Hola Cesy, gracias por la información! Todavía no lo sabía, pero acabo de investigarlo. Si lo entiendo bíen, como en este caso no tengo ningún ánimo de lucro, no debo pagar derechos de autor porque soy un interprete que no solicita ningun pago a nadie, correcto? ... SaLuu2 ... :)
@@Luuu-Music Buenas tardes, no te preocupes mi post solo es para informar sobre el autor legítimo, ya que hay un buen porcentaje de personas que atribuyen esta canción a otro personaje con diferente nacionalidad. Por cierto excelente interpretación, felicitaciones... 👏🏻 👏🏻 👏🏻 Nueva suscriptora.
Ahhh, muy bíen! Estoy muy de acuerdo contigo, es muy importante informarse bíen y no olvidarse de l@s creador@s de los tesoros culturales que nos alegran la vida! Cada vez que transcribo o arreglo una canción para grabar y publicarla me pongo a investigar para aprender algo sobre l@s compositor@s y las origenes de la musica... Muchas gracias por la suscripción y por las felicitaciones :)
Ya ves, ya tenemos un tema para tu próximo video! ¿Que te parece? ¿Te gusta mas la versión "normal" o prefieres la versión medio negra en mi menor de Violeta Parra? La partitura de la versión de Violeta Parra la encotrarías aquí: www.free-scores.com/sheetmusic?p=aiRq9sLeh8 ...jejeje ;)
Hola Rossmery, ¡muchas gracias por tu comentario! La música tradicional boliviana es un tesoro inmenso y estoy muy felíz de poder gozar de su riqueza desde lejos 😃 Un saludo muy cordial desde Alemania, Luuu
Ahhh, es verdad, lo siento! Ya lo subí, pero parece que todavía no está autorisado por free-scores, a veces tardan 1-2 días, asi que mañana debería estar en línea... Si quieres, te lo podría enviar por email, como es tu dirección?
Well Done! I just found this tonight as I have been putting my music in order and found I have some different versions of Ojos Azules. I've been playing this on my home made quena and zampona & realize I have adopted a blend of versions over the decades. Been wondering what the original is. So thanks for putting up your tab sheets (wherever did you get them?), not that they are original but I'm interested in taking a look and comparing notes and maybe working out and intro and ending. It sounds so fine on charango, tempting but it gave me RSI so it's basically an ornament these days.
Hi Ken, thanks for your comment! My arrangement is inspired by the versions recorded by "Los Uros Del Titicaca" (th-cam.com/video/BoLZRaM2vfA/w-d-xo.html), do you know them? I generated the score of my arrangement using a program called PowerTabs. On www.free-scores.com/sheetmusic?p=aiRq9sLeh8 you'll also find my transcription of Violeta Parra's live version, which is totally different (th-cam.com/video/fXxD6EA6oTw/w-d-xo.html). However, I have no idea who was the first to record this piece... Have a nice day, Luuu :)
@@Luuu-Music Thanks for the links Luuu. I came across "Los Uros Del Titicaca" only this past week. My obsession with Andean music started with Pachacamac's (Music of the Incas) album and Incantations (Panpipes of The Andes), LPs back in the 70s (that dates me). I think Incantations did Ojos Azules but called it "On The Wings of a Condor" The instruments and music was pretty rare in Australia at the time. It was only in the 90s that I discovered my sister in law's quena and started to make my own instruments. The internet really helped with that too. Now I have a drawer full of CDs and bools including Thevenot's books which a very kind forumites provided. Hard to match up scores with recorded music though. Anyway, one of the interesting things with Ojos Azules is you can start the melody on either B or E and still play it on a G tuned instrument. So, it's like a key change without changing the instruments key. Some scores and tabs reflect this as well. Maybe that indicates it's a pentatonic, though I haven't checked that. There are are few other Andean tunes where that kind of thing works as well. The 2 main runs in "Tiahuanaco" do that as well (B & E again). There is also a Sukay workbook by Quentin Howard helpful for some of their album tunes from "En Charango" "Cumbre" & "Return Of The Inca" This has been helpful as well for me: www.zamponistas.com/tunes.html#pdf
Hello again 😃 I think it's awesome that you've learned to build your own instruments! I really love the sound of the quena and the zampoña, I even have a quena and I know how to make it sound, but I've never really tried seriously to play it... As I don't know a lot about key changes and the tonal ranges of the quena, so I'm not sure If I understand what you wrote about that melody thing on a G tuned instrument, I suppose you meant that it's posible to play the tune in C major an in G major on the same instrument, but I dont' really understand why it doesn't work for all kinds of melodies unless it has to do with the limitations of the instruments or the melodies ranges... hmmm, interesting though... 😜 Btw. I didn't know Pachacamac's music so far, when it comes to Andean winds in first place I think about the music of Uña Ramos. Saludos, desde Alemania a Australia, Luuu :)
