It must be a great joy for the father (Christoph) to see such talent. Magnificent voice: warm, soft, yet powerful over the full tessitura, poignant rendition. Piano also is wonderful, clear and quite supportive for the singer. In a nutshell, this is a massive performance, coming at par with those with Fischer Diskau. I never thought this could de be attainable.
Agreed, I also stumbled across Julian's 'Schwanengesang' on youtube recently th-cam.com/video/_fZCNfonuzQ/w-d-xo.html and it's given me a whole new joy in listening to these.
Ich schließe mich den Vorredner voll und ganz an. Den Vater verehren wir schon viele viele Jahre und freuen uns jetzt über und für den Sohn Punkt er ist so gut geworden Punkt in Seehaus was ist auch ein tolles Erlebnis
Die Stimme klingt so natürlich und selbstverständlich und jedes Wort ist klar zu verstehen. Timbre stimmt immer und passt sich dem Ausdruck an. Interpretation, Stimmgebung in perfekter Balance. Vielen Dank an das Duo!
Was für eine wunderschöne Darbietung von bd. Künstlern. Pregardien singt sanft und gleichzeitig kraftvoll.Wunderbar intoniert und jedes Wort klar und deutlich, sehr schön!
Gives me a bit of a whiplash whenever I see Hyung-ki Joo being a "serious" musician. What a superstar, and I don't say this only because he shares my last name.
Schubert in its very own universe. Julian and Hyung Ki are lightyears far away from Mainstream-Knödelklimper-Stuff. Words ain't able to express such level of artwork.
A tomber par terre. Tellement beau et intense. Comment ne pas etre amoureux de Schubert ! Winterreise : voyage dans le froid. Voyage dans la solitude. Voyage quand tout est perdu y compris l illusion de l amour. Decapage de l etre. Apre.
Peregolesi lived only 23 years, yet his "Stabat Mater" and other works live forever. I write dramas and novels, etc., and compose simple hymns and songs... composing, even simple, short works, requires a completely level of concentration...Handel didn't eat for a week while composing Messiah, but at least he knew the maid set his food outside the door every day...at least he had that. Now as then,there is no support for the creative genius but when we die, what a grab for our work! The John and Catherine McArthur Foundation was set up for such, but was usurped and now arts, literature and music are gravely politicised and compromised, especially in the USA. Pregardien and Hyung-ki are shining lights for the future of great music.
@@fredrickroll06His ‘Schöne Müllerin’ has equally strange alterations from the norm. I can see why a singer would want to do something new with such familiar repertoire, but it would be good to know where these innovations are coming from.
Beautiful tenor voice. Typical tenor, can't resist a few ornamentations here and there...which are, indeed, lovely. Delightful surprise, but baritone Peter Mattei is still my Wintereise "supremo!" Look forward to hearing the remaining Liedern and young Pregardien, jr's interpretation of other great works. Bravo.
He's a tenor. They do that. Than after performing an outstanding work and bring the audience to our feet, and tears, etc., they will start lamenting the one nano second when they thought they were a microtone off. You can spot them around Lincoln Center - they're the ones wearing shirts and ties and little scarves in the hottest days of summer - protecting the ""instrument" so to speak. Absolutely lovable!!!
