4:00 Abyss 11:03 Through Stars 16:46 Soulbound 20:53 Faster Than Light 27:26 The Matriarch 31:38 Awakening 38:43 Green And Glass 44:38 Ghosts In The Mist 50:30 Seeking Vengeance 56:40 Tonight We Ride 1:03:50 Apex 1:14:14 Carry The Flame 1:19:06 Afterlife
@@jonathanbrightwell272 i got tickets to one of the NA shows in September only because UTA is opening for them haha I hope they get an extended opening set though since it’s only them and powerwolf
@@FermentedBigMac oh man I hope so too. It sucks cause powerwolf is fun band. Their music is great for driving, which I do A LOT of for work. But God. I had never heard them live before. It was depressing. Their bassist tired to engage with the audience a lot. I'll give them that. He was putting in the work.
@@jonathanbrightwell272 I don't get the Powerwolf hype honestly no offense to any fans. Only heard a few songs but they just weren't on UTA level to me. More like Nightwish, simple riffs and such. Not my bag.
They're the best man. True professionals who you can tell work really hard to have the live performances sound as close to the studio stuff as possible spite being really technical. Now for the love of the gods if they could just hire someone to get better audio recordings of their live shows they'd totally level up!
I was standing in front of the sou.d desk and could not hear any of Andrew's playing with clarity because of crap acoustics in this venue. Thankfully this recording has captured him.
Unfortunately there are few places where complete acoustic clarity and separation exists particularly when dealing with arrangements containing extreme vocal ranges. Brittany introduces an element that needs maximum clarity in as many different spatial areas possible. As far as the audio on this live capture it is shockingly good. I'm surprised at how that's even possible.
@@badbat01 You are right. I noticed there were no amps on stage, only foldback so this would have helped too. The shape of the ceiling was the main culprit so being closer to the source would have sounded better
4:00 Abyss
11:03 Through Stars
16:46 Soulbound
20:53 Faster Than Light
27:26 The Matriarch
31:38 Awakening
38:43 Green And Glass
44:38 Ghosts In The Mist
50:30 Seeking Vengeance
56:40 Tonight We Ride
1:03:50 Apex
1:14:14 Carry The Flame
1:19:06 Afterlife
Thank you for the timestamps 👍
@35:00 onwards man in shot on left.
awesome recording, always impressed how good all of them sound live
I can't wait to see uta live. They really do sound amazing. I was....... Horribly disappointed with powerwolf live.
@@jonathanbrightwell272 i got tickets to one of the NA shows in September only because UTA is opening for them haha I hope they get an extended opening set though since it’s only them and powerwolf
@@FermentedBigMac oh man I hope so too. It sucks cause powerwolf is fun band. Their music is great for driving, which I do A LOT of for work. But God. I had never heard them live before. It was depressing. Their bassist tired to engage with the audience a lot. I'll give them that. He was putting in the work.
@@jonathanbrightwell272 I don't get the Powerwolf hype honestly no offense to any fans. Only heard a few songs but they just weren't on UTA level to me. More like Nightwish, simple riffs and such. Not my bag.
They're the best man. True professionals who you can tell work really hard to have the live performances sound as close to the studio stuff as possible spite being really technical. Now for the love of the gods if they could just hire someone to get better audio recordings of their live shows they'd totally level up!
Thanks so much.
They were amazing. hope they tour here again sooner than later
Appreciate this! Thanks for posting!
🤘😃
Awesome! Thanks for sharing this!
Even Security guy couldn't resist enjoying Ghost in the Mist!
Hope to see them live some day!
was at the Melbourne show, was EPIC!
Thank you
Amazing, thanks!
Thank you. Love this band !
I was standing in front of the sou.d desk and could not hear any of Andrew's playing with clarity because of crap acoustics in this venue. Thankfully this recording has captured him.
Unfortunately there are few places where complete acoustic clarity and separation exists particularly when dealing with arrangements containing extreme vocal ranges. Brittany introduces an element that needs maximum clarity in as many different spatial areas possible. As far as the audio on this live capture it is shockingly good. I'm surprised at how that's even possible.
@@badbat01 You are right. I noticed there were no amps on stage, only foldback so this would have helped too. The shape of the ceiling was the main culprit so being closer to the source would have sounded better
Will have to watch this later. I had tickets to the Melbourne show, but got sick that week and had to miss out.
So sorry to hear that