5 Minutes On... Beethoven - 32 Variations (C minor) | Daniel Barenboim [subtitulado]
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- เผยแพร่เมื่อ 22 ก.ย. 2016
- Daniel Barenboim | 5 Minutes On... Beethoven - 32 Variations (C minor)
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On a Chopin favorite, the Ballade No. 1 in g minor...
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Barenboim was inspired to create a new piano after playing Franz Liszt’s restored grand piano during a trip to Siena in September 2011. Struck by the vital differences in sound of an instrument constructed with straight, parallel strings rather than the diagonal crossed ones of a contemporary instrument, he set out to create a brand new instrument that combines the best of the old and the new and offers a real alternative for pianists and music-lovers in the 21st century.
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When I first played this piece, I was amazed that 32 variations were created from an eight bar theme. Beethoven’s ability to develop a theme is unparalleled.
Beethoven es magnífico y, la ejecución y sentimientos expresados con delicadeza y vigor por el Maestro Daniel Barenboim Barenboim nos ubica en la intimidad y cultura beethoveniana de manera espléndida, realista.....
Lovely! Every Classical Pianist should have a youtube channel!
Please five minutes with the art of fugue of bach.
thank you, beethoven represents to me more than any other composer ...infinite willpower....eternity....nature....please talk about the last sonata....its final silence after the music is gone is just out of this world
maestro barenboim has a really special relationship with beethoven's music - you can notice the difference on his face when he plays beethoven
I would love 5 minutes about Bachs Italian Concerto or Beethovens Appassionata Sonata.
He talks about the Appassionata with Lang Lang. Search for "Barenboim Masterclass with Lang Lang".
i have watched those already -
I don't really see any difference on his face, which by the way looks like Emperor Palpatine from Star Wars.
Thank You for sharing Your thoughts - they count. Your intepretations (for my ears) of Beethoven are second to none.
5 minutes!? Please make it 55! Artists like Barenboim have so much information, it is a joy to hear them explain us about music, composers, instruments etc. We want more sir!
It so sad that the 32 variations isn't more popular work. It has been one of my favourites since early teens and I still love it. I like to listen and play myself it together with Bach's chaconne as they are so good pair together: Both have stricking start, they start to grow from nothing, then comes sadness, and that is followed by hope and joy, but closing to end dark clouds starts to surround both of them and they end in tragedy. Thank you maestro Barenboim. You had a huge impact in me when I was teen and fell in love with Beethoven's music. I remember from nineties when I saw you with Berlin Philharmonic and Itzhak Perlman and Yo-Yo Ma playing first the Triple Concert and then the Fantasy, opus 80.
Why should it be more popular? Beethoven himself hated it.
@@darkstudios001 I doubt he hated it, but in later his life he noted that he had been crazy for composing it and "what an ass" he was then. But most of composers anyway come their worst critics for their own works in their later life. So it does not surprise. Many composers have even made alterations to their earlier works. Beethoven had those issues with some works. For example, Beethoven wrote Fidelio three times before getting it to version that he could accept. Also I doubt he in his later life really liked the works let say from late 18th century compared to musical language that he had developed in later parts of his life. Self critizism can be devastating. Finnish composer Jean Sibelius did publish quite modestly in later life. It is well known fact that he burned many of his compositions at Ainola's fireplace. Also he is good sample of self critisism from his most famous work Finlandia: He absolutely hated that people were signing it but had to admit: "It is not meant to be sung. It was made for an orchestra. But if the world wants to sing, there's nothing you can do about it."
I was never very interested in my piano lessons as a child until I discovered Beethoven. I couldn’t articulate it then, but the profound sorrow, isolation and profundity of his music resonated with me dramatically over all the other composers I had experienced. I agree with Maestro B, good thing he defied his grandmother (although I agree with her that Mozart has his own level of divinity). 😄
Maestro. Gracias. Sin Palabras, le admiro y me ha emocionado todo lo que brinda en 5 minutos.
Yes, very much appreciated. Thank you, Maestro Barenboim, and please continue with your musical analyses of Beethoven. They are a gift of a master to posterity.
Dear Maestro,
I was a devoted Arthur Toscanini follower, Horowitz, Martha Argerich and few others until I watch the 9th symphony once!, and I knew you are the best. I have never seen such a passion before!. Bethoven is a very passionate composer and Daniel Barenboim is a very passionate too.
It is just perfect for me!.
Thank you Maestro!!!
My mind and heart can only
Beethoven's sonata no.32 please!
