Yes, I'm doing it. This is a complex and dense time signature track. 0:00 to 2:17 - 6/4 (lot of 3/4, but mostly 6/4) 2:17 to 2:52 - 9/4( easier to count as 18/8) 2:52 to 3:59 - 6/4 (lot of 3/4, but mostly 6/4) 3:59 to 4:31 - 9/4 4:31 to 4:48 - 8/4 (if you say it's 4/4, would fuck it up) 4:48 to 4:59 - 10/8 + 9/8 alternating which results into a 19/8 4:59 - a 6/4 bar 5:01 - a 5/4 bar So 4:59 to 5:03 makes a 11/8. 5:03 to 5:46 - 6/4 (lot of 3/4, but mostly 6/4) 5:52 to 6:42 - no time signature at all I guess 6:42 to 7:24 - 4/4 (it's actually not 4/4 but it almost is, music isn't always precise, and neither my time signature countings are lol) 7:24 to 7:47: no time signature at all i guess x2 7:47 to 8:15- 9/4 (starting to count this here in this part is hard to assimilate that it is 9/4, cause the first moment of the counting is empty if you'd like to count it exactly as the 2 choruses before this one. But if you'd rather count it as the way it is, you can call it an 8/4 that comes before the 9/4 bars.) 8:15 to 9:38 - 17/8 (4+4+4+5) 9:38 to 9:42 - a 5/8 bar and a 7/8 bar 9:42 to 9:47 - 4/4 9:47 to 9:53 - two 9/8 bars (this one is pretty cool) 9:53 to 10:18 - 17/8 (4+4+4+5) 10:18 to 10:22 - a 5/8 bar and a 7/8 bar 10:22 to 10:27 - 4/4 10:27 to 10:38 - 9/8 10:39 to 10:41 - a 7/8 bar 10:41 to 11:02 - 4/4 11:02 to 11:19 - 2 bars of 13/8 (7+6) and 4 bars of 14/8 (7+7) 11:19 to 11:22 - a 9/4 bar 11:22 to 11:39 - 2 bars of 13/8 (7+6) and 4 bars of 14/8 (7+7) 11:39 to 11:45 - no time signature at all i guess x3 (at least purposefully) 11:45 to 14:12 - 4/4 (3+5) 14:12 to 14:37 - 17/8 (4+4+4+5) 14:37 to 14:41 - a 5/8 bar and a 7/8 bar 14:41 to 14:46 - 4/4 14:46 to 14:54 - you can count it as many ways, but I count it as 5/4+5/4+6/4+3/4+3/4 14:54 to 14:58 - 5/4 14:58 to end - 6/4 (lot of 3/4, but mostly 6/4) the counting pace changes so many times in this song, it gets very confusing. but the biggest issue is to give the chorus a time signature, it is just an uncommon piece and I can't explain why
I remember thinking the beginning of this song making me feel like I was suddenly sucked into a bizarre and extra-dimensional world of mosaic alien beings and bright, unimaginable colors and shapes. Like jumping into a kaleidoscopic realm where creatures (like those from the anime "Neon Genesis Evangelion") warped out of. I was pretty sober, but the music was pushing so hard at being this foreign mind-altering experience.
This is how I feel while listening... The beginning sounds like being violently Televated toward a folding wormhole of Roulette Dares into a haunted dimension. Tremulant and taken off guard, you're still trying to comprehend these Landscape Tantrums. Why are these vibrations engulfing you so ominous and full of Bedlam. Then the calm verse riff emerges with Luciforms. That's you exiting the vortex to find yourself is an obscure new world full of surrealism and Tarantism. The lyrics cascade and conjure imagery that would only make sense to Salvador Dalí. The chorus is an Inertiatic explosion of ESP sonic booms. This delicate dance between eruptive and Soothsayer instrumentation gives complex dynamics throughout. Which then evolves, transposes, and mutates for the benefit of existence. Time is mandatory to witness such sonomorphs. When the intermission manifests, you have already been overwhelmed for over 6 earth minutes. So a calm flow is welcomed as is the natural order of emotions. You think it's over. Though, your sedated nerves are Faminepulsed back to high pressure. The heavy chorus returns to melt any face within earshot, to reveal no one behind the mask. This music so potent it distorts even the vocals. "In the end they just gagged me to make him come out." The horns section near the end is mathematical tranquility. The guitar solo therein is a lesson in virtuosity. One can Atone Vicariously as the whole world dies to this music. Yet the outro is the same as the intro. So back through the vortex to whence I came With Twilight As My Guide. Back to the filth I once knew. Back to the earthly realm. For human ears were never meant to witness such muscial mastery.
