It must be a great joy for the father (Christoph) to see such talent. Magnificent voice: warm, soft, yet powerful over the full tessitura, poignant rendition. Piano also is wonderful, clear and quite supportive for the singer. In a nutshell, this is a massive performance, coming at par with those with Fischer Diskau. I never thought this could de be attainable.
Agreed, I also stumbled across Julian's 'Schwanengesang' on youtube recently th-cam.com/video/_fZCNfonuzQ/w-d-xo.html and it's given me a whole new joy in listening to these.
Ich schließe mich den Vorredner voll und ganz an. Den Vater verehren wir schon viele viele Jahre und freuen uns jetzt über und für den Sohn Punkt er ist so gut geworden Punkt in Seehaus was ist auch ein tolles Erlebnis
Was für eine wunderschöne Darbietung von bd. Künstlern. Pregardien singt sanft und gleichzeitig kraftvoll.Wunderbar intoniert und jedes Wort klar und deutlich, sehr schön!
Die Stimme klingt so natürlich und selbstverständlich und jedes Wort ist klar zu verstehen. Timbre stimmt immer und passt sich dem Ausdruck an. Interpretation, Stimmgebung in perfekter Balance. Vielen Dank an das Duo!
Speaking as a former stage director, and composer of simple songs, however... The emotional intensity of Winterreise is such that I would never place the audience so close to the performer. He needs a "protective" space, and, we want to watch and hear him, not the audience. Plus, the accompanist comes across as an upstaging narcissus: the vivid shirt and weskit belong in a nightclub, not in an intense tragedy de facto performed by a solo artiste, working with the most sensitive and quirky of all instruments, i.e., the human voice. A little "sobriety" would be in order - and that includes leaving the sniggering outside the door, or back off. Back again to the greatest performance of all time Swedish TV production of Winterreise with Peter Mattei accompanied by David Janssen - STUNNING! Only comparison wasa when Jean Pierre Rampal mesmerised an entire theatre in Italy with Debussy's La Mer! The Italians wouldn't let him off the stage... he got us back, 🤣. Now someone with means and method kindly give young Pregardien the exposure he so richly deserves... A "duel" between him and Peter (Mattei) comes to mind... :)
Gives me a bit of a whiplash whenever I see Hyung-ki Joo being a "serious" musician. What a superstar, and I don't say this only because he shares my last name.
Schubert in its very own universe. Julian and Hyung Ki are lightyears far away from Mainstream-Knödelklimper-Stuff. Words ain't able to express such level of artwork.
Peregolesi lived only 23 years, yet his "Stabat Mater" and other works live forever. I write dramas and novels, etc., and compose simple hymns and songs... composing, even simple, short works, requires a completely level of concentration...Handel didn't eat for a week while composing Messiah, but at least he knew the maid set his food outside the door every day...at least he had that. Now as then,there is no support for the creative genius but when we die, what a grab for our work! The John and Catherine McArthur Foundation was set up for such, but was usurped and now arts, literature and music are gravely politicised and compromised, especially in the USA. Pregardien and Hyung-ki are shining lights for the future of great music.
Beautiful tenor voice. Typical tenor, can't resist a few ornamentations here and there...which are, indeed, lovely. Delightful surprise, but baritone Peter Mattei is still my Wintereise "supremo!" Look forward to hearing the remaining Liedern and young Pregardien, jr's interpretation of other great works. Bravo.
A tomber par terre. Tellement beau et intense. Comment ne pas etre amoureux de Schubert ! Winterreise : voyage dans le froid. Voyage dans la solitude. Voyage quand tout est perdu y compris l illusion de l amour. Decapage de l etre. Apre.
@@fredrickroll06His ‘Schöne Müllerin’ has equally strange alterations from the norm. I can see why a singer would want to do something new with such familiar repertoire, but it would be good to know where these innovations are coming from.
He's a tenor. They do that. Than after performing an outstanding work and bring the audience to our feet, and tears, etc., they will start lamenting the one nano second when they thought they were a microtone off. You can spot them around Lincoln Center - they're the ones wearing shirts and ties and little scarves in the hottest days of summer - protecting the ""instrument" so to speak. Absolutely lovable!!!
