ฝัง
- เผยแพร่เมื่อ 4 ต.ค. 2024
- Dietrich Buxtehude
Jesu Meine Freude, BuxWV 60
Mvt.III: Unter deinem Schirmen (soprano solo)
Mvt.IV: Trotz dem alten Drachen (bass solo)
Mvt.V: Weg mit allen Schätzen (S-S-B)
Mvt.VI: Gute Nacht, o Wesen (soprano solo)
Mvt.VII: Weicht, ihr Trauergeister (S-S-B)
About the score:
The only score I could find is this low edition in D minor.. What you hear in the video is I believe one full step higher than this, in E minor..
About the work:
Jesu meine is a setting of the verses of a Lutheran chorale. In Jesu meine freude, Buxtehude sets verses 1, 4 and 6 for full forces - two sopranos and bass, two violins, bass and continuo - using the mid-17th century tune in realtively unadorned form. Verses 2, 3 and 5 are solos for each of the three voices in turn, and are not obvious settings of the chorale tune, though soprano line in verse 5 outlines the tune in subtle ways. The work begins with an extended three-movement sonata.
German Texts:
Mvt III:
Unter deinem Schirmen
Bin ich vor den Stürmen
Aller Feinde frei.
Laß den Satan wittern,
Laß den Feind erbittern,
Mir steht Jesus bei.
Ob es jetzt gleich kracht und blitzt,
Ob gleich Sünd und Hölle schrecken:
Jesus will mich decken.
Mvt IV:
Trotz dem alten Drachen,
Trotz des Todes Rachen,
Trotz der Furcht darzu!
Tobe, Welt, und springe,
Ich steh hier und singe
In gar sichrer Ruh.
Gottes Macht hält mich in acht;
Erd und Abgrund muss verstummen,
Ob sie noch so brummen.
Mvt. V:
Weg mit allen Schätzen!
Du bist mein Ergötzen,
Jesu, meine Lust !
Weg ihr eitlen Ehren,
Ich mag euch nicht hören,
Bleibt mir unbewusst!
Elend, Not, Kreuz, Schmach und Tod
Soll mich, ob ich viel muss leiden,
Nicht von Jesu scheiden.
Mvt VI:
Gute Nacht, o Wesen,
Das die Welt erlesen,
Mir gefällst du nicht.
Gute Nacht, ihr Sünden,
Bleibet weit dahinten,
Kommt nicht mehr ans Licht!
Gute Nacht, du Stolz und Pracht!
Dir sei ganz, du Lasterleben,
Gute Nacht gegeben.
Mvt VII:
Weicht, ihr Trauergeister,
Denn mein Freudenmeister,
Jesus, tritt herein.
Denen, die Gott lieben,
Muß auch ihr Betrüben
Lauter Zucker sein.
Duld ich schon hier Spott und Hohn,
Dennoch bleibst du auch im Leide,
Jesu, meine Freude.
English Translations:
Beneath your protection
I am free from the attacks
of all my enemies.
Let Satan track me down,
let my enemy be exasperated --
Jesus stands by me.
Even if there is thunder and lightning,
even if sin and hell spread terror
Jesus will protect me .
I defy the old dragon,
I defy the jaws of death,
I defy fear as well!
Rage, World, and spring to attack:
I stand here and sing
in secure peace.
God's might takes care of me;
earth and abyss must fall silent,
however much they rumble on.
Away with all treasures!
You are my delight,
Jesus, my joy!
Away with empty honours,
I'm not going to listen to you,
remain unknown to me!
Misery, distress, affliction, disgrace and death,
even if I must endure much suffering,
will not separate me from Jesus.
Good night, existence
chosen by the world,
you do not please me.
Good night , you sins,
stay far behind me.
Come no more to the light!
Good night , pride and splendour,
once and for all, sinful existence,
I bid you good night.
Go away, mournful spirits,
for my joyful master,
Jesus, now enters in.
For those who love God
even their afflictions
become pure sweetness.
Even if here I must endure shame and disgrace,
even in suffering you remain,
Jesus, my joy - เพลง
¡Gracias, qué maravilla de obra y de interpretación!
