@pvandewyngaerde \|/ I do believe that it is up on TH-cam, as well... this entire live performance of this song, just with the spoken word part added onto the end... That last section, the part with the spoken word/poetry, it has actually brought my 46-year-old ass to the point of shedding some emotional tears, more than once... sincerely.
This song belongs to Ann Carone Diamond Waychoff. She passed away at 28 June 2020. She is well known as the Mother of the Nightwish Army. It was her Favorite Song. R.I.P. Ann, we`ll never forget you. And THANK YOU Gabriel Bardac for carrying on the flame that Ann ignited.........
R.I.P Ann Waychoff a mother of Nightwish army sadly i wasn't in army with Ann came after she pass us, but people told about Ann so much so i formed her image in my head! Bright memory to all Nightwish army! Thanks Nina to return in Nightwish jorney 🤟💙💛 Salute from NW army Ukraine department 🤗
Great reaction! This is one of the unique songs of Nightwish, immensely beloved. Stands out for it's extreme symbiosis of the opposites, fragile and powerful, quiet and explosive, dream and despair. A Song that is honest about Life. The breakdown parts are unbelievable, such beauty in a borderline musical chaos, such loss of predictability.
R.I.P Ann Waychoff mother of the Nightwish Army. June 28th, 2020 . Ann was a big Nightwish Fan. And every new person who listened to NW, she went through a little chat. And gave them some info about NW. This was her favorite song. And this song belongs to her. I like very much that Gabriel have continue Ann s work.... so her heritage is still here.
I have heard this phenomenal Nightwish song so many times . But this is another perfect example of why I love your reactions and your passion for music so much . 🙏 Where is the buttom to give you 💯 Likes ?
Song of Myself is definitely in my top 5... Absolutely beautiful. That really pretty high chord (I believe it's a B flat - help?) is just stunning. The whole song is just yet another demonstration of how bloody good Marco and Floor were together... I miss Marco! By the way, Nina, don't let the poll result fool you... the reason Poet and the Pendulum didn't come out on top is because everyone knows it's still a little too soon for you.... it's a piece of art created by a genius (remember to do background research before listening to that one - it really helps). Lovely reaction Nina... it's great you had an ear for those little orchestrations going on in the background (e.g. those "twinkly chromatics"). Please don't leave it so long till your next Nightwish reaction... I love watching them 😊
I disagree. It's a work of art alright, but she isn't some musical virgin who wouldn't be able to follow along. Not that I mind though. She'll probably get to it someday.
@@jbird4478 Nina is not a musical virgin, but she is a Nightwish neophyte. Appreciating P&P definitely needs a deeper understanding of the band and its history. It's not a musical thing, it's a historical thing.
My favorite song from this fantastic concert. You mentioned how dramatic it is. That's a good way to put it. It is just so epic with all the drama and orchestration and the background choir. And so many cool little nuggets, like after Marko did that note bend you talked about, he began the verse before smoothly handing it over to Floor without an obvious transition. And those little breaks with the keys. That ending that got you (and has gotten other reactors!). And, of course, Floor and Marko both sound amazing. You also talked about the energy. This was the 14th of 15 songs in their set, immediately following "Ghost Love Score" (!). And the next and last song ("Last Ride of the Day") is arguably even more energetic (albeit much shorter). Just an amazing song in an amazing concert. Thanks, wonderful reaction and analysis as always, Nina! 🤘😀🤟
Nina,you are just such a joy to watch I always smile watching your reactions, you brighten my day. This song is just so good on so many levels,the composition, the orchestrations and the delivery on stage. This concert from Wacken 2013, is in my opinion,one of the very best you could ever hope to watch. A very special moment in time caught perfectly. Thank you for doing this !! 😊🤗❤
even if Dead boy's poem got 0 % i really reccomend it if you want to listen a diifferent side of nightwish, the Buenos aires " Decades" tour is awesome
The song was the climax of the ‘Imaginarium’ concept album, originally with vocals by Anette Olson. The song also featured several minutes of spoken word poetry at the end. In this live performance, you can catch glimpses of that poetry on the screens behind the band.
This was one of the songs I didn’t like much when I first started listening to Nightwish, it felt chaotic and I just didn’t get it. After listening to them a lot for a couple of months I started to re listen 🎧 the songs I didn’t enjoy in the beginning and now this is one of my favourites ❤️🔥 guess listening to Nightwish for a while has re- wired my brain and ears for the better
Hi Nina, this song alaways makes me sad because it was Ann Waychoff's favourite song. There is a version of this which mashes-up this live performance with the 'Love' movement (not performed here) but included in the album version. Once you watch it, you will understand why it was inappropriate to play 'live'. Once again, your musical knowledge on song construction is a joy to behold. Thank you. Kindest, from Wiltshire.
It is a catchy track, full of surprises and it made me jump in parts. Must be tricky to perform. Vocals are so powerful. That is a good track to react to.
