A superb, measured performance which builds to the conclusion, instead of just being a virtuoso thump-through as played by too many to mention. Comparable to Michael Ponti's little-known live performance at Munich Herkulessaal in 1979. The performer's variety of tonal shading and big sound makes this a live performance standing ovation certainty, I am sure.
An excellent performance! I also like this rhapsody more than its famous cousin. The dark or reflective passage in the middle through which Liszt takes us to the lively melody (gypsy?) at the end is amazing.
Watch her play Chopin's Opus 25 no. 11 (Winter Wind). Chopin was brilliant, and so is Anna Fedorova. I'm still trying to get past page 6, and her fingers seem to make the piano sing. We all know how great Chopin was, however.
I love this so much I can't stop playing it. Not only is she very beautiful and very talented, but the intensity she brings to her flawless performance is what attracts me so much. It is as if she's telling a story with her music. The swaying of her body and her arms to the rhythm of the beautiful melody enchants me. The changes in tempo accompanied with corresponding shifts in her demeanor creates the feeling of a complete immersion in the whole experience. What I would give to one day experience this performance live, it would be a dream!
Hi Anna, Will you consider adding the Wagner/Liszt Tannhäuser Overture to your piano repertoire? I would like to hear you play it. I believe you can capture the legendary spirit performance of Jorge Bolet or something special of your own.
Anna, A pity that it was played in the dark (well it was on my TH-cam) but I loved it. I have just compared your rendition with most of the other versions. I can only echo 49Beerbottles from a year ago. I won't attempt to make comparisons, BUT if you play this as an encore to a Piano Concerto, you will bring the house down!
A nice performance, but not impressive (I was completely impressed with the way Fedorova played Rach 2 for example). With Liszt I always prefer those towering performances from hell, like Cziffra or Argerich. If you've ever listened to Hungarian folk music you will easily understand why. :)
En la segunda parte baja la velocidad, y con ello la fuerza que tenía al principio. Aunque al final intenta recuperar el ritmo ese descenso casi mata el ímpetu que tenía al principio, sin embargo, no es mala. Gracias
damn... it's so fast that it looks fast-forwarded even if it's not
Of course, you are very welcome to!
Anna Fedorova is one of the best rising pianists. Her performances always have so much vibrancy and beauty.
A superb, measured performance which builds to the conclusion, instead of just being a virtuoso thump-through as played by too many to mention. Comparable to Michael Ponti's little-known live performance at Munich Herkulessaal in 1979. The performer's variety of tonal shading and big sound makes this a live performance standing ovation certainty, I am sure.
An excellent performance! I also like this rhapsody more than its famous cousin. The dark or reflective passage in the middle through which Liszt takes us to the lively melody (gypsy?) at the end is amazing.
Loved it crystal clear beautiful interpretation.
Аннушка...))) Как же я люблю эту рапсодию в твоём эксклюзивном исполнении! Обажаю тебя! Ты лучшая! :-*
virtuoso + beautiful, a rare combination.
Anna sei meravigliosa - come non innamorarsi di te!
Magnificent! Brava! Brava! Brava!
Amazing .. It has become my reference version.
Awesome, really awesome! This song is fantastic, and you played it magnificently! I'll certainly keep in tune with your new posts!
Watch her play Chopin's Opus 25 no. 11 (Winter Wind). Chopin was brilliant, and so is Anna Fedorova. I'm still trying to get past page 6, and her fingers seem to make the piano sing. We all know how great Chopin was, however.
Solid, spirited and beautiful performance. Thank you!
Bravo! Bravo!!!!!!!!!!!!!
Fantastic!!! wonderful performance!!
great performance!!
I love this so much I can't stop playing it. Not only is she very beautiful and very talented, but the intensity she brings to her flawless performance is what attracts me so much. It is as if she's telling a story with her music. The swaying of her body and her arms to the rhythm of the beautiful melody enchants me. The changes in tempo accompanied with corresponding shifts in her demeanor creates the feeling of a complete immersion in the whole experience. What I would give to one day experience this performance live, it would be a dream!
Bravo!!!!
Tu música Ana me lleva al cielo, FANTASTICA!!!!!
Certifié intergalactique! Le plus excitant Liszt Rhapsodie hongroise!
Великолепно,,,Гениально!!!!
Anna Fedorova tiene las más hermosas y expresivas manos que puede poseer concertista alguno. Es mi gusto.
magnifique !
I love this It was great magnificant
An excelent interpretation by a beautiful woman !
Hi Anna,
Will you consider adding the Wagner/Liszt Tannhäuser Overture to your piano repertoire? I would like to hear you play it. I believe you can capture the legendary spirit performance of Jorge Bolet or something special of your own.
Anna, A pity that it was played in the dark (well it was on my TH-cam) but I loved it. I have just compared your rendition with most of the other versions. I can only echo 49Beerbottles from a year ago. I won't attempt to make comparisons, BUT if you play this as an encore to a Piano Concerto, you will bring the house down!
i love your musik woow
Franz Liszt - Hungarian Rhapsody No.6 (Anna Fedorova)
love you
Unbelievable! !!!!!!!!!!!!!!!!
You are so beauty :)
Oh my goodness!
Great I approve. :)
A nice performance, but not impressive (I was completely impressed with the way Fedorova played Rach 2 for example). With Liszt I always prefer those towering performances from hell, like Cziffra or Argerich. If you've ever listened to Hungarian folk music you will easily understand why. :)
+Péter Kiss Try Horowitz in this. He owns it. But Anna's version still very lovely.
+Péter Kiss I will agree, I've just watched Vanessa Benelli Mosell play this and thought it was better.
Entièrement d'accord avec MrElicottero.
En la segunda parte baja la velocidad, y con ello la fuerza que tenía al principio. Aunque al final intenta recuperar el ritmo ese descenso casi mata el ímpetu que tenía al principio, sin embargo, no es mala. Gracias
its all good, but why kawai?