Toujours aussi exceptionnel ce chanteur musicalité et puis c’est un Mail cette souplesse de la voix il passe en voix de tête et après c’est c’est magnifique beaucoup de musicalité et beaucoup de vie beaucoup de sincérité vraiment exceptionnel donc un exemple à suivre et j’aimerais avoir le texte en commentaire à côté pour pouvoir travailler avec lui voilà merci
Exceptionnel c’est ce chanteur chante merveilleusement bien quelle nuance dans la voix quelle sensibilité et puis l’accent allemand j’aimerais bien en est mon inspiré pour chanter lead d’ailleurs les leaders de Schubert et j’ai aurais aimé avoir les paroles sur le côté dans les commentaires c’est sympa parce que ça aidera à intégrer la la mélodie plus rapidement et surtout travailler le texte avec des chanteurs exceptionnelles bien sûr merci à vous
It occurred to me recently that the sudden and traumatic loss of the love of his life may have pushed the protagonist of the Winterreise into an episode of manic-depressive psychosis. He goes through extreme mood swings from deep depression (e.g., Gefror'ne Tränen, Wasserflut, Einsamkeit) to emotional highs (Der Stürmische Morgen) and even phantasies of divinity and omnipotence (Mut). He also has paranoid fantasies (Die Wetterfahne) and hallucinations (Irrlicht, Täuschung). The end is ambiguous. Is Der Leiermann an allegory of death (suicide, freezing to death somewhere) or has he finally found a like-minded individual with whom he can share his thoughts and feelings and regain control over his life and his emotions? It's this ambiguity that makes the end so powerful and thought-provoking.
There is something archetypal about the figure of the Hurdy-Gurdy Man. I recognize him as an image first encountered in my childhood. His origin is Eastern Europe. Why do I think he might be Jewish? The Fiddler on The Roof. The Rag Picker. The Outcast The Stranger among us who has looked upon things we all shy away from and so, we shy away from him all the while knowing he has something wise and terrible to teach us. Someone recently said to me that more than being loved, we need to feel that we belong. I thought about that and it feels right ! Family, Religion, Nation, City Class Sexual orientation Local Sports Team College Fraternity Political party These are things we belong to. We support them. We exalt them. We defend them. We oppose those who attack them. We feel elated when another member of our tribe succeeds. What does it feel like when we belong to no group? Who among us does not belong to any group? The beggar. The homeless The elderly living alone. The black man in a white world. The mis-shapen The grotesque. This is the Hurdy Gurdy man.....the Leiermann The one we fear most because he lives our greatest nightmare. But when we are dying we feel the ultimate alone-ness. We are alive but no longer belong to the world of the living. Perhaps Schubert, who was dying when he wrote this, was making common cause with the Leiermann. Outcasts... together. " May I come along? Will you play my song
The words are Mullers, but the emotional expression is so richly conveyed by Schubert. Who is more alienated, misinterpreted, plagiarised and abused than the creative genius. Not the interpretive genius, but the creative genius. It's as if academia can't wait for us to return to the Lord so they can plagiarise, shred and exploit our words for generations to come! Much of my work has been lost. Perhaps if I had returned to England...perhaps...
Schubert hat das aber nicht so geschrieben😎aber gut, man kann ja immer was Neues tun, um sich irgendwie von der Masse der Winterreisen abzugrenzen. Worum geht es bei Schubert? Um Lieder, er hat sie so geschrieben, da wirken Verzierungen sehr seltsam. Aber gut, wie gesagt… Ich schreibe nur im Gehen, ich hab an dich gedacht. Wofür??
@@Joggelschorsch das ist ein Irrtum, oder eine sehr seltsame, weit hergeholte Erklärung. Sieh dir mal Bach s Arien an, egal für welche Stimme, ja sogar das Lied „Bist du bei mir“, die man problemlos mit Schuberts Liedern vergleichen kann. Nicht die Verzierungen und willkürlichen Textänderungen machen die Kunst aus, sondern die Reduktion auf das Wesentliche, in höchster Meisterschaft komponierte. Man kann verzieren, sicher, aber das ist kein Merkmal eines Kunstliedes. Dann wird Hänschen klein verziert auch zum Kunstlied..
@@gerlindemayer9645Achtung: Das Wort AUCH ist hier sehr wichtig! Das ist definitv NICHT die primäre Bedeutung, dessen bin ich mir wohl bewusst. Aber trotzdem besteht das kunstvolle Element des Kunstliedes aus zwei Seiten, zum Einen aus der komponierten und zum Anderen aus der aufführenden Seite. Viele Verzierungen und Verzierungstechniken gehören schon so fest zum allgemeinen Kanon, dass sie sogar in den verschiedenen Ausgaben mit vermerkt werden. Und die Reduktion aufs Wesentliche ist ja auch so einfach nicht zu beschreiben… Wenn man „Das Wandern ist des Müllers Lust“ vergleicht mit „Gretchen am Spinnrad, oder Liedern wie „der Zwerg“ um nur mal bei Schubert zu bleiben…
Was für ein großartiger Sänger und Interpret!