It is A Tribute to the poem in 52 chapters, One for every week of the year, " Song of myself " by Walt Whitman 1819-1892.(one of the co-founders of US poetry). The 7th line of the song is ""Of mermaids, of Whitman's and the Ride""". The extended official studio version of this song has, at the end, a poem as a tribute to Whitman made by Tuomas, the keyboard player and the mastermind of nightwish. These lines you can also see fast flahing on the ledscreen of the video you just saw. Bucle up, it goes very deep. " I see a slow, simple youngster by a busy street With a begging bowl in his shaking hand Trying to smile but hurting infinitely Nobody notices I do, but walk by An old man gets naked and kisses a model-doll in his attic It's half-light and he's in tears When he finally comes his eyes are cascading I see a beaten dog in a pungent alley He tries to bite me All pride has left his wild drooling eyes I wish I had my leg to spare A mother visits her son, Smiles to him through the bars She's never loved him more An obese girl enters an elevator with me All dressed up fancy A green butterfly on her neck Terribly sweet perfume deafens me She's going to dinner alone That makes her even more beautiful I see a model's face on a brick wall A statue of porcelain perfection beside a violent city kill A city that worships flesh The first thing I ever heard Was a wandering man telling his story It was you, the grass under my bare feet The campfire in the dead of the night The heavenly black of sky and sea It was us Roaming the rainy roads Combing the gilded beaches Waking up to a new gallery of wonders every morn Bathing in places no-one's seen before Shipwrecked on some matt-painted island Clad in nothing but the surf Beauty's finest robe Beyond all mortality we are Swinging in the breath of nature In early air of the dawn of life A sight to silence the heavens I want to travel where life travels Following its permanent lead Where the air tastes like snow music Where grass smells like fresh-born Eden I would pass no man, no stranger, no tragedy or rapture I would bathe in a world of sensation Love, Goodness, and Simplicity (While violated and imprisoned by technology) The thought of my family's graves was the only moment I used to experience true love That love remains infinite As I'll never be the man my father is How can you "just be yourself" When you don't know who you are? Stop saying "I know how you feel" How could anyone know how another feels? Who am I to judge a priest, beggar, whore, politician, wrongdoer? I am, you are, all of them already Dear child, stop working, go play Forget every rule There's no fear in a dream "Is there a village inside this snowflake?" A child asked me "What's the color of our lullaby?" I've never been so close to truth as then I touched its silver lining Death is the winner in any war Nothing noble in dying for your religion For your country For ideology, for faith For another man, yes Paper is dead without words Ink idle without a poem All the world dead without stories Without love and disarming beauty Careless realism costs souls Ever seen the Lord smile? All the care for the world made Beautiful a sad man? Why do we still carry a device of torture around our necks? Oh, how rotten your pre-apocalypse is All you bible-black fools living over nightmare ground I see all those empty cradles and wonder If man will ever change I, too, wish to be a decent manboy But all I am Is smoke and mirrors Still given everything, may I be deservin And there forever remains That change from G to E minor. "
Welcome back to Nightwish Nina. I always love your reaction and analysis! Probably my favorite from that Wacken show. Dark, mysterious, something personal from Tuomas that, yet again, to be left open to interpretation of the listener. Love the dirty, crunchy part in the later part. “Sometimes the within is piano black.” “And there forever remains the change from G to E minor.” Keep exploring Nightwish Nina!
Ann Waychoff, founder of the Nightwish army R.I.P. this was her favorite NW song.. and also high rniking one for me, not my favorite still, but still a masterpiece, NW got a good amount of of masterpieces.
Great Reaction! Toumas (Keyboard Player) formed this band originally and he is the main songwriter and is a genius song writer at that! We all know that Floor can sing really high and really powerfully, but what I love most when she sings is when she sings in her lower register. She doesn't get to sing down there much, but when she does it is so awesome!
So glad to see you back with Nightwish again. I always appreciate your in depth and knowledgeable analysis. This is one of my three favorite Nightwish songs. The second is "Endlessness" and it breaks my heart that we will never hear that one live. The third? All the rest of the songs. This one is special for so many reasons. Jukka beating those drums into submission. Emppu watching him in awe. Marko singing along totally off mike, then, later slow marching across the stage in time to the music, Floor stalking the mike (it doesn't stand a chance) and, above it all Tuomos's magnificent arrangement and playing. I don't care how many times I watch and listen to this, I always find something new. The level of professionalism and the joy that this band exhibit is beyond compare.
Nina I've watched the original dozens of times and know exactly where to find it. I'm on your channel for your analysis and reaction. Pause all you want.
Hi Nina, always great to see how you really react tt entire performance to the finest detail. As to your 15:00 question abt these interesting lyrics and what they might mean: "Sometimes the within is piano black / Piano black over cleansing waters". Very broadly speaking, whether it's the sky or the within, the constant factor's the cleansing waters, i.e. death and the associated tranquillity/liberation. To me personally, the nxt line belongs with it. "All that great heart lying still and slowly dying". For a full two and a half hour stretch before my wife died in my arms at 42yrs of age, her heart slowly dying in sync with her final & ever fainter breaths, the within was pitch black as it came out in waves. My mother and I were taking care of her in my parents' home. My father had been a gp, so the place had all the right end of care backup which included his colleagues i.e. friends of the family. (1/2)
(2/2).. Right before the piano black h3ll on earth started, all had seemed peaceful as I was reading to her from our favourite book, a famous English evergreen by "BB" we had translated into Dutch. Just trying to ease her unconscious mind, like we both did for my father the year before, when he was being held in a coma in hospital. Suddenly, the waves of piano black vomit came from within and all we could do was keep her in the right position and apply the "cleansing waters". Then the waves stopped and soon after that, her life. There's a still well-known novel in Dutch, titled: "Van De Koele Meren Des Doods" (transl: abt the cool lakes of death). Whenever Tuomas writes about anything dark & aquatic, I'm reminded of it. Quite dark a comment to end with my usual "Cheers from Amsterdam", but nevertheless there you go. Ty for a wonderful reaction 🖤🤘
\|/ This is my absolute favorite song... not just my favorite Nightwish tune... but my favorite SONG, period. A rather well-made reaction video you have created here, girl... Good luck with all of the myriad different aspects involved in the continuance of growth for your channel!
For Ann. We miss you but you will always be in our hearts. This was your favorite song and will always be your song. Rest in peace my dear, we will never forget you, you were a breeze and a hurricane to all nightwish fans and all new reactors, you were the Mother of the Nightwish army and we will always be grateful for that .R.i.P Ann Waychoff❤❤🤘🤘
Young lady, you are such a joy to watch and listen to. This is just another masterful composition and performance from possibly the most amazing concert that was thankfully recorded so perfectly, by, in my opinion, the best of the Symphonic Metal groups...period. And that's not taking anything away from the other amazing groups in this genre but nobody does composition like Tuomas and there is not another voice like Floor's. I love your reactions and I usually learn something and your smile is infectious and along with the music just makes an old man feel almost young again. Thank You.
Thank you for this reaction, very insightful. I hadn't realised just how much I love this song, then whenever I hear it I think "oh yeah, this is fantastic". Yes, I think the first time I heard it the ending caught me out. Now it is the anticipation of the end that has me hanging (and I still get it wrong sometimes)
This is in my top 3 of Nightwish songs for so many reasons. I love Floor singing in the low range like that. Her tone quality is so full. Floor and Marko singing together is always a plus. That slide that Marko does sounds so good. The change from the first half of the song to the heaviness of the 2nd half. Then the ending with Floor in her upper range and supported by Marko. The 2nd hit looks so cool the way Floor stands there and throws her head hands back. Kudos to the videographer for capturing that. I noticed you fell into the trap a couple of times expecting one thing but Nightwish did something else. Their habit of not being predictable is just one more aspect that makes this band great, and Tuomas’ composing. You were correct about the beginning sections in 7/4. That is so cool you got to chat with that sound guy. I would have treated him to a nice dinner and picked his brain! 😅😊 Great reaction and analysis Nina. May I ask what part of England you’re from? I was born in Derbyshire but I live in Canada. 🇨🇦
Sorry to see that no one voted for Dead Boys Poem from Buenos Aires. It is a beautiful ballad that shows off Floors voice perfectly. Definitely worth you checking it out.