Toujours aussi exceptionnel ce chanteur musicalité et puis c’est un Mail cette souplesse de la voix il passe en voix de tête et après c’est c’est magnifique beaucoup de musicalité et beaucoup de vie beaucoup de sincérité vraiment exceptionnel donc un exemple à suivre et j’aimerais avoir le texte en commentaire à côté pour pouvoir travailler avec lui voilà merci
Exceptionnel c’est ce chanteur chante merveilleusement bien quelle nuance dans la voix quelle sensibilité et puis l’accent allemand j’aimerais bien en est mon inspiré pour chanter lead d’ailleurs les leaders de Schubert et j’ai aurais aimé avoir les paroles sur le côté dans les commentaires c’est sympa parce que ça aidera à intégrer la la mélodie plus rapidement et surtout travailler le texte avec des chanteurs exceptionnelles bien sûr merci à vous
It occurred to me recently that the sudden and traumatic loss of the love of his life may have pushed the protagonist of the Winterreise into an episode of manic-depressive psychosis. He goes through extreme mood swings from deep depression (e.g., Gefror'ne Tränen, Wasserflut, Einsamkeit) to emotional highs (Der Stürmische Morgen) and even phantasies of divinity and omnipotence (Mut). He also has paranoid fantasies (Die Wetterfahne) and hallucinations (Irrlicht, Täuschung). The end is ambiguous. Is Der Leiermann an allegory of death (suicide, freezing to death somewhere) or has he finally found a like-minded individual with whom he can share his thoughts and feelings and regain control over his life and his emotions? It's this ambiguity that makes the end so powerful and thought-provoking.
There is something archetypal about the figure of the Hurdy-Gurdy Man. I recognize him as an image first encountered in my childhood. His origin is Eastern Europe. Why do I think he might be Jewish? The Fiddler on The Roof. The Rag Picker. The Outcast The Stranger among us who has looked upon things we all shy away from and so, we shy away from him all the while knowing he has something wise and terrible to teach us. Someone recently said to me that more than being loved, we need to feel that we belong. I thought about that and it feels right ! Family, Religion, Nation, City Class Sexual orientation Local Sports Team College Fraternity Political party These are things we belong to. We support them. We exalt them. We defend them. We oppose those who attack them. We feel elated when another member of our tribe succeeds. What does it feel like when we belong to no group? Who among us does not belong to any group? The beggar. The homeless The elderly living alone. The black man in a white world. The mis-shapen The grotesque. This is the Hurdy Gurdy man.....the Leiermann The one we fear most because he lives our greatest nightmare. But when we are dying we feel the ultimate alone-ness. We are alive but no longer belong to the world of the living. Perhaps Schubert, who was dying when he wrote this, was making common cause with the Leiermann. Outcasts... together. " May I come along? Will you play my song
The words are Mullers, but the emotional expression is so richly conveyed by Schubert. Who is more alienated, misinterpreted, plagiarised and abused than the creative genius. Not the interpretive genius, but the creative genius. It's as if academia can't wait for us to return to the Lord so they can plagiarise, shred and exploit our words for generations to come! Much of my work has been lost. Perhaps if I had returned to England...perhaps...
Wofür lernt einer eigentlich singen, wenn dann so etwas dargeboten wird? Ein Fritz Wunderlich, hätte er das noch singen können, müsste sich an den Kopf greifen, so wie ich auch. Ein besserer Amateur kann so singen, ok, aber das ist also das höchste künstlerische Niveau der heutigen Tage?? Ganz konkret fehlt hier der lockere Unterkiefer, die Stimme ist zu flach. Singt man so Lieder? Schuberts Freund Vogl war immerhin Opernsänger…
Speaking as a former stage director, and composer of simple songs, however... The emotional intensity of Winterreise is such that I would never place the audience so close to the performer. He needs a "protective" space, and, we want to watch and hear him, not the audience. Plus, the accompanist comes across as an upstaging narcissus: the vivid shirt and weskit belong in a nightclub, not in an intense tragedy de facto performed by a solo artiste, working with the most sensitive and quirky of all instruments, i.e., the human voice. A little "sobriety" would be in order - and that includes leaving the sniggering outside the door, or back off. Back again to the greatest performance of all time Swedish TV production of Winterreise with Peter Mattei accompanied by David Janssen - STUNNING! Only comparison wasa when Jean Pierre Rampal mesmerised an entire theatre in Italy with Debussy's La Mer! The Italians wouldn't let him off the stage... he got us back, 🤣. Now someone with means and method kindly give young Pregardien the exposure he so richly deserves... A "duel" between him and Peter (Mattei) comes to mind... :)
It must be a great joy for the father (Christoph) to see such talent. Magnificent voice: warm, soft, yet powerful over the full tessitura, poignant rendition. Piano also is wonderful, clear and quite supportive for the singer. In a nutshell, this is a massive performance, coming at par with those with Fischer Diskau. I never thought this could de be attainable.
