It’s been brought to my attention that one of my chord changes is incorrect. That second minor chord of the bridge should be a dominant chord. In which case, it is the V/iii. I’m sorry if it confused anyone. It’s just an error on my part.
You've got one of the most relaxing soothing voices I've ever heard in this teaching arena. Keep up the amazing Master's Level Music Classes Aimee. You've got it.❤
Your ability to teach, continues to amaze me. Anyone new to this channel may not realise this. But Aimee knows how do get inside the head of someone with zero knowledge of music theory and communicate ideas perfectly, just as well as she can do it with someone with decades worth of music theory knowledge; and still communicate new knowledge to them. Aimee needs to write a book about “The Guide to Teaching anyone anything “. Sorry if no one understands my comment. If Aimee could read my mind, she would be able to articulate it perfectly!
This is the best music education video I've seen to date, explains a fairly 'complex' idea in the easiest of ways, everything flows perfectly and you get it all in one take.
I just started out with trying to take my musician skills to the next level and what you do is just SO valuable, thank you so so much in the name of all the people who never paid attention in music class (we had music theory class in high school here in Germany, but at 13 there's just things that interest you more unfortunately) or never had the chance to get education in that field! You are such an amazing teacher, Aimee!!
Thank You very much for this good video. I knew that I should do it but now that I've seen you do it so well you simply convinced me that It's a MUST !!! From now on , I'm gonna do it !!! Do you realize how lucky we are to have YOU !!! lolll Thanks again !!! :)
Wow, its really a great method. I've just started A tune a week, and facing the difficulties of changing keys. As I think write down the Roman number for chord chart is more make sense during the day of listening. The next day I try to sing it in all 12 keys, my brain keep spinning what is the next chord, and it's burnt, but it is only the first key changed!! Lucky you've recorded this video! :D Write the scale and diatonic triads down side by side the chord chart help me so much!!
Wow! At the beginning, the first tune, I always look at that paper, it is really help me to find the right chord. Now I'm working on the forth tune (at me level, I need 3 weeks for a tune, hahaha :D ). I've just find that, I wrote down scales and diatonic triads, but I've not look at it and I can find the right chord much faster than the beginner. Your approach provide a great ladder for taking a step forward. Thank you so much!
How has this only got 7k views? Absolutely brilliant video - excellent work Aimee! I got the 'system' 14mins in. So straight forward once you are shown. From a musician to another - thank you - this has really helped. Edit : Immediate subscription from me
@@AimeeNolte No problem - happy to. I see you are also subscribed to Adam Neely, Rick Beato and Jacob Collier. Now I know I'm in good company. Keep up the great work - love your latest album by the way 😀
I learned piano by myself at home and used to play a lot in C Maj,/a min at first. I remember then, when I started to "tranapose", I pressed the new key (eg. G maj), then closed my eyes and told to my mind "now that's a C major"😀and started to play the new key with eyes closed; it worked for me and then helped me (in an uncounscious way) to think in steps(intervals). Watching the video, I am so glad to see I got the right way. 😘 (even though for a while, in every key i played my mind was in C major, that bug fixed).
Glad you put the card up for the "Jazz Bible" episode. Now I can have a little better focus when watch it again. The pages in your book stand up to heavy duty erasing well.
Thanks for this video! I never understood that V7/ii notation as meaning the "five of the two". Interesting that the chord before it is functionally the two of the five of the two.
Only if I could ever play that song like that you did, I wouldn't miss the chance to amaze that girl I know from library today, ... but I missed it... since I can't I can't I can't .....!!!
What is the best way to learn all the note degrees (numbers) of each scale? I have been spending a lot of time writing out all the scales & circle of fifths, in order to fully lock them in my brain, but if you ask me what degree a certain note letter name is of a certain scale ... I am stumped ... unless if I count on my fingers. I even looked for an app that would maybe help me learn this but haven't found one yet. Any suggestions you could give me would be greatly appreciated. I am determined to learn this, just don't know the best way to proceed.
Good episode, Aimee. I tend to slack off into comfortable keys on the piano. I read that a couple was watching a crime drama on TV, and the actress yelled, "Call the police!" So Siri called the police.