The song speaks volumes to me. The lyrics are deep and chilling in some parts. The words " sometimes the sky is piano black" explains what the world can be at times. Not a bad thing, but it can make you think.🌹
Great reaction, love the insight. I find Song of Myself incredibly sinister personally, not in a bad way but there seems to be a tremendous darkness to it.
I love the "Floor/Nightwish" style and arrangement on quite every cover she did. Beeing Floored is an honor for every song. You surely should listen to Beste Zangers Floor singing Shallow and Phantom of the Opera. And i love her cover of Hearts Alone. An interesting journey is listening to young Floor. Her band Revamp did Progmetal. 2010 live at Graspop singing Disdain is quite surprising.And then going back to her band After Forever live at Progpower 2007 Dreamflight. 2003 Live at Pinkpop singing My Pledge of Allegiance
Epicness right there on that stage Nina with all the trademark Nightwish transitions and multi layering. Thank you for a great breakdown analysis. 🙏😊👍❤️
Taken a while for you to get to this one! My accumulated comments... No 2 in my favourites list. Marco is superb - I love his second entry (the rising gliss) so much I extracted it and have it as my ringtone. Favourite parts: Piano Black , and particularly the best description of depression I've heard - "sometimes the within is piano black". Piano black - that deep glossy black that almost evades the eye. Emppu holding that long note one-handed as he drinks a Corona. The unexpected pauses (rests) towards the end, particularly, in this performance, when Floor turns her hands upwards and the flames seem to come from her palms. Great chuggy rhythms in the breakdown. Little pizzicato string sections in the run-up to that ending. At the end the lead vocals use the same lyrics as the choir are singing in the earlier parts - "All that great heart lying still and slowly dying All that great heart lying still on an angelwing". That lyric is perfect for the staccato rhythm. ...and lots more Forgot to mention - Floors low register is my favourite part of her range, so velvety.
Until further notice there will be no more gigs with Nightwish. The next album is the end of a triology. The tour will not take place. There are no other plans. We'll have to see if Tuomas wants to tell us something new in a few years. So far it has always been like this. The fact that it sounds like film music is particularly fitting here. It is part of the soundtrack to the film Imaginaerum. The main character tries to write down for his daughter what he always wanted to say but never said. But he suffers from dementia and forgets more and more. The film premieres shortly after Anette and the band split up. Floor sits in the first row instead of Anette and watches Anette in the film. The longer version is followed by a collection of quotes that are only available in the studio version. Only Tuomas knows what the quotes mean. At the same time, it is a homage to the American poet Walt Whitman, whose poem of the same name describes a year in a person's life.
I’ve only seen one or two comments mentioning it, so I’ll just say it again to reinforce that: it’s about the epic poem by Walt Whitman “Song of Myself”!! Another amazing creation by Tuomas. Love the low notes from Floor!
Love this song! Just imagine the lyrics like a road trip inside your own head, figuring out who you really are. It's all about accepting the good and the not-so-great parts, and realizing how everything is kinda connected in this big life adventure. The song basically nudges you to think about yourself and dive deep into what makes you, well, you!
Hi Nina. Wonderful reactuon and analysis as always. As a segway to your nightwish journey may i suggest the following ; Ayreon Universe Live which feautures Marko , Floor and Floors sister Irene alongside a collaboration of the best metal vocalists in the world. Ayreon is the brainchild of Arjen Lucassen, the Dutch metal equivalent of Tuomas from nightwish. Another dutch symphinic metal band that has featured both Floor and Marko is Delain,sorta of a more contemporary versiion Nightwish with more mainstream appeal. Finally, if no-one has previously mentioned, Floors husband is the current drummer with swedish metal band Sabaton. The lead guitarist from Sabaton ,Tommy Johansson has played on some of Floor's epic cover songs. In addition to being an incredibly talented multi-instrumentalist ,he is also an amazing voclist, specialising in doing metal covers of classic rock/pop songs. Among his covers are, Farnsy's - You're the Voice, Sounds of Silence and one of your favourites, The pHantom of the Opera in which he performs both the male and females vocals. A treasure for your ears!
Favorite song of the late Ann Waychoff, the Mother of the Nightwish Army. 🕯 This is inspired by the 19th century 52 chapter poem of the same name by Walt Whitman, one of Tuomas' favorite poets. There is a spoken poem section at the end of the studio version, written by Tuomas in an ode to the original, and is voiced by friends and family of the band. The poem's words are what you see on the big screen behind the band. This was song #14 of 15 here, right after Ghost Love Score. It is the last track on the Imaginaerum album, which has themes of imagination and fantasy. Very cool story about the sound guy you met.🤘🤘
Yet another epic song/performance from our Metal Mozart (Tuomas) and the exceptional musicians of Nightwish. Just love your reactions and precise analysis of the song, would be really nice if you go even deeper (longer videos), anyway thank you slot for sharing! Hope to see another Nightwish soon.