Agreed, I also stumbled across Julian's 'Schwanengesang' on youtube recently
th-cam.com/video/_fZCNfonuzQ/w-d-xo.html
and it's given me a whole new joy in listening to these.
@TheMuston We were also very delighted and grateful to witness this wonderful performance live. Thank you for your comment!
Ich schließe mich den Vorredner voll und ganz an. Den Vater verehren wir schon viele viele Jahre und freuen uns jetzt über und für den Sohn Punkt er ist so gut geworden Punkt in Seehaus was ist auch ein tolles Erlebnis
Was für ein großartiger Sänger und Interpret!
Vielen Dank fürs Hochladen! Eine fantastische und berührende Interpretation. Lieber Herr Prégardien, es ist ein Genuss, Ihnen zuzuhören!!
Beautiful and terrible, the darkest piece of music ever composed. M.Prégardien delivers a marvelously controlled performance.
This is a treasure. I'm glad I came across this fantastic performance.
Die Stimme klingt so natürlich und selbstverständlich und jedes Wort ist klar zu verstehen. Timbre stimmt immer und passt sich dem Ausdruck an. Interpretation, Stimmgebung in perfekter Balance. Vielen Dank an das Duo!
Was für eine wunderschöne Darbietung von bd. Künstlern. Pregardien singt sanft und gleichzeitig kraftvoll.Wunderbar intoniert und jedes Wort klar und deutlich, sehr schön!
❤
Perfect. Singer and pianist.
Words can't describe the marvellous artwork Schubert and also the interprets have created. I'm just speechless.
I cried :;( So heartbreakingly beautiful.. So profound
Magnificent interpretation, bravo!
Gives me a bit of a whiplash whenever I see Hyung-ki Joo being a "serious" musician. What a superstar, and I don't say this only because he shares my last name.
Eine wunderbare Intonation und diese scheinbare Leichtigkeit im Gesang bei dieser schwierig zu singenden Komposition . Großartig !😍🙏
Quelle voix splendide et quel Grand Artiste !
Complimenti! Bella interpretazione.
Magnifique ce Julian Prégardien. Bravo
Schubert in its very own universe. Julian and Hyung Ki are lightyears far away from Mainstream-Knödelklimper-Stuff. Words ain't able to express such level of artwork.
Toll. So ein gefühlvoller Gesang. Anrühren.
Phantastisch, auch die Aufnahmetechnik - kann mir gar nicht vorstellen, daß das in dem Raum so gut geklungen hat.
A tomber par terre. Tellement beau et intense. Comment ne pas etre amoureux de Schubert ! Winterreise : voyage dans le froid. Voyage dans la solitude. Voyage quand tout est perdu y compris l illusion de l amour. Decapage de l etre. Apre.
Es berührt und bewegt, schafft ein klares Gefühl, danke
Each time I see "Franz Schubert (1797 - 1928)" it makes me so sad that he died so young. RIP, genius.
How much richer would the music repertoire be had he lived to 131 years old ;)
@@crushedhearts 🤣🤣
Peregolesi lived only 23 years, yet his "Stabat Mater" and other works live forever. I write dramas and novels, etc., and compose simple hymns and songs... composing, even simple, short works, requires a completely level of concentration...Handel didn't eat for a week while composing Messiah, but at least he knew the maid set his food outside the door every day...at least he had that. Now as then,there is no support for the creative genius but when we die, what a grab for our work! The John and Catherine McArthur Foundation was set up for such, but was usurped and now arts, literature and music are gravely politicised and compromised, especially in the USA. Pregardien and Hyung-ki are shining lights for the future of great music.
This was an early study for me as a young University Vocal student. Wonderfully performed here!