@@Luuu-Music OK, what i mean by that is, for example a zampona has set tubes B C D E F# G A B C etc. You can transpose Ojos Azules melody from the key where it begins on B to the key where it begins on E and still play that on the same zampona without having to bend any notes. This is because that melody has a certain restricted number of notes that just happen to not cause a key conflict. This is fairly unusual IME so it fascinates me when it happens. Quenas are variable in their ability and of course the player has much to do with it. I have heard of quenas that can play 4 octaves though most go to 2 or 3. I'm no expert on playing them and try to stick to just 2 octaves and a bit. It just gets so loud and high, I don't want to get my nice neighbours off side. It is easy to damage hearing with a quena. I use ear plugs for that reason. Anyway, a standard quena is tuned in G. Of course you can make one in any key, but if it's tuned down to D, it's called a quenacho, it's just that the majority tend to be these 2 keys where the lowest tone is the root of the instrument's major key. Basically , the fingering is most like a flageolet or penny whistle. You just lift one finger off the lowest tone hole in order to play the native key (G1 A1 B1 C1 D1 E1 F#1) and you over blow for the 2nd octave. If you simply overblow with all tone holes closed. it will usually not quite overblow a perfect octave. There is a thumb hole for this reason. Opening all tone holes, including the thumb, should play G2. However, quenas are not all the same regarding fingering. There is a principle in flute making that while both tone hole position and size both effects pitch, position has more influence in the 1st octave while size dominates in the 2nd octave. Therefore, there is only tone hole 1 position and size solution that allows that note to overblow in perfect pitch. Of course, the quena does not generally follow that western tuning technique. So the player has to make adjustments and different quenas will require different fingering patterns in higher octaves. There are a lot of conflicting fingering charts around, but it's generally pretty standard for octaves 1 & 2. The thumb hole tends to be a compromise with the tuning of several notes. So, it's not just automatically going to give you precise intonation. It's up to the player to finish each note., adjust embouchure breath etc. You can play accidentals (notes not in the native key) by using cross fingering or holing holing, but these are something of a fudge. A quena tuned in G is generally OK in C or D because you only have to fudge 1 note, but the more you have to fudge, the more skill is required to keep the scale together. This could turn into a forum, just as well we like to share our passion. Let me know if you need anything with quena, I'll see if I can help. There are some good videos around for zampona so maybe quena as well. Ken
Ah, I think, now I understand, thanks for the exponation :) A friend of mine started practising to play the high octave on his quena so I totally get what you said about damaging hearing and neighborship 😜 When it comes to charango and guitar, there are some right hand techniques which have a similar potential! Sounds like you could write a book about the andean wind instruments, very interesting though! Have you ever been to the Andes? Luuu
Hola luuu me propuse a sacarla en charango y mi pregunta es, ¿es posible obtener la pista de la guitarra sola para poder tocarla arriba con el charango ? desde ya muchas gracias por aportar las tablaturas y espero que no incomode mi pedido saludos!
Hola Lautaro, con mucho gusto! Voy a prepararte la pista cuanto antes y te la subo en free-scores, vale? Te aviso cuando la misión este cumplida! Muchisimas gracias por tu interes, y cualquier cosa: no dudes preguntarme ;)
Hola de nuevo, ya está, misión cumplida! La pista (mp3) te está esperando en free-scores: www.free-scores.com/sheetmusic?p=aiRq9sLeh8 ... iMucho exito y que te lo pases bien! Saludos... :)
GILBERTO ROJAS ENRIQUEZ - OJOS AZULES, CANCIÓN REGISTRADA en 1947 En SADAIC (Sociedad Argentina de Compositores y Autores) 🇧🇴 🙌🏻 ☺️
Hola Cesy, gracias por la información! Todavía no lo sabía, pero acabo de investigarlo. Si lo entiendo bíen, como en este caso no tengo ningún ánimo de lucro, no debo pagar derechos de autor porque soy un interprete que no solicita ningun pago a nadie, correcto? ... SaLuu2 ... :)
@@Luuu-Music Buenas tardes, no te preocupes mi post solo es para informar sobre el autor legítimo, ya que hay un buen porcentaje de personas que atribuyen esta canción a otro personaje con diferente nacionalidad. Por cierto excelente interpretación, felicitaciones... 👏🏻 👏🏻 👏🏻 Nueva suscriptora.