I have watched all episodes of "5 minutes on..." during the one evening. I really enjoyed it and found a lot of new inspirations. Thank you Maestro, I hope you will continue those videos one day.
Maestro, When you were in the RDS Hall in Dublin many years ago, I seem to remember you playing the 32 Variations, but I may be wrong that it may, in fac, beent the Eroica Variations, Being a little older than you my memory could be faulty. However my memory is accurate in recalling how I and the audience were overcome with your performance. It reminded me of my reactions to recitals by Solomon and Cortot also in the RDS. Thank you for a lifetime of pleasure listening to your recordings and TH-cam performances, and particularly with Jacqueline, Itzhak, Pinchas and Zubin and so many others. You must have been the first to succeed in performing Wagner in Israel. i recall being in the Mann Auditorium when Zubin Mechta tried to encore the Siegfried Idyll, but only started the first few bars when there was uproar from the audience. I am sure you may remember this happening! Shalom. Quentin Crivon (an unserer!)
Fantastic! Thank you so much for taking the time to create these short commentaries
Beautiful tone color. Many thanks for great master.
Amazing the quality of information, my deepest gratitude for your effort to disseminate this . DAL
Excellent! I remember the pleasure of meeting you in Berlin after a superb concert where you directed the Berlin Staatskapelle in Beethoven's 3rd concerto from the keyboard in between conducting the 1st and 8th symphonies. BTW, your classic EMI and Teldec recordings are being reissued in a big Warner box this November. What a treat for Christmas!
it is always a moment that creates happines, to find a match of you somewhere in this binary world and to start from there into the cosmos of music and art
Amazingly I’ve never closely listened to these. So glad I subscribe. Beautiful and compact drama.
Grande Daniel. Tu aporte a la musica es inconmensurable, y estos minutos grandiosos para la difusion y el acercamiento de los grandes compositores a los que no tuvieron la suerte de conocerlos.
gracias por todo lo que nos enseña, maestro!
Brilliant. Thank you so very much.
Why not 40 minutes?? :(
Or 32 ;)
It is not the quantity which matters but the quality. we have it here with a plus of having five minutes of educative time about music. This matters. thanks
dont stress him. i am thankfull for this few minutes
@@infernocaptures8739 or 69
Or 40 Hours
Love, love, love the thirty-two variations!!!!
now im going to listen to the whole piece.. ty sir.
Hola don Daniel Baremboim, estoy viendo sus videos desde Chile, bueno lo que queda de Chile. Gracias por su iniciativa, un apretón de mano, saludos.
Maestro, I love everything ❤️ you play, specially Bethoven!!!
Dear Daniel, I am so very happy to have found your series here.
Do more Beethoven please.
The piano is a BAREMBOIM? It sounds beautiful, brilliant.
Gracias por las clases maestro. Que Dios lo bendiga
Thank you. Wonderful.
Gracias Maestro! Muy interesante y didáctico
Maestro quiero expresarle mi profunda admiracion por todo lo que me ha aportado con sus interpretaciones magistrales. Siempre he tenido la confianza que es la manifestación más perfecta de la forma como Beethoven queria expresar su música. Es usted el más grande interprete de la música de Beethoven en la historia. Mis respetos. Saludos desde Colombia.
Meastro Barenboim, Thank you for your contribution, especially in the forum. Will you elaborate on the great Diabeli Variations, and will you record or even perform op.120?
Kind regards,
S. Gevirtz
GRACIAS MAESTRO BARENBOIM.
Thank you very much, maestro Barenboim, for this series and the great master classes! I'd like to suggest you to present a video on the Brahms clarinet sonatas. Best wishes, Julio D. - Córdoba, Argentina.
Maestro, toujours un bonheur de vous entendre ! Pourriez vous, pour de grandes pièces du répertoire , consacrer plusieurs épisodes afin d'aborder l'œuvre dans sa structure et sa construction , son histoire et son interprétation ...Je pense à la sonate pathétique ou l'appasionata de Beethoven , les variations Goldberg, de grandes symphonies .....Merci d'avoir éveillée ma curiosité sur ces 32 variations .... Que je vais m'empresser d'écouter !
Bravo!
You are Right toi lové Beethoven particularly this pièce THanks a lot maedtro
Five Minutes on Chopin Nocturne Op.9 No.1 In B flat Minor would be fantastic! Love this series
Such fun to listen to this wonderful music played by a such a great maestro. Wish you could persuade Lupu to do a few 5 minute pieces with the two of you doing some 4 hand pieces by Schubert.