Something technical that I noticed. When you stop the playback, it's not the abrupt silence every one else gets. You can hear the volume fade away over the course of a few milliseconds. It's more satisfying to me. 👍
Hello Nina, the studio version of this thirteen and a half minute track is divided into four parts and was inspired by Nightwish keyboardist Tuomas Holopainen's favorite poet Walt Whitman (1819-1892), and his famous free verse poem of the same name. The studio song includes Part IV (Love) a six-minute recitation of the Transcendentalist poem, which will never performed live. He explained to Metal Hammer magazine: "I wanted to pay homage to him and do the lyrics in a way that he would possibly write. It's a real, open, thorough, personal catharsis - especially the spoken-word part." : 1. From a Dusty Bookshelf (instrumental) 2. All That Great Heart Lying Still 3. Piano Black 4. Love (part of Nightwish movie: Imaginaerum) Walt Whitman (May 31, 1819 - March 26th, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. A cardinal point in the lyrics is: “The nightingale is still locked in the cage”. Since the nightingale is a songbird, it should be free, not caged. Here is a clear hint to the artist as a poet and music lover. References to relevant songs are made: "Storytime", "Ghost River" and "Dead Boy's Poem". The writer is still stuck by the old systems: you have to study and then make a career. Making music as a hobby is okay, but not as a job. Struggling with growing up and letting go of your childhood ideals. Having to leave your fantasy world behind you, while you would love to cherish it. “Piano black over cleansing waters”, and “Resting keys without a door”. Several references to things that work against the musician in him and how it makes him sad. “All that big heart lying still and slowly dying” in the system. Live your life according to other’s expectations until it is finnaly over. A boring ending for an inspired artist. Finally, I would like to note that the text of Part IV was projected onto the video wall behind the stage. Especially the last sentence of the poem is clearly legible in the closing images of this video: "And there forever remains that change from G “key of benediction”to E minor" = G Em, the name of the daughter of the main character (Tuomas) in the movie: Gem. in this context expressing the LOVE for his daughter and life in general. G major versus E minor, represent the (classic) cheerfulness of the wonderful past, versus the dreary (metal) of the present. Imaginaerum (also promoted as Imaginaerum by Nightwish) is a 2012 fantasy film co-written and directed by Stobe Harju. It was developed with and features music from Finnish symphonic metal band Nightwish's seventh studio album of the same name; Nightwish's keyboardist and songwriter Tuomas Holopainen co-wrote the film. Imaginaerum, which is produced by Markus Selin from Solar Films Inc. along with Nightwish, is the feature film debut of director Stobe Harju. en.wikipedia.org/wiki/Imaginaerum_(film) Main character Thomas Whitman (mix of Tuomas Holopainen and Wald Whitman) is a 75-year-old former musician who has lapsed into a coma after years of suffering from multi-infarct dementia. As he is clinging to his life while his estranged daughter Gem ponders on signing a do not resuscitate order, Thomas' mind enters a fantasy world where he relives his life as a ten-year-old orphan.
Cool story, and great reaction as usual! This is almost the last song on the _Imaginaerum_ album, which is a kind of concept album and greater than the sum of its parts - one way of interpreting it is as an old man looking back on his life, and a lot of the lyrics here refer back to songs earlier on the album. I don't believe you can really grasp it lyrically on its own. This is not the whole song, but it is the part that makes sense to perform live - after this is a poem read by the friends and family of Nightwish (a tribute to Walt Whitman's poem of the same name). RIP Ann. At some point I recommend listening to the album. It's Anette not Floor and she's a very different singer; Floor has a habit of adding stunning endings to songs which make them her own, like the operatic bit here, and anything rocky she rules, but there are places where I prefer Anette, actually including the beginning of this song ("catnap in the ghost town of your heart"). Then, when you've heard the album, watch the movie...
One interesting bit of trivia: Klause Bedelt collaborated with Hans Zimmer on the soundtrack for Pirates of the Caribbean. Hans Zimmer is one of Tuomas's favorite composers and a big influence on his music. In fact, the "From Wishes to Eternity" live show from the year 2000 contains a song called ""Crimson Tide/Deep Blue Sea", which is a symphonic metal instrumental featuring themes from the classical score composed by Hans Zimmer for the 1995 movie "Crimson Tide".
This song is heavily influenced by the Walt Whitman's (long) poem by the same title. The album version (and some fan made video versions) contaned a narrated poetic portion. Anyway, this Wacken 2013 live performance is almost beyond spectacular. And sometimes the sky really is piano black. ⛄👍
Super fun and informative reaction! If I may suggest also checking out: Poet and the Pendulum (Wembly live) Shudder before the Beautiful (Wembly or Tampere) Yours is an Empty Hope (Wembly) Ghost River (Wacken) 7 Days to the Wolves (Wembly) Enjoy!
Great reaction Nina! I always love how you can pick out the chords and progression of a song right on the fly with the piano. I really like the second half of this one, where she's floating those sort of introspective vocal lines over that riff, in between headbanging sections. It's really beautiful. For me, I love metal with female vocals over the top, and it's hard to beat Floor. That ending is fantastic. I wonder if sometime you might check out Lovebites? I suggest Frozen Serenade. Maybe you'd like it. th-cam.com/video/Ae8pQVu-RN8/w-d-xo.html
Love LOVE your harmonic and theory abilities!! And of course that you Dig Nightwish and the mighty Floor Jansen! I just don't think there is another band in any genre that is this interesting and intelligent, as well a singer that is technically so well armed as Floor! She literally can do it ALL,..... effortlessly, but more importantly to me, she does it authentically, meaning she always sounds like Floor. Not a singer flipping between styles, ...... Its like no matter what she does, she's the OG.
@Nina Scofield, i dont know if anyone has told you this yet, Song of Myself comes from the album Imagenaerum. Nightwish also made a movie by the same name. It uses the music from this album as the score. I foind it very interesting and i belive it will give you some insights into the lyrics. Note; The movie aeems quite dark but has a classic Redemption ending. I hope you enjoy it! ❤
You are one of very few who noticed the time signature. Nice job. Well it´s not a surprice that you should reflect on that but still. Hahahaha. This is a fun song to play the drums to because of the signature
R.I.P Ann Waychoff mother of the Nightwish Army. June 28th, 2020 This is your song. If you ever have to explain the Groove in Metal to someone - play this tune. Until the Breakdown hits you with a 10 ton hammer it is all fun and games. But then the slow chugging monster with the machine gun riffing takes over. And for every Metal Head this lights up the day. Awesome….Imho one of the best songs ever. Sometimes the sky is piano black…. Floor Jansen, First of Her Name, Queen of the Valkyries and Stonehenge, Lady of Nightwish and Protector of our Metal Realm. Long may she reign. Bow, mortal !
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Back with Nightwish! What an ending 😮
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this song, and this performance of it, is my top favorite song, and followed Ghost Love Score.
Also check the ending of the album version for the spoken word part.
@@pvandewyngaerde second that...
@pvandewyngaerde
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I do believe that it is up on TH-cam, as well... this entire live performance of this song, just with the spoken word part added onto the end... That last section, the part with the spoken word/poetry, it has actually brought my 46-year-old ass to the point of shedding some emotional tears, more than once... sincerely.
@@pvandewyngaerde not necessary for a music reaction
This song belongs to Ann Carone Diamond Waychoff.
She passed away at 28 June 2020.
She is well known as the Mother of the Nightwish Army.
It was her Favorite Song.
R.I.P. Ann, we`ll never forget you.
And THANK YOU Gabriel Bardac for carrying on the flame that Ann ignited.........
To Ann🙂❤🕯
@@make_m_finland To Ann. Three years of missing her. 😢❤🕯
This song was composed by Holopainen, and doesn't "belong" to some woman known only to US people, even if she died.