Ahhh, muy bíen! Estoy muy de acuerdo contigo, es muy importante informarse bíen y no olvidarse de l@s creador@s de los tesoros culturales que nos alegran la vida! Cada vez que transcribo o arreglo una canción para grabar y publicarla me pongo a investigar para aprender algo sobre l@s compositor@s y las origenes de la musica... Muchas gracias por la suscripción y por las felicitaciones :)
Exacto ❤️❤️🇧🇴🇧🇴🇧🇴🇧🇴🇧🇴
O
“Ojos azules, no llores, no llores ni te enamores”
👏🏽👏🏽👏🏽
Ya ves, ya tenemos un tema para tu próximo video! ¿Que te parece? ¿Te gusta mas la versión "normal" o prefieres la versión medio negra en mi menor de Violeta Parra? La partitura de la versión de Violeta Parra la encotrarías aquí: www.free-scores.com/sheetmusic?p=aiRq9sLeh8 ...jejeje ;)
Hermosa composición Boliviana del talentoso Artista Boliviano Gilberto Rojas 🇧🇴🇧🇴🇧🇴🇧🇴🇧🇴
Muchas gracias por escuchar y comentar! De verdad, ese tema es muy lindo, me encanta la música andina! SaLuu2 desde lejos :)
Ojos azules ya forma parte de la música tradicional boliviana 👏👏🇧🇴🌹
Hola Rossmery, ¡muchas gracias por tu comentario! La música tradicional boliviana es un tesoro inmenso y estoy muy felíz de poder gozar de su riqueza desde lejos 😃 Un saludo muy cordial desde Alemania, Luuu
Beautiful Bolivian song 🇧🇴❤️
Hola Cristhian, gracias por tu comentario! iViva la música tradicional boliviana! 😊🌎😊 SaLuu2
Wow , so skillfull and beautiful
Aww, thanks a lot, Marlene! I'm happy you liked it :)
Muy bien Luuu, lo hiciste muy bien.
Solo o con acompañamiento de la guitarra, da igual, hiciste un buen trabajo.
Muchisimas gracias, amigo, me alegro de que te guste! Que tengas un buen día... :)
Buenísimos 👏 👏 👏
Muchísimas gracias por los aplausos y saLuu2 desde Alemania :)
Hermos arreglo !!! Ya me lo estoy imprimiendo para aprenderlo !!!!
Que bien, asi me gusta... ;) ...SaLuu2 desde Alemania y que disfrutes aprendiendolo :)
@@Luuu-Music No lo encuentro en www.free-scores.com/ Saludos des de buenos aires argentina!
Ahhh, es verdad, lo siento! Ya lo subí, pero parece que todavía no está autorisado por free-scores, a veces tardan 1-2 días, asi que mañana debería estar en línea... Si quieres, te lo podría enviar por email, como es tu dirección?
Hola de nuevo, las partituras estan en linea: www.free-scores.com/sheetmusic?p=aiRq9sLeh8
super Lutz wunderschön👌✌
Herzlichen Dank, Ali! Freut mich... :)
Genial👏👏👏🤝
Gracias por el comentario y los aplausos, me alegra que te haya gustado 😛
Super! : )
Grazie mille, amico! ... :)
Well Done! I just found this tonight as I have been putting my music in order and found I have some different versions of Ojos Azules. I've been playing this on my home made quena and zampona & realize I have adopted a blend of versions over the decades. Been wondering what the original is. So thanks for putting up your tab sheets (wherever did you get them?), not that they are original but I'm interested in taking a look and comparing notes and maybe working out and intro and ending. It sounds so fine on charango, tempting but it gave me RSI so it's basically an ornament these days.
Hi Ken, thanks for your comment! My arrangement is inspired by the versions recorded by "Los Uros Del Titicaca" (th-cam.com/video/BoLZRaM2vfA/w-d-xo.html), do you know them? I generated the score of my arrangement using a program called PowerTabs. On www.free-scores.com/sheetmusic?p=aiRq9sLeh8 you'll also find my transcription of Violeta Parra's live version, which is totally different (th-cam.com/video/fXxD6EA6oTw/w-d-xo.html). However, I have no idea who was the first to record this piece... Have a nice day, Luuu :)
@@Luuu-Music Thanks for the links Luuu. I came across "Los Uros Del Titicaca" only this past week. My obsession with Andean music started with Pachacamac's (Music of the Incas) album and Incantations (Panpipes of The Andes), LPs back in the 70s (that dates me). I think Incantations did Ojos Azules but called it "On The Wings of a Condor"
The instruments and music was pretty rare in Australia at the time. It was only in the 90s that I discovered my sister in law's quena and started to make my own instruments. The internet really helped with that too. Now I have a drawer full of CDs and bools including Thevenot's books which a very kind forumites provided. Hard to match up scores with recorded music though.
Anyway, one of the interesting things with Ojos Azules is you can start the melody on either B or E and still play it on a G tuned instrument. So, it's like a key change without changing the instruments key. Some scores and tabs reflect this as well. Maybe that indicates it's a pentatonic, though I haven't checked that. There are are few other Andean tunes where that kind of thing works as well. The 2 main runs in "Tiahuanaco" do that as well (B & E again).
