Absolutely loving the section where the Cor Aglais comes in. I am just a sucker for woodwinds but the whole piece never loses interest with your always sparkling arrangements. Thanks for sharing.
Brilliant Mattia. Your timing is brilliant. I’ve just spent the morning working on some ostinato for a piece I’m writing. This has given me some great ideas to try out. Thanks very much. Have a good weekend.
Me: Secretly shares this video with every director who's given me a brief wanting something "epic" lol!!! Thank you Mattia for constantly uploading quality content. This video in particular has helped me tremendously in feeling like I'm not the only one who is trying to maintain their own 'sound' within this world of orchestral writing. I also love that this is NOT a shot at Hans at all, but rather letting composers, music enthusiasts alike and directors know that, sometimes you've gotta trust your composer. We all want a John Williams, Thomas Newman or a Hans Zimmer but never trust the process that got them their names in the first place. Let composers compose in their own unique ways and watch how beautifully different the layout of Hollywood/Indi Film scores becomes.
I remember how my theory professor lost it when I asked, "So, if I use scale-appropriate tones for the melody in relation to the harmony, then I'm on the right track?" He was furious! In retrospect, he had a point-I was quite a handful. But still, employing "modern counterpoint" can indeed result in superb music...
I was expecting an ostinato that followed the harmony changes more & did more with modulations, but this piece is very cool too. I hope more people learn bass instruments can play more than root notes :)
I was keen to do something that is harmonically interesting but also not get too crazy or it would be breaking from this genre immediately. I’m a big sucker for the 3rd in the bass over maj9 chords. You’ll find that all over my music, including this piece in a couple of spots with a D9/F# 😉
Thanks for this video Mattia! Now Im gonna pull out the piano from under my desk, fire up my DAW and make a nice piece using some of the said techniques!
excellent Mattia ! next video : How to Make clever link between chords in same and different modes. Anyway, Thank you Mattia for your video and have a nice musical day !
Haha this is amazing Mattia. I hope one day you can do a video about orchestration used in film music? Less Hans Zimmer and more John Williams, Howard Shore, Thomas Newman, Alexandre Desplat, etc.
@@MattiaChiappa definitely Mattia. Amazing content. Love the orchestration videos. Such a wealth of information. Might I ask, what libraries do you usually have in your arsenal? Edit: just found the video about the template and sample talk. Awesome 😍
Hi Mattis, I have a question not related to your videos…was wondering what your thoughts are on the SL88 Grand you have. Does the weight lend itself to piano only, or are you able to easily play organ, synths, and orchestral VIs with it? I have an M Audio Hammer88, and I like it a lot, but might want something that’s closer to a piano. Any thoughts would be great, thanks. :). And look forward to your next videos.
I'm not a trained pianist and I bought this keyboard only for the purpose of having something to practice with a "similar" feel to a grand. I had a semi weighted controller before this and I'd still prefer it over hammer action for VI stuff. To be honest though I have yet to find a keyboard that I like. In an ideal world I would probably use a real piano and a cheap keystation 88 for everything else. The only important thing for me is to have 88 keys, the rest is very much secondary cause regardless how good the response is, I'd still be tweaking velocities all day.
@@MattiaChiappa gotcha. I studied classical piano so the feel for me would be important for the 88 keys. My Hammer 88 is actually quite good with its response, but was looking for a triple sensor keybed as an upgrade. I also use an Arturia Keylab 49 MKII for everything but piano and sometimes that also. Thanks for the response :)
Ciao Mattia, bellissimo video davvero interessante! Mi sapresti consigliare dei plug-in o delle librerie di suoni per orchestra? Dai tuoi suoni sembra che ci sia una vera orchestra che suona! Grazie!
@@MattiaChiappa I found your patreon and now I'm a member. And I'm thinking to order one of your courses. Compliment with this channel. You are " new" for me, but I'm absorbing your knowledge!
Hi Mattia, Thanks so much for your video. The low string swells sound great -- really smooth! What MIDI CCs are you adjusting to get that sound? Is it dynamics (CC1), expression/volume (CC11), both? Do you make the adjustments while you play the parts in, or after the notes are recorded? Thanks!
Hi, CSS has quite a big dynamic range so for that I only only use cc1. Usually I play it in myself but also tweak the curves. For this piece though I didn’t really massage any of the curves. I was happy of how it turned out on the first take, something I hadn’t heard experienced in a long time.