Herzlichen Dank!❤️😊
Sr. Barenboim, gracias. Gracias de corazón por estas magistrales y gratificantes muestras de su conocimiento musical. Visualizar estos vídeos es un placer y una fuente de conocimiento.
Igual que considero que hay compositores, como Mozart, que superan lo humano y entran en la categoría de seres sobrenaturales, también hay intérpretes que son absolutos genios cercanos a la divinidad. Y yo soy ateo pero reconozco que algunas obras solo se explican desde la condición sobrenatural de sus autores o intérpretes.
Para mí usted es un dios, un ser sobrehumano. Gracias infinitas.
Sr. Maestro Barenboim, seu sangue quente Latino é compatível com o que é exigido pela execução dessas 32 Variações de Beethoven, seu temperamento está em perfeita harmonia com essa música. Grave toda ela mais os comentários e explicações necessárias, conforme é feito em sua Master Class.
Hello Maestro Daniel Barenboim. I am sitting here drawing a portrait of Jackie which I started on her birthday. I decided to put on music she performed with you as inspiration and found these wonderful talks you give on music. I would love it if they were a little longer. I find everything you talk about, so very interesting and enlightening. I am a cellist and a portrait artist and was a friend of Jackie. We met in Toronto in 1967 when I was 17 and wrote to one another until she could no longer. I always had hoped to study with her but timing was bad. She was far to busy to teach when I was a student and after she became ill, I had started working professionally. I treasure the letters she wrote me and the memories, especially the recital in Canada where I turned pages for you. How blessed and honoured that made me feel. Thank you for all you do and the wonderful person you are. Please, could you talk about the Goldberg Variations. I love them so much! Respectfully yours, Christine
Wow, what a lovely letter you wrote to Maestro Barenboim, Christine. It was extremely interesting to me. Hello from Burlington ON Canada, April 30, 2019.
Bach Concerto Italiano or chopin nocturne op 72 no 1 please! i love your work, Thank you maestro!!!
would you please add a little insight into the practical application of a concept of music theory in the wonderful pieces you present? you great work is much appreciated.
Gracias Maestro por compartir su experiencia. Es un placer!
¿Acaso tiene previsto participarnos de sus pensamientos en relación a alguna obra sinfónica?
Unas preguntas: ¿Cómo estudia usted una obra sinfónica? ¿establece alguna prioridad al momento de encarar este trabajo?
Muchas gracias!
bravo maestro. lo esperamos en ARGENTINA. nos vemos en el Colon..
Maestro...
Bonjour Maestro. Parlez-nous donc un peu de la sonate D845 en la mineur de Schubert, l'une des plus belles ! Et encore plus sous vos doigts.
Un grand merci pour tout.
Wonderful - bot too short. Please share your vast knowledge with more in-depth analysis of the music you love!
Hola maestro, al estar ligado durante tanto tiempo a Beethoven podría hablarnos un poco mas sobre sus sonatas, o incluso como este vídeo ha ido orientado a las variaciones, podría hablarnos también sobre las variaciones del ultimo movimiento de su sonata numero 32, haciendo un vídeo mas extenso.
The variation concept, reminds me a lot of the bach chaconne in d minor, or moreso, the chaconne style, with continus bass, major part in the middle, ect
Great!
Fabuleux, avec la traduction merci !
Maestro, disfruto mucho con sus vídeos, tanto sociales como pianísticos, tengo una pregunta que creo que podrías responder: ¿Cómo se puede ganar velocidad en los dedos meñiques y anulares en ambas manos sin tensarlas?
Además quisiera hacer una petición para un nuevo vídeo: ¿podrías hablarnos, analizar, hacer cinco minutos de Ravel? Concretamente de la obra " Gaspard de la nuit "
Gracias
Master pianist plays a master composer.
Could you please record an episode on Gershwin piano concerto? XOXOX
These videos are so good that is pity being so short :/
schönes Konzert,Klangvolle Musik,
Maestro, please do the Bach/Busoni Chaconne in d minor. thank u very much.
The unique set of CDs I have with all 32 Beethoven´s piano sonatas is that one recorded by Daniel Baremboim. I recomend it, it is very good. About the Beethoven´s 32 variations in C minor is very surprising that Beethoven never published it as an Opus. It is just the WoO 80. It seeems that he disliked it for any ocult reason.
Hello Maestro,
I would like to ask you a question: what would you say is the greatest contribution Beethoven has made to the development of music?
I would also like to know what you think about whether Beethoven can be considered a rather romantic composer instead of a classical one.
