அறிஞர்கள் புகழ்ச்சியில் மயக்க மடையாமல் இசையே எங்கள் உலகம் என பாடி உலகமெல்லாம் பரந்து வாழும் கர்நாடக இசைப்பிரியர்களை மகிழ்வுக்கும் இந்த இசைச் சகோரிகளும் நீண்டகாலம் ஆயுளோடு வாழவேண்டும் என்று ஆண்டவனை பிராத்தித்துக்கொள்ளுகின்றேன்.
Great Aboghi Virutham and Great Sababatdhiku by Raga and their team. Thanks a ton to Raga, their team, Ambujam Music , You Tube and all involved in publishing this high class music on You Tube for Netizens to Enjoy. Loka Samastha Suki No Bhavanthu being Truly Followed. Radhe Krishna .
*sabha pathikku - Lyrics and translation in english* raagam: aabhOgi 22 karaharapriya janya Aa: S R2 G2 M1 D2 S Av: S D2 M1 G2 R2 S taaLam: roopakam Composer: Gopaalakrishna Bhaaratiyaar Language: Tamil *pallavi* sabhApatikku vEru deivam samAnamAgumA tillai *anupallavi* kripAnidhi ivaraippOla kiDaikkumO inda daraNi tanilE *caraNam* oru tharam siva cidambaran enDru uraittAl pOdumE paragatikku vEru puNNiyam paNNa vENDumA? Ariyar pulavar mUvar pAdam aDaindAr enDrE purANam arindu solla kETTOm gOpAlakrishnan pAdum tillai Meaning: *pallavi:* Can there be another god like the SabApati of Cidambaram? *anupallavi:* Can we get another merciful one like him on this earth? *caraNam:* just once, calling on Siva of Cidambaram, is enough. do you have to do any other penance for ages? All the sages attained his feet, say the scriptures. Let us understand and listen to what Gopalakrishan sings. *Other information:* There is a story associated with this song. Gopaalakrishna Bhaarati was visiting Tyaagaraaja, when Tyaagaraaja asked him if he had ever composed in aabhogi. In response to that query, Gopalakrishna Bharathi is said to have sung this krithi.
Unusually, Nasal sound seems to echo predominantly, especially, during the rendition of the Viruththam portion. Viruththam rendered in Nattakurunji, Poorvikalyani & Aabogi.
This comment is inappropriate, this is being unusually critical for no reason almost like a troll. I thought the rendition was perfect, I would not change it, I listen all tge time to Semmangudi sir, he has the most nasal sounds of all carnatic artists, yet delivers brisk alaapana, neraval and swarams in almost all his songs, and was historically one of the best carnatic artists.
@@climbeverest OK. U R entitled to your views. I will not contest your views. I posted what I might have felt unusually @ that time of hearing those particular portions. I am not a critique and nor inclined to do that deliberately with any motive to offend any one. In fact, I have been an admirer of their music and listening to their albums @ regular intervals - as and when time permits. I have very great regards for them. U can see my sample postings to RaGa's exemplary rendition of SaravaNa Bhava Guhane Shanmuga, Govardhana Geerisham, Rangapura Vihara, and this list has been stretching further only (all on positive note only). (Incidentally, my comment for the above particular Viruthams has been endorsed by 2 more persons). I am very sorry if my comments did hurt U. But, it's not fair on my part to remove it now as doing it so will only question my honesty and conviction. Hope, U appreciate my predicament.
@@climbeverest No, No, it's alright. Sometimes it happens to most of us. Because, over a period of time, our affinity towards the artists wins over our affinity towards the art. By & large, I wish to remain sensitive to artists' feelings and wouldn't pass comments without conviction. Thanx.
பல்லவி: (தில்லை) சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா தில்லை (சபா….) அனுபல்லவி: க்ருபாநிதி இவரைப் போலக் கிடைக்குமோ இந்த தாரணி தன்னில் (சபா…) சரணம்: ஒரு தரம் சிவசிதம்பரம் என்று சொன்னால் போதுமே பரகதிக்கு பெற வேறு புண்யம் பண்ண வேண்டுமா அரிய புலையர் மூவர் பதம் அடைந்தார் என்றே புராணம் அறிந்து சொல்லக் கேட்டோம் கோபாலக்ருஷ்ணன் பாடும் தில்லை (சபா….)
Justified thought, @Subhashini Madhavan ma'am. Neelambari is almost a perfect graha bhedam of the raga Nattakurinji. The phrase NDPDNDM of Nattakurinji might have sounded like MGRGMGS of Neelambari. What makes it Nattakurinji is the shruti that is playing in the background. It corresponds to shadjam of Nattakurinji (which again is the panchamam of Neelambari).
அறிஞர்கள் புகழ்ச்சியில் மயக்க மடையாமல் இசையே எங்கள் உலகம் என பாடி உலகமெல்லாம் பரந்து வாழும் கர்நாடக இசைப்பிரியர்களை மகிழ்வுக்கும் இந்த இசைச் சகோரிகளும் நீண்டகாலம் ஆயுளோடு வாழவேண்டும் என்று ஆண்டவனை பிராத்தித்துக்கொள்ளுகின்றேன்.
Shruthi shuddama irrundal presentation arbudama irukkum.Appditaan padinar.May god bless them.
Great Aboghi Virutham and Great Sababatdhiku by Raga and their team. Thanks a ton to Raga, their team, Ambujam Music , You Tube and all involved in publishing this high class music on You Tube for Netizens to Enjoy. Loka Samastha Suki No Bhavanthu being Truly Followed. Radhe Krishna .