@@MattiaChiappa Not a problem. In WTC Book 1 Prelude 2 in Cm, first measure, Bach writes the same notes in Cm as you do for your ostinato except he uses octave C and you use an A in Dm transposition. Just saying your ostinato reminded me of Bach’s WTC. I like your video.
I feel like your are a bit hard to follow. I've noticed while watching other of your videos that I end up frustrated because I'm having a hard time grasping the sheer amount of valuable content that you are sharing. Many thanks
Absolutely loving the section where the Cor Aglais comes in. I am just a sucker for woodwinds but the whole piece never loses interest with your always sparkling arrangements. Thanks for sharing.
Thanks 😊
8:34 "It´s quiet strange, isn´t it?". It´s brilliant Mattia, that´s what it is!
Just to be clear here: I love this particular rather short part of the piece. No interest in the HZ style, as it is respectfully reserved for HZ :-)
Thanks!
Holy cow!!!
That melody is gorgeous! 😊
Strike that... The whole piece is gorgeous! 😁
Thanks! 😁
Great video! Really enjoyed the demonstration of how orchestration can change the feel of an ostinato passage
Brilliant Mattia. Your timing is brilliant. I’ve just spent the morning working on some ostinato for a piece I’m writing. This has given me some great ideas to try out. Thanks very much. Have a good weekend.
Glad it’s helpful Steve! Have a good weekend!
As soon as u said u were a hans fanboy i subbed! Love the content!
Thanks!
Me: Secretly shares this video with every director who's given me a brief wanting something "epic" lol!!!
Thank you Mattia for constantly uploading quality content. This video in particular has helped me tremendously in feeling like I'm not the only one who is trying to maintain their own 'sound' within this world of orchestral writing.
I also love that this is NOT a shot at Hans at all, but rather letting composers, music enthusiasts alike and directors know that, sometimes you've gotta trust your composer.
We all want a John Williams, Thomas Newman or a Hans Zimmer but never trust the process that got them their names in the first place. Let composers compose in their own unique ways and watch how beautifully different the layout of Hollywood/Indi Film scores becomes.
Thank for this nice comment Jon!
They make nice pieces of music on their own. Such a talent you have, very impressive. You make it look very easy
So nice, so inspiring! Thank you once more.
Thanks!
I remember how my theory professor lost it when I asked, "So, if I use scale-appropriate tones for the melody in relation to the harmony, then I'm on the right track?" He was furious! In retrospect, he had a point-I was quite a handful. But still, employing "modern counterpoint" can indeed result in superb music...
I love how you've taken a well-known musical style, with the Zimmer-esque ostinatos, and built something unique with it. Really lovely piece!
Thanks!
excellent as always Matias .... thank you
You’re welcome!
Very interesting and inspiring as usual! Thank you for sharing Mattia!
You’re welcome!
Great content, Mattia. Keep up the good work!
Thanks!
Great video, great music. Really enjoyed it.
This is so brilliant and inspiring, thanks so much for sharing!
2:32 - you call that a dissonance? It's beautiful chord
I know! Some people are sensitive to semitones though 😂
I was expecting an ostinato that followed the harmony changes more & did more with modulations, but this piece is very cool too. I hope more people learn bass instruments can play more than root notes :)
I was keen to do something that is harmonically interesting but also not get too crazy or it would be breaking from this genre immediately. I’m a big sucker for the 3rd in the bass over maj9 chords. You’ll find that all over my music, including this piece in a couple of spots with a D9/F# 😉
@@MattiaChiappa 3rd in bass is my favourite inversion too :)
Thanks for this video Mattia! Now Im gonna pull out the piano from under my desk, fire up my DAW and make a nice piece using some of the said techniques!
You’re welcome, glad it’s helpful!
wonderful, thank you very much.
Beautiful, Mattia. I love your work :-)
Thanks!
I always like pieces that have a paradox to them, a duality one could say. So when you’re not certain what key the work is in I call that success.
Thanks! Your piece sounds amazing! Very inspiring
Thanks!
you are verry skilled
Great content as always!. Can you share what are your CPU specs?
iMac 2015, quad i7, 32gb
Great video! Sounds fantastic
Thanks mate!
Man that’s really f’king good.
In all the guys on web that are speaking about orchestra you are really the most interesting and " pertinent" Bellart
Thanks!
Interesting as usual. 👍👍👍
Thanks!
excellent Mattia ! next video : How to Make clever link between chords in same and different modes. Anyway, Thank you Mattia for your video and have a nice musical day !