Thank you very much.
Muchas gracias por otro gran vídeo.
¿Podría hablar del Impromptu op.162 en La bemol de Franz Schubert?
Muchas gracias por su atención, Maestro.
Grandiosa esta obra Maestro!!!Muchas gracias. Podría hablar de alguna visión fugitiva de Prokofiev o algo de Rachmaninov .?
De un gran admirador suyo.
Creo que la mayoría de los que apreciamos la música del piano tenemos una fijación en la las cualidades de interpretación, emocionales y entendimiento musical del solista pero poco se habla del sonido del instrumento.
Tengo entendido que la afinación y el temperamento del piano es un tema un tanto tecnico pero antes de tocar una pieza para piano en una sala de concierto o estudio de grabacion o competencia, desde el punto de vista de un concertista profesional como usted, cual considera la forma mas correcta de proceder:
1- El pianista dicta la afinación y temperamento que require al afinador. Es decir, se coordina la afinacion al deseo del solista para no cambiar su forma de tocar misma que no cambiara ante cualquier circunstancia.
2- La tonalidad de la pieza a tocar define la afinación, es decir, a cada tonalidad le corresponde una afinación y temperamento predefinido ideal. (Desde luego, entiendo que es impráctico afinarlo siempre antes de usar)
3- El pianista se adapta al sonido, al espacio y su modo de tocar es diverso, se déjà influenciar por cada piano con su afinacion correspondiente?
Muchas veces independientemente de la interpretacion y el lugar, parece que el piano tiene una afinacion que resalta un acorde o una nota , se oye muy pura a comparacion de las otras, luego en otros pianos, esa misma nota no suena igual déjà de ser notable porque el sonido ha cambiado. A manera de ejemplo, quizás el técnico eligio la frecuencia de LA 440hz como base, será que si lo cambia a 432hz la música se vuelve mas soberbia y el sonido será mas penetrante para el publico?. Me pregunto si habra algún método o afinacion perfecta, universal y predilecta por los pianistas.
Gerardo
Maestro, would you please talk about Debussy's music?
Thank you so much for your wonderful mini-expositions such as this one. Although I risk imitating your late grandmother, I ask you to consider featuring '5 minutes on' ...the piano introduction to the Adagio movement of Mozart's Piano Concerto 23. As an intermediate standard adult learner, I love playing these 12 bars and would value any insights you could share - Rory S
Hola maestro.Saludos desde Valencia ,podría hablar sobre Rachmaninoff los conciertos para piano ,las sinfonías etc... muchas gracias maestro
Im sorry... i think this video was made thinking maybr more about a general audience.. maybe non musician type?.. id love to hear him talk more about his own mind than making an approach for a larger group of people.. for instance i sure loved the masterclasses!! To see him talking trully about music is so inspiring!! Anyway... he is the greatest there is .. most definetly!!
Maestro could you talk about Chopin Studies like op 25 n 7 .. it seems like a nocturno
Thank you very much to Daniel Barenboim for his most authoritative (coming from authority) remarks about Beethoven. I'd like to ask him not about his impressions of Beethoven's works, but more about his inspirations when playing Beethoven.
I mean, all the world knows the prodigy and portent of Daniel Barenboim playing the piano. I think that he first performed Mozart's 23rd Piano Concerto when he was only 8 years old. Es casi un insulto a los que hemos dedicado años de nuestra vida al estudio del piano, sin llegar al nivel que él ya tenía siendo un niño (este comentario lo digo en voz baja para que nadie pueda oírme).
Mi pregunta a Daniel Barenboim es sobre sus pianistas de referencia al interpretar a Beethoven (o Mozart). ¿En qué pianistas se inspiraba más el genial argentino? Para muchos amantes de Beethoven, un servidor incluido, ha sido Wilhelm Kempff. Cuando Daniel Barenboim comienza a interpretar Mozart o Beethoven, ¿cuáles son sus puntos de referencia o de inspiración?
Y si me lo permite, una segunda pregunta. Usted interpretó Bach hace relativamente poco tiempo. Cuando supe que había registrado su versión del Clave bien Temperado, corrí a la tienda a comprarlo. Lo escuché de tirón (Bach es mi compositor favorito). Me gustaría escuchar sus impresiones acerca del gran maestro de la Thomaskirche, Johann Sebastian Bach.
Gracias y saludos desde Manresa (Barcelona), donde Ignacio de Loyola escribió los Ejercicios Espirituales en 1522.