This whole album is like bending reality and space time to their will for a bit more than an hour. This song and the "intro" before it are the best start to an album possible... Never a bad album from these guys but nothing they did ever reached this magnitude
When this was out. I was totally listing to some really weird stuff because I thought Rock didn’t have anything left to offer. One guy I knew told me I should check out this Band The Mars Volta. I heard like one song and was like, ah they’re not bad. Then went back to the stuff I was listening to. A lot of Gamelan, Punjabi, Native American round dance chanting. Bach Harpsichord music played in reverse. Then like from out of the blue like three weeks ago I remembered The Mars Volta and TH-camd it. They really are good. I bought everything I could get. On CD because I have kids who don’t understand $150.00 Vinyl records. Good stuff glad I found them again.
check out omar's solo stuff too if you haven't already. Solar Gambling, Se Dice Bisonte No Bufalo, Cryptomnesia, Zen Thrills and Un Escorpion Perfumado are probably good, general starting points. You'll probably enjoy the "Amsterdam albums" if you like Amputechture... and maybe Infinity Drips for the 'eastern' influence, although the vocals on that album are difficult to get past.
Yea if you want a mint/unopened LP version of let's say Frances the Mute you're gonna have to pay up to 450$... At least last time I checked on discogs..
Ive never been more frustrated than I am now... Trying to learn this on guitar and after about an hour, I'm giving up. Lol. Will forever love this song though.
The beginning sounds like being violently Televated toward a folding wormhole of Roulette Dares into a haunted dimension. Tremulant and taken off guard, you're still trying to comprehend these Landscape Tantrums. Why are these vibrations engulfing you so ominous and full of Bedlam. Then the calm verse riff emerges with Luciforms. That's you exiting the vortex to find yourself is an obscure new world full of surrealism and Tarantism. The lyrics cascade and conjure imagery that would only make sense to Salvador Dalí. The chorus is an Inertiatic explosion of ESP sonic booms. This delicate dance between eruptive and Soothsayer instrumentation gives complex dynamics throughout. Which then evolves, transposes, and mutates for the benefit of existence. Time is mandatory to witness such sonomorphs. When the intermission manifests, you have already been overwhelmed for over 6 earth minutes. So a calm flow is welcomed as is the natural order of emotions. You think it's over. Though, your sedated nerves are Faminepulsed back to high pressure. The heavy chorus returns to melt any face within earshot, to reveal no one behind the mask. This music so potent it distorts even the vocals. "In the end they just gagged me to make him come out." The horns section near the end is mathematical tranquility. The guitar solo therein is a lesson in virtuosity. One can Atone Vicariously as the whole world dies to this music. Yet the outro is the same as the intro. So back through the vortex to whence I came With Twilight As My Guide. Back to the filth I once knew. Back to the earthly realm. For human ears were never meant to witness such muscial mastery.
