This album is a message from the old, real world. From a time before the algorithms stole our time, our attention span, our patience, our focus and our reverance for the deep mysteries of human creativity. I used to live there. Soon my kind will be gone.
Probably. As it becomes integrated with technology humanity will likely evolve into a new species. But that future species will need the art of the past more than ever to remind them what it is to BE human. And someday, somewhere far off in the universe those future humans will be listening to the music of John Fahey.......among so many others.
I believe we can still refuse to be part of it, if we want. One just needs to prioritize importand things and use the phone and these modern techologies only when they are actually neccessary.
What a bunch of malarkey. Youve turned yourself off of new music because its hard to find now. You can thank sound for profit for your jaded nostalgia case in point th-cam.com/video/cExVdmMDj2o/w-d-xo.html
It's February 25, 2023. It's wet and chilly outside. The sky's are heavy with either rain or snow, or both. The living room is dark, no lights. Just the dull gray light from outside. Newton, my pup, is curled up on his bed sleeping and probably dreaming of warmer, sunny days. Maybe that's my dream as I close my eyes and listen. Right now, this is my escape. Thanks for the great music.
I listened to this and Sad Pig Dance by Dave Evans constantly as a young teenager. I was ruined for any 'commercial' music forever. My friends' Led Zep, Slade etc just seemed so shallow and bland. 50years later not a lot has changed. This is Art. I used to live there. We are a dying breed.
this guy blew my fucking mind when i first discovered him, the way he was able to make anything sound so dark and heavy but still really light and optimistic at the same time made my jaw drop, black sabbath aint got shit on john fahey
Dumb comment, has nothing to do with Black Sabbeth in the slightest. I might as well say this is shit compared to some of the sonata's by Beethoven or Chopin.
TRULY. and I am someone who mostly listens to addictive, juicy electronic/hip-hop/r&b. My friend played John Fahey for me in college. I heard Sligo River Blues for the first time
Statute of limitations has passed, although I still feel sorta guilty for liberating this album from the Georgia Tech radio station sometime in the early 1980s. They didn't miss it, and it's been and continues to be put to good use.
@@daveydudely9954 I managed to hold onto most of my albums to give them to my thankfully appreciative grown sons. Over time, I don't think I gave away any of the Fahey.
I have listened to and enjoyed and probed music for over 50 years and this is the most inspirational, thought provoking, and heart caressing album I have ever heard!!!
I knew John Fahey from his song in the movie Zabrieski Point. And recently I read a rave article about this LP in a french magazine called "rock & folk" and I am not disappointed! Wonderful!
“Irish Setter” in the late 60’s I had this album and an Irish Setter, to this day when I hear that song in my minds eye I see my dog running and jumping in tall grasses. Brings back a pleasant memory.
What beautiful music! Such a treasure trove of music from all genres. Thank you TH-cam for the latform, and thank you @keiretc for sharing your wonderful collection.
John Fahey, if I had to choose music from one musician to be played upon my passing it would be Fahey, I picked up this album, which I still have, in the 60’s. I got to see him live , late 60’s, at The Backdoor, small venue at San Diego State College. Fahey walked into the room eating a sandwich, sat down, played, got up and exited. Don’t think he said a word, was he pissed off?, don’t know and don’t care. It was only about hearing the playing. Fahey didn’t have the easiest of lives, pretty much self inflicted, an interesting read is the Fahey WIKI page.
Thanks for the rip. I love listening to, and playing, John's music. I also love how he injects his early arrangements into his newer ones (like Poor Boy in Voice of the Turtle and When Springtime Comes Again in Mark 1:15 - two of my favorite pieces to play). Shows the true timelessness of his music.
its nearly the same melody and song structure as sunflower river blues from Death Chants, Breakdowns and Military Waltz from the 28 minute mark. I love this guy
I discovered Fahey in the 60's, and have since heard his influence on more successful guitarists (e.g. Leo Kottke). I continue to be amazed at how he maintained such an hypnotic atmosphere, and the consistency of his rhythm.