Гениальный Букстехуде!
Maravillosa obra de un maravilloso compositor. Se respira paz, alegría y esperanza¡
@b0ttomzone The artificial distinction between the natural, harmonic and melodic minor scale was unheard of during the Baroque period (like many other contemporary aspects of music theory). And yes, the diminished triads built on the raised sixth scale degree may be in fact remnants of the older modal style - Bach also makes extensive use of the raised sixth, though in his music it's usually part of the major subdominant chord.
This is music por the soul, music for the spirit. Gabe Meruelo.
It is Kirkby's voice. There is also Suzie LeBlanc and Peter Harvey singing the other parts.
Thanks for editing and syncing the score. Outstanding version. Brilliant organ accompaniment.
One can only imagine their reaction listening to a harpsichord tuned to mean tone! I love growling wolves.
Actually the wolf is something to be avioded
@@Ekvitarius Well, it's been 12 years, but I think I was being sarcastic! I also suspect that I might have been replying to a comment that has since disappeared in the last decade -- that happens on older videos -- so the context has been lost for all eternity! In fact, the comments I made elsewhere on this video are obviously in reply to some sort of disappeared comment as well.
Holy bass! Now that's a proper bass solo!
que lindoooo! how beautifull performance, aparte q la obra es muy interesante
GREAT !
Very good.. My skin was crawling!!
There may be a simple explanation for the piece sounding a note higher than written. Buxtehude probably used church pitch, which is around a note higher than today. Bach used church pitch in his Weimar cantatas, but switched to chamber pitch, around a half note lower than today, at Leipzig, and transposed the organ part (the organ still being in church pitch).
I, like a lot of people, don't have perfect pitch. This helps listening to HIP baroque music, since I'm not bothered in the least by the piece sounding in the "wrong key" like some posters have complained about. Anyway, I can't tell how much higher this is than what modern ears expect. Your comments about Bach's cantatas reflects what I wrote. I have the complete cantata set by Hanoncourt/Leonhardt, which originally came with the complete scores and went over the key difficulties.
EXTRAORDINAR! CE PACAT CA EUROPA E DEPARTE ACUM DE ASTA , PANA SI GB S-A SCARBIT!
Vielen Dank. René Pays Bas.
Machtig mooi, Lutje
muito bonita as musicas de buxtehude.
This is some serious good stuff! Thank you civileso. We did this piece in my choir. But I feel pretty stupid posting here, every other poster comes across as a professional musician =)Again, many many thanks!
this is a master pice love it
Bach' Weimar cantatas seem to reflect the problem he was having with the difference between Chorton and Kammerton. The wind parts are written in Kammerton, so the players would have had to transpose on the fly. Harnoncourt thinks that the strings played on slightly smaller instruments and tuned up. Anyway, adapting Kuhnau's solution made things easier all around, especially since Bach probably tuned the organ to a well temperament so he could use some of the remote keys the organ ends up in.
We're singing this in chorus. I want the first solo (Verse 2)
:D Gänsehaut!!! :)
@1401JSC I'm a native speaker, their German is near-flawless - they even use the Baroque "itzt" rather than the modern "jetzt".
Nice work with the score! Love it!
Buxtehude's works are very interesting... he should be more famous than he is ;) I appreciate your vids, civileso :) How about Bach's setting of this (BWV 227)?
Nice suggestion.. I can do it next.. Do you have a certain performer in mind?
صالي سنه ادور ع هاي الاوبره
I was so happy when i got the bottom D's and C, turns out its not A=440 :(
I had sing this music, and gott hilf mir to.
Thanks for the recording. But I found a wrong thing in the verse five. You tap 2 five(five bar) in verse five. Otherwise it is good!
I do:))
No, I don't... I only have an old recording of Windsbacher Knabenchor...
3:33 4
mf don’t put ad in the middle of video
Awful German pronunciation!
Jolie voix de sopran.
thanks for posting : the piece is interesting and, if one finds a real Bass, not difficult to mount.
❤