Tell me it's over Rusbel awaits I've been to the surface And nothing is there Eyelids sank muffled In the nerve aura sound But when she awakes Will she still be with us My heart is darkclots Leap year is late How did you get here Ask all but the bait From a christ that went hissing Constricting his cells We summon by candle by book and by bell Glossolalia coats my skin Glycerin and turbulence Stuffed the voice inside of God Mirrors to the animals The sermon goes mourning Pricking it's hail Slothful the child That preys on the seed Shall behead the drough Wound under sleeves I hope you have room In a thicket of vines Give me a moment To clean what you've stole The streets will hang high Stretch ribs and let taste We'll cover the smell with silver nitrate Mending the cuts of your prosthetic faith Glossolalia coats my skin Glycerin and turbulence Stuffed the voice inside of God Mirrors to the animals Then so long Dear mnemonic Assume the form You've given me and I'll spill Now hold on Just hold my hand Say that they made you But you brought your own leash Tell me no more no Say I'm the last one Outside By the drift You read my will Of thread and itch Failure to comply As failure to decease And still you won't know everything I've built the fall Sulking drained the fall of my pale will Swarming by your steps Licking the ankles of blasphemer guilts It only meant to drape a plastic Over the stuck pig scalp of head To cover the sock where the flatline had spread The kiosk in my temporal lobe Is shaped like rosalyn carter She says my map is home again But torn face down I have only but a million blemishes To tell you all about In the end they just gagged me To make him come out Gas me the hind Of your five legged snare Tooth picks the eye But no things there Down drags your waltz Cross the alter top From a sleep that Depravation knew Trespass your form I'm void of dusk I'd ask to look But the mask stays on You'll levitate Teutonic print Cruelty is the wrath Of my instrument In the end they just gagged me To make him come out You locked the cuffs Arsenic erupts Will you drink the shadow Of my red hair You and your false Witness to God You've one in the chamber But your finger got stuck Let slip the sound Of a cry for help But all was lost On the night you walked Palms speak through eyes Serve your memory lost I contaminate with insignias In the end they just gagged me To make him come out Glossolalia coats my skin Glycerin and turbulence Stuffed the voice inside of God Mirrors to the animals Wait till it get my hands on you I won't forget a face that left me Just you wait Till I get my hands on you I can't You won't remember Unwrap my corpse And let it thaw In the eye of the needle I can't get out They'll check my wrist I'll faint a pulse I'm not the human You thought I was If you pet the night Sixth pentacle dice If you roll the seven St. michael dies They'll be no ransom Don't shut my mouth I scald the answer You're afraid of
@@adamkallin5160 if you didn't know, this song is about the Tanacu Exorcism, a real story about a woman from Romania who died after being treated for supposed demonic possession.
The more you look at it, the more this artwork gets weird. It looks like they're carrying that thing somewhere, but which way are they walking? Look at their feet. They're not walking at all. They're just standing there, holding that thing. WHAT?
This was definitely their best album unfortunately I never got to see them I saw the omar Rodriguez-Lopez group at highline ballroom in 2010 it was a good show
You both might alright know but, they used to be in a band called At The Drive-In before Omar wanted to make some more experimental stuff (leading to TMV). They've actually had somewhat of a reunion and have released some new tracks as At The Drive-In again. It's more like post-hardcore, but check them out, might like them.
I took lsd and told my friends that i want to listen this song ... It was a frenetic trip into a cosmic monstrous madness, haunted by terrible beings whispering or screaming the darkest truths behind the veil of our reality
Mars Volta on acid is fckin crazy. Me he tenido que quitar los audífonos o pausarle en momentos de lo brutal que se puede poner la experiencia. Recomendado 10\10 sobre todo el Francés the mute y amo Scabdates, en DXM es otro pedo.
Dissociatives are ridiculous with this band. I don't like DXM anymore but back around 2009 I had some awesome, memorable experiences with it and The Volta. Don't even get me started on the dearly departed MXE.
Chaotic cut short tour and went through drummers like after show condom use... they were huanted by spirits from a Oiji board they would mess around with during this era...
@@flatterswhite Haha cute, no they really aren't. You can subdivide any beat in any way you'd like to count it. A time signature is really just a function of time.
![The Mars Volta - Miranda That Ghost Just Isn't Holy Anymore [Full Song (Parts A-D) w/ lyrics]](http://i.ytimg.com/vi/BtgvF6Q71yk/mqdefault.jpg)
ok guys at the comments, we get it, you do drugs
They don't ranked up to pure music yet. They get there.
Deal with it, nerd.