Som maravilhoso! Sou um iniciante no violão e esbarrei por acaso no John Fahey. Ele é desconhecido no meu país (Brasil) e considero um privilégio ter chego a este conteúdo. Atualmente até estou tentando tocar Sligo River Blues. Obrigado por compartilhar esse material.
john fahey realmente é pouco conhecido por aqui, mas com um certo esforço dá pra gente montar uma lista com alguns poucos discos nacionais que propõem coisas semelhantes/análogas (dentro das nossas tradições musicais, claro) a aquilo que o fahey fez a partir do blues e do fingerstyle americano. os dois últimos discos que o bola sete lançou em vida (ocean e jungle suite, de 1975 e 1985 respectivamente) talvez sejam os exemplos mais significativos disso, uma vez que o fahey e o bola se tornaram amigos e admiradores mútuos no comecinho dos anos 1970, após o JF ver uma performance de violão solo do B7, que àquela altura trabalhava com guitarrista de estúdio nos EUA. eles logo perceberam que havia uma compatibilidade/sinergia gigantesca entre ambos, o que os levou a um processo de mútua influência e tbm deu ao bola a oportunidade lançar o ocean pela takoma, gravadora do próprio fahey. o jungle suite, de abordagem parecida, saiu dez anos depois já por uma outra gravadora, mas é curioso notar que naquele msm ano o fahey lançou um LP que apresentava sua única gravação de música brasileira - samba de orfeu, uma canção que desde sempre fez parte do repertório do bola... enfim, basta dizer que o fahey escreveu um texto lindíssimo sobre a relação dos dois, no qual ele - um cara que tinha um doutorado sobre charlie patton e que nos anos 1960 foi até o mississippi pra procurar e encontrar o skip james, bluesman então desaparecido há quase 40 anos - chega a afirmar que o bola era seu "guitarrista favorito"! é um negócio impressionante, né? tem pra ler online, é só jogar o nome dos dois no google. é uma pena que pouquíssima gente conheça essa relação, pois geralmente quem gosta do fahey desconhece o bola (e vice-versa), mas acho a história maravilhosa, fascinante, e esse diálogo é enriquecedor outro cara que fez um troço bem fayheano é o william senna, músico de MG que gravou só dois LPs. o disco que nos interessa aqui é o segundo, o homem do madeiro, que saiu em 1985 pelo selo carmo, subsidiária da ECM que era controlada pelo egberto gismonti. eu acho que esse é o disco mais "john fahey" que já saiu por aqui, se considerarmos que os dois LPs do bola não tiveram prensagens nacionais. o senna apresenta composições longas, complexas, instrumentais, para violão solo, etc, que - em resumo - desconstroem por completo toda a nossa tradição de tocar as cordas. é realmente brilhante, e acho difícil pensar em álbuns daqui que possam ser considerados "precursores" do que o senna propõe nesse disco. no máximo, talvez, o do stênio mendes, que saiu em 1980 por aquela série MPBC da philips, mas o stênio tocava craviola... de qualquer forma, ele apresenta um tipo de abordagem bem radical pra craviola instrumental, inclusive com algumas inflexões beeeem orientalistas, coisa que vc não econtra muito no senna, mas que também agradava muito ao fahey (veja, por exemplo, o fare forward voyagers). por fim, vale a pena citar que em 1985 tbm teve o instrumental I do almir sater (gravadora som da gente), que encontrou possibilidades para a viola caipira instrumental que transcenderam completamente tanto os horizontes mais tradicionalistas (pense, por exemplo, no disco do tião carreiro de 1976, em solos de viola caipira) quanto as abordagens mais classicizantes de caras como theodoro nogueira ou renato andrade. acho que esse LP do sater fez pra viola umas coisas bem parecidas com aquilo que o senna e o stênio fizeram pra violão e craviola. ele realmente abriu portas para que, por exemplo, o tavinho moura gravasse o caboclo d'água em 1991 na gravadora bemol. esse é mais um disco instrumental de viola caipira que parece desafiar tudo que a gente sabe sobre as possibilidades do instrumento, e o tavinho toma como fio condutor pro álbum justamente esse elemento místico, da lenda assustadora do caboclo d'água. é um som bastante misterioso, complexo, e que sonoramente me remete muito ao fahey. vale a pena checar. :) enfim, gostaria também de mandar um abraço ao meu amigo abic, que fez o upload do vídeo. conhecemo-nos de outro site, o rate your music, mas é uma felicidade encontrá-lo aqui no youtube!
As a mad Aphex fan I appreciated your comment.. find myself coming to Faheys music more and more now. The complexity and dexterity is almost as impressive than Richard. Both are so beautiful 😍
I know, right? No matter how simple the tune Fahey always manages to evoke some kind of a transcendental effect on me, I'm glad to share this album in the hopes that more people get to hear his beautiful music.