There is also a Sukay workbook by Quentin Howard helpful for some of their album tunes from "En Charango" "Cumbre" & "Return Of The Inca"
This has been helpful as well for me:
www.zamponistas.com/tunes.html#pdf
Hello again 😃 I think it's awesome that you've learned to build your own instruments! I really love the sound of the quena and the zampoña, I even have a quena and I know how to make it sound, but I've never really tried seriously to play it... As I don't know a lot about key changes and the tonal ranges of the quena, so I'm not sure If I understand what you wrote about that melody thing on a G tuned instrument, I suppose you meant that it's posible to play the tune in C major an in G major on the same instrument, but I dont' really understand why it doesn't work for all kinds of melodies unless it has to do with the limitations of the instruments or the melodies ranges... hmmm, interesting though... 😜 Btw. I didn't know Pachacamac's music so far, when it comes to Andean winds in first place I think about the music of Uña Ramos. Saludos, desde Alemania a Australia, Luuu :)
@@Luuu-Music OK, what i mean by that is, for example a zampona has set tubes B C D E F# G A B C etc. You can transpose Ojos Azules melody from the key where it begins on B to the key where it begins on E and still play that on the same zampona without having to bend any notes. This is because that melody has a certain restricted number of notes that just happen to not cause a key conflict. This is fairly unusual IME so it fascinates me when it happens.
Quenas are variable in their ability and of course the player has much to do with it. I have heard of quenas that can play 4 octaves though most go to 2 or 3. I'm no expert on playing them and try to stick to just 2 octaves and a bit. It just gets so loud and high, I don't want to get my nice neighbours off side. It is easy to damage hearing with a quena. I use ear plugs for that reason. Anyway, a standard quena is tuned in G. Of course you can make one in any key, but if it's tuned down to D, it's called a quenacho, it's just that the majority tend to be these 2 keys where the lowest tone is the root of the instrument's major key. Basically , the fingering is most like a flageolet or penny whistle. You just lift one finger off the lowest tone hole in order to play the native key (G1 A1 B1 C1 D1 E1 F#1) and you over blow for the 2nd octave.
If you simply overblow with all tone holes closed. it will usually not quite overblow a perfect octave. There is a thumb hole for this reason. Opening all tone holes, including the thumb, should play G2. However, quenas are not all the same regarding fingering.
There is a principle in flute making that while both tone hole position and size both effects pitch, position has more influence in the 1st octave while size dominates in the 2nd octave. Therefore, there is only tone hole 1 position and size solution that allows that note to overblow in perfect pitch. Of course, the quena does not generally follow that western tuning technique. So the player has to make adjustments and different quenas will require different fingering patterns in higher octaves. There are a lot of conflicting fingering charts around, but it's generally pretty standard for octaves 1 & 2.
The thumb hole tends to be a compromise with the tuning of several notes. So, it's not just automatically going to give you precise intonation. It's up to the player to finish each note., adjust embouchure breath etc.
You can play accidentals (notes not in the native key) by using cross fingering or holing holing, but these are something of a fudge. A quena tuned in G is generally OK in C or D because you only have to fudge 1 note, but the more you have to fudge, the more skill is required to keep the scale together.
This could turn into a forum, just as well we like to share our passion. Let me know if you need anything with quena, I'll see if I can help. There are some good videos around for zampona so maybe quena as well.
Ken
Ah, I think, now I understand, thanks for the exponation :) A friend of mine started practising to play the high octave on his quena so I totally get what you said about damaging hearing and neighborship 😜 When it comes to charango and guitar, there are some right hand techniques which have a similar potential! Sounds like you could write a book about the andean wind instruments, very interesting though! Have you ever been to the Andes? Luuu
Lindo
Merci beaucoup, Marie! Por cierto, tus ultimos videos me han gustado mucho :)
Hola luuu me propuse a sacarla en charango y mi pregunta es, ¿es posible obtener la pista de la guitarra sola para poder tocarla arriba con el charango ? desde ya muchas gracias por aportar las tablaturas y espero que no incomode mi pedido saludos!
Hola Lautaro, con mucho gusto! Voy a prepararte la pista cuanto antes y te la subo en free-scores, vale? Te aviso cuando la misión este cumplida! Muchisimas gracias por tu interes, y cualquier cosa: no dudes preguntarme ;)
Hola de nuevo, ya está, misión cumplida! La pista (mp3) te está esperando en free-scores: www.free-scores.com/sheetmusic?p=aiRq9sLeh8 ... iMucho exito y que te lo pases bien! Saludos... :)
Que interactues con tu audiencia dice mucho de tu sencillez y calidad de persona
:-)
... ;-) ...