King!, you're the King Vocal Coach on TH-cam, nobody explains mixed voice better than you do!, period 😃 and I have seen a lot of videos, believe me 😅. Thank you for making these videos man 👍🏻.
It’s most likely cus as tenor he naturally speaks at the lowest bottom of his range/notes which in turn is also heavier and darker than his middle and higher range im the same I talk around b2/ab2 max and my voice sounds a bit darker and heavier cus it’s my lowest notes but I have the range tessitura tone and passagio of a lyric maybe even light lyric tenor
I feel much better access to my passagio and find it very easy to navigate through it if I am deliberately nasally the way a deaf-mute typically sounds (forgive the comparison) The hard part is keeping that feeling while shaping my mouth the way it must to make the sounds I’m striving for. The concept of a ‘single connected voice’ (instead of the voice broken up into registers) immediately makes sense when I practice this way. Literally feels like I’m strengthening the passagio the way a muscle would be worked out when I do this to be honest
3:10 - whenever I try this slide up and down, my voice just breaks. I've literally been doing these bridge/passagio exercies for months and months and still can't figure out when my voice is just flipping so sudden like this.
I have two of these between chest and falsetto and between falsetto and whistles. Sometimes I can sail through smoothly but if a note falls IN the passagio it can be really tough
Could you make a Video about how you can sing many High Notes after another. For Example the Chorus of Africa. So many A4s :). Of course with mixed voice, but although I found it and use it I kinda struggle with things like that.
Seem to help in how to keep larynx not jumping up in higher chest voice notes. The larynx muscles are reacting to high notes independently. Like eye muscles react if wind blows sand and dust in the air. They just automatically close. Or going underwater. I think human animal closes the eyes as natural reaction, but we then force ourselves to open the eyes under water. Somehow similar muscle connection with larynx. It reacts like independent being, until we build up new nerve connection to control the muscles. I developed pretty much similar exercise which I call ”the lip trumpet”. Instead of card, I just make a kazoo type of extra resonator from my lips. That way I can sing high notes as ”instrumental solo”. I recorded couple of videos playing the ”lip-trumpet”. If you are interested of that method, check my channel. There is two old coca-cola add musics, which I studied as examples of how to use keychanges in uplifting way.
Well shit I must have went the harder way around it, I just muscled through it until it became normal feeling and sounding. It sounded awful starting out, now I can do it without a problem. The mums also help with that, they help your voice stay relaxed when you start to approach that area. I can confirm what he is saying is true and sound advice. So why am I here if I can already do this? Because there is always something you can learn from different people. Never accept that you have learned all you need in any area that involves learning a skill, its what makes mistakes. Very good lesson.
Watched it and can’t wait for the tomorrow, it’s almost 2 a.m. here right now I don’t wanna wake any one up, I still tried little silently though :D. Tomorrow’s gonna be fuuunn
Great to watch another one of ur vids. Still using ur functional warmup and have 2 weeks left on ur mix workout 1 before moving on to 2. (Staying with each level for a month). Will checkout Vertical Voice Acdemy. 👍
Hi, Tyler! I love your videos, It is the greatest news for me when I see your new video popup from my notification bar today! I don't know if I am doing flow phonation or straining when I am singing a "ma" at F4-G4. But I have the first formant located somewhere between H1 and H2 (more closer to H2), but I do feel like I will hit a limit when I move up to G#, can I say I'm doing it correctly at F4-G4? (or can't tell from spectrogram?) The other way to ask the question, can a yell have H1-F1-H2 output?
