Thanks for all your likes, shares and comments! 🙂Also a big thanks to all of our Patrons, who support us to create our videos, especially: I. Baumgratz, B. & R. Frühstück, R. Kornberger, M. B. Lange, U. Mahrt, K. Smith and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester
Excellente interprétation d’un des plus beaux concerti de l’age baroque ! Je n'ai jamais entendu de plus belle version depuis celle de l Orchestre de Chambre Franz Liszt de Budapest en 1981 ❤ Mille bravos au Bremer Barock Orchester ! ❤ ❤ ❤
The execution is excellent as well as the 4K recording with very sharp sound. Great performers, very good first violin Stefano Rossi and second violin Annie Gard.👍
These Op. 6 Concerti (and this one in particular) were *made* for the ripieno trumpet, which Corelli himself specified as "optional". After hearing an earlier release featuring such a (natural) trumpet, I can no longer listen to this work without hearing it in my head, so naturally does it seem to fit the piece.
Read with a mixture of incredulity, horror*, and interest; this business of the ‘optional’ trumpet is news to myself; source ? I know there are modern arrangements that include a trumpet, and that other composers like Alessandro Scarlatti (1660-1725) used a trumpet in the second of his 12 Sinfonie di concerto grosso (1715), but Corelli using one in Rome under any circumstances seems as unlikely to me as it does implausible. Outside your ‘optional’ claim, Corelli’s entire output is writing for strings (the violin was his instrument…and it shows). Opus 1 - Trio sonatas Opus 2 - Trio sonatas Opus 3 - Trio sonatas Opus 4 - Trio sonatas Opus 5 - Violin sonatas Opus 6 - Concerti grossi In addition, there are a small number of individual WoO works, but these too are all string-only. In short: it appears Corelli wrote nothing other than string music. * The idea that Corelli’s idiomatic string writing could be transferred to a trumpet of the times with all its technical limitations is quite beyond me, even as part of the ripieno (ie backing group - and why would you put it there ?); the thought of the whole thing is very unappealing to my ears, though it sounds to me as if you’ve heard a good modern arrangement. Genuinely interested; hope you’ll be able to reply.
I like how this feels like a gathering of soloists. We are able to see what each individual does, while they all know how to work together as a harmonious team.
Outstanding performance! I'd never heard any of these concerti grossi performed with oboes doubling the ripieno violins. Not only does it make sense - further differentiating the tutti sections from the concertino sections - but many performances outside Italy may well have included oboes.
Che meraviglia ! La perfetta esecuzione, traboccante di energia, ci avvicina alla comprensione della Civiltà e Cultura italiane, meglio di tanti discorsi.
Arcangelo Corelli e Alessandro Scarlatti hanno ispirato il Grandissimo George Friedrich Handel...Scusate se è poco. Italia mosaico di Razze e Culture nei Secoli è stato e se vuole essere Leader in ogni campo. Vedi Leonardo da Vinci, Guglielmo Marconi, Ennio Morricone, Giorgetto Giugiaro etc etc etc un elenco infinito di Geni Italici 😊❤
Thanks for all your likes, shares and comments! 🙂Also a big thanks to all of our Patrons, who support us to create our videos, especially: I. Baumgratz, B. & R. Frühstück, R. Kornberger, M. B. Lange, U. Mahrt, K. Smith and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester
A good version played makes you smile, the best version played, makes you cry. Superb!
Excellente interprétation d’un des plus beaux concerti de l’age baroque ! Je n'ai jamais entendu de plus belle version depuis celle de l Orchestre de Chambre Franz Liszt de Budapest en 1981 ❤
Mille bravos au Bremer Barock Orchester ! ❤ ❤ ❤
Again an amazing performance. Exciting, colourful, packed with emotion.
I like how he floats like a Jellyfish while playing his violin.
I first heard this piece in 1958. I've loved it since. The concertino writing always struck me as ethereal; it still does.
The execution is excellent as well as the 4K recording with very sharp sound. Great performers, very good first violin Stefano Rossi and second violin Annie Gard.👍
What a wonderful music. Thank you dear musicians 🙂🙏
FAAAAAAAANTASTIC!!!!!!!!! Such lively,vibrant,colorful music making.......Absolute world class period band!!!!!!