@@AlexShiroki You must be fun at parties
@@AlexShiroki I have a slight feeling you entirely missed the point
R.I.P Ann Waychoff a mother of Nightwish army sadly i wasn't in army with Ann came after she pass us, but people told about Ann so much so i formed her image in my head! Bright memory to all Nightwish army! Thanks Nina to return in Nightwish jorney 🤟💙💛 Salute from NW army Ukraine department 🤗
All the best to our Ukrainian 🇺🇦 members from 🇺🇸
@@jeffk1482 🤟
💕♥️💔🖤 🤟
The tone in floor's voice during the "piano black" parts is stunning. I can listen to that section all day.
I want this awesome song to be played full volume at my funeral!
Great reaction! This is one of the unique songs of Nightwish, immensely beloved. Stands out for it's extreme symbiosis of the opposites, fragile and powerful, quiet and explosive, dream and despair. A Song that is honest about Life. The breakdown parts are unbelievable, such beauty in a borderline musical chaos, such loss of predictability.
"And There, Forever Remains the Change From G to E minor...." R.I.P. Ann Waychoff
R.I.P Ann Waychoff mother of the Nightwish Army.
June 28th, 2020 .
Ann was a big Nightwish Fan.
And every new person who listened to NW, she went through a little chat.
And gave them some info about NW.
This was her favorite song.
And this song belongs to her.
I like very much that Gabriel have continue Ann s work.... so her heritage is still here.
I have heard this phenomenal Nightwish song so many times . But this is another perfect example of why I love your reactions and your passion for music so much . 🙏 Where is the buttom to give you 💯 Likes ?
Song of Myself is definitely in my top 5... Absolutely beautiful. That really pretty high chord (I believe it's a B flat - help?) is just stunning. The whole song is just yet another demonstration of how bloody good Marco and Floor were together... I miss Marco! By the way, Nina, don't let the poll result fool you... the reason Poet and the Pendulum didn't come out on top is because everyone knows it's still a little too soon for you.... it's a piece of art created by a genius (remember to do background research before listening to that one - it really helps). Lovely reaction Nina... it's great you had an ear for those little orchestrations going on in the background (e.g. those "twinkly chromatics"). Please don't leave it so long till your next Nightwish reaction... I love watching them 😊
i concur
I concur
I disagree. It's a work of art alright, but she isn't some musical virgin who wouldn't be able to follow along. Not that I mind though. She'll probably get to it someday.
@@jbird4478 lyrically it needs prior research... at least in the context of a first time reaction published on TH-cam.
@@jbird4478 Nina is not a musical virgin, but she is a Nightwish neophyte. Appreciating P&P definitely needs a deeper understanding of the band and its history. It's not a musical thing, it's a historical thing.
My favorite song from this fantastic concert. You mentioned how dramatic it is. That's a good way to put it. It is just so epic with all the drama and orchestration and the background choir. And so many cool little nuggets, like after Marko did that note bend you talked about, he began the verse before smoothly handing it over to Floor without an obvious transition. And those little breaks with the keys. That ending that got you (and has gotten other reactors!). And, of course, Floor and Marko both sound amazing.
You also talked about the energy. This was the 14th of 15 songs in their set, immediately following "Ghost Love Score" (!). And the next and last song ("Last Ride of the Day") is arguably even more energetic (albeit much shorter). Just an amazing song in an amazing concert.
Thanks, wonderful reaction and analysis as always, Nina! 🤘😀🤟
Nina,you are just such a joy to watch I always smile watching your reactions, you brighten my day.
This song is just so good on so many levels,the composition, the orchestrations and the delivery on stage.
This concert from Wacken 2013, is in my opinion,one of the very best you could ever hope to watch.
A very special moment in time caught perfectly.
Thank you for doing this !!
😊🤗❤
even if Dead boy's poem got 0 % i really reccomend it if you want to listen a diifferent side of nightwish, the Buenos aires " Decades" tour is awesome
Couldn't agree more! I can't even believe that it didn't get any votes
R.I.P. Ann 😢❤🙏 our beloved and unforgettable mother of the Nightwish Army - this will always be YOUR song
The song was the climax of the ‘Imaginarium’ concept album, originally with vocals by Anette Olson. The song also featured several minutes of spoken word poetry at the end. In this live performance, you can catch glimpses of that poetry on the screens behind the band.
What a delight to see you on Nightwish Music again - I'm so Happy 😃
Now you're just spoiling us. So much more Nightwish to experience, I'm so glad your reacting to them again 🤗
This was one of the songs I didn’t like much when I first started listening to Nightwish, it felt chaotic and I just didn’t get it. After listening to them a lot for a couple of months I started to re listen 🎧 the songs I didn’t enjoy in the beginning and now this is one of my favourites ❤️🔥 guess listening to Nightwish for a while has re- wired my brain and ears for the better
Hi Nina, this song alaways makes me sad because it was Ann Waychoff's favourite song. There is a version of this which mashes-up this live performance with the 'Love' movement (not performed here) but included in the album version. Once you watch it, you will understand why it was inappropriate to play 'live'. Once again, your musical knowledge on song construction is a joy to behold. Thank you. Kindest, from Wiltshire.
It is a catchy track, full of surprises and it made me jump in parts. Must be tricky to perform. Vocals are so powerful. That is a good track to react to.
Excellent reaction, love to see you back on the Nightwish track..👋🤟🤟
It is A Tribute to the poem in 52 chapters, One for every week of the year, " Song of myself " by Walt Whitman 1819-1892.(one of the co-founders of US poetry). The 7th line of the song is ""Of mermaids, of Whitman's and the Ride""". The extended official studio version of this song has, at the end, a poem as a tribute to Whitman made by Tuomas, the keyboard player and the mastermind of nightwish. These lines you can also see fast flahing on the ledscreen of the video you just saw.
Bucle up, it goes very deep.