Mew - Visuals 👍
Yes, I'm doing it. This is a complex and dense time signature track.
0:00 to 2:17 - 6/4 (lot of 3/4, but mostly 6/4)
2:17 to 2:52 - 9/4( easier to count as 18/8)
2:52 to 3:59 - 6/4 (lot of 3/4, but mostly 6/4)
3:59 to 4:31 - 9/4
4:31 to 4:48 - 8/4 (if you say it's 4/4, would fuck it up)
4:48 to 4:59 - 10/8 + 9/8 alternating which results into a 19/8
4:59 - a 6/4 bar
5:01 - a 5/4 bar
So 4:59 to 5:03 makes a 11/8.
5:03 to 5:46 - 6/4 (lot of 3/4, but mostly 6/4)
5:52 to 6:42 - no time signature at all I guess
6:42 to 7:24 - 4/4 (it's actually not 4/4 but it almost is, music isn't always precise, and neither my time signature countings are lol)
7:24 to 7:47: no time signature at all i guess x2
7:47 to 8:15- 9/4 (starting to count this here in this part is hard to assimilate that it is 9/4, cause the first moment of the counting is empty if you'd like to count it exactly as the 2 choruses before this one. But if you'd rather count it as the way it is, you can call it an 8/4 that comes before the 9/4 bars.)
8:15 to 9:38 - 17/8 (4+4+4+5)
9:38 to 9:42 - a 5/8 bar and a 7/8 bar
9:42 to 9:47 - 4/4
9:47 to 9:53 - two 9/8 bars (this one is pretty cool)
9:53 to 10:18 - 17/8 (4+4+4+5)
10:18 to 10:22 - a 5/8 bar and a 7/8 bar
10:22 to 10:27 - 4/4
10:27 to 10:38 - 9/8
10:39 to 10:41 - a 7/8 bar
10:41 to 11:02 - 4/4
11:02 to 11:19 - 2 bars of 13/8 (7+6) and 4 bars of 14/8 (7+7)
11:19 to 11:22 - a 9/4 bar
11:22 to 11:39 - 2 bars of 13/8 (7+6) and 4 bars of 14/8 (7+7)
11:39 to 11:45 - no time signature at all i guess x3 (at least purposefully)
11:45 to 14:12 - 4/4 (3+5)
14:12 to 14:37 - 17/8 (4+4+4+5)
14:37 to 14:41 - a 5/8 bar and a 7/8 bar
14:41 to 14:46 - 4/4
14:46 to 14:54 - you can count it as many ways, but I count it as 5/4+5/4+6/4+3/4+3/4
14:54 to 14:58 - 5/4
14:58 to end - 6/4 (lot of 3/4, but mostly 6/4)
the counting pace changes so many times in this song, it gets very confusing. but the biggest issue is to give the chorus a time signature, it is just an uncommon piece and I can't explain why
66/4 ?
You must've taken adderall. I've been there buddy. Thanks for the hard work. you rule!
And...
Some say he’s still working on it to this day
@@Coalazure thanks for remembering me that i have this here, I'll finish it rn
Believe it or Not, the time sig for this whole song is in *1/1*
No, you tonto
Learning the verse melody to myself on guitar by ear was the most magical moment of my life.
Respect
I remember thinking the beginning of this song making me feel like I was suddenly sucked into a bizarre and extra-dimensional world of mosaic alien beings and bright, unimaginable colors and shapes. Like jumping into a kaleidoscopic realm where creatures (like those from the anime "Neon Genesis Evangelion") warped out of. I was pretty sober, but the music was pushing so hard at being this foreign mind-altering experience.
You mean DMT?
This is the most accurate note on TMV
The soundtrack surrounding mount Olympus has evolved evidently
To me it just portrays my pain and rage very accurately in a purely sonic way
This is how I feel while listening...
