So amazing. To me, perfect in fact. I love your portraits Liron and I'm so looking forward to having a go myself. Skillshare about vibrancy of colours sounds right up my street. Bless you and thank you 🐨👍
Pure gold, thank you!! I saw painting bluish shadows and sculpting with shadows first by korean portrait masters. You cleared the question of enhancement of a saturation in those shadowed areas, and overall commented very concisely on what I saw, but couldn't completely digest, for the lack of a better word. Thank you!!!!!❤❤❤
So happy I could help 😊🙏🏼🙏🏼 Yes! I too have been watching many of these videos. Not to imitate what I see, but to better understand it. And it definitely helped and seeped into this video. Still got a long way to go, but this has been BIG!
@@LironYan Yes, those videos are gorgeous, but you have your different style for sure! Recently I borrowed a book from a library on watercolor portraits by Japanese masters. It's also very interesting and unique, but more "classic" approach "from light to dark". I will rewatch your video too. Thank you for sharing!
This makes me want to try painting my daughters. I might have to try it. Thank you for this wonderful tutorial. FYI I signed up for Skillshare because of you. So many great classes! Thx for always sharing your knowledge with us. ❤🙏🏻God bless you!
Thank you so so much! 😊😊🙏🏼 I believe I remember you mentioning it either in another comment or via a livestream, much appreciated. Also - let me know if you end up painting them 😁 Painting people / scenes from our personal lives tends to produce very special results
Brave of you to add those light skin tones, Liron, but it definitely worked. I'd probably have left lots of white there, having ruined so many watercolours by not stopping early enough. On the other hand, I'm starting to wonder whether it's much easier to overwork and ruin landscapes and whether portraits are more forgiving.
The left eye is way too small. The shape of chin is wrong because the shadow is wrong... The shadow of the nose isn't connecting to the shadow below the eye brow. I don't think this is piece working out at all.
This is gorgeous, Liron. Love the colours.
Thank you ☺️
Amazing! I now know what you mean by understanding rather than technique. Always a pleasure to watch you paint.
Thank you so so much 😊 Very happy this makes sense
Really nice work. Amazing how you can see things so clearly. Thank you.
Fantastic video..I have never done a portrait but this has inspired me as it was fascinating to watch her come to life. Love your work!
Thank you so much 😊🙏🏼
Let me know if you give it a go!
So amazing. To me, perfect in fact. I love your portraits Liron and I'm so looking forward to having a go myself. Skillshare about vibrancy of colours sounds right up my street. Bless you and thank you 🐨👍
Thank you so so much Janine 🙏🏼🙏🏼😊 So happy this was helpful
Will apply this shadow first technique!
Pure gold, thank you!!
I saw painting bluish shadows and sculpting with shadows first by korean portrait masters. You cleared the question of enhancement of a saturation in those shadowed areas, and overall commented very concisely on what I saw, but couldn't completely digest, for the lack of a better word. Thank you!!!!!❤❤❤
So happy I could help 😊🙏🏼🙏🏼
Yes! I too have been watching many of these videos. Not to imitate what I see, but to better understand it. And it definitely helped and seeped into this video. Still got a long way to go, but this has been BIG!
@@LironYan Yes, those videos are gorgeous, but you have your different style for sure! Recently I borrowed a book from a library on watercolor portraits by Japanese masters. It's also very interesting and unique, but more "classic" approach "from light to dark". I will rewatch your video too. Thank you for sharing!
Wow. Thanks Liron for another amazing video!
Thank you for watching 😊🙏🏼🙏🏼
This makes me want to try painting my daughters. I might have to try it. Thank you for this wonderful tutorial. FYI I signed up for Skillshare because of you. So many great classes! Thx for always sharing your knowledge with us. ❤🙏🏻God bless you!
Thank you so so much! 😊😊🙏🏼 I believe I remember you mentioning it either in another comment or via a livestream, much appreciated.
Also - let me know if you end up painting them 😁 Painting people / scenes from our personal lives tends to produce very special results
Very interesting, your videos are always so helpful, thank you 🥰I need to practice a lot, your ur work is amazing 👍🏼👍🏼👍🏼👍🏼
Thank you so so much 😊🙏🏼🙏🏼
Amazing painting 🎉 very pedagogically explained, thank you 🙏
Very good
🙏🙏
Very informative. A lot of help. Thank you
So happy I could help! Thank you for watching 😊🙏🏼
15:47 I was trying to work out who the subject reminded me of and now I know! 😂
Love this!
Thank you!! 😊🙏🏼🙏🏼
Good morning!
Morning Pam! 😊🌞
@@LironYan just became a Patron! 🤗
Brave of you to add those light skin tones, Liron, but it definitely worked. I'd probably have left lots of white there, having ruined so many watercolours by not stopping early enough. On the other hand, I'm starting to wonder whether it's much easier to overwork and ruin landscapes and whether portraits are more forgiving.
👍👌💥
I’ve been working on portraits too! I love this! Aaarg, my skin tone was looking like a corpse! I love the yellow glaze! More videos on faces please!
What are the colors that you used?
The left eye is way too small. The shape of chin is wrong because the shadow is wrong... The shadow of the nose isn't connecting to the shadow below the eye brow. I don't think this is piece working out at all.
Hey pal! Try being a little more constructive and less negative! 😅