" I see a slow, simple youngster by a busy street
With a begging bowl in his shaking hand
Trying to smile but hurting infinitely
Nobody notices
I do, but walk by
An old man gets naked and kisses a model-doll in his attic
It's half-light and he's in tears
When he finally comes his eyes are cascading
I see a beaten dog in a pungent alley
He tries to bite me
All pride has left his wild drooling eyes
I wish I had my leg to spare
A mother visits her son,
Smiles to him through the bars
She's never loved him more
An obese girl enters an elevator with me
All dressed up fancy
A green butterfly on her neck
Terribly sweet perfume deafens me
She's going to dinner alone
That makes her even more beautiful
I see a model's face on a brick wall
A statue of porcelain perfection beside a violent city kill
A city that worships flesh
The first thing I ever heard
Was a wandering man telling his story
It was you, the grass under my bare feet
The campfire in the dead of the night
The heavenly black of sky and sea
It was us
Roaming the rainy roads
Combing the gilded beaches
Waking up to a new gallery of wonders every morn
Bathing in places no-one's seen before
Shipwrecked on some matt-painted island
Clad in nothing but the surf
Beauty's finest robe
Beyond all mortality we are
Swinging in the breath of nature
In early air of the dawn of life
A sight to silence the heavens
I want to travel where life travels
Following its permanent lead
Where the air tastes like snow music
Where grass smells like fresh-born Eden
I would pass no man, no stranger, no tragedy or rapture
I would bathe in a world of sensation
Love, Goodness, and Simplicity
(While violated and imprisoned by technology)
The thought of my family's graves was the only moment
I used to experience true love
That love remains infinite
As I'll never be the man my father is
How can you "just be yourself"
When you don't know who you are?
Stop saying "I know how you feel"
How could anyone know how another feels?
Who am I to judge a priest, beggar, whore, politician, wrongdoer?
I am, you are, all of them already
Dear child, stop working, go play
Forget every rule
There's no fear in a dream
"Is there a village inside this snowflake?"
A child asked me
"What's the color of our lullaby?"
I've never been so close to truth as then
I touched its silver lining
Death is the winner in any war
Nothing noble in dying for your religion
For your country
For ideology, for faith
For another man, yes
Paper is dead without words
Ink idle without a poem
All the world dead without stories
Without love and disarming beauty
Careless realism costs souls
Ever seen the Lord smile?
All the care for the world made Beautiful a sad man?
Why do we still carry a device of torture around our necks?
Oh, how rotten your pre-apocalypse is
All you bible-black fools living over nightmare ground
I see all those empty cradles and wonder
If man will ever change
I, too, wish to be a decent manboy
But all I am
Is smoke and mirrors
Still given everything, may I be deservin
And there forever remains
That change from G to E minor. "
Welcome back to Nightwish Nina. I always love your reaction and analysis! Probably my favorite from that Wacken show. Dark, mysterious, something personal from Tuomas that, yet again, to be left open to interpretation of the listener. Love the dirty, crunchy part in the later part. “Sometimes the within is piano black.” “And there forever remains the change from G to E minor.” Keep exploring Nightwish Nina!
Ann Waychoff, founder of the Nightwish army R.I.P. this was her favorite NW song.. and also high rniking one for me, not my favorite still, but still a masterpiece, NW got a good amount of of masterpieces.
Great Reaction! Toumas (Keyboard Player) formed this band originally and he is the main songwriter and is a genius song writer at that! We all know that Floor can sing really high and really powerfully, but what I love most when she sings is when she sings in her lower register. She doesn't get to sing down there much, but when she does it is so awesome!
TUO-MAS 🤘😊👍💙🇫🇮
Nightwish Army south Brittany France reporting.
And there forever remains the change from G to Em.
RIP Ann
I absolutely love this song, because it surprises you every single moment. ❤
So glad to see you back with Nightwish again. I always appreciate your in depth and knowledgeable analysis. This is one of my three favorite Nightwish songs. The second is "Endlessness" and it breaks my heart that we will never hear that one live. The third? All the rest of the songs. This one is special for so many reasons. Jukka beating those drums into submission. Emppu watching him in awe. Marko singing along totally off mike, then, later slow marching across the stage in time to the music, Floor stalking the mike (it doesn't stand a chance) and, above it all Tuomos's magnificent arrangement and playing. I don't care how many times I watch and listen to this, I always find something new. The level of professionalism and the joy that this band exhibit is beyond compare.
I love her voice even more in this range she gets a sinister vibe it my favorit NW song (but only with Floor)
Thank you for this reaction video. The song is robust. I really like the way do your reaction. Be good.
Thank you Nina for this fantastic reaction.❤❤❤
Nina I've watched the original dozens of times and know exactly where to find it. I'm on your channel for your analysis and reaction. Pause all you want.
Hi Nina, always great to see how you really react tt entire performance to the finest detail. As to your 15:00 question abt these interesting lyrics and what they might mean: "Sometimes the within is piano black / Piano black over cleansing waters". Very broadly speaking, whether it's the sky or the within, the constant factor's the cleansing waters, i.e. death and the associated tranquillity/liberation.
To me personally, the nxt line belongs with it. "All that great heart lying still and slowly dying". For a full two and a half hour stretch before my wife died in my arms at 42yrs of age, her heart slowly dying in sync with her final & ever fainter breaths, the within was pitch black as it came out in waves. My mother and I were taking care of her in my parents' home. My father had been a gp, so the place had all the right end of care backup which included his colleagues i.e. friends of the family.
(1/2)
(2/2).. Right before the piano black h3ll on earth started, all had seemed peaceful as I was reading to her from our favourite book, a famous English evergreen by "BB" we had translated into Dutch. Just trying to ease her unconscious mind, like we both did for my father the year before, when he was being held in a coma in hospital. Suddenly, the waves of piano black vomit came from within and all we could do was keep her in the right position and apply the "cleansing waters". Then the waves stopped and soon after that, her life.
There's a still well-known novel in Dutch, titled: "Van De Koele Meren Des Doods" (transl: abt the cool lakes of death). Whenever Tuomas writes about anything dark & aquatic, I'm reminded of it.
Quite dark a comment to end with my usual "Cheers from Amsterdam", but nevertheless there you go. Ty for a wonderful reaction 🖤🤘
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This is my absolute favorite song... not just my favorite Nightwish tune... but my favorite SONG, period.
A rather well-made reaction video you have created here, girl...
Good luck with all of the myriad different aspects involved in the continuance of growth for your channel!
For Ann. We miss you but you will always be in our hearts. This was your favorite song and will always be your song. Rest in peace my dear, we will never forget you, you were a breeze and a hurricane to all nightwish fans and all new reactors, you were the Mother of the Nightwish army and we will always be grateful for that .R.i.P Ann Waychoff❤❤🤘🤘
Young lady, you are such a joy to watch and listen to. This is just another masterful composition and performance from possibly the most amazing concert that was thankfully recorded so perfectly, by, in my opinion, the best of the Symphonic Metal groups...period. And that's not taking anything away from the other amazing groups in this genre but nobody does composition like Tuomas and there is not another voice like Floor's. I love your reactions and I usually learn something and your smile is infectious and along with the music just makes an old man feel almost young again. Thank You.