Vielen Dank fürs Hochladen! Eine fantastische und berührende Interpretation. Lieber Herr Prégardien, es ist ein Genuss, Ihnen zuzuhören!!
It must be a great joy for the father (Christoph) to see such talent. Magnificent voice: warm, soft, yet powerful over the full tessitura, poignant rendition. Piano also is wonderful, clear and quite supportive for the singer. In a nutshell, this is a massive performance, coming at par with those with Fischer Diskau. I never thought this could de be attainable.
Agreed, I also stumbled across Julian's 'Schwanengesang' on youtube recently
th-cam.com/video/_fZCNfonuzQ/w-d-xo.html
and it's given me a whole new joy in listening to these.
@TheMuston We were also very delighted and grateful to witness this wonderful performance live. Thank you for your comment!
Ich schließe mich den Vorredner voll und ganz an. Den Vater verehren wir schon viele viele Jahre und freuen uns jetzt über und für den Sohn Punkt er ist so gut geworden Punkt in Seehaus was ist auch ein tolles Erlebnis
Was für eine wunderschöne Darbietung von bd. Künstlern. Pregardien singt sanft und gleichzeitig kraftvoll.Wunderbar intoniert und jedes Wort klar und deutlich, sehr schön!
❤
Perfect. Singer and pianist.
This is a treasure. I'm glad I came across this fantastic performance.
Beautiful and terrible, the darkest piece of music ever composed. M.Prégardien delivers a marvelously controlled performance.
Magnifique ce Julian Prégardien. Bravo
Die Stimme klingt so natürlich und selbstverständlich und jedes Wort ist klar zu verstehen. Timbre stimmt immer und passt sich dem Ausdruck an. Interpretation, Stimmgebung in perfekter Balance. Vielen Dank an das Duo!
Speaking as a former stage director, and composer of simple songs, however... The emotional intensity of Winterreise is such that I would never place the audience so close to the performer. He needs a "protective" space, and, we want to watch and hear him, not the audience. Plus, the accompanist comes across as an upstaging narcissus: the vivid shirt and weskit belong in a nightclub, not in an intense tragedy de facto performed by a solo artiste, working with the most sensitive and quirky of all instruments, i.e., the human voice. A little "sobriety" would be in order - and that includes leaving the sniggering outside the door, or back off.
Back again to the greatest performance of all time Swedish TV production of Winterreise with Peter Mattei accompanied by David Janssen - STUNNING! Only comparison wasa when Jean Pierre Rampal mesmerised an entire theatre in Italy with Debussy's La Mer! The Italians wouldn't let him off the stage... he got us back, 🤣. Now someone with means and method kindly give young Pregardien the exposure he so richly deserves...
A "duel" between him and Peter (Mattei) comes to mind... :)
Quelle voix splendide et quel Grand Artiste !
Gives me a bit of a whiplash whenever I see Hyung-ki Joo being a "serious" musician. What a superstar, and I don't say this only because he shares my last name.
Magnificent interpretation, bravo!
I cried :;( So heartbreakingly beautiful.. So profound
Words can't describe the marvellous artwork Schubert and also the interprets have created. I'm just speechless.
Es berührt und bewegt, schafft ein klares Gefühl, danke
Phantastisch, auch die Aufnahmetechnik - kann mir gar nicht vorstellen, daß das in dem Raum so gut geklungen hat.
Complimenti! Bella interpretazione.
Schubert in its very own universe. Julian and Hyung Ki are lightyears far away from Mainstream-Knödelklimper-Stuff. Words ain't able to express such level of artwork.
Each time I see "Franz Schubert (1797 - 1928)" it makes me so sad that he died so young. RIP, genius.
How much richer would the music repertoire be had he lived to 131 years old ;)
@@crushedhearts 🤣🤣
Peregolesi lived only 23 years, yet his "Stabat Mater" and other works live forever. I write dramas and novels, etc., and compose simple hymns and songs... composing, even simple, short works, requires a completely level of concentration...Handel didn't eat for a week while composing Messiah, but at least he knew the maid set his food outside the door every day...at least he had that. Now as then,there is no support for the creative genius but when we die, what a grab for our work! The John and Catherine McArthur Foundation was set up for such, but was usurped and now arts, literature and music are gravely politicised and compromised, especially in the USA. Pregardien and Hyung-ki are shining lights for the future of great music.
