Julien, your videos are filling in every way because of your tone, casual style, practical and insightful knowledge as gallerist and as artist. You should know I am utilizing the artist's vision statement tool for my fiction writing. hartelijke dank, Karin (Canada)
A few months ago I was not sure about my art-style. I am speaking of it further than how it looks. Nowadays, I know mine. I speak of higher values that I think are important to speak of and I have my own personal technique when it comes to my paintings. I work mostly in portraitute but these guidelines allow me to diversify whenever I will feel it reasonable.
Dear Julién .. what a good season to propose a personal subject like this. Thank you. Perrier…❄️ 🐶❤️☀️😴😴😴 So packed with attentive information… this prompt to push a series to at least 12 pieces I appreciate. Working in design and illustration previously… I have witnessed repetition for clients and the potential artistic and personal development and growth. It also lays a foundation where the artist has their personal life… and a cache of more works… that might produce further curiosity in collectors or buyers. I guess that relates to the depth you mention. My current series is under a bigger theme. I will give it a go to take it to 12 pieces from its current 7. Most brilliant solstice for you and all, and most joyous holiday too. In gratitude. Sincerely, Janet
Makes sense to me that you have to have a body of work that has a noticible style, that answers the question: What is this artist all about? Yet, if an artist gets locked in on a set style such that there's no room to do new things, then it tells everyone that "This is all I care about!" Not a good look, from an invester or collector point of view. But, it's not the end of the world.
I am guilty of losing interest in a subject or approach and starting new. In another video you mentioned that one should have 10-15 works in a series. If you are trying to maintain consistency between series then what techniques can you use to create difference but still maintaining a connection. You touch on it in this video, but could you expand upon it. Also, can you do something on the role of the studio and studio visits by curators, gallery owners, and collectors. I feel my studio space is not that impressive and keeping work on site is becoming difficult with the amount of work increasing. Cheers.
I don't understand why some artists worry about style. It's like they want to put some kind of identifier in their pencil marks and brushstrokes. Just draw and paint and, however it turns out, that's your style.
Thank you for the good insights in how to develop series and the benefits of doing so.
This was a very excellent analysis on how to create a style and I learned a lot. Thank you for this!
Julien, your videos are filling in every way because of your tone, casual style, practical and insightful knowledge as gallerist and as artist. You should know I am utilizing the artist's vision statement tool for my fiction writing. hartelijke dank, Karin (Canada)
I like your love of art, your varied topics and you intellect thank you again keep up the inspiring work Julien 😎✌🐞🌸🌸🌸🍀🍀🍀
I’m fortunate to have found my style, and more so that my style is completely unique.
Thank you for the video and this video was helpful. Merry Christmas 🎄.
A few months ago I was not sure about my art-style. I am speaking of it further than how it looks.
Nowadays, I know mine. I speak of higher values that I think are important to speak of and I have my own personal technique when it comes to my paintings. I work mostly in portraitute but these guidelines allow me to diversify whenever I will feel it reasonable.
Merry Christmas🎄🎁 to you and your family Julien 😀
Danke für Deutsche Übersetzung und Informationen.
Dear Julién .. what a good season to propose a personal subject like this. Thank you.
Perrier…❄️ 🐶❤️☀️😴😴😴
So packed with attentive information… this prompt to push a series to at least 12 pieces I appreciate.
Working in design and illustration previously… I have witnessed repetition for clients and the potential artistic and personal development and growth.
It also lays a foundation where the artist has their personal life… and a cache of more works… that might produce further curiosity in collectors or buyers. I guess that relates to the depth you mention.
My current series is under a bigger theme. I will give it a go to take it to 12 pieces from its current 7.
Most brilliant solstice for you and all, and most joyous holiday too. In gratitude.
Sincerely, Janet
Very helpful video!
Thank you. I love ur videos. Great content.
Thank You ! MERRY X-MAS to you too!
Makes sense to me that you have to have a body of work that has a noticible style, that answers the question: What is this artist all about? Yet, if an artist gets locked in on a set style such that there's no room to do new things, then it tells everyone that "This is all I care about!" Not a good look, from an invester or collector point of view. But, it's not the end of the world.
I am guilty of losing interest in a subject or approach and starting new. In another video you mentioned that one should have 10-15 works in a series. If you are trying to maintain consistency between series then what techniques can you use to create difference but still maintaining a connection. You touch on it in this video, but could you expand upon it. Also, can you do something on the role of the studio and studio visits by curators, gallery owners, and collectors. I feel my studio space is not that impressive and keeping work on site is becoming difficult with the amount of work increasing. Cheers.
Interesting
I don't understand why some artists worry about style. It's like they want to put some kind of identifier in their pencil marks and brushstrokes. Just draw and paint and, however it turns out, that's your style.
💯
Right like yoùr own thumb mark
Oh no, what a shame, ai dub, and I can't turn it off. It's so horrible, I can't listen to this.