Hi can you please make a video about how to bring out your voice, i know about mixed voice, i learned how to do that i know about chest voice head voice, i know about vibrato and belting and i know how to do those too, i also been doing lots of singing exercises. But out of all those teqniques im missing one thing which is the foundation of my voice, what are some teqniques to bringing out your orginal voice, do you just have to sing and not think about it or is their a exercise or teqnique to bring out your voice that way i can sound the same each time i sing and not sound diffrent every time. It would also be cool if you can make a video showing us were middle range is located in other words tender where tender is located, its one thing to know how to use middle range but its another to know how to sing with the correct singing muscles and spot. I guess thats what i was trying to say, i was trying to say if you can make a video showing how to sing with the correct spot in your throat and how to sing with the correct muscles, this is one thing teachers on TH-cam arent teaching. Everyone teaches us how to use mixed voice and belting and what head voice and cheast voice is but they never teach us what muscles we should be singing in or the spot in the throat we should be singing in.
when you talk about the passagio are you refferring to the mixed range or the belty tenor opera sound. my voice coach explains passagio as like a way to belt really high notes easier but i feel like youre just teqching mixed range. sorry for the confusion
Can one use the pops and whistles in the pasagio? I'm thinking of like a rolling stone by Bob Dylan or perhaps One by US. Are they in pasagio? It also seems Eddie Vedder cracks a lot, he is in pasagio?
Thanks for the lesson. I’m a bit confused though on application- so if I want to sing in passagio, then it means I just pick a key of song that is in my passagio, is that correct? For example original song key (male) is in G, then I can raise it to B to ensure it’s within my passagio zone?
Hello Tayler, I had a question about the air flow, to generate sounds with the vocal cord with more compression, is the air going to remain the same that we already generate when we work like this, or are we going to change it, reduce it or increase it? It is somewhat confusing the more you compress, the problem is because when making uncompressed sounds it does not matter if the pressure is not excessive since it will tend to take away control, what do you think about this brother ???
I’m interested in getting your mix masterclass stuff but I wanna know if it’ll have a lot of new stuff compared to what you’ve posted already and if it’ll be different from all the other stuff out there. I tried Ken Tamplins and Chris Liepes but it doesn’t work for me that well - it makes me feel a lot of squeezing. Feels like pushing chest to the highest I can go honestly and eventually smooths into a tighter compressed head voice in the upper 4th octave - sounds like crap. Their way of “mixing” sounds like the type youd hear in songs like in Japanese Anime rock music. I have to save some $$ first because I lost a lot in crypto during the market crash 🤣. This one definitely feels like you have to focus more on falsetto bringing it lower over time to keep it from wobbling uncontrollably and then after that the cords eventually feel more reliable and all the airiness is basically or almost all gone- just tone, lol. That’s easy for me bringing falsetto way low. Been doing that for 8 years now… The hardest part is having the chest go up to the F4-G4 area to transition into it without squeezing hard… if too loose in the throat it feels like switching a light switch… sometimes gets cracked a lot if going past F4. If too quiet and scared of surroundings, it flips like a light switch easily… and have to manually be aware of that spot and switch earlier than F4 to make it sound smooth. Only way to go higher in the 4th octave without leaving chest is making it slightly more nasal sounding and lean towards a nasal UH sound - youll hear Chris Liepe demonstrate these sounds a lot. His soundgarden videos “little joe” just like that. Feels like slight pressure in the sternum area when making sound… for visualization: make a strong kiss suction with your lips If bringing chest higher than E4 the switch is super obvious when switching at ~F4/F#4+ if everythings loose… trying to sound “good” and not “ugly”. Happens a lot when singing Josh Groban stuff. It seems easier bringing chest belts higher than F4 like Ken tamplins way of singing when doing ROCK but when doing softer music like RNB or Classical it just doesnt work the same way! lol. Feels like i gotta back off more. The other method feels “in your face” like forward out of your face- meanwhile this one feeling like going the opposite direction - containing the vibrations in the head. But if switching earlier like C4-D4 it is smoother. But feels weird… but sounds similar to whats going on in this video- just seems foreign. Though some peoples vowels like AH sound like it’s chest at G4 but when I do that it sounds like a belt like some guy from the WWE yelling YAH!!!! and nothing like that.