Thank you for this reaction, very insightful. I hadn't realised just how much I love this song, then whenever I hear it I think "oh yeah, this is fantastic". Yes, I think the first time I heard it the ending caught me out. Now it is the anticipation of the end that has me hanging (and I still get it wrong sometimes)
It's one of my favorite tracks. Not just Nightwish, in general 🙂
Loved the sound guy story!! Loved your analysis! This is my top 2 favorite!
keep em coming nina! I love your nightwish reactions!
Piano Black = the sharps above the cleansing waters of the naturals they resolve down into. Black and white key groups of the Piano keyboard.
This is in my top 3 of Nightwish songs for so many reasons. I love Floor singing in the low range like that. Her tone quality is so full. Floor and Marko singing together is always a plus. That slide that Marko does sounds so good. The change from the first half of the song to the heaviness of the 2nd half. Then the ending with Floor in her upper range and supported by Marko. The 2nd hit looks so cool the way Floor stands there and throws her head hands back. Kudos to the videographer for capturing that.
I noticed you fell into the trap a couple of times expecting one thing but Nightwish did something else. Their habit of not being predictable is just one more aspect that makes this band great, and Tuomas’ composing. You were correct about the beginning sections in 7/4.
That is so cool you got to chat with that sound guy. I would have treated him to a nice dinner and picked his brain! 😅😊
Great reaction and analysis Nina. May I ask what part of England you’re from? I was born in Derbyshire but I live in Canada. 🇨🇦
I love how Tuomas composes with unusual time signatures. 7/4 here, 5/8 & 7/8 in other songs.
He is the Metal Mozart.
In memory of Ann Waychoff 💔💔😔😔
Great story about the band! I got tickled when you jumped on that last hit!
Sorry to see that no one voted for Dead Boys Poem from Buenos Aires. It is a beautiful ballad that shows off Floors voice perfectly. Definitely worth you checking it out.
The song speaks volumes to me. The lyrics are deep and chilling in some parts. The words " sometimes the sky is piano black" explains what the world can be at times. Not a bad thing, but it can make you think.🌹
Great reaction,Nightwish mastery on display.
Hello Nina. So much fun watching these videos and watching your reactions to them. You make them even more fun to watch. Love it.
Great reaction, love the insight. I find Song of Myself incredibly sinister personally, not in a bad way but there seems to be a tremendous darkness to it.
Thank you very much for putting the results of the poll on screem in this video!!
My favorite Nightwish song, those lyrics, melody and that style what Jukka is drumming 🤘🥁
One of my favorites! Floors voice makes me picture a beam of sunlight cutting through dark clouds.
I love the "Floor/Nightwish" style and arrangement on quite every cover she did.
Beeing Floored is an honor for every song.
You surely should listen to Beste Zangers Floor singing Shallow and Phantom of the Opera.
And i love her cover of Hearts Alone.
An interesting journey is listening to
young Floor.
Her band Revamp did Progmetal. 2010 live at Graspop singing Disdain is quite surprising.And then going back to her band After Forever live at Progpower 2007 Dreamflight.
2003 Live at Pinkpop singing My Pledge of Allegiance
I love watching your reaction videos. Your music intelligence shines through.
This was the 14th song in a 15-song set......Floor going strong !! 😏❤️🎙🎸🎹🥁😎🤘
Epicness right there on that stage Nina with all the trademark Nightwish transitions and multi layering. Thank you for a great breakdown analysis. 🙏😊👍❤️
Taken a while for you to get to this one!
My accumulated comments...
No 2 in my favourites list.
Marco is superb - I love his second entry (the rising gliss) so much I extracted it and have it as my ringtone.
Favourite parts:
Piano Black , and particularly the best description of depression I've heard - "sometimes the within is piano black". Piano black - that deep glossy black that almost evades the eye.
Emppu holding that long note one-handed as he drinks a Corona.
The unexpected pauses (rests) towards the end, particularly, in this performance, when Floor turns her hands upwards and the flames seem to come from her palms.
Great chuggy rhythms in the breakdown.
Little pizzicato string sections in the run-up to that ending.
At the end the lead vocals use the same lyrics as the choir are singing in the earlier parts -
"All that great heart lying still and slowly dying
All that great heart lying still on an angelwing". That lyric is perfect for the staccato rhythm.
...and lots more
Forgot to mention - Floors low register is my favourite part of her range, so velvety.
Until further notice there will be no more gigs with Nightwish. The next album is the end of a triology. The tour will not take place. There are no other plans. We'll have to see if Tuomas wants to tell us something new in a few years. So far it has always been like this.
The fact that it sounds like film music is particularly fitting here. It is part of the soundtrack to the film Imaginaerum. The main character tries to write down for his daughter what he always wanted to say but never said. But he suffers from dementia and forgets more and more. The film premieres shortly after Anette and the band split up. Floor sits in the first row instead of Anette and watches Anette in the film. The longer version is followed by a collection of quotes that are only available in the studio version. Only Tuomas knows what the quotes mean.
At the same time, it is a homage to the American poet Walt Whitman, whose poem of the same name describes a year in a person's life.
I’ve only seen one or two comments mentioning it, so I’ll just say it again to reinforce that: it’s about the epic poem by Walt Whitman “Song of Myself”!!
Another amazing creation by Tuomas.
Love the low notes from Floor!
Whole song got me!!!
Love this song! Just imagine the lyrics like a road trip inside your own head, figuring out who you really are. It's all about accepting the good and the not-so-great parts, and realizing how everything is kinda connected in this big life adventure. The song basically nudges you to think about yourself and dive deep into what makes you, well, you!
Hi Nina. Wonderful reactuon and analysis as always.
As a segway to your nightwish journey may i suggest the following ; Ayreon Universe Live which feautures Marko , Floor and Floors sister Irene alongside a collaboration of the best metal vocalists in the world. Ayreon is the brainchild of Arjen Lucassen, the Dutch metal equivalent of Tuomas from nightwish.
Another dutch symphinic metal band that has featured both Floor and Marko is Delain,sorta of a more contemporary versiion Nightwish with more mainstream appeal.
Finally, if no-one has previously mentioned, Floors husband is the current drummer with swedish metal band Sabaton. The lead guitarist from Sabaton ,Tommy Johansson has played on some of Floor's epic cover songs. In addition to being an incredibly talented multi-instrumentalist ,he is also an amazing voclist, specialising in doing metal covers of classic rock/pop songs. Among his covers are, Farnsy's - You're the Voice, Sounds of Silence and one of your favourites, The pHantom of the Opera in which he performs both the male and females vocals. A treasure for your ears!