Greatest guitarist ever. Truly overlooked (in the grand scheme of guitarist, at least hes still held very highly in the american primivitism community)
Thanks for posting this. I've been looking for this version of America for years! As much as I like the extra tracks on the CD version, this is the record I spent the 1970s, 1980s, and 1990s listening too. Who knows how it would have sounded (running order, etc) if Fahey had released it as a double album. But this is the record that he DID release and the record companies should respect his artistic choices and find another way to present the other music--maybe a double CD?
Listening to this album, I can feel the collective warmth of all the massive dumps contemporary Western society has taken on the heritage of Western music. What a shame that this album has so few listens when people whose sole interest is stitching together slurs get more listens in the first minutes of releasing their albums. It really reflects on how downhill we have gone as a civilization, and how we might be nearing our end. Here's to hoping we get back in touch with genuine, soulful expression and exploration.
sometime they'll give a war and nobody will come, because everyone likes to listen to music and love peace and animals Mother's Friendship 5 X 5 Mother's Friendship 5 5 5 5 5 Fran Records Costa Rica, USA and Germany
Imagina que es una guerra y nadie va alli, porque a todo el mundo le gusta escuchar música y aman los animales y la paz Mother's Friendship 5 X 5 Mother's Friendship 5 5 5 5 5 Fran Records Costa Rica, USA and Germany
imaginez que c'est la guerre et personne ne viendra, parce que tout le monde aime ecouter de la musique et aime la paix et les animaux Mother's Friendship 5 X 5 Mother's Friendship 5 5 5 5 5 Fran Records Costa Rica, USA and Germany
Out of curiosity I had to fast forward; I can venture a guess - Invisible Sun, by The Police, from Ghost In The Machine. Thing is, the album came out in '81.
@@mikelord9860 it starts at 28.26 to 29.44... then again shortly after that from 29. To 29.18... I remember the video kinda,it was dark ,,in black and white I think they used for that video... It' sounded to me exactly the same and once I heard it I said oh wow what a rip off,cause it was one of the bands most popular song if I remember...
Jeremy, I would say check out Sligo River Blues because it was my first favorite by Fahey, but it might also come accross as subtle to someone. I say check out Red Pony maybe ! It is more severe/intense, takes you on an ominous, exciting ride ;-)
This album is a message from the old, real world. From a time before the algorithms stole our time, our attention span, our patience, our focus and our reverance for the deep mysteries of human creativity. I used to live there. Soon my kind will be gone.
something like that
Well im a zoomer and i wouldnt of discovered this album without browsing spotify and youtube so take from that what you will
Probably. As it becomes integrated with technology humanity will likely evolve into a new species. But that future species will need the art of the past more than ever to remind them what it is to BE human. And someday, somewhere far off in the universe those future humans will be listening to the music of John Fahey.......among so many others.
I believe we can still refuse to be part of it, if we want. One just needs to prioritize importand things and use the phone and these modern techologies only when they are actually neccessary.
What a bunch of malarkey. Youve turned yourself off of new music because its hard to find now. You can thank sound for profit for your jaded nostalgia
case in point
th-cam.com/video/cExVdmMDj2o/w-d-xo.html
It's February 25, 2023. It's wet and chilly outside. The sky's are heavy with either rain or snow, or both. The living room is dark, no lights. Just the dull gray light from outside.
Newton, my pup, is curled up on his bed sleeping and probably dreaming of warmer, sunny days. Maybe that's my dream as I close my eyes and listen. Right now, this is my escape.
Thanks for the great music.
skies*
I am 68 years old. This is my "hart" music. Thank you for allowing me to reconnect.
I listened to this and Sad Pig Dance by Dave Evans constantly as a young teenager. I was ruined for any 'commercial' music forever. My friends' Led Zep, Slade etc just seemed so shallow and bland. 50years later not a lot has changed. This is Art. I used to live there. We are a dying breed.
I started my guitar playing with the pickers from Kicking Mule records and lost my heart forever. Bob Hadley, Dave Evans, Sam Mitchell. Oh yeah 🙂
take a bite out of life
this guy blew my fucking mind when i first discovered him, the way he was able to make anything sound so dark and heavy but still really light and optimistic at the same time made my jaw drop, black sabbath aint got shit on john fahey
apples and oranges
Pink Floyd@@shinybeast8946
Dumb comment, has nothing to do with Black Sabbeth in the slightest. I might as well say this is shit compared to some of the sonata's by Beethoven or Chopin.
I am really glad that I discovered Fahey's music. Amazing guitar playing.
One can tell whatever but this is music for thousand years, it can be played constantly and never will get old or off fashion.