Excellent. And I presume expert musicians can transpose songs without doing any written analysis at all, as they know the scales, chords and keyboard so well?
Ok if I'm on a gig and a singer wants to join the band and sing this song I don't have time to do the whole analysis thing (which I already did when I learned the song) and Since I know that D is up a Maj3rd from Bb I find easier to transpose each chord up a Maj3rd and voila'
yeah,! I was almost to correct you and make a bad comment but in the first comment is yourself correction, so what I can say is one of the first things I learned in college was "proof or reading" in other words, check everything you write (in this case your video, before to hand it out, or publish it)
Aimee, can you please help me understand why the V7/ii (the G7) is referred to in relation to the second degree, instead of just calling it VI7? BTW, this is the best description of Roman Numeral analysis I've seen.
It’s mostly because of its function. It absolutely functions as the dominant chord, leading us to the C minor resolution. At the beginning of the bridge, when we are going back-and-forth between those two minor chords, it’s a little bit out there. It’s kind of anti-functional. You wouldn’t probably see it in western classical music. That’s why I chose to call it a vii when I suppose, technically it should’ve been the v/iii. There might be others with opinions about this. I hope that they share them. Thanks for watching. :-)
I would love for you to do more on this topic. I get what you're doing here but when I try to do it myself with more complicated chord progressions I get tangled up. I get what you mean you talk about a five of a five, but sometimes a whole line of a song will be in a temporary key (like a ii-V-I of a 5) and I can't imagine how you'd describe that. Also what do you do when you're in the key of C and you have a Bb major chord or an E major chord? I've looked a little bit into the Nashville system, and I know the point of it is to describe the chords in a key-agnostic way. But it doesn't really capture the inner patterns (like the tempoary ii-V-I). I'd love for you to do a video where you describe how you think about this. I would really like to be able to transpose a song on the spot. Thanks!
Try writing it both ways. Basically under the original key chords write the numbers for the new/ temporary key chords. In other words the same chords will have two key functions. For example, in Blue Bossa, the Ebm9 can be thought of as both 1m7 (1 because Eb is the relative major of Cminor) and the same chord can be thought of as 2m7 of b7(Db) as part of the 251 going to Db. I think there is a formal notation procedure in the Nashville number system for these temporary chord borrowings but I forget it at the moment. Anyway hope this helps. Also don’t get too caught up in thinking of the temporary key as a new “1” chord, because it really is only temporary and not a true modulation.
Hi Aimee, thank you for your generous tutorial videos - they are helping me so much and you are a pleasure to watch! Quick question - after I transcribe an entire solo, should I be transcribing the solo in all 12 keys before I move onto another solo?
You are welcome. :-) I think that sounds a bit ambitious. Probably not necessary to do all of the keys for an entire transcription of a solo, but depending on your instrument I would take your favorite line from a solo and transpose THAT in all keys until you can play it smoothly. I don’t think this is necessary for vocalists. They don’t have different buttons to push and fingerings to figure out.
thanks Aimee for sharing this. I do this for songs I'm singing (if it's off the record key and i want to practice it at the piano in a different key or work my way up to the key if there's a high note that's challenging). I like how you related the one chord outside the key as the V of ii, but what if an entire section modulated, how would you notate that? e.g., Mod+1/2 or Mod-1etc. for up/down the interval?
I forced myself to learn II-V-I in every key. Some of it (like, the more commonly used keys) is becoming automatic. Then I learned the same thing with the "So What?" chords. BUT: There are many levels to learning. I can play the exercise but I have trouble really knowing what I'm playing. AND I am not sure how I can use this in playing tunes. I'll get it, somehow, but maybe you have a tip or two?
Hello Aimee,. I love your videos so much and I am hoping, given your education and experience, that you might be able to put this question to rest ? I realize this post is at least 3 years old but I am hoping that you will happen to see it: Should (or shouldn't) a singer use the term 'register' (or 'range') rather than 'key' ie: 'I can't sing in that key" when speaking about their vocal range ? I've heard many singers over the years, both in person and in videos, say that they "... can't sing in this or that 'key" or '''thats not in my key, I need to sing it in a lower/higher key" etc.'. So, the question is: Isn't it that they can sing in the 'key' (keys are either major or minor etc) but maybe the song isn't in the 'RANGE' that singer is comfortable with ? Your thoughts would be greatly appreciated !!