ஆதியாய் நடுவும் ஆகி அளவிலா அளவும் ஆகி
சோதியாய் உணர்வும் ஆகித் தோன்றிய பொருளும் ஆகி
பேதியா ஏகம் ஆகிப் பெண்ணுமாய் ஆணும் ஆகி
போதியா நிற்கும் தில்லைப் பொதுநடம் போற்றி! போற்றி!
கற்பனை கடந்த சோதி கருணையே உருவமாகி
அற்புதக் கோல நீடி அருமனைச்சிரத்தின் மேலாம்
சிற்பர வியோம மாகும் திருச்சிற்றம் பலத்துள் நின்று
பொற்புடன் நடம் செய்கின்ற பூங்குழல் போற்றி! போற்றி!
Splendid indeed. Kudos 💐❤️
*sabha pathikku - Lyrics and translation in english*
raagam: aabhOgi
22 karaharapriya janya
Aa: S R2 G2 M1 D2 S
Av: S D2 M1 G2 R2 S
taaLam: roopakam
Composer: Gopaalakrishna Bhaaratiyaar
Language: Tamil
*pallavi*
sabhApatikku vEru deivam samAnamAgumA tillai
*anupallavi*
kripAnidhi ivaraippOla kiDaikkumO inda daraNi tanilE
*caraNam*
oru tharam siva cidambaran enDru uraittAl pOdumE
paragatikku vEru puNNiyam paNNa vENDumA?
Ariyar pulavar mUvar pAdam aDaindAr enDrE purANam
arindu solla kETTOm gOpAlakrishnan pAdum tillai
Meaning:
*pallavi:*
Can there be another god like the SabApati of Cidambaram?
*anupallavi:*
Can we get another merciful one like him on this earth?
*caraNam:*
just once, calling on Siva of Cidambaram, is enough. do you have to do any other penance for ages? All the sages attained his feet, say the scriptures. Let us understand and listen to what Gopalakrishan sings.
*Other information:*
There is a story associated with this song. Gopaalakrishna Bhaarati was visiting Tyaagaraaja, when Tyaagaraaja asked him if he had ever composed in aabhogi. In response to that query, Gopalakrishna Bharathi is said to have sung this krithi.
Wow it’s amazing 🤩
Good song thanks
Abhogi, superb flow
Nattaikurinji wowwwww
👌👌🌼🌼
தங் களைப் போல் விருத்தம் பாட யாரால்முடியும்
ATHPUTHAM.....ATHPUTHAM.....ATHPUTHAM......
Kailasapathi.saranam.ayya.
Sampo Mahadev.apayamayya
" அரிய புலையர் மூவர் " என்பது யாரைக் குறிக்கிறது ?
Unusually, Nasal sound seems to echo predominantly, especially, during the rendition of the Viruththam portion. Viruththam rendered in Nattakurunji, Poorvikalyani & Aabogi.
This comment is inappropriate, this is being unusually critical for no reason almost like a troll. I thought the rendition was perfect, I would not change it, I listen all tge time to Semmangudi sir, he has the most nasal sounds of all carnatic artists, yet delivers brisk alaapana, neraval and swarams in almost all his songs, and was historically one of the best carnatic artists.
@@climbeverest OK. U R entitled to your views. I will not contest your views. I posted what I might have felt unusually @ that time of hearing those particular portions. I am not a critique and nor inclined to do that deliberately with any motive to offend any one. In fact, I have been an admirer of their music and listening to their albums @ regular intervals - as and when time permits. I have very great regards for them. U can see my sample postings to RaGa's exemplary rendition of SaravaNa Bhava Guhane Shanmuga, Govardhana Geerisham, Rangapura Vihara, and this list has been stretching further only (all on positive note only). (Incidentally, my comment for the above particular Viruthams has been endorsed by 2 more persons). I am very sorry if my comments did hurt U. But, it's not fair on my part to remove it now as doing it so will only question my honesty and conviction. Hope, U appreciate my predicament.
Vasudevan Cv Sorry sir! I did not mean to be mean. Accept my apologies please.
@@climbeverest No, No, it's alright. Sometimes it happens to most of us. Because, over a period of time, our affinity towards the artists wins over our affinity towards the art. By & large, I wish to remain sensitive to artists' feelings and wouldn't pass comments without conviction. Thanx.
Very good
பல்லவி:
(தில்லை) சபாபதிக்கு வேறு தெய்வம்
சமானமாகுமா தில்லை (சபா….)
அனுபல்லவி:
க்ருபாநிதி இவரைப் போலக்
கிடைக்குமோ இந்த தாரணி தன்னில் (சபா…)
சரணம்:
ஒரு தரம் சிவசிதம்பரம் என்று சொன்னால் போதுமே
பரகதிக்கு பெற வேறு புண்யம் பண்ண வேண்டுமா
அரிய புலையர் மூவர் பதம் அடைந்தார் என்றே புராணம்
அறிந்து சொல்லக் கேட்டோம் கோபாலக்ருஷ்ணன் பாடும் தில்லை (சபா….)
Poorvikalyani, nice feel
Sangeetha.chronmani.yours.
Sounds like neelambari in the beginning. Not sure.... then poorvi kalyani....
It is in the description. . It is nattakurinji..
Justified thought, @Subhashini Madhavan ma'am. Neelambari is almost a perfect graha bhedam of the raga Nattakurinji. The phrase NDPDNDM of Nattakurinji might have sounded like MGRGMGS of Neelambari. What makes it Nattakurinji is the shruti that is playing in the background. It corresponds to shadjam of Nattakurinji (which again is the panchamam of Neelambari).