Gyönyörű zene kitűnő előadásban! Köszönöm a föltöltést!
Beautiful performance !
Me gusta muchísimo Arcangelo Corelli. Todo lo de el es buenísimo.
Outstanding performance - bravo!
Gracias por compartir- Una versión magnífica - Bendiciones desde Mendoza ( Argentina)
Linda apresentação! Parabéns e obrigada pela oportunidade!:👏🏻👏🏻👏🏻😍
These Op. 6 Concerti (and this one in particular) were *made* for the ripieno trumpet, which Corelli himself specified as "optional". After hearing an earlier release featuring such a (natural) trumpet, I can no longer listen to this work without hearing it in my head, so naturally does it seem to fit the piece.
Read with a mixture of incredulity, horror*, and interest; this business of the ‘optional’ trumpet is news to myself; source ?
I know there are modern arrangements that include a trumpet, and that other composers like Alessandro Scarlatti (1660-1725) used a trumpet in the second of his 12 Sinfonie di concerto grosso (1715), but Corelli using one in Rome under any circumstances seems as unlikely to me as it does implausible.
Outside your ‘optional’ claim, Corelli’s entire output is writing for strings (the violin was his instrument…and it shows).
Opus 1 - Trio sonatas
Opus 2 - Trio sonatas
Opus 3 - Trio sonatas
Opus 4 - Trio sonatas
Opus 5 - Violin sonatas
Opus 6 - Concerti grossi
In addition, there are a small number of individual WoO works, but these too are all string-only.
In short: it appears Corelli wrote nothing other than string music.
* The idea that Corelli’s idiomatic string writing could be transferred to a trumpet of the times with all its technical limitations is quite beyond me, even as part of the ripieno (ie backing group - and why would you put it there ?); the thought of the whole thing is very unappealing to my ears, though it sounds to me as if you’ve heard a good modern arrangement.
Genuinely interested; hope you’ll be able to reply.
Magistral Orquesta!!!.
I like how this feels like a gathering of soloists. We are able to see what each individual does, while they all know how to work together as a harmonious team.
Outstanding performance! I'd never heard any of these concerti grossi performed with oboes doubling the ripieno violins. Not only does it make sense - further differentiating the tutti sections from the concertino sections - but many performances outside Italy may well have included oboes.
Beautiful
Ausgezeichnet, wie alle Aufnahmen des Bremer Barockorchesters.
Absolutely wonderful! Thank you so much ❤️🙏✨
Could someone explain how the presence of an end pin changes the sound of a cello (assuming it does)?
👍
Prima. Kris
Those 2 poor viola players don’t get any credit.
Thanks for your attention. The players have been credited now.
Thank you for this wonderful music🍃
Magnificent Concertino !
Never heard such a good version of Corelli's concerto grosso nr 1
Schon mein " Haus-Orchester". Ihr gebt mir viel ! ⚘⚘
Oboes, following Piperno's discredited advise. Incredible, they call it philology: this is a make-belive performance.
Bravissimi come sempre
I see they used A415 for this recording.
Grande Arcangelo Corelli da Fusignano 😊❤
Che meraviglia ! La perfetta esecuzione, traboccante di energia, ci avvicina alla comprensione della Civiltà e Cultura italiane, meglio di tanti discorsi.
Arcangelo Corelli e Alessandro Scarlatti hanno ispirato il Grandissimo George Friedrich Handel...Scusate se è poco. Italia mosaico di Razze e Culture nei Secoli è stato e se vuole essere Leader in ogni campo. Vedi Leonardo da Vinci, Guglielmo Marconi, Ennio Morricone, Giorgetto Giugiaro etc etc etc un elenco infinito di Geni Italici 😊❤
May I point out that you have omitted your viola players from your list of musicians. A fine performance. Thank you.
We have corrected that. Thanks for making us aware.
Perfect!!!!!
Quintessenza dell'estetica barocca: Corelli! Bravissimi.
Mon 💗 est pour vous!