TRULY. and I am someone who mostly listens to addictive, juicy electronic/hip-hop/r&b. My friend played John Fahey for me in college. I heard Sligo River Blues for the first time
Well stated. So true.
Statute of limitations has passed, although I still feel sorta guilty for liberating this album from the Georgia Tech radio station sometime in the early 1980s. They didn't miss it, and it's been and continues to be put to good use.
@@daveydudely9954 I managed to hold onto most of my albums to give them to my thankfully appreciative grown sons. Over time, I don't think I gave away any of the Fahey.
a trick: you can watch series at flixzone. Me and my gf have been using it for watching lots of of movies lately.
@Landon Jay yup, been watching on flixzone} for since november myself =)
@@jimbeam100100 I almost fell out of my chair laughing and can't stop. Thanks.
@@jimbeam100100 ahahahaha
I have listened to and enjoyed and probed music for over 50 years and this is the most inspirational, thought provoking, and heart caressing album I have ever heard!!!
Listen to visions of the country by Robbie Basho... Itl make your heart weep just like this.
Michael, have you heard Sligo River Blues? also Red Pony ! both by Fahey ;-)
I knew John Fahey from his song in the movie Zabrieski Point. And recently I read a rave article about this LP in a french magazine called "rock & folk" and I am not disappointed! Wonderful!
My favourite guitarist by a mile astonishing
mystical...absolutely phenomenal
mystical is right
“Irish Setter” in the late 60’s I had this album and an Irish Setter, to this day when I hear that song in my minds eye I see my dog running and jumping in tall grasses. Brings back a pleasant memory.
Who else could have recorded Live in Tasmania. Authentic artist, human being.
The one and only John Fahey!!! 🎸🌟❤️
John's unwavering commitment to art never fails to impress....
I saw him in the US the same year he released that album, sat about 15 feet away from him. Jaw-dropping.
Just realising how Slint can occasionnally sound a lot like this.
I totally hear it man!
What beautiful music! Such a treasure trove of music from all genres. Thank you TH-cam for the latform, and thank you @keiretc for sharing your wonderful collection.
art of music, a true treasure, a great artist an he is missed so much, like zappa and bowie!
John Fahey, if I had to choose music from one musician to be played upon my passing it would be Fahey, I picked up this album, which I still have, in the 60’s. I got to see him live , late 60’s, at The Backdoor, small venue at San Diego State College. Fahey walked into the room eating a sandwich, sat down, played, got up and exited. Don’t think he said a word, was he pissed off?, don’t know and don’t care. It was only about hearing the playing.
Fahey didn’t have the easiest of lives, pretty much self inflicted, an interesting read is the Fahey WIKI page.
A wonderful album. Thanks for posting this version. I have the CD reissue which came out a few years back.
Thanks for the rip. I love listening to, and playing, John's music. I also love how he injects his early arrangements into his newer ones (like Poor Boy in Voice of the Turtle and When Springtime Comes Again in Mark 1:15 - two of my favorite pieces to play). Shows the true timelessness of his music.
Beautiful and sad.
Nice to have the full version of Mark 1 : 15. I've been unable to find it in digital form anywhere else. Thank you Abic.
its nearly the same melody and song structure as sunflower river blues from Death Chants, Breakdowns and Military Waltz from the 28 minute mark. I love this guy
ok, this is art
I discovered Fahey in the 60's, and have since heard his influence on more successful guitarists (e.g. Leo Kottke). I continue to be amazed at how he maintained such an hypnotic atmosphere, and the consistency of his rhythm.
Fahey issued Kottke's first album (the one with the armadillo on the sleeve) on his Takoma label.
the way Knoxville Blues comes in about knocked me out! What a great record.
28:25 Hush now don't you cry. Wipe away the teardrop from your eye.
one of the biggest of our entirety
the unabridged Mark 1:15 is a rarity nowadays, unfortunately
thanks, man
John was striking fire on his anvil during this decade.
thank you, this is a comfort
Som maravilhoso! Sou um iniciante no violão e esbarrei por acaso no John Fahey. Ele é desconhecido no meu país (Brasil) e considero um privilégio ter chego a este conteúdo. Atualmente até estou tentando tocar Sligo River Blues.
Obrigado por compartilhar esse material.
Guitarrista incrivelmente idiossincrático.
