a Tagore dance-drama choreographed in the Uday Shankar dance form by Mamata Shankar in Calcutta. Participants are members of Mamata Shankar Dance Company.Vocalists are Roma Mondal,Pramita Mullick and Chandrodoy Ghosh
Tagore's dance-drama about a chandal girl who after giving water to the Buddhist bhikkhu Ananda, finds herself drawn towards him, transgresses so many barriers- of caste and gender... it's a remarkable text... and Mamata Shankar's adaptation seems brilliant!
HOW WONDERFUL, WORLD CLASS PRODUCTION IT IS! THIS REMINDS US MAESTRO-SUPREME UDAY SHANKAR - HER FATHER BELOVED - WHO HAD CARRIED CHANDALIKA (IN EXCERPT, I BELIEVE) OF RABINDRANATH TAGORE AROUND THE GLOBE, SOME TIME AROUND 1936-37. A VERY OLD GEM RECORDING (1937?) ALSO EXISTS (AS AN LP LATER) WHERE THE MELIFLUOUS SINGING VOICE OF THE MAESTRO-SUPREME UDAY SHANKAR IS HEARD.
Where can I see this dance drama in its entirety? I watched mamata di in Calcutta in a performance beside dhakuria lake. Her performance along with her troupe was simply out of this world. I watched spellbound and wished that it would never end.
Momodi ke ami prokriti r dance korte dekhechhi....Mahajati Sadan e( babar office function./... R Chandroday ghosh mohashoy ke Anondo....aha...amra je kotodin ghore chhilam.... Ki bolbo ...
The focus has sadly shifted from dance to glitters of costumes, lights, ornaments and stage production. This is not how Uday Shankar envisaged it. Where is the grand beauty of simplicity? The flow of dance? The fluidity of body structure and form? Where is that magnetism we see in all the dances of Kalpana? This is a half-hearted effort, heavily dependent on the glamour of production. The costumes used in Kalpana, for instance, the grandeur of movement, the grace of simplicity, and incorporation of various indigenous dance forms can be held as a benchmark for all the future productions by Shankar dance company.
আনন্দের কণ্ঠটিতে কে কন্ঠ মিলিয়েছেন?অপূর্ব❤️❤️🙏🏻🙏🏻🙏🏻
Tagore's dance-drama about a chandal girl who after giving water to the Buddhist bhikkhu Ananda, finds herself drawn towards him, transgresses so many barriers- of caste and gender... it's a remarkable text... and Mamata Shankar's adaptation seems brilliant!
Live dekhechhi Mahajati Sadan ( 1985)..... Mohito hoyechhi.... Darun...
HOW WONDERFUL, WORLD CLASS PRODUCTION IT IS! THIS REMINDS US MAESTRO-SUPREME UDAY SHANKAR - HER FATHER BELOVED - WHO HAD CARRIED CHANDALIKA (IN EXCERPT, I BELIEVE) OF RABINDRANATH TAGORE AROUND THE GLOBE, SOME TIME AROUND 1936-37. A VERY OLD GEM RECORDING (1937?) ALSO EXISTS (AS AN LP LATER) WHERE THE MELIFLUOUS SINGING VOICE OF THE MAESTRO-SUPREME UDAY SHANKAR IS HEARD.
I had heard the song on HMV record when I was about 6 yr old..somehow the memory lingers on
Unbelievable! No words to express the feeling I developed while seeing this!
Where can I see this dance drama in its entirety? I watched mamata di in Calcutta in a performance beside dhakuria lake. Her performance along with her troupe was simply out of this world. I watched spellbound and wished that it would never end.
Momodi ke ami prokriti r dance korte dekhechhi....Mahajati Sadan e( babar office function./... R Chandroday ghosh mohashoy ke Anondo....aha...amra je kotodin ghore chhilam.... Ki bolbo ...
Madam, please upload the entire performance. It saw it first as a child on doordarshan.
Mindblowing performance .unik .
amar onnotomo priyo nritya natya...nice..
Thanks to Mamata Shankar Dance Company for the dance-drama & also for uploading.
Ashamanyo..dance nd acting 🙏🙏
Our heartfelt gratitude !
Spellbound
Chomotkar coreography 🙏
অনবদ্য।। বাক্ রূদ্ধ🙏🙏🙏
Tokhon Momodi Prokriti r onar husband Ananda.... Aha!! Na dekhle ki miss kortam... Babar office ( Samabay Chakra) er function e...
The focus has sadly shifted from dance to glitters of costumes, lights, ornaments and stage production. This is not how Uday Shankar envisaged it. Where is the grand beauty of simplicity? The flow of dance? The fluidity of body structure and form? Where is that magnetism we see in all the dances of Kalpana? This is a half-hearted effort, heavily dependent on the glamour of production. The costumes used in Kalpana, for instance, the grandeur of movement, the grace of simplicity, and incorporation of various indigenous dance forms can be held as a benchmark for all the future productions by Shankar dance company.
Audvoot Shundor! Shuddorotomo!!!!!!
Dr. Rafiq Alam
Bangla News TV Los Angeles
California, USA.
अतिसुंदर.
Chomotkar
Egulo dekhle mone hoy -
Banglate silpo mane industry noy
Banglate silpo mane Art🙏
🙏🙏🙏🙏🙏🙏🙏🙏
Daru
chitrangoda
Nepathya sangeet e Pramita Mallick, Rama Monal ki?
Yes
Atuloniyo
Whose music direction is this?
পটধধৃধনৌধনখফব