p6 sounds so good to me. Could you suggest anything?
I never played the Prophet 6 so I can't give you an educated opinion here. I really like my Prophet 5 / 10 and think that it sounds much better than the Rev2.
A tutorial in split A / B mode? thank you
Super, thanks! I always have a problem with sidechain compression because there's no clear, standard wording to describe it. In this case, you mean use the kick drum hits (=source) to increase the compression RATIO on the chords (=target), right?
Yes, you got it right I guess. There are a lot of good videos about sidechaining on youtube, so I only have a short version in my video.
If u could only afford one from new for this type of dubby hypnotic things the darkstar ti2 or this one? No daw or pc will be involved
🙏👍🙌
mir fallen dub techno chords mit dem analog four super schwer ... ein tutorial dazu würde glaube ich vielen helfen ..dankee martin
Mit einer Stimme ist es nicht ganz einfach, man muss sich da mit dem Sub-Osc und dem zweiten Osc helfen, um drei Töne gleichzeitig zu bekommen. Ab da geht es dann eigentlich so weiter wie hier beschrieben. Ich nehme das aber mal auf, mit dem A4 kann man noch interessante Sachen machen auf dem Gebiet!
very nice sound, but sooooooo cliché
yes, that was the idea! A lot of people requested a basic tutorial on this classic sound.