Amo Yamandu Costa também, ele é incrível. Saudações de Albion.
john fahey realmente é pouco conhecido por aqui, mas com um certo esforço dá pra gente montar uma lista com alguns poucos discos nacionais que propõem coisas semelhantes/análogas (dentro das nossas tradições musicais, claro) a aquilo que o fahey fez a partir do blues e do fingerstyle americano.
os dois últimos discos que o bola sete lançou em vida (ocean e jungle suite, de 1975 e 1985 respectivamente) talvez sejam os exemplos mais significativos disso, uma vez que o fahey e o bola se tornaram amigos e admiradores mútuos no comecinho dos anos 1970, após o JF ver uma performance de violão solo do B7, que àquela altura trabalhava com guitarrista de estúdio nos EUA. eles logo perceberam que havia uma compatibilidade/sinergia gigantesca entre ambos, o que os levou a um processo de mútua influência e tbm deu ao bola a oportunidade lançar o ocean pela takoma, gravadora do próprio fahey.
o jungle suite, de abordagem parecida, saiu dez anos depois já por uma outra gravadora, mas é curioso notar que naquele msm ano o fahey lançou um LP que apresentava sua única gravação de música brasileira - samba de orfeu, uma canção que desde sempre fez parte do repertório do bola... enfim, basta dizer que o fahey escreveu um texto lindíssimo sobre a relação dos dois, no qual ele - um cara que tinha um doutorado sobre charlie patton e que nos anos 1960 foi até o mississippi pra procurar e encontrar o skip james, bluesman então desaparecido há quase 40 anos - chega a afirmar que o bola era seu "guitarrista favorito"! é um negócio impressionante, né? tem pra ler online, é só jogar o nome dos dois no google. é uma pena que pouquíssima gente conheça essa relação, pois geralmente quem gosta do fahey desconhece o bola (e vice-versa), mas acho a história maravilhosa, fascinante, e esse diálogo é enriquecedor
outro cara que fez um troço bem fayheano é o william senna, músico de MG que gravou só dois LPs. o disco que nos interessa aqui é o segundo, o homem do madeiro, que saiu em 1985 pelo selo carmo, subsidiária da ECM que era controlada pelo egberto gismonti. eu acho que esse é o disco mais "john fahey" que já saiu por aqui, se considerarmos que os dois LPs do bola não tiveram prensagens nacionais. o senna apresenta composições longas, complexas, instrumentais, para violão solo, etc, que - em resumo - desconstroem por completo toda a nossa tradição de tocar as cordas. é realmente brilhante, e acho difícil pensar em álbuns daqui que possam ser considerados "precursores" do que o senna propõe nesse disco. no máximo, talvez, o do stênio mendes, que saiu em 1980 por aquela série MPBC da philips, mas o stênio tocava craviola... de qualquer forma, ele apresenta um tipo de abordagem bem radical pra craviola instrumental, inclusive com algumas inflexões beeeem orientalistas, coisa que vc não econtra muito no senna, mas que também agradava muito ao fahey (veja, por exemplo, o fare forward voyagers).
por fim, vale a pena citar que em 1985 tbm teve o instrumental I do almir sater (gravadora som da gente), que encontrou possibilidades para a viola caipira instrumental que transcenderam completamente tanto os horizontes mais tradicionalistas (pense, por exemplo, no disco do tião carreiro de 1976, em solos de viola caipira) quanto as abordagens mais classicizantes de caras como theodoro nogueira ou renato andrade. acho que esse LP do sater fez pra viola umas coisas bem parecidas com aquilo que o senna e o stênio fizeram pra violão e craviola. ele realmente abriu portas para que, por exemplo, o tavinho moura gravasse o caboclo d'água em 1991 na gravadora bemol. esse é mais um disco instrumental de viola caipira que parece desafiar tudo que a gente sabe sobre as possibilidades do instrumento, e o tavinho toma como fio condutor pro álbum justamente esse elemento místico, da lenda assustadora do caboclo d'água. é um som bastante misterioso, complexo, e que sonoramente me remete muito ao fahey. vale a pena checar. :)
enfim, gostaria também de mandar um abraço ao meu amigo abic, que fez o upload do vídeo. conhecemo-nos de outro site, o rate your music, mas é uma felicidade encontrá-lo aqui no youtube!
Music for Contemplation
A true wonder.
great album, meditative
As a mad Aphex fan I appreciated your comment.. find myself coming to Faheys music more and more now. The complexity and dexterity is almost as impressive than Richard. Both are so beautiful 😍
much appreciate the flac, only had the reissue in my collection beforehand!
absolutely rips
The cover is a reference to Trout Fishing in America.
Brautigan....
Thanks for that.
I was thinking that!
John Fahey and Richard Brautigan, both cut from different cloth than the norm, from the 60’s… I still have the books and albums.
