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Such a clear explanation! I’d only ever thought to use pedal tones in the bass, so this has me excited to write some music and try out other options
Yes, Jasmine! Go for it! woohoo!
This is pretty neat as a folk banjo player, since the note on the 5th string will generally not be moved much throughout the chord progression. I'll often change it when switching songs to an octave, major seventh, or 8va 2nd above the root.
Oh yeah, that's a great example.
Noticed that Billie Jean by Michael Jackson does something similar. If you sustain the chords it sounds cool the bass note being F#
there are some really interesting books on your shelf
fab
![Musical Drones and Pedal Tones [Theory and Songwriting]](http://i.ytimg.com/vi/5E4Nsa6RL9I/mqdefault.jpg)
![Musical Drones and Pedal Tones [Theory and Songwriting]](/img/tr.png)
Such a clear explanation! I’d only ever thought to use pedal tones in the bass, so this has me excited to write some music and try out other options
Yes, Jasmine! Go for it! woohoo!
This is pretty neat as a folk banjo player, since the note on the 5th string will generally not be moved much throughout the chord progression. I'll often change it when switching songs to an octave, major seventh, or 8va 2nd above the root.
Oh yeah, that's a great example.
Noticed that Billie Jean by Michael Jackson does something similar. If you sustain the chords it sounds cool the bass note being F#
there are some really interesting books on your shelf
fab