The beginning sounds like being violently Televated toward a folding wormhole of Roulette Dares into a haunted dimension. Tremulant and taken off guard, you're still trying to comprehend these Landscape Tantrums. Why are these vibrations engulfing you so ominous and full of Bedlam. Then the calm verse riff emerges with Luciforms. That's you exiting the vortex to find yourself is an obscure new world full of surrealism and Tarantism. The lyrics cascade and conjure imagery that would only make sense to Salvador Dalí. The chorus is an Inertiatic explosion of ESP sonic booms. This delicate dance between eruptive and Soothsayer instrumentation gives complex dynamics throughout. Which then evolves, transposes, and mutates for the benefit of existence. Time is mandatory to witness such sonomorphs.
When the intermission manifests, you have already been overwhelmed for over 6 earth minutes. So a calm flow is welcomed as is the natural order of emotions. You think it's over. Though, your sedated nerves are Faminepulsed back to high pressure. The heavy chorus returns to melt any face within earshot, to reveal no one behind the mask. This music so potent it distorts even the vocals. "In the end they just gagged me to make him come out."
The horns section near the end is mathematical tranquility. The guitar solo therein is a lesson in virtuosity. One can Atone Vicariously as the whole world dies to this music. Yet the outro is the same as the intro. So back through the vortex to whence I came With Twilight As My Guide. Back to the filth I once knew. Back to the earthly realm. For human ears were never meant to witness such muscial mastery.
This whole album is like bending reality and space time to their will for a bit more than an hour. This song and the "intro" before it are the best start to an album possible... Never a bad album from these guys but nothing they did ever reached this magnitude
When this was out. I was totally listing to some really weird stuff because I thought Rock didn’t have anything left to offer. One guy I knew told me I should check out this Band The Mars Volta. I heard like one song and was like, ah they’re not bad. Then went back to the stuff I was listening to. A lot of Gamelan, Punjabi, Native American round dance chanting. Bach Harpsichord music played in reverse. Then like from out of the blue like three weeks ago I remembered The Mars Volta and TH-camd it. They really are good. I bought everything I could get. On CD because I have kids who don’t understand $150.00 Vinyl records.
Good stuff glad I found them again.
check out omar's solo stuff too if you haven't already. Solar Gambling, Se Dice Bisonte No Bufalo, Cryptomnesia, Zen Thrills and Un Escorpion Perfumado are probably good, general starting points. You'll probably enjoy the "Amsterdam albums" if you like Amputechture... and maybe Infinity Drips for the 'eastern' influence, although the vocals on that album are difficult to get past.
Also the band Anywhere which features Cedric here and there. Some vids on my channel, but the ST album is the best place to start
@@dlsNi Nome de guerre Cabal is pretty similar too!
Yea if you want a mint/unopened LP version of let's say Frances the Mute you're gonna have to pay up to 450$... At least last time I checked on discogs..
Extreme level of emotions
my ears have been fucked so beautifully
11:45 - woooow that sax is so awesome. Gosh I love Adrián !!
Pretty sure the guy on the left is the AVGN
That's what I'm sayin!!
I just love this track to pieces I swear
Don't we all
It's my second favorite song by them, I consider the entirety of Frances the Mute as my favorite.
I just thought I'd let everybody know that the kiosk in my temporal lobe is shaped like rosalynn carter.
Ive never been more frustrated than I am now... Trying to learn this on guitar and after about an hour, I'm giving up. Lol. Will forever love this song though.
learn it dude, let's do it together
5:03 every fucking time... every fucking time.
hahah just come across this comment by chance, so true, glad at keast 9 people evidently agree
The kiosk in my temporal lobe is shaped like Rosalyn Carter
The beginning sounds like being violently Televated toward a folding wormhole of Roulette Dares into a haunted dimension. Tremulant and taken off guard, you're still trying to comprehend these Landscape Tantrums. Why are these vibrations engulfing you so ominous and full of Bedlam. Then the calm verse riff emerges with Luciforms. That's you exiting the vortex to find yourself is an obscure new world full of surrealism and Tarantism. The lyrics cascade and conjure imagery that would only make sense to Salvador Dalí. The chorus is an Inertiatic explosion of ESP sonic booms. This delicate dance between eruptive and Soothsayer instrumentation gives complex dynamics throughout. Which then evolves, transposes, and mutates for the benefit of existence. Time is mandatory to witness such sonomorphs.