Beautiful tenor voice. Typical tenor, can't resist a few ornamentations here and there...which are, indeed, lovely. Delightful surprise, but baritone Peter Mattei is still my Wintereise "supremo!" Look forward to hearing the remaining Liedern and young Pregardien, jr's interpretation of other great works. Bravo.
Thank you❤so beautiful ❤️
This was an early study for me as a young University Vocal student. Wonderfully performed here!
Eine wunderbare Intonation und diese scheinbare Leichtigkeit im Gesang bei dieser schwierig zu singenden Komposition . Großartig !😍🙏
Wunderbare Aufführung!
A tomber par terre. Tellement beau et intense. Comment ne pas etre amoureux de Schubert ! Winterreise : voyage dans le froid. Voyage dans la solitude. Voyage quand tout est perdu y compris l illusion de l amour. Decapage de l etre. Apre.
Exquisite interpretation
감동적인 해석과 연주 감사합니다!
Oh Müller’s original text！
Wunderbar ！
Only very few people know about Mueller's original text. I wonder why he did not follow poet's oder if he really apprecite for originality.
Which edition is this? There are a couple of slight deviations in the music as well.
@@fredrickroll06His ‘Schöne Müllerin’ has equally strange alterations from the norm. I can see why a singer would want to do something new with such familiar repertoire, but it would be good to know where these innovations are coming from.
Such a forceful rendition of Die Wetterfahne. Amazing performance. 👍👍
Wunderbar.
amazing.
Love how the video description states that schubert lived from 1797 - 1928... that guy has seen it all
Indeed! Exceptional "longevity" for such a brilliant mind.
großartig, insbesonders auch die Klavierbegleitung !!
Piano could have been much better.
@@musikguru1 a bit better is always possible, dependend upon personal expertise and emotions. best regards from vna, karl
I noticed he added new notes to the score. I liked it but it sounded surprising.
He's a tenor. They do that. Than after performing an outstanding work and bring the audience to our feet, and tears, etc., they will start lamenting the one nano second when they thought they were a microtone off. You can spot them around Lincoln Center - they're the ones wearing shirts and ties and little scarves in the hottest days of summer - protecting the ""instrument" so to speak. Absolutely lovable!!!
@@larkatdawn LOL 🤣
The pianist placed a sheet of paper on the strings for "Der Leiermann." Was this directed by Schubert in the music?
Lovely!
Thank you for uploading :D
So großartig wie sein Vater.
Schön
Toujours aussi exceptionnel ce chanteur musicalité et puis c’est un Mail cette souplesse de la voix il passe en voix de tête et après c’est c’est magnifique beaucoup de musicalité et beaucoup de vie beaucoup de sincérité vraiment exceptionnel donc un exemple à suivre et j’aimerais avoir le texte en commentaire à côté pour pouvoir travailler avec lui voilà merci
I’m hearing some sort of percussion instrument along with the piano during Die Leiermann…
It’s a piece of paper he put in the strings. ‘Prepared piano’.
Exceptionnel c’est ce chanteur chante merveilleusement bien quelle nuance dans la voix quelle sensibilité et puis l’accent allemand j’aimerais bien en est mon inspiré pour chanter lead d’ailleurs les leaders de Schubert et j’ai aurais aimé avoir les paroles sur le côté dans les commentaires c’est sympa parce que ça aidera à intégrer la la mélodie plus rapidement et surtout travailler le texte avec des chanteurs exceptionnelles bien sûr merci à vous
Ich glaubt nur Engeln könnten so gut singen und spielen!!!
i like that
Ich kenne keine schönere Aufnahme.🫶👍
🫶
It occurred to me recently that the sudden and traumatic loss of the love of his life may have pushed the protagonist of the Winterreise into an episode of manic-depressive psychosis. He goes through extreme mood swings from deep depression (e.g., Gefror'ne Tränen, Wasserflut, Einsamkeit) to emotional highs (Der Stürmische Morgen) and even phantasies of divinity and omnipotence (Mut). He also has paranoid fantasies (Die Wetterfahne) and hallucinations (Irrlicht, Täuschung).
The end is ambiguous. Is Der Leiermann an allegory of death (suicide, freezing to death somewhere) or has he finally found a like-minded individual with whom he can share his thoughts and feelings and regain control over his life and his emotions? It's this ambiguity that makes the end so powerful and thought-provoking.