Thank you❤so beautiful ❤️
Wunderbare Aufführung!
Such a forceful rendition of Die Wetterfahne. Amazing performance. 👍👍
Exquisite interpretation
Wunderbar.
Oh Müller’s original text！
Wunderbar ！
Only very few people know about Mueller's original text. I wonder why he did not follow poet's oder if he really apprecite for originality.
Which edition is this? There are a couple of slight deviations in the music as well.
@@fredrickroll06His ‘Schöne Müllerin’ has equally strange alterations from the norm. I can see why a singer would want to do something new with such familiar repertoire, but it would be good to know where these innovations are coming from.
amazing.
Beautiful tenor voice. Typical tenor, can't resist a few ornamentations here and there...which are, indeed, lovely. Delightful surprise, but baritone Peter Mattei is still my Wintereise "supremo!" Look forward to hearing the remaining Liedern and young Pregardien, jr's interpretation of other great works. Bravo.
감동적인 해석과 연주 감사합니다!
Lovely!
großartig, insbesonders auch die Klavierbegleitung !!
Piano could have been much better.
@@musikguru1 a bit better is always possible, dependend upon personal expertise and emotions. best regards from vna, karl
I noticed he added new notes to the score. I liked it but it sounded surprising.
He's a tenor. They do that. Than after performing an outstanding work and bring the audience to our feet, and tears, etc., they will start lamenting the one nano second when they thought they were a microtone off. You can spot them around Lincoln Center - they're the ones wearing shirts and ties and little scarves in the hottest days of summer - protecting the ""instrument" so to speak. Absolutely lovable!!!
@@larkatdawn LOL 🤣
Thank you for uploading :D
Love how the video description states that schubert lived from 1797 - 1928... that guy has seen it all
Indeed! Exceptional "longevity" for such a brilliant mind.
The pianist placed a sheet of paper on the strings for "Der Leiermann." Was this directed by Schubert in the music?
Schön
I’m hearing some sort of percussion instrument along with the piano during Die Leiermann…
It’s a piece of paper he put in the strings. ‘Prepared piano’.
Toujours aussi exceptionnel ce chanteur musicalité et puis c’est un Mail cette souplesse de la voix il passe en voix de tête et après c’est c’est magnifique beaucoup de musicalité et beaucoup de vie beaucoup de sincérité vraiment exceptionnel donc un exemple à suivre et j’aimerais avoir le texte en commentaire à côté pour pouvoir travailler avec lui voilà merci
So großartig wie sein Vater.
Ich glaubt nur Engeln könnten so gut singen und spielen!!!
Exceptionnel c’est ce chanteur chante merveilleusement bien quelle nuance dans la voix quelle sensibilité et puis l’accent allemand j’aimerais bien en est mon inspiré pour chanter lead d’ailleurs les leaders de Schubert et j’ai aurais aimé avoir les paroles sur le côté dans les commentaires c’est sympa parce que ça aidera à intégrer la la mélodie plus rapidement et surtout travailler le texte avec des chanteurs exceptionnelles bien sûr merci à vous
i like that
It occurred to me recently that the sudden and traumatic loss of the love of his life may have pushed the protagonist of the Winterreise into an episode of manic-depressive psychosis. He goes through extreme mood swings from deep depression (e.g., Gefror'ne Tränen, Wasserflut, Einsamkeit) to emotional highs (Der Stürmische Morgen) and even phantasies of divinity and omnipotence (Mut). He also has paranoid fantasies (Die Wetterfahne) and hallucinations (Irrlicht, Täuschung).
The end is ambiguous. Is Der Leiermann an allegory of death (suicide, freezing to death somewhere) or has he finally found a like-minded individual with whom he can share his thoughts and feelings and regain control over his life and his emotions? It's this ambiguity that makes the end so powerful and thought-provoking.
Oh go back on the couch, for Heaven's sake!
@@larkatdawn ?