Yeah, you are right. It’s dumb to say that you can’t seeing in any certain key because different songs have different melodies and just because you can’t sing one song in the key of F doesn’t mean you won’t be able to sing another song in that key. It’s better to say, I can’t go below this certain note, or above this certain note.
You can think of it as a VI7, but it does help to think of chords not only as what they are, but what their function is, and in this case the 6 chord functions as a secondary dominant leading to the ii chord. But as a short answer yes, it'd still be the right chord if you wrote VI7. vi7 would be a minor seven chord though, so make sure you use capitals if you do that!
When learning a tune how do I determine what is most common? I’ve found a single tune but every recording does something different. What if I wanted to play what people normally play at a jam sesh?
Hey Aimee, do you work your crosswords in pen, too? You’re awesome! I bought three of your notebooks for Christmas presents for my playing buddies. Transcribe, transcribe, transcribe! (but not in pen...)
Is it alright to transpose parts of a song instead of the whole song? I want to adapt the music to an instrument for solo that doesn’t have the range needed. Sometimes I need to transpose down a fourth in some parts, but everything still sounds good when played together. Am I breaking any music laws here?
It doesn’t make sense to only transpose some parts of a song. I mean…it CAN, but it has to be done carefully. If you want to put the bridge a fourth down, you have to modulate in a logical way to GET there and to get back when you come out of it. It takes a lot of skill to be able to do that.
Jazz musicians talk about their chord progressions in numerical terms, such as the "2 5 1". Why aren't jazz chord charts in fake books written in the Nashville Number System or Roman numeral system, the way they do in Nashville recording studios, as you did for this song? That way, one chart serves for any key.
Aimee, I love the sound of your voice. Alto? Chest voice. I heard you go high enoughto make me wonder if you are lower soprano. Is that mezzo soprano? Technical words for I could listen to you sing songs for hours. Your friends are lucky people What gift would you like..for Christmas?, A song. birthday? ans--a song. Occasion ........? A song. Have you got any Albums out?
Gb to Bb = Major 3rd F# to Bb= flat 4th This is how Frank Gambale explained to me. Although enharmonic, it should be written as Gb Major not F# Major. 😀
@@newyorkfilharmonik110 I've never heard "Let's play in the Key of A# Major or F# Major. It's the key of Bb and Gb; but if that's How one understands it, I guess it's ok since they are the same note. Enharmonic 😀. Most people do it the way I showed. Count up by fifth's to F (half step above last # is the key except F has one flat) From F count up fourths for the flat keys ( next to the last flat is the key)
No bad the way she explains it all step by step. Some people play well , they just cannot explain music well. Piano Pig , HD PIANO DO IT WELL IN SLOW STEPS. THIS VIDEO NOT BAD AT ALL. HOPE SHE DOES MORE FAMOUS SONGS FROM TOP LIST OF CHARTS , POP CLASSICS!!
When I transpose I mentally visualize the guitar fingerboard and move the chords up or down as needed, in this case up four half steps and see the guitar chord shape in my head and then play the chord on the piano. So the the guitar neck fingerboard for me is sort of a virtual analog computer for shifting keys.
Aimee you sing well, but that is NOT THE ORIGINAL OF CAN T FALLING IN LOVE CHORDS OR KEYNOTES , IT IS JAZZY PLAYING YOUR DOING. LISTEN TO THE ORIGINAL BY ELVIS P. PEOPLE DO THEIR OWN STYLE ,OK! TO DO THE ORIGINAL NOT TO BE SHITY! EVEN THE ORIGINAL SHEET MUSIC IS NOT JAZZY, HELL NO!
@@philspencer8504 your right, LESS SHIT DOES NOT WORK FOR ME, IT WORKS FOR YOU! I RATHER HEAR ORIGINAL SOUNDS PERIOD. AMIE DOES ELVIS IN JAZZY STYLE, PRESLEY WAS NEVER JAZZY. HE WAS ROCK AND ROLL, AND GOSPEL BELIEVE IT OR NOT.