A tried a credit card and a thinner cardboard card and I can’t get the buzz😑. i can feel the shift but.....I am an experienced singer, I don’t get it☹️ Is that a special card?😆
Passaggio is an italian word/term for passage way. They noticed there is a certain part of the range, in the middle, where things can get weird for most singers. So singing in the passaggio is singing in this passage way which is in the middle of your range.
Wysong might be the best name for a vocal coach
The King of Voice strikes again! Awesome!
Your videos look more and more professional it is crazy 😳 but you info was also top notch
Esh
Hi chezame and sxin…. Man of culture 👁️👄👁️👍🏻✨
Man Of culture ESH!
This is a gem of a lesson. It makes it so much easier to feel the sensations related to correctly singing notes.
That's all what we need actually.
Explanation + example how doing it in singing.
Good job dude.
You've got a new fans here.
👍
I appreciate that!
King!, you're the King Vocal Coach on TH-cam, nobody explains mixed voice better than you do!, period 😃 and I have seen a lot of videos, believe me 😅. Thank you for making these videos man 👍🏻.
I am impressed and surprised by your voice. You talk like a baritone but sing like a tenor. Has it always been like this?
It’s most likely cus as tenor he naturally speaks at the lowest bottom of his range/notes which in turn is also heavier and darker than his middle and higher range im the same I talk around b2/ab2 max and my voice sounds a bit darker and heavier cus it’s my lowest notes but I have the range tessitura tone and passagio of a lyric maybe even light lyric tenor
It's like me. I talk a bit higher than I actually sing 😂 I guess it's because your voice chooses where it feels comfortable and relaxed for talking
Thank you man your videos are so helpful. I've learned a lot of things about true singing techniques from you🙏
I feel much better access to my passagio and find it very easy to navigate through it if I am deliberately nasally the way a deaf-mute typically sounds (forgive the comparison) The hard part is keeping that feeling while shaping my mouth the way it must to make the sounds I’m striving for.
The concept of a ‘single connected voice’ (instead of the voice broken up into registers) immediately makes sense when I practice this way. Literally feels like I’m strengthening the passagio the way a muscle would be worked out when I do this to be honest
Ooh waoo I do not see the video yet, but I'm sure you solved my trouble hahaha you're a great great teacher Tyler. One of the best
I really like your tips and I really like how straight-forward and not OTT you are as a presenter - this was great
Is the exercise similar to the straw exercise or the puffy cheek?
Great video as always by the way please.
3:10 - whenever I try this slide up and down, my voice just breaks. I've literally been doing these bridge/passagio exercies for months and months and still can't figure out when my voice is just flipping so sudden like this.
THIS this is the struggle
Good choice on the RE-20
killer singing Tyler.
Sending some encouragement your way ma man! Keep doing what your doing !
I have two of these between chest and falsetto and between falsetto and whistles. Sometimes I can sail through smoothly but if a note falls IN the passagio it can be really tough
Wow, it just got easier to sing those middle notes. This lesson is ace! ♠♠♠♠
Brilliant video, exercise, & explanation as ALWAYS!! Your videos help me so much. One thing... could you explain 'flow phonation' please?
Could you make a Video about how you can sing many High Notes after another. For Example the Chorus of Africa. So many A4s :).
Of course with mixed voice, but although I found it and use it I kinda struggle with things like that.
Thanks for sharing an exercise. I’ll try.
Seem to help in how to keep larynx not jumping up in higher chest voice notes.
The larynx muscles are reacting to high notes independently.
Like eye muscles react if wind blows sand and dust in the air.
They just automatically close.
Or going underwater. I think human animal closes the eyes as natural reaction, but we then force ourselves to open the eyes under water.
Somehow similar muscle connection with larynx.
It reacts like independent being, until we build up new nerve connection to control the muscles.
I developed pretty much similar exercise which I call ”the lip trumpet”.
Instead of card, I just make a kazoo type of extra resonator from my lips.