Another lovely expert response from you Nina!
That chord progression at 08:02 is so beautiful on the piano. I would follow that sound into so many scenarios....
Favorite song of the late Ann Waychoff, the Mother of the Nightwish Army. 🕯
This is inspired by the 19th century 52 chapter poem of the same name by Walt Whitman, one of Tuomas' favorite poets. There is a spoken poem section at the end of the studio version, written by Tuomas in an ode to the original, and is voiced by friends and family of the band. The poem's words are what you see on the big screen behind the band. This was song #14 of 15 here, right after Ghost Love Score. It is the last track on the Imaginaerum album, which has themes of imagination and fantasy.
Very cool story about the sound guy you met.🤘🤘
Hi Nina, the most beautiful smile on the planet Earth, at the moment. It is not an exaggeration, it is just matter of fact.
I love this song so much
Yet another epic song/performance from our Metal Mozart (Tuomas) and the exceptional musicians of Nightwish.
Just love your reactions and precise analysis of the song, would be really nice if you go even deeper (longer videos), anyway thank you slot for sharing! Hope to see another Nightwish soon.
Such a joy see you reacting to Nightwish!
❤❤Amazing Nightwish ❤❤
Thanks for the reaction and the story
Something technical that I noticed. When you stop the playback, it's not the abrupt silence every one else gets. You can hear the volume fade away over the course of a few milliseconds. It's more satisfying to me. 👍
Hello Nina, the studio version of this thirteen and a half minute track is divided into four parts and was inspired by Nightwish keyboardist Tuomas Holopainen's favorite poet Walt Whitman (1819-1892), and his famous free verse poem of the same name. The studio song includes Part IV (Love) a six-minute recitation of the Transcendentalist poem, which will never performed live. He explained to Metal Hammer magazine: "I wanted to pay homage to him and do the lyrics in a way that he would possibly write. It's a real, open, thorough, personal catharsis - especially the spoken-word part." :
1. From a Dusty Bookshelf (instrumental)
2. All That Great Heart Lying Still
3. Piano Black
4. Love (part of Nightwish movie: Imaginaerum)
Walt Whitman (May 31, 1819 - March 26th, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.
A cardinal point in the lyrics is: “The nightingale is still locked in the cage”. Since the nightingale is a songbird, it should be free, not caged. Here is a clear hint to the artist as a poet and music lover. References to relevant songs are made: "Storytime", "Ghost River" and "Dead Boy's Poem". The writer is still stuck by the old systems: you have to study and then make a career. Making music as a hobby is okay, but not as a job. Struggling with growing up and letting go of your childhood ideals. Having to leave your fantasy world behind you, while you would love to cherish it. “Piano black over cleansing waters”, and “Resting keys without a door”. Several references to things that work against the musician in him and how it makes him sad. “All that big heart lying still and slowly dying” in the system. Live your life according to other’s expectations until it is finnaly over. A boring ending for an inspired artist.
Finally, I would like to note that the text of Part IV was projected onto the video wall behind the stage. Especially the last sentence of the poem is clearly legible in the closing images of this video: "And there forever remains that change from G “key of benediction”to E minor" = G Em, the name of the daughter of the main character (Tuomas) in the movie: Gem. in this context expressing the LOVE for his daughter and life in general. G major versus E minor, represent the (classic) cheerfulness of the wonderful past, versus the dreary (metal) of the present.
Imaginaerum (also promoted as Imaginaerum by Nightwish) is a 2012 fantasy film co-written and directed by Stobe Harju. It was developed with and features music from Finnish symphonic metal band Nightwish's seventh studio album of the same name; Nightwish's keyboardist and songwriter Tuomas Holopainen co-wrote the film. Imaginaerum, which is produced by Markus Selin from Solar Films Inc. along with Nightwish, is the feature film debut of director Stobe Harju. en.wikipedia.org/wiki/Imaginaerum_(film)
Main character Thomas Whitman (mix of Tuomas Holopainen and Wald Whitman) is a 75-year-old former musician who has lapsed into a coma after years of suffering from multi-infarct dementia. As he is clinging to his life while his estranged daughter Gem ponders on signing a do not resuscitate order, Thomas' mind enters a fantasy world where he relives his life as a ten-year-old orphan.
Floor said in an interview, that this song is a favorite of hers.🎵.
Hug from Sweden. 🇸🇪
Cool story, and great reaction as usual! This is almost the last song on the _Imaginaerum_ album, which is a kind of concept album and greater than the sum of its parts - one way of interpreting it is as an old man looking back on his life, and a lot of the lyrics here refer back to songs earlier on the album. I don't believe you can really grasp it lyrically on its own. This is not the whole song, but it is the part that makes sense to perform live - after this is a poem read by the friends and family of Nightwish (a tribute to Walt Whitman's poem of the same name). RIP Ann.
At some point I recommend listening to the album. It's Anette not Floor and she's a very different singer; Floor has a habit of adding stunning endings to songs which make them her own, like the operatic bit here, and anything rocky she rules, but there are places where I prefer Anette, actually including the beginning of this song ("catnap in the ghost town of your heart"). Then, when you've heard the album, watch the movie...
FANtastic reaction
Floor is perfect on this song, one of my favourites with her as Nightwish vocalist
Loved this reaction and well done analysis Nina!!
I highly recommend watching AURORA performing RUNAWAY live at the 2015 Nobel Peace Prize performance. It was AMAZING because she was SO YOUNG.
One of my faves … Marco kills it
Here we go again Ann 🧚♀️🧚♀️💖💖
Excellent reaction!🤘🎸
One interesting bit of trivia: Klause Bedelt collaborated with Hans Zimmer on the soundtrack for Pirates of the Caribbean. Hans Zimmer is one of Tuomas's favorite composers and a big influence on his music. In fact, the "From Wishes to Eternity" live show from the year 2000 contains a song called ""Crimson Tide/Deep Blue Sea", which is a symphonic metal instrumental featuring themes from the classical score composed by Hans Zimmer for the 1995 movie "Crimson Tide".
This song is heavily influenced by the Walt Whitman's (long) poem by the same title. The album version (and some fan made video versions) contaned a narrated poetic portion.
Anyway, this Wacken 2013 live performance is almost beyond spectacular. And sometimes the sky really is piano black. ⛄👍
Love your analysis Nina!
I love all Nightwish’s catalogue but this one, if asked I think is my favourite. Tuomas is a genius composer. ❤️