It’s been brought to my attention that one of my chord changes is incorrect. That second minor chord of the bridge should be a dominant chord. In which case, it is the V/iii. I’m sorry if it confused anyone. It’s just an error on my part.
Another breathtaking lesson. Thanks so much!
I was going to write to you, Aimee, but you gave me a precedent. It seems strange to me that you could make a mistake. Kisses
Would the V in measure 5 be a V7? It sounds like it would at least work.
You've got one of the most relaxing soothing voices I've
ever heard in this teaching arena.
Keep up the amazing
Master's Level Music Classes Aimee. You've got it.❤
The mediant chords are always beautiful to my ear.
Your ability to teach, continues to amaze me. Anyone new to this channel may not realise this. But Aimee knows how do get inside the head of someone with zero knowledge of music theory and communicate ideas perfectly, just as well as she can do it with someone with decades worth of music theory knowledge; and still communicate new knowledge to them.
Aimee needs to write a book about “The Guide to Teaching anyone anything “. Sorry if no one understands my comment. If Aimee could read my mind, she would be able to articulate it perfectly!
🙏🏼❤️
Thanks Aimee for sharing your expertise with us. I've come a mighty long way musically since beginning my jazz music theory journey two summers ago.❤
Aimee is so rhythmic that her eyebrows just cannot stop dancing. Simply loveable dancing eyebrows! By the way, marvelous lesson as always, Aimee!
This is the best music education video I've seen to date, explains a fairly 'complex' idea in the easiest of ways, everything flows perfectly and you get it all in one take.
Thanks Aimee. Really good lesson. :) Beautiful playing and singing, too!
I just started out with trying to take my musician skills to the next level and what you do is just SO valuable, thank you so so much in the name of all the people who never paid attention in music class (we had music theory class in high school here in Germany, but at 13 there's just things that interest you more unfortunately) or never had the chance to get education in that field! You are such an amazing teacher, Aimee!!
Thank you Teach for another great instructional video, I appreciate all your hard efforts in getting your educational video's out.
Good video for you to watch right now! :)
Thank You very much for this good video. I knew that I should do it but now that I've seen you do it so well you simply convinced me that It's a MUST !!! From now on , I'm gonna do it !!! Do you realize how lucky we are to have YOU !!! lolll Thanks again !!! :)
Very well explained a subject not easy to understand, you are a great musician and teacher and I enjoy watching your videos so much
I cant help falling in love with your music lessons. Also, hilarious!
Wow, its really a great method. I've just started A tune a week, and facing the difficulties of changing keys. As I think write down the Roman number for chord chart is more make sense during the day of listening. The next day I try to sing it in all 12 keys, my brain keep spinning what is the next chord, and it's burnt, but it is only the first key changed!! Lucky you've recorded this video! :D Write the scale and diatonic triads down side by side the chord chart help me so much!!
Wow! At the beginning, the first tune, I always look at that paper, it is really help me to find the right chord. Now I'm working on the forth tune (at me level, I need 3 weeks for a tune, hahaha :D ). I've just find that, I wrote down scales and diatonic triads, but I've not look at it and I can find the right chord much faster than the beginner. Your approach provide a great ladder for taking a step forward. Thank you so much!
How has this only got 7k views? Absolutely brilliant video - excellent work Aimee! I got the 'system' 14mins in. So straight forward once you are shown. From a musician to another - thank you - this has really helped. Edit : Immediate subscription from me
Thank you, Jon
@@AimeeNolte No problem - happy to. I see you are also subscribed to Adam Neely, Rick Beato and Jacob Collier. Now I know I'm in good company. Keep up the great work - love your latest album by the way 😀
I learned piano by myself at home and used to play a lot in C Maj,/a min at first. I remember then, when I started to "tranapose", I pressed the new key (eg. G maj), then closed my eyes and told to my mind "now that's a C major"😀and started to play the new key with eyes closed; it worked for me and then helped me (in an uncounscious way) to think in steps(intervals). Watching the video, I am so glad to see I got the right way. 😘 (even though for a while, in every key i played my mind was in C major, that bug fixed).
Great job, I use this method too, it's really fast and easy to do
Great video Aimee!! Also very entertaining 😂
Another wonderful lesson, Aimee, thank you.