When the intermission manifests, you have already been overwhelmed for over 6 earth minutes. So a calm flow is welcomed as is the natural order of emotions. You think it's over. Though, your sedated nerves are Faminepulsed back to high pressure. The heavy chorus returns to melt any face within earshot, to reveal no one behind the mask. This music so potent it distorts even the vocals. "In the end they just gagged me to make him come out."
The horns section near the end is mathematical tranquility. The guitar solo therein is a lesson in virtuosity. One can Atone Vicariously as the whole world dies to this music. Yet the outro is the same as the intro. So back through the vortex to whence I came With Twilight As My Guide. Back to the filth I once knew. Back to the earthly realm. For human ears were never meant to witness such muscial mastery.
7:47 here we fucking go!
Wheeeeee!
Tell me it's over
Rusbel awaits
I've been to the surface
And nothing is there
Eyelids sank muffled
In the nerve aura sound
But when she awakes
Will she still be with us
My heart is darkclots
Leap year is late
How did you get here
Ask all but the bait
From a christ that went hissing
Constricting his cells
We summon by candle by book and by bell
Glossolalia coats my skin
Glycerin and turbulence
Stuffed the voice inside of God
Mirrors to the animals
The sermon goes mourning
Pricking it's hail
Slothful the child
That preys on the seed
Shall behead the drough
Wound under sleeves
I hope you have room
In a thicket of vines
Give me a moment
To clean what you've stole
The streets will hang high
Stretch ribs and let taste
We'll cover the smell with silver nitrate
Mending the cuts of your prosthetic faith
Glossolalia coats my skin
Glycerin and turbulence
Stuffed the voice inside of God
Mirrors to the animals
Then so long
Dear mnemonic
Assume the form
You've given me and I'll spill
Now hold on
Just hold my hand
Say that they made you
But you brought your own leash
Tell me no more no
Say I'm the last one
Outside
By the drift
You read my will
Of thread and itch
Failure to comply
As failure to decease
And still you won't know everything
I've built the fall
Sulking drained the fall of my pale will
Swarming by your steps
Licking the ankles of blasphemer guilts
It only meant to drape a plastic
Over the stuck pig scalp of head
To cover the sock where the flatline had spread
The kiosk in my temporal lobe
Is shaped like rosalyn carter
She says my map is home again
But torn face down
I have only but a million blemishes
To tell you all about
In the end they just gagged me
To make him come out
Gas me the hind
Of your five legged snare
Tooth picks the eye
But no things there
Down drags your waltz
Cross the alter top
From a sleep that
Depravation knew
Trespass your form
I'm void of dusk
I'd ask to look
But the mask stays on
You'll levitate
Teutonic print
Cruelty is the wrath
Of my instrument
In the end they just gagged me
To make him come out
You locked the cuffs
Arsenic erupts
Will you drink the shadow
Of my red hair
You and your false
Witness to God
You've one in the chamber
But your finger got stuck
Let slip the sound
Of a cry for help
But all was lost
On the night you walked
Palms speak through eyes
Serve your memory lost
I contaminate with insignias
In the end they just gagged me
To make him come out
Glossolalia coats my skin
Glycerin and turbulence
Stuffed the voice inside of God
Mirrors to the animals
Wait till it get my hands on you
I won't forget a face that left me
Just you wait
Till I get my hands on you
I can't
You won't remember
Unwrap my corpse
And let it thaw
In the eye of the needle
I can't get out
They'll check my wrist
I'll faint a pulse
I'm not the human
You thought I was
If you pet the night
Sixth pentacle dice
If you roll the seven
St. michael dies
They'll be no ransom
Don't shut my mouth
I scald the answer
You're afraid of
Clear as mud
Blame TH-cam, I put spaces in there for the breaks. Sorry my man.
No, I made a joke about the lyrics being hard to understand.