Oh go back on the couch, for Heaven's sake!
@@larkatdawn ?
👌🇪🇸
Ich male dir,
weil er so scheen is,
ans Tor ein Bild
von meinem
Porsche.
Good morning. The date of death of Franz Schubert is 1828 (not 1928). It would be nice if you could correct it. Thank you for this video
There is something archetypal about the figure of the Hurdy-Gurdy Man.
I recognize him as an image first encountered in my childhood.
His origin is Eastern Europe.
Why do I think he might be Jewish?
The Fiddler on The Roof.
The Rag Picker.
The Outcast
The Stranger among us who has looked upon things we all shy away from and so, we shy away from him all the while knowing he has something wise and terrible to teach us.
Someone recently said to me that more than being loved, we need to feel that we belong.
I thought about that and it feels right !
Family,
Religion,
Nation,
City
Class
Sexual orientation
Local Sports Team
College
Fraternity
Political party
These are things we belong to.
We support them.
We exalt them.
We defend them.
We oppose those who attack them.
We feel elated when another member of our tribe succeeds.
What does it feel like when we belong to no group?
Who among us does not belong to any group?
The beggar.
The homeless
The elderly living alone.
The black man in a white world.
The mis-shapen
The grotesque.
This is the Hurdy Gurdy man.....the Leiermann The one we fear most because he lives our greatest nightmare.
But when we are dying we feel the ultimate alone-ness.
We are alive but no longer belong to the world of the living.
Perhaps Schubert, who was dying when he wrote this, was making common cause with the Leiermann. Outcasts... together.
" May I come along? Will you play my song
Sorry, but no. Definitely not jewish :)
The words are Mullers, but the emotional expression is so richly conveyed by Schubert. Who is more alienated, misinterpreted, plagiarised and abused than the creative genius. Not the interpretive genius, but the creative genius. It's as if academia can't wait for us to return to the Lord so they can plagiarise, shred and exploit our words for generations to come! Much of my work has been lost. Perhaps if I had returned to England...perhaps...
Schubert hat das aber nicht so geschrieben😎aber gut, man kann ja immer was Neues tun, um sich irgendwie von der Masse der Winterreisen abzugrenzen. Worum geht es bei Schubert? Um Lieder, er hat sie so geschrieben, da wirken Verzierungen sehr seltsam. Aber gut, wie gesagt…
Ich schreibe nur im Gehen, ich hab an dich gedacht. Wofür??
Die Verzierungen waren in Schuberts Freundeskreis gang und gäbe. Es existieren sogar Aufzeichnungen von seinem Sängerfreund Johann Michael Vogl.
Übrigens auch ein Grund, warum man es „Kunstlied“ nennt
@@Joggelschorsch das ist ein Irrtum, oder eine sehr seltsame, weit hergeholte Erklärung. Sieh dir mal Bach s Arien an, egal für welche Stimme, ja sogar das Lied „Bist du bei mir“, die man problemlos mit Schuberts Liedern vergleichen kann. Nicht die Verzierungen und willkürlichen Textänderungen machen die Kunst aus, sondern die Reduktion auf das Wesentliche, in höchster Meisterschaft komponierte. Man kann verzieren, sicher, aber das ist kein Merkmal eines Kunstliedes. Dann wird Hänschen klein verziert auch zum Kunstlied..
@@gerlindemayer9645Achtung: Das Wort AUCH ist hier sehr wichtig! Das ist definitv NICHT die primäre Bedeutung, dessen bin ich mir wohl bewusst.
Aber trotzdem besteht das kunstvolle Element des Kunstliedes aus zwei Seiten, zum Einen aus der komponierten und zum Anderen aus der aufführenden Seite.
Viele Verzierungen und Verzierungstechniken gehören schon so fest zum allgemeinen Kanon, dass sie sogar in den verschiedenen Ausgaben mit vermerkt werden.
Und die Reduktion aufs Wesentliche ist ja auch so einfach nicht zu beschreiben… Wenn man „Das Wandern ist des Müllers Lust“ vergleicht mit „Gretchen am Spinnrad, oder Liedern wie „der Zwerg“ um nur mal bei Schubert zu bleiben…
Lovely voice…shame about a few flat vowels!
intrigued by your comment... please elaborate
sorry, but no
Too much mannered and jazzy. I agree.
@@romainlehmann9830And too loud.
Too much theater 😯
Genius music, very fine singing, but the piano playing, a little quirky, uneven and inconsistent.. IMO
Great singing.