You're a great teacher Amy
Wow! I knew this trans concept existed but never actually got to see it in practice. A real eye opener; way to go. Thanks!
Never seen this before. Love it. Every night I’m learning now, gotta get my U2 upright back in tune and start working on all your skill-advisory.
Another logical addition to my tool box! Thanks!
Glad you put the card up for the "Jazz Bible" episode. Now I can have a little better focus when watch it again.
The pages in your book stand up to heavy duty erasing well.
You can also use the Nashville numbering system as well.
Thank you for this informative lesson ma'am!🙂
So Nice Of You
Thanks for this video! I never understood that V7/ii notation as meaning the "five of the two". Interesting that the chord before it is functionally the two of the five of the two.
youre amazing, thank you, wish i could be your student...
Awesome Aimee blessings mauri ora
Nice I’m gonna buy your notebook 📓 fa sure
Only if I could ever play that song like that you did, I wouldn't miss the chance to amaze that girl I know from library today, ... but I missed it... since I can't I can't I can't .....!!!
What is the best way to learn all the note degrees (numbers) of each scale? I have been spending a lot of time writing out all the scales & circle of fifths, in order to fully lock them in my brain, but if you ask me what degree a certain note letter name is of a certain scale ... I am stumped ... unless if I count on my fingers. I even looked for an app that would maybe help me learn this but haven't found one yet. Any suggestions you could give me would be greatly appreciated. I am determined to learn this, just don't know the best way to proceed.
Good episode, Aimee. I tend to slack off into comfortable keys on the piano.
I read that a couple was watching a crime drama on TV, and the actress yelled, "Call the police!" So Siri called the police.
Talented...nice
Excellent. And I presume expert musicians can transpose songs without doing any written analysis at all, as they know the scales, chords and keyboard so well?
Yes that’s right. It starts to come faster with practice.
Nice video thanks for sharing
Ok if I'm on a gig and a singer wants to join the band and sing this song I don't have time to do the whole analysis thing (which I already did when I learned the song) and Since I know that D is up a Maj3rd from Bb I find easier to transpose each chord up a Maj3rd and voila'
Why does this seem so simple when you explain it but breaks my brain when I try to actually do it??
yeah,! I was almost to correct you and make a bad comment but in the first comment is yourself correction, so what I can say is one of the first things I learned in college was "proof or reading" in other words, check everything you write (in this case your video, before to hand it out, or publish it)
Aimee, can you please help me understand why the V7/ii (the G7) is referred to in relation to the second degree, instead of just calling it VI7? BTW, this is the best description of Roman Numeral analysis I've seen.
It’s mostly because of its function. It absolutely functions as the dominant chord, leading us to the C minor resolution. At the beginning of the bridge, when we are going back-and-forth between those two minor chords, it’s a little bit out there. It’s kind of anti-functional. You wouldn’t probably see it in western classical music. That’s why I chose to call it a vii when I suppose, technically it should’ve been the v/iii. There might be others with opinions about this. I hope that they share them. Thanks for watching. :-)
I would love for you to do more on this topic. I get what you're doing here but when I try to do it myself with more complicated chord progressions I get tangled up. I get what you mean you talk about a five of a five, but sometimes a whole line of a song will be in a temporary key (like a ii-V-I of a 5) and I can't imagine how you'd describe that. Also what do you do when you're in the key of C and you have a Bb major chord or an E major chord? I've looked a little bit into the Nashville system, and I know the point of it is to describe the chords in a key-agnostic way. But it doesn't really capture the inner patterns (like the tempoary ii-V-I). I'd love for you to do a video where you describe how you think about this. I would really like to be able to transpose a song on the spot. Thanks!
Try writing it both ways. Basically under the original key chords write the numbers for the new/ temporary key chords. In other words the same chords will have two key functions. For example, in Blue Bossa, the Ebm9 can be thought of as both 1m7 (1 because Eb is the relative major of Cminor) and the same chord can be thought of as 2m7 of b7(Db) as part of the 251 going to Db. I think there is a formal notation procedure in the Nashville number system for these temporary chord borrowings but I forget it at the moment. Anyway hope this helps. Also don’t get too caught up in thinking of the temporary key as a new “1” chord, because it really is only temporary and not a true modulation.