@@adamkallin5160 if you didn't know, this song is about the Tanacu Exorcism, a real story about a woman from Romania who died after being treated for supposed demonic possession.
cedric wrote a fucking book in one song, lets compare this to todays music lmao
Reminds me of Larks by King Crimson guess I have to check out this band now
There's a lot of KC on TMV.
Classic. Perfect Volta Album. Then they went downhill but we got this perfect album
Damn, I had forgotten just how amazing this album is.
The more you look at it, the more this artwork gets weird. It looks like they're carrying that thing somewhere, but which way are they walking? Look at their feet. They're not walking at all. They're just standing there, holding that thing. WHAT?
you know its the best song ever made when most replayed is very beginning - have yet to see that on another song on youtube
one of the best albums ever
This music sounds like background to the Jonestown Massacre. Love it.
The water has been poisoned as for our sinking.
I loathe witnessing the corruption of pure vibrations. Now our water turns us off...
Go figure
1000th like
definitely worth it
El grito del minuto 5:39 es lo maximo
I like this one alot
Genius
This was definitely their best album unfortunately I never got to see them I saw the omar Rodriguez-Lopez group at highline ballroom in 2010 it was a good show
Still hoping for a reunion at some day. Cedric and Omar seem to get along with each other pretty good these days.
You both might alright know but, they used to be in a band called At The Drive-In before Omar wanted to make some more experimental stuff (leading to TMV). They've actually had somewhat of a reunion and have released some new tracks as At The Drive-In again. It's more like post-hardcore, but check them out, might like them.
At the drive in was pretty good but definitely not like tmv. Saw volta one time at bonaroo by accident..so glad i did...
Cedric announced that TMV will reunite soon. What a time to be alive
@@FuckTheNewAliasSystem hmm
I skipped over this one and I feel like an idiot now. This is solid.
I took lsd and told my friends that i want to listen this song ... It was a frenetic trip into a cosmic monstrous madness, haunted by terrible beings whispering or screaming the darkest truths behind the veil of our reality
Sounds amazing
Its perfect. Time to hit the bong!
EXACTLY
Oooooaaa shit!! Hahahhaa the first time i heard this song i was so stoned hahaa
hahaha i just did and then read the comment, it's perfect timing
Same here
this song is the shit
Interesting Fact: there are hidden 0/1 time signatures. As well as 13mm time signatures.
Close to the edge - Yes ಠ ͜ʖ ಠ
Mars Volta on acid is fckin crazy. Me he tenido que quitar los audífonos o pausarle en momentos de lo brutal que se puede poner la experiencia. Recomendado 10\10 sobre todo el Francés the mute y amo Scabdates, en DXM es otro pedo.
Dissociatives are ridiculous with this band. I don't like DXM anymore but back around 2009 I had some awesome, memorable experiences with it and The Volta. Don't even get me started on the dearly departed MXE.
Man I fucking love that intro
AAAYY BOSS
you don't often see many videos with zero likes.
Now you do!
7:47
read a maple map and thompson is of night
What is the name at the first scle?? Plz
thumbs up if you remember how the first tour went for this record in 2006, where John didn't even play on the first shows (Santa Cruz/Pelatuma?)
Chaotic cut short tour and went through drummers like after show condom use... they were huanted by spirits from a Oiji board they would mess around with during this era...
@@AN7HON7 Wonder if they were really haunted or just wanted a cult following and a cool story + Paranoia from (self admitted) too much weed smoking
omg
poor guy, he owns nothing
Maybe he's a monk
7:47 : crazy solo !!!
As your attorney I highly advise you to not do acid to this song....😁
I took dmt and listen to this song it's safe to say my mind was fucked
quede aselga
Is the Chorus a 19/8 time signature?
Caio Andrade only satan knows
Time signatures are arbitrary, they're for ease of communication and organizing on sheet music. You can count this in 13.6/16 if you want.
@@jayocaine2946 Fuck you jayo
@@jayocaine2946 time signatures and fractions are different
@@flatterswhite Haha cute, no they really aren't. You can subdivide any beat in any way you'd like to count it. A time signature is really just a function of time.