That way I can sing high notes as ”instrumental solo”.
I recorded couple of videos playing the ”lip-trumpet”.
If you are interested of that method, check my channel. There is two old coca-cola add musics, which I studied as examples of how to use keychanges in uplifting way.
Well shit I must have went the harder way around it, I just muscled through it until it became normal feeling and sounding. It sounded awful starting out, now I can do it without a problem. The mums also help with that, they help your voice stay relaxed when you start to approach that area.
I can confirm what he is saying is true and sound advice. So why am I here if I can already do this? Because there is always something you can learn from different people. Never accept that you have learned all you need in any area that involves learning a skill, its what makes mistakes.
Very good lesson.
3:20
3:55
4:33 (4:50)
5:40
6:05
Wow thank you tyler! I was looking forward to this vid
Awesome video I can tell from the first second, love the jacket by the way
Watched it and can’t wait for the tomorrow, it’s almost 2 a.m. here right now I don’t wanna wake any one up, I still tried little silently though :D.
Tomorrow’s gonna be fuuunn
you look sharp af man, great lessons
Great to watch another one of ur vids. Still using ur functional warmup and have 2 weeks left on ur mix workout 1 before moving on to 2. (Staying with each level for a month). Will checkout Vertical Voice Acdemy. 👍
Wow! Thank you for sharing. :)
Flow phonation 🔥🔥🔥😍
What is the song you sing in the video? It sounds awesome.
Hi, Tyler! I love your videos, It is the greatest news for me when I see your new video popup from my notification bar today!
I don't know if I am doing flow phonation or straining when I am singing a "ma" at F4-G4. But I have the first formant located somewhere between H1 and H2 (more closer to H2), but I do feel like I will hit a limit when I move up to G#, can I say I'm doing it correctly at F4-G4? (or can't tell from spectrogram?)
The other way to ask the question, can a yell have H1-F1-H2 output?
Can we increase the range of the mixed voice?
That carpet looks beautiful by the way.
Awesome Tyler, always loving your videos! what's the song called that you used as an example? :)
What the titre of the song please
Hi can you please make a video about how to bring out your voice, i know about mixed voice, i learned how to do that i know about chest voice head voice, i know about vibrato and belting and i know how to do those too, i also been doing lots of singing exercises. But out of all those teqniques im missing one thing which is the foundation of my voice, what are some teqniques to bringing out your orginal voice, do you just have to sing and not think about it or is their a exercise or teqnique to bring out your voice that way i can sound the same each time i sing and not sound diffrent every time. It would also be cool if you can make a video showing us were middle range is located in other words tender where tender is located, its one thing to know how to use middle range but its another to know how to sing with the correct singing muscles and spot. I guess thats what i was trying to say, i was trying to say if you can make a video showing how to sing with the correct spot in your throat and how to sing with the correct muscles, this is one thing teachers on TH-cam arent teaching. Everyone teaches us how to use mixed voice and belting and what head voice and cheast voice is but they never teach us what muscles we should be singing in or the spot in the throat we should be singing in.
Good trick! I usually teach twang point for that work about passaggio. Your exercise is so good and easy!
when you talk about the passagio are you refferring to the mixed range or the belty tenor opera sound. my voice coach explains passagio as like a way to belt really high notes easier but i feel like youre just teqching mixed range. sorry for the confusion
Can one use the pops and whistles in the pasagio? I'm thinking of like a rolling stone by Bob Dylan or perhaps One by US. Are they in pasagio? It also seems Eddie Vedder cracks a lot, he is in pasagio?
What would you say would be the passagio for lower voiced singers like John legend or deep basses like barry white?
Thanks great video. Do one on vibrato on high notes...
Thanks for the lesson. I’m a bit confused though on application- so if I want to sing in passagio, then it means I just pick a key of song that is in my passagio, is that correct? For example original song key (male) is in G, then I can raise it to B to ensure it’s within my passagio zone?