Hi Aimee, thank you for your generous tutorial videos - they are helping me so much and you are a pleasure to watch! Quick question - after I transcribe an entire solo, should I be transcribing the solo in all 12 keys before I move onto another solo?
You are welcome. :-) I think that sounds a bit ambitious. Probably not necessary to do all of the keys for an entire transcription of a solo, but depending on your instrument I would take your favorite line from a solo and transpose THAT in all keys until you can play it smoothly. I don’t think this is necessary for vocalists. They don’t have different buttons to push and fingerings to figure out.
@@AimeeNolte Gotcha - thank you :)
So thats what those Romans knew. Good presentation even with the error (NBD) great
thanks Aimee for sharing this. I do this for songs I'm singing (if it's off the record key and i want to practice it at the piano in a different key or work my way up to the key if there's a high note that's challenging). I like how you related the one chord outside the key as the V of ii, but what if an entire section modulated, how would you notate that? e.g., Mod+1/2 or Mod-1etc. for up/down the interval?
,meant to add... add the "Mod+ for the section and then use the normal numeric notation w/in the modulated key...
I forced myself to learn II-V-I in every key. Some of it (like, the more commonly used keys) is becoming automatic. Then I learned the same thing with the "So What?" chords. BUT: There are many levels to learning. I can play the exercise but I have trouble really knowing what I'm playing. AND I am not sure how I can use this in playing tunes. I'll get it, somehow, but maybe you have a tip or two?
Hello Aimee,. I love your videos so much and I am hoping, given your education and experience, that you might be able to put this question to rest ? I realize this post is at least 3 years old but I am hoping that you will happen to see it:
Should (or shouldn't) a singer use the term 'register' (or 'range') rather than 'key' ie: 'I can't sing in that key" when speaking about their vocal range ? I've heard many singers over the years, both in person and in videos, say that they "... can't sing in this or that 'key" or '''thats not in my key, I need to sing it in a lower/higher key" etc.'. So, the question is: Isn't it that they can sing in the 'key' (keys are either major or minor etc) but maybe the song isn't in the 'RANGE' that singer is comfortable with ?
Your thoughts would be greatly appreciated !!
Yeah, you are right. It’s dumb to say that you can’t seeing in any certain key because different songs have different melodies and just because you can’t sing one song in the key of F doesn’t mean you won’t be able to sing another song in that key. It’s better to say, I can’t go below this certain note, or above this certain note.
@@AimeeNolte Thank you for your quick and thoughtful response Aimee, you're the best !!
I get feels no matter what you're playing #justsayin
In the case of the "vi" chord of the scale, Gm in the key of Bb, couldn't you also see it as a "vi7" to represent the G7? Or maybe "VI7"?
You can think of it as a VI7, but it does help to think of chords not only as what they are, but what their function is, and in this case the 6 chord functions as a secondary dominant leading to the ii chord. But as a short answer yes, it'd still be the right chord if you wrote VI7. vi7 would be a minor seven chord though, so make sure you use capitals if you do that!
@@aislingoda6026 although the V7/ii is the most correct form, the VI7 is way easier to read for transposing purposes.
When learning a tune how do I determine what is most common? I’ve found a single tune but every recording does something different. What if I wanted to play what people normally play at a jam sesh?
Watch my video called, “why it’s important to really learn the melody.”
Hey Aimee, do you work your crosswords in pen, too? You’re awesome! I bought three of your notebooks for Christmas presents for my playing buddies. Transcribe, transcribe, transcribe! (but not in pen...)
Hahaha I live on the edge!!! Thank you Robert!! Woohoo!!
Is it alright to transpose parts of a song instead of the whole song? I want to adapt the music to an instrument for solo that doesn’t have the range needed. Sometimes I need to transpose down a fourth in some parts, but everything still sounds good when played together. Am I breaking any music laws here?
It doesn’t make sense to only transpose some parts of a song. I mean…it CAN, but it has to be done carefully. If you want to put the bridge a fourth down, you have to modulate in a logical way to GET there and to get back when you come out of it. It takes a lot of skill to be able to do that.
