Matching mixed color temperatures with Sekonic C-800

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  • เผยแพร่เมื่อ 13 มิ.ย. 2019
  • Graded with CE LUTs for C200: sellfy.com/p/qdpE/
    Check out our Cinematography Course: geni.us/CineCourse
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    Products in Video:
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    Sekonic C800: amzn.to/31usqXP
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    My Filming Setup:
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    camera: bhpho.to/2ICkZ8w
    cards: amzn.to/2WAUiuC
    rig: amzn.to/31rWQtU
    lens: amzn.to/2KcIUi7
    monitor: amzn.to/2IzFKl1
    tripod: bhpho.to/2IyIyPs
    mic: bhpho.to/2CzNu3F
    key light: amzn.to/2MP9Bvp
    backlight: amzn.to/2XNB4yF
    background light:amzn.to/2KhjwYq
    computer: amzn.to/2KpWRtd
    ram: amzn.to/31Cbnn1
    storage: amzn.to/2RggGU8
    Everything else: kit.com/CrimsomEngine
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ความคิดเห็น • 24

  • @flaviopresutti
    @flaviopresutti 5 ปีที่แล้ว +4

    Those Sekonic are amazing!

  • @thebolivianguy64
    @thebolivianguy64 5 ปีที่แล้ว

    This is brilliant!

  • @edwardkim1349
    @edwardkim1349 5 ปีที่แล้ว +1

    very good video!

  • @aaronnelson3091
    @aaronnelson3091 5 ปีที่แล้ว +4

    You’re KILLIN’ me brother! I know I need a color meter but of all the endless expenses filmmaking seemingly demands this one is sooooo soooo not sexy 😭😅🤯

  • @martinsherry
    @martinsherry 5 ปีที่แล้ว +2

    this is really interesting, as usual, its a great channel from which i am learning a lot.
    It would have been helpful to compare how it would have looked if you had simply reset the white balance in camera alone. ie how much extra benefit is afforded by compensating for the mixed lighting by adding the gel on your keylight (....as i am a really lazy person).

    • @motoservo
      @motoservo 3 ปีที่แล้ว +3

      A color balance adjustment in camera is fine when there’s only one color the camera needs to account for. But if there are two or more colors in light then any adjustment in camera will still leave mismatched colors on set.

  • @DUST35
    @DUST35 5 ปีที่แล้ว

    Cool!

  • @LorenzoYearby
    @LorenzoYearby 3 ปีที่แล้ว

    You have your favorites that you subscribe too, and some review styles are great presentation, but if I want great information I always end up back here. Rubidium explains things so well.

  • @JeffSpeers
    @JeffSpeers 5 ปีที่แล้ว +2

    I'm glad to see you using the white card. I see lots of people color balancing with the gray side, is their a reason for doing this? I only think of gray side for exposure.

    • @manilamartin1001
      @manilamartin1001 3 ปีที่แล้ว +1

      I prefer using grey cards for white balancing. It's just a preference to which is easier for you to see.

  • @14g-direcciondefoto-filmma2
    @14g-direcciondefoto-filmma2 3 ปีที่แล้ว

    My god. Thanks you so much.

  • @JustinPhillip
    @JustinPhillip 3 ปีที่แล้ว +1

    How do you know how much tint to add in camera? I cant find anything on this. If the meter is saying half plus green, how do i know what to change the tint to in camera?

    • @Crimsonengine
      @Crimsonengine  3 ปีที่แล้ว +2

      Point it at a grey card. Bring up the waveform, change it to RGB, then adjust the CC value next to the Kelvin temp until the three colors align.

    • @JustinPhillip
      @JustinPhillip 3 ปีที่แล้ว +2

      @@Crimsonengine In the past i’ve done that with WB, i guess i never thought of that for tint. What i was really looking for or hoping for rather, is to be able to take the reading on the color meter and translate that to tint values without having to use a grey card. But that doesnt seem like an option. I guess theres not a way to know how much - or + tint a reading of 1/4 G or .25 M gives you? Thats what ive been searching for, but it seems to be two different things.

  • @CyrusHostetler
    @CyrusHostetler 5 ปีที่แล้ว +1

    How did you get RGB parade waveforms on the C200?

    • @CyrusHostetler
      @CyrusHostetler 5 ปีที่แล้ว +1

      Nevermind. Found it. 6th menu item "assistance functions" > number 5 > WFM Type > RGB

    • @CyrusHostetler
      @CyrusHostetler 5 ปีที่แล้ว +1

      New question, Do you normally have your waveforms on RGB, or just in this scenario? I normally have mine on Line+Spot

    • @Crimsonengine
      @Crimsonengine  5 ปีที่แล้ว +2

      @@CyrusHostetler Just when I'm trying to match color. I usually use Line+Spot.

  • @kipling1957
    @kipling1957 ปีที่แล้ว

    Shooting in a church with large coloured stained glass windows is a particular kind of nightmare.

  • @MrSebadecesare
    @MrSebadecesare 3 ปีที่แล้ว +2

    What would be the result of just WB with the grey card after gel correct the key light, instead of cc the tint values on the camera?

    • @MylezNevison
      @MylezNevison 9 หลายเดือนก่อน +1

      It would be quite similar but not consistent or as accurate (especially if you are doing it for multiple cameras) as manually adjusting the tint & white balance yourself using the rgb histogram and a grey card.

  • @brianlewisporter
    @brianlewisporter 3 ปีที่แล้ว

    Thought #1: I'm so glad I found this video. I just figured out how to solve an issue that has been driving me crazy.
    Thought #2: Holy shit I can't believe that thing is $1,600

    • @Crimsonengine
      @Crimsonengine  3 ปีที่แล้ว +1

      I was surprised too! You'd think they'd be an app for that.

  • @Tuernah
    @Tuernah 5 ปีที่แล้ว +3

    3:11 You not take out green in scene by add green in camera. What yOu mean for say be “I need add Magenta to the Correction in camera in order to take out green thats in the scene”.
    White card okay but not necessary in this.
    This be can perform with meter lot cheaper versus C800. You use good but c800 for more detail use versus this so I will see you next video.
    I’m Tuernah and THIS is my Masterclass.