Dear Daniel Barenboim,
I'm really enjoying your 5 minutes on Beethoven and I would love a 5 minutes video about Beethoven's Piano Sonata No. 17 in D minor, op.31 No. 2 "Tempest", especially the 3rd movement.
I am playing the piano only as a hobby for 18 years (now I'm 23 years old) and it took me more than half a year to learn this sonata.
I am very curious about what you say about this sonata!
Best regards,
Ivo
Greetings, Mr. Barenboim. I'd like to know your opinion about the role of cinema and soundtracks in modern/contemporary music, and also what is your favorite movie score. Thanks in advance and congratulations for your wonderful channel.
P.S.: My lil' sister loves you. She even has a teddy bear called "Daniel" because of you!
Zuerst einmal, ein tolles Video, Herr Barenboim! Weil mir dieses Format sehr gut gefällt, hätte ich da ein paar Vorschläge. Ich würde gerne entweder die op. 25 no. 11 Etüde von Chopin, die Hammerklaviersonate von Beethoven oder den 3. Satz der 14. Sonate von Beethoven bevorzugen.
Hola Maestro. Me ha enseñado Ud. a escuchar piezas que creía conocer. Apreciaría su análisis de los Conciertos #3 y #2 de Rachmaninov. Existen interpretaciones suyas como solista o director? Hernán, de Paraná, E.Ríos.
Can you talk about Schubert's Impromtu D 935 op.142 Nr. 3 and its variations?
por favor responda：como se llama el cancion del intro？thanks～
It would be wonderful if you could talk about something composed by Dmitri Shostakovich!
He is my favorite composer because of his complexity and how he maneuvers through different keys in just one melodic line - his style is so unique and very difficult to grasp for my own development as a composer who wants to learn from his techniques.
I think that his second piano concerto is a great example of what I like in his style. Can you please make a five-minute video on this piece?
Thank you sir!
Who is your favorite singer with whom you've ever worked with? What makes someone a great singer and how do you feel about opera compared to symphonic repertoire. Thanks for your wisdom, maestro! Saludos desde México :)
Wonderful episode! I would like to hear something about Satie. Thank you!
Can you do an episode about Tschaikowsky?
What are your thoughts on playing on period instruments (such as fortepiano) and other period instruments?
Hello Maestro, could you show me in 5mn of Beethoven piano sonata op.111 1st mvt please??
can you please have a 5 minutes on beethoven somata op10 no2, please and thankyou, i am playing this song, i really want to play it well but i had a lot of concerns and stuggle with it. i really wish you can explain the key concept of this piece. Thankyou !
Durante mucho tiempo mi pieza favorita para piano fue la balada en sol menor de Chopin, hasta que escuche el arreglo para piano que huzo Busoni de la Chacona para violín, en un concierto de Pía Sebastiani. Podría darnos su opinión, tanto sobre esta pieza como sobre cómo se realiza una trnascripción exitosa, más como esn este caso, en el que el original ni siquiera es para teclado?
Again the program notes above describe the straight-strung piano developed by Chris Maene, but the instrument he's playing is a Steinway.
Whats your favorite beethoven piano sonatas, and piano concertos to play
nice
Where are the videos recorded?
Maestro mi nombre es Carlos Carmona y quisiera pedirle que nos hable acerca de las variaciones Goldberg. Le mando un fortísimo abrazo desde México y le agradezco cada segundo de sus videos.
I would love to see you talking about the controversial question of what makes Prokofiev technically different: what are the kinds of technical challenge Prokofiev brought to pianists?
I'm performing this piece on my senior recital for my undergrad
Saludos desde México maestro. ¿Podría hablar sobre la música de compositores mexicanos? por ejemplo, Manuel M. Ponce, Julián Carrillo y el sonido 13 o el Romántico Ricardo Castro.
Question: does one keeps one tempo throughout the whole 32 variation or can one have independent Tempo changes in every individual variation?
It's up to the performer, but generally unless the composer specified tempo changes, the tempo is assumed to stay the same between variations. Beethoven didn't specify tempo changes in these variations, so most performers assume the tempo is to be constant. You can contrast these variations with his op. 120 Diabelli variations written 13-17 years later in which he marks the tempo/character of each variation. You can also contract these variations with with his op. 35 Eroica variations written 4 years earlier in which he has some tempo changes, but not on most variations. Again, most performers of these variations keep the variations the same tempo unless indicated otherwise. At least that's my 2 cents worth.
Hearing the Bach BWV 906 (just the Fantasy) we find the harmony Beethoven used here.
👏👏👏👏👏