Jazz musicians talk about their chord progressions in numerical terms, such as the "2 5 1". Why aren't jazz chord charts in fake books written in the Nashville Number System or Roman numeral system, the way they do in Nashville recording studios, as you did for this song? That way, one chart serves for any key.
Really helpful lesson! Thank you. (btw, did you move on from the Yamaha MG06X?)
I only use that for gigs. But I still do use it all the time.
Is there a tutorial for this? Sounds so beautiful 😂
No love for vii in the thumbnail? ;(
Aimee, I love the sound of your voice. Alto? Chest voice. I heard you go high enoughto make me wonder if you are lower soprano. Is that mezzo soprano? Technical words for I could listen to you sing songs for hours. Your friends are lucky people What gift would you like..for Christmas?, A song. birthday? ans--a song. Occasion ........? A song. Have you got any Albums out?
Why is it 4/4 and not 6/8 or 12/8?
Great Singing -Me only self taught top line & chords ........
"If you're out there, call me"
I have a button on my keyboard for that 😉
Smart A$$
JJ Wubs - lol best comment! 😅
@@joelynnminton8586 True! Depending on those buttons doesnt help in every situation.
Being a human transposer is way more fun than just pressing a button on your keyboard, isn´t it? lol
Or.....like me, just press the transpose button until the vocalist is happy. 😁
Gb to Bb = Major 3rd
F# to Bb= flat 4th
This is how Frank Gambale explained to me. Although enharmonic, it should be written as Gb Major not F# Major. 😀
That's if you go sdrawkcab... I mean backwards through the circle of fourths. Most people go FORWARD through the circle of FIFTHS!
@@newyorkfilharmonik110 I've never heard "Let's play in the Key of A# Major or F# Major. It's the key of Bb and Gb; but if that's How one understands it, I guess it's ok since they are the same note. Enharmonic 😀. Most people do it the way I showed. Count up by fifth's to F (half step above last # is the key except F has one flat) From F count up fourths for the flat keys ( next to the last flat is the key)
It’s plaisir d’amour until the bridge
The tune is a little different, but the chords are pretty much the same, yeah.
No bad the way she explains it all step by step. Some people play well , they just cannot explain music well. Piano Pig , HD PIANO DO IT WELL IN SLOW STEPS. THIS VIDEO NOT BAD AT ALL. HOPE SHE DOES MORE FAMOUS SONGS FROM TOP LIST OF CHARTS , POP CLASSICS!!
Siri 😂😂😂😂
I can be Elvis - check out my Jailhouse Rock!
Transposing is very difficult. I like my piano easy and simple and in C major (or D Dorian if I'm sad).
You’d better hope Elvis doesn’t come over.
Piano players be jealous of guitar players who can just move the capo!
Not my guitar students. 😉
But piano players aren't jealous of guitarists who move the capo but don't know what key they're playing in, which many don't......
When I transpose I mentally visualize the guitar fingerboard and move the chords up or down as needed, in this case up four half steps and see the guitar chord shape in my head and then play the chord on the piano. So the the guitar neck fingerboard for me is sort of a virtual analog computer for shifting keys.
no, lol... it's bending notes!
Aimee you sing well, but that is NOT THE ORIGINAL OF CAN T FALLING IN LOVE CHORDS OR KEYNOTES , IT IS JAZZY PLAYING YOUR DOING. LISTEN TO THE ORIGINAL BY ELVIS P. PEOPLE DO THEIR OWN STYLE ,OK! TO DO THE ORIGINAL NOT TO BE SHITY! EVEN THE ORIGINAL SHEET MUSIC IS NOT JAZZY, HELL NO!
Stop yelling.
@@ldbboosha there s limit to Freedom of Speech? then you should not talk either!
You've lost it Ted
@@philspencer8504 your right, LESS SHIT DOES NOT WORK FOR ME, IT WORKS FOR YOU! I RATHER HEAR ORIGINAL SOUNDS PERIOD. AMIE DOES ELVIS IN JAZZY STYLE, PRESLEY WAS NEVER JAZZY. HE WAS ROCK AND ROLL, AND GOSPEL BELIEVE IT OR NOT.
OK, I’m gonna lean on you again, Aimee. I’m having a Dickens of a time transposing Bonnie Raitt “I ain’t gonna let you break my heart again.”