LIVESTREAM HIGHLIGHT: Bach Practice video Adagio & Fugue
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- เผยแพร่เมื่อ 23 ก.ย. 2024
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Thought of the day: "The softest moments in Bach are like a solemn prayer, and the largest moments are like a full choir and organ, singing from the rafters!"
Hi everyone! I've edited a more concise walkthrough of the livestream from April 11th, 2020 about the first 2 movements (Adagio & Fugue) of J.S. Bach's Sonata No. 1 for Solo Violin in G minor, BWV 1001. Basically a requirement for every single audition / competition in the world and in addition a staple part of the repertoire for almost every instrument, Bach's music is also the universal medium that reaches the soul.
Also reaching out to wish you and your loved ones good health during these tough times. Hang in there, we're in this together! #WithMe #StayHome
Thumbnail art by: @nadia.hof and @georgiepentch (Instagram)
Music:
Opening track: "Waltzing Matilda" by Stephan Koncz featured in "The Golden Age" album by Decca Classics
• Ray Chen - Waltzing Ma...
Closing track: "Story Time" by 11 Acorn Lane
• 11 Acorn Lane - Story ...
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It's amazing how Ray tosses off the extremely difficult passages so perfectly, as if they were child's play!
Can’t believe I’m getting this sort of content for free
Your practice videos are so great to watch, thanks for doing these live streams!!
I didn't like the way my violin sounded, so I baroque it.
I'll show myself out.
LOL!
Please
Thanks Ray. I don't play violin but I thought
I was familiar with the Bach, having listened many times to it. But it turns out I didn't understand at all the complexity until this
Today, I'm still recovering from watching Ray play Wieniawski's concerto #1!! Totally jaw-dropping performance (and it's on YT)!!!!!!!!
J W where? ?? 😲
@@katyb2793 : On TH-cam. It's at th-cam.com/video/Bt-QwrR-Pjw/w-d-xo.html
Obrigado pelo video Ray!! estou tentando aprender o Adagio, esse vídeo ira me ajudar!
Hi Ray, thank you so so much
i love your playing
bruh cant believe a year has passed since I watched this
Ray inspiRAYes me!
terrible
Leave
Wow, Ray, I'm working on this on mandolin!
I loved how you played the Bach*-*
Me too! If you do a YT search under "Ray Chen Bach" you'll find several Bach performances by Ray. They're all great!!
@@TheTucsonJeff Well... maybe I watched every one of those already... but thanks for the recommondation :)
Sooooooooo good!!!!!!
Lol, i saw a few sax players, I too don't know what I'm doing here, i just love the sound of the violin
Is the Galamain edition still the best to learn from?
how many hours have you practiced in your life, Ray?
THAT'S AWESOME
❤❤❤welcome to korea❤❤❤❤❤❤❤❤❤
🎉amihaiとの二人の演奏者の、対談そして、演奏も、交えては、とても、興味、深いものがありました。これからも、ぜひ、実現して、欲しいです。
If anyone knows the name of the app he is using that would help a lot.
Remember whem this channel was just about uploading ray's performances..?
Yeah, but this mix of gaming and practice surely is great
That video thumbnail definitely made me do a double take.
hey there
LingLingwannabe / hi
@@marya5620 heh heh
LingLingwannabe / hahaha
@@marya5620 ♛ ♛ ♛ 0i m8 hhEHHehheH
LingLingwannabe / dodododododod
it's so awesome that you go professional at this so fast. you're a professional at playing violin anyways
I just clicked because the image
20:00
yayy
Where is the full livestream?
Isn't it on his channel too?
@@constanzaaltamirano9269 I can't find it. Maybe Ray deleted it and just kept the highlight video.
Yoooo!!!
does anyone have any mic recommendations for online lessons?
hi
I am no expert and you have more than likely thoght about all this before,
In bach's time the to major instruments for keyboard public performance are the pip organ and harpsichord, both if these have no usable dynamics when making the not unlike the piano that does, They depended on two major ideas for phrasing. agogic accents and spaces, that is holding a note slightly longer and leaving silences to creat the phrasing. This almeans that just because there is a page of sixteenth notes does not mean the are all the same.
lets not forget notation has evolved as well and in his time much more was left to the performer,
bottom line i dont believe that Bach would have thoght or written any differently for organ or orchestra the idea of agogic accent and space would I believe been part of all his music,
The other point that goes hand in hand with this is chorak and orchestral was a very big portion of his works and singers and winds have to breath so i belive the music must be felt of breathe,
finally and much less agreed on is the idea from bachs own words that every thing he wrote was for the greater glory of god, In his day triple rythms were thought to be holy and dupal secular so so called secualr bach keyed in dupal rythms shuld be played in a compound tryple rhythm,
but remembering the all those notes which in modern notation would all be the same are not ina baroque notation which uses agogic and spaces for the major tool of phrasing, and it should breath, no wind player or singer shouold run out of breath in the name of too much lagato
when a note is held slightly longer it is perceived as a bit louder even if its not, and conversly leaving a space after a note is a great phrasing tool
Thanks for sharing! As far as I know: Soloists were asked/forced to improvise on the basso continuo (sorry, I don't know the translation) during the baroque era. Especially during a cadence. That's were the cadence trill at the end comes from, it was a signal to the other musicians that the soloist was done improvising (if I am not entirely wrong).
Instruments have improved a lot, not just keyboards. The flute was altered in 1847 to 1871 by Boehm, so it was way harder to play flute before his invention (the intonation was all over the place and the fingerings were more difficult).
As a wind player I am not sure whether every composer did remember that wind players have to breath occasionally (a lot of pieces end on a very long note and the accompanist has to play a ritardando while the flutist is dying to end the piece or take really long runs of 16th notes combined with a crescendo normally ending on a long note without a chance to breath inbetween).
my idea is that bach and other composers of that period would write down the music with the notation practices of the time which were much less detaild and strict as today, they expeted the performer to know the ornimentation, in addition the idea that the pipe organ and harpsichord as mention above that have non or no useful dynamics with in the key stroke would hold some notes slightly longer an d some shorter than the manuscript woud show, i believe that Bach would have expected the orchestra and choral music to do this as well, its unlikely he would have changed this as he was creating the music on one these instruments or a clavidhord whih does have dynamics with a key stoke but he knows that the organ will not,
Your NZ accent is completely gone! Have you noticed? I'm sure you have 😆
Edit: or was it an Aussie accent?
It comes back when he's around his aussie friends lmao
Aussie
Im a sharp person
I was never the sharpest tool in the shed
really? I'm feeling quite flat..
so hard to play!!!!
Johann RAYbastian Bach
lmao.. 😂😂😂👍👍👍
What is that cursed thumbnail
Ahaha!! It made me look twice! So it is quiet effective 🤣
You play those two almost exactly like me!
Uh . . . yeah, sure!
you sound like hilary hahn
h.
hi