I listened this song so many times, I really got fed up with it. But Angela has such a subtle warm timbre and unpretentious way to perform that it is a real pleasure. Thats why I like the sopranos in the Monteverdi Choir so much.
Quickly becoming one of my favorite versions - everything about it works: the clarion tone, the tasteful embellishment, and the lutenist as well. I'd buy a hi-res version.
I know this marvelous song by heart and heard dozens of performances, but this is so deeply touching it brings tears to my eyes (as it never did!) and it still does, even listening for the third time in a row. Yes, it's that moving. So beautifully done, with intimacy and care coming across to us in the music and even in the video. How would I not thank you after what I was offered this last few minutes? This made the world better, and without a bang. Love from Portugal.
I have always been a great lover of Dowland, especially his vocal pieces. The quality of this vocalist’s voice is striking and I am not sure exactly why. It is a modern woman’s quality of voice applied to early music which provides an interpretation that transcends time (I really don’t know how else to put it). The lute is perfectly balanced to give a devastatingly beautiful accompaniment. This gives me ideas about how to approach my own playing as a cellist.
The typical "plummy" operatic (back-of-the-throat") vocal timbre and constant wide vibrato listeners have to contend with in all classical genres probably didn't become widely used by classical singers until around the 1820s. Thank goodness there are at least a few singers who are able to sing early music with such a direct, forthright manner of voice production.
@@dbadagnathis type of singing you’re referring to is a major deterrent for me enjoying opera and other classical vocal repertoire. I know I am missing out on so much beautiful music but I simply cannot enjoy the uncontrollable vibration and constant bravado of these singers. The singer in this video is quite pleasant to listen to.
I'm obsessed with this song and I've listened to soooo many arrangements and performances - this is hands down the most impressive one I've ever listened to. Bravo to you both!
This one is my favourite rendition of the ones I have so far heard (many)! Others sound relatively deep that make the lyrics go incomprehensible, but this performance stays natural and easy to pick up the words. Somehow Angela has more clarity than others :)
I having hard time hearing the lute well, its bit low in volume as well, other then that it sounds great, and performance of you both is on spot. I would suggest bit better mic'ing next time. :) Kind regards.
I listened this song so many times, I really got fed up with it. But Angela has such a subtle warm timbre and unpretentious way to perform that it is a real pleasure. Thats why I like the sopranos in the Monteverdi Choir so much.
Amazing to think that this was composed in 1596 and was one of John Dowland's signature pieces. And it's still being aired. Beautiful!
Quickly becoming one of my favorite versions - everything about it works: the clarion tone, the tasteful embellishment, and the lutenist as well. I'd buy a hi-res version.
Quelle voix d'ange!
I know this marvelous song by heart and heard dozens of performances, but this is so deeply touching it brings tears to my eyes (as it never did!) and it still does, even listening for the third time in a row. Yes, it's that moving. So beautifully done, with intimacy and care coming across to us in the music and even in the video. How would I not thank you after what I was offered this last few minutes? This made the world better, and without a bang. Love from Portugal.
I have always been a great lover of Dowland, especially his vocal pieces. The quality of this vocalist’s voice is striking and I am not sure exactly why. It is a modern woman’s quality of voice applied to early music which provides an interpretation that transcends time (I really don’t know how else to put it). The lute is perfectly balanced to give a devastatingly beautiful accompaniment. This gives me ideas about how to approach my own playing as a cellist.
I agree. Custer LaRue took a similar approach with the Baltimore Consort in this recording:
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The typical "plummy" operatic (back-of-the-throat") vocal timbre and constant wide vibrato listeners have to contend with in all classical genres probably didn't become widely used by classical singers until around the 1820s. Thank goodness there are at least a few singers who are able to sing early music with such a direct, forthright manner of voice production.
@@dbadagnathis type of singing you’re referring to is a major deterrent for me enjoying opera and other classical vocal repertoire. I know I am missing out on so much beautiful music but I simply cannot enjoy the uncontrollable vibration and constant bravado of these singers. The singer in this video is quite pleasant to listen to.
@@briandavid8077 Well said.
Angela nomine, angelica voce.
Great this is real music. Glad there are young people performing that understand this. No thanks to autotune and blip blop music
I heard Taylor Swift borrowed influence from this...
J'adore Lachrimae, "flow my tears" avec cette voix... J'en ai la chair de poule, juste magnifique
Very beautiful.
I can listen to this almost forever
C'est toujours aussi merveilleux de vous entendre, quelle belle voix !
I'm obsessed with this song and I've listened to soooo many arrangements and performances - this is hands down the most impressive one I've ever listened to. Bravo to you both!
Truly wonderful version. I play it over and over.
Superb. I love your voice.
I will be the Most Happiest Persson on this World * When the Most People will Understand Angela Hicks & John Dowland * [ Music and Words ] *
Best version ever !
Im gonna play this on the recorder with this voice singing guidance
This is true beauty. Angela's pure, beautiful voice and the gorgeous lute playing.
This was GORGEOUS!!!!! Thank you for posting this.
An amazing vocal technique with repetitions with ornamentation
Top-notch!
So glad I discovered you. Your voice and style are superb. And I have always liked John Dowland's lute music.
Hauntingly beautiful ❤ just wow…
❤
Très beau, vraiment
Et Sam, quel charisme !
Beautifully sung and wonderful lute accompaniment 🎶
This one is my favourite rendition of the ones I have so far heard (many)! Others sound relatively deep that make the lyrics go incomprehensible, but this performance stays natural and easy to pick up the words. Somehow Angela has more clarity than others :)
Another wonderful performance. Thank you @Angela🙏
so beautiful!
Beautiful. I'm a big fan of you !!!
Excellent piece, wonderfully sung. Thank you (And masterful lute too!)
Beautiful Angela.
Excellent performance.
Gorgeous singing!
Maravilhosa performance 👏⚘️
Beautiful.
I thought i recognised that background ;) Fantastic performance.
Beautiful
This lutenist is a wonderful accompanist
Thank you!
gorgeous..........
So beautiful. Thank you.
Beautiful, divine!
Grandiosa interpretación una maravilla musical
Perfect in every way.
love dowland magic mystical
There is perfection!
in my minds and...only in my head,sir Dowland compose that song for Jane Grey
excellent!!!
Che meraviglia!
Very beautiful .
Transcendent singing.
Thank you..
What i imagine angels sound like
This kicks ass just saying...
I agree to every comment below. Can't say more. Thank you.😍
👏🏻👏🏻👏🏻👏🏻👏🏻
❤❤❤❤❤
❤
EXCELLENT, very natural clear voice ... however I would like it slightly more "flowing" - a hair's space faster ...
I having hard time hearing the lute well, its bit low in volume as well, other then that it sounds great, and performance of you both is on spot. I would suggest bit better mic'ing next time. :) Kind regards.
Sumptuous
Jaskier (Buttercup) is doing his job alright, he "knows all the chords"... 🙂
🥺
I think I like this version better than Emma Kirkby's. It's so clear and smooth. Very melodic.
Soaring.
Flow My Tears, the Policeman Said
This particular song is full of eroticism
not bad
Dowland? *click*
The lute player is not real. Literally. Why does this exist?
I decided not to listen to any other version.
no trates de mejorar lo perfecto. no me gusta
Too young to understand what they're singing/playing. I'm not holding it against them. Lovely pair.
Beautiful
Beautiful