Thanks!
Haha this is amazing Mattia. I hope one day you can do a video about orchestration used in film music? Less Hans Zimmer and more John Williams, Howard Shore, Thomas Newman, Alexandre Desplat, etc.
Thanks, check out my the rest of my channel. I have an orchestration technique series where that’s all I do
@@MattiaChiappa definitely Mattia. Amazing content. Love the orchestration videos. Such a wealth of information. Might I ask, what libraries do you usually have in your arsenal?
Edit: just found the video about the template and sample talk. Awesome 😍
Great video!!’
Thanks!
… My thoughts exactly 🎉
What libraries are you using for the woodwinds? How do you set up the mic positions usually?
It’s CSW, CSB, CSS, CSP, BBC percussion and Spitfire originals
Hi Mattis, I have a question not related to your videos…was wondering what your thoughts are on the SL88 Grand you have. Does the weight lend itself to piano only, or are you able to easily play organ, synths, and orchestral VIs with it? I have an M Audio Hammer88, and I like it a lot, but might want something that’s closer to a piano. Any thoughts would be great, thanks. :). And look forward to your next videos.
I'm not a trained pianist and I bought this keyboard only for the purpose of having something to practice with a "similar" feel to a grand. I had a semi weighted controller before this and I'd still prefer it over hammer action for VI stuff. To be honest though I have yet to find a keyboard that I like. In an ideal world I would probably use a real piano and a cheap keystation 88 for everything else. The only important thing for me is to have 88 keys, the rest is very much secondary cause regardless how good the response is, I'd still be tweaking velocities all day.
@@MattiaChiappa gotcha. I studied classical piano so the feel for me would be important for the 88 keys. My Hammer 88 is actually quite good with its response, but was looking for a triple sensor keybed as an upgrade. I also use an Arturia Keylab 49 MKII for everything but piano and sometimes that also. Thanks for the response :)
Ciao Mattia, bellissimo video davvero interessante! Mi sapresti consigliare dei plug-in o delle librerie di suoni per orchestra? Dai tuoi suoni sembra che ci sia una vera orchestra che suona! Grazie!
Ciao grazie! Io utilizzo spesso BBC pro, sample modelling brass, CSS e ultimamente CSW and CSB
@@MattiaChiappa grazie! Gentilissimo, come sempre!
Hello Mattia. Do you mean with CSS: cinesamples?
It’s cinematic studio strings
@@MattiaChiappa I found your patreon and now I'm a member. And I'm thinking to order one of your courses.
Compliment with this channel. You are " new" for me, but I'm absorbing your knowledge!
Hi Mattia,
Thanks so much for your video. The low string swells sound great -- really smooth! What MIDI CCs are you adjusting to get that sound? Is it dynamics (CC1), expression/volume (CC11), both? Do you make the adjustments while you play the parts in, or after the notes are recorded? Thanks!
Hi, CSS has quite a big dynamic range so for that I only only use cc1. Usually I play it in myself but also tweak the curves. For this piece though I didn’t really massage any of the curves. I was happy of how it turned out on the first take, something I hadn’t heard experienced in a long time.
Is there a another 10 orchestaration techniques?
Yes, 3 more episodes. I’ll end it on 10
@@MattiaChiappa yes it's great.... can you make a style like Mark Mancina from the Brother Bear?
Nice!
Thanks!
interesting.
Does Well Tempered Clavier 1 Prelude 2 beginning ring a bell?
Sorry, I’m not well versed in classical music. Should it ring a bell?
@@MattiaChiappa Not a problem. In WTC Book 1 Prelude 2 in Cm, first measure, Bach writes the same notes in Cm as you do for your ostinato except he uses octave C and you use an A in Dm transposition. Just saying your ostinato reminded me of Bach’s WTC. I like your video.
Whos the king of ostinatos?
Hans Zimmer
Probably one of the minimalists, like Reich.
@@snarf1504 He literally calls Zimmer the king of ostinatos in the video
@@jakewu8298 oh, my bad. Hadn't watched so far. Not sure if I agree but it's certainly something he employs very often.
Steve Reich "Sextet" ;)
I feel like your are a bit hard to follow. I've noticed while watching other of your videos that I end up frustrated because I'm having a hard time grasping the sheer amount of valuable content that you are sharing.
Many thanks
sorry, but i find this video so boring!