Ich kenne keine schönere Aufnahme.🫶👍
🫶
👌🇪🇸
Good morning. The date of death of Franz Schubert is 1828 (not 1928). It would be nice if you could correct it. Thank you for this video
Ich male dir,
weil er so scheen is,
ans Tor ein Bild
von meinem
Porsche.
Several better performances are available.
There is something archetypal about the figure of the Hurdy-Gurdy Man.
I recognize him as an image first encountered in my childhood.
His origin is Eastern Europe.
Why do I think he might be Jewish?
The Fiddler on The Roof.
The Rag Picker.
The Outcast
The Stranger among us who has looked upon things we all shy away from and so, we shy away from him all the while knowing he has something wise and terrible to teach us.
Someone recently said to me that more than being loved, we need to feel that we belong.
I thought about that and it feels right !
Family,
Religion,
Nation,
City
Class
Sexual orientation
Local Sports Team
College
Fraternity
Political party
These are things we belong to.
We support them.
We exalt them.
We defend them.
We oppose those who attack them.
We feel elated when another member of our tribe succeeds.
What does it feel like when we belong to no group?
Who among us does not belong to any group?
The beggar.
The homeless
The elderly living alone.
The black man in a white world.
The mis-shapen
The grotesque.
This is the Hurdy Gurdy man.....the Leiermann The one we fear most because he lives our greatest nightmare.
But when we are dying we feel the ultimate alone-ness.
We are alive but no longer belong to the world of the living.
Perhaps Schubert, who was dying when he wrote this, was making common cause with the Leiermann. Outcasts... together.
" May I come along? Will you play my song
Sorry, but no. Definitely not jewish :)
The words are Mullers, but the emotional expression is so richly conveyed by Schubert. Who is more alienated, misinterpreted, plagiarised and abused than the creative genius. Not the interpretive genius, but the creative genius. It's as if academia can't wait for us to return to the Lord so they can plagiarise, shred and exploit our words for generations to come! Much of my work has been lost. Perhaps if I had returned to England...perhaps...
Шуберту добавили 100 років життя)
Lovely voice…shame about a few flat vowels!
intrigued by your comment... please elaborate
Wofür lernt einer eigentlich singen, wenn dann so etwas dargeboten wird? Ein Fritz Wunderlich, hätte er das noch singen können, müsste sich an den Kopf greifen, so wie ich auch. Ein besserer Amateur kann so singen, ok, aber das ist also das höchste künstlerische Niveau der heutigen Tage?? Ganz konkret fehlt hier der lockere Unterkiefer, die Stimme ist zu flach. Singt man so Lieder? Schuberts Freund Vogl war immerhin Opernsänger…
Speaking as a former stage director, and composer of simple songs, however... The emotional intensity of Winterreise is such that I would never place the audience so close to the performer. He needs a "protective" space, and, we want to watch and hear him, not the audience. Plus, the accompanist comes across as an upstaging narcissus: the vivid shirt and weskit belong in a nightclub, not in an intense tragedy de facto performed by a solo artiste, working with the most sensitive and quirky of all instruments, i.e., the human voice. A little "sobriety" would be in order - and that includes leaving the sniggering outside the door, or back off.
Back again to the greatest performance of all time Swedish TV production of Winterreise with Peter Mattei accompanied by David Janssen - STUNNING! Only comparison wasa when Jean Pierre Rampal mesmerised an entire theatre in Italy with Debussy's La Mer! The Italians wouldn't let him off the stage... he got us back, 🤣. Now someone with means and method kindly give young Pregardien the exposure he so richly deserves...
A "duel" between him and Peter (Mattei) comes to mind... :)
Totally clueless. Fortunately you can tell if they know what they are doing on the first word - so only a few seconds of my life wasted.
sorry, but no
Too much mannered and jazzy. I agree.
@@romainlehmann9830And too loud.
Too much theater 😯
Genius music, very fine singing, but the piano playing, a little quirky, uneven and inconsistent.. IMO
Great singing.