Hello Tyler 😊 do have video about proper tongue position?
Crazy useful! Thank you! Does it work for classical soprano technique or is more geared towards pop?
Totally works for a classical soprano!
Amazing
Superb
Hello Tayler, I had a question about the air flow, to generate sounds with the vocal cord with more compression, is the air going to remain the same that we already generate when we work like this, or are we going to change it, reduce it or increase it? It is somewhat confusing the more you compress, the problem is because when making uncompressed sounds it does not matter if the pressure is not excessive since it will tend to take away control, what do you think about this brother ???
How do I develop chord closure without tensing the tounge? Pls help 🙏🙏
I’m interested in getting your mix masterclass stuff but I wanna know if it’ll have a lot of new stuff compared to what you’ve posted already and if it’ll be different from all the other stuff out there. I tried Ken Tamplins and Chris Liepes but it doesn’t work for me that well - it makes me feel a lot of squeezing. Feels like pushing chest to the highest I can go honestly and eventually smooths into a tighter compressed head voice in the upper 4th octave - sounds like crap. Their way of “mixing” sounds like the type youd hear in songs like in Japanese Anime rock music.
I have to save some $$ first because I lost a lot in crypto during the market crash 🤣.
This one definitely feels like you have to focus more on falsetto bringing it lower over time to keep it from wobbling uncontrollably and then after that the cords eventually feel more reliable and all the airiness is basically or almost all gone- just tone, lol. That’s easy for me bringing falsetto way low. Been doing that for 8 years now…
The hardest part is having the chest go up to the F4-G4 area to transition into it without squeezing hard… if too loose in the throat it feels like switching a light switch… sometimes gets cracked a lot if going past F4. If too quiet and scared of surroundings, it flips like a light switch easily… and have to manually be aware of that spot and switch earlier than F4 to make it sound smooth. Only way to go higher in the 4th octave without leaving chest is making it slightly more nasal sounding and lean towards a nasal UH sound - youll hear Chris Liepe demonstrate these sounds a lot. His soundgarden videos “little joe” just like that. Feels like slight pressure in the sternum area when making sound… for visualization: make a strong kiss suction with your lips
If bringing chest higher than E4 the switch is super obvious when switching at ~F4/F#4+ if everythings loose… trying to sound “good” and not “ugly”. Happens a lot when singing Josh Groban stuff. It seems easier bringing chest belts higher than F4 like Ken tamplins way of singing when doing ROCK but when doing softer music like RNB or Classical it just doesnt work the same way! lol. Feels like i gotta back off more. The other method feels “in your face” like forward out of your face- meanwhile this one feeling like going the opposite direction - containing the vibrations in the head.
But if switching earlier like C4-D4 it is smoother. But feels weird… but sounds similar to whats going on in this video- just seems foreign.
Though some peoples vowels like AH sound like it’s chest at G4 but when I do that it sounds like a belt like some guy from the WWE yelling YAH!!!! and nothing like that.
I feel like what I'm doing is that I'm singing at my lower falsetto/head voice. I don't think I'm doing it right.
The titre of the song thank you
A tried a credit card and a thinner cardboard card and I can’t get the buzz😑. i can feel the shift but.....I am an experienced singer, I don’t get it☹️ Is that a special card?😆
yea weird. my voice gets all intermittent, cutting in and out really fast in the mid range.
3:54
2:00
We have the same passiago range :D
Mi maestro
It’s so hard for me to sing the good parts of “infinite” from sonic forces😭
Gavin Degraw :)
what does “singing in the passagio” even mean..? singing in the middle of your range has by definition nothing to do with passagio.. so confused
Passaggio is an italian word/term for passage way. They noticed there is a certain part of the range, in the middle, where things can get weird for most singers. So singing in the passaggio is singing in this passage way which is in the middle of your range.
Wait wut, it works?!? 👀
Thats not Passaggio !
So easy...
Glissando can help to see...