Oh my GOD.... WOW
I know, right? No matter how simple the tune Fahey always manages to evoke some kind of a transcendental effect on me, I'm glad to share this album in the hopes that more people get to hear his beautiful music.
have you heard "god,time & causality" by fahey~it's another great album.
@@colinryan8753 No, but I'll give it a listen, thanks!
@@Abic__~it's a brilliant album!
RIGHT?! (sorry keirtec kind of same reaction as you lol). Sligo River Blues, and Red Pony are also by him and make goosebumps.
Thanks a lot. Audio here is good!👍
Greatest guitarist ever. Truly overlooked (in the grand scheme of guitarist, at least hes still held very highly in the american primivitism community)
Thanks for posting this. I've been looking for this version of America for years! As much as I like the extra tracks on the CD version, this is the record I spent the 1970s, 1980s, and 1990s listening too. Who knows how it would have sounded (running order, etc) if Fahey had released it as a double album. But this is the record that he DID release and the record companies should respect his artistic choices and find another way to present the other music--maybe a double CD?
Thanks for sharing!!!!
Listening to this album, I can feel the collective warmth of all the massive dumps contemporary Western society has taken on the heritage of Western music. What a shame that this album has so few listens when people whose sole interest is stitching together slurs get more listens in the first minutes of releasing their albums. It really reflects on how downhill we have gone as a civilization, and how we might be nearing our end. Here's to hoping we get back in touch with genuine, soulful expression and exploration.
sometime they'll give a war and nobody will come, because everyone likes to listen to music and love peace and animals
Mother's Friendship 5 X 5
Mother's Friendship 5 5 5 5 5
Fran Records Costa Rica, USA and Germany
Imagina que es una guerra y nadie va alli, porque a todo el mundo le gusta escuchar música y aman los animales y la paz
Mother's Friendship 5 X 5
Mother's Friendship 5 5 5 5 5
Fran Records Costa Rica, USA and Germany
Good album. One of my favorite Fahey records. Do you have Of Rivers and Religion?
I do, I'll probably upload it here at some point
imaginez que c'est la guerre et personne ne viendra, parce que tout le monde aime ecouter de la musique et aime la paix et les animaux
Mother's Friendship 5 X 5
Mother's Friendship 5 5 5 5 5
Fran Records Costa Rica, USA and Germany
28min through 30ish. The notes are used by a band in the 1990s. Totaly sounds exact almost.
Do you happen to remember the name of this band?
Out of curiosity I had to fast forward;
I can venture a guess - Invisible Sun, by The Police, from Ghost In The Machine. Thing is, the album came
out in '81.
@@mikelord9860 no.its not the police. It's something else .darn I'm still wondering
@@mikelord9860 it starts at 28.26 to 29.44... then again shortly after that from 29. To 29.18... I remember the video kinda,it was dark ,,in black and white I think they used for that video... It' sounded to me exactly the same and once I heard it I said oh wow what a rip off,cause it was one of the bands most popular song if I remember...
@@Abic__ I kinda thought it was the cult but then more like a queensryche..but I checked and it is a different band.
Happy 4th everyone!
anyone hear bad moon rising around 8:07 onwards?
sounds like poor boy far from home a little
we humans' are sometimes capable of brilliant creations
The download is a RAR file (not FLAC) - what app do you use to play it?
It's a flac file zipped into RAR, you'll need to download WinRAR to unzip it. It'll say you need to pay for it but you do not, it's completely free.
anyone else hearing Nobuo Uematsu?
making me snore i'm afraid.
you need to end being a virgin as soon as possible. that will pass.
@@fuphanwang9134 have a listen to 'Cactus Black' latest album my friend.
@@jeremyzukowski6488 yeah cool, not as subtile, maybe try fahey’s wine and roses it’s a better introduction than this album
Live in Tasmania is much more upbeat.
Jeremy, I would say check out Sligo River Blues because it was my first favorite by Fahey, but it might also come accross as subtle to someone. I say check out Red Pony maybe ! It is more severe/intense, takes you on an ominous, exciting ride ;-)
Whew! What a waste of good vinyl. Sounds like a guy practicing in his bedroom.
if you say so ...
think of all the van halen they couldve recorded with this! i agree with you sir -- "real recognizes real"
@@donaldduckfan28 1 second of Eruption destroys John Fahey's entire "Music" "Career"
Fahey had a long and great music career. Van Halen ran out of steam after 4 albums.@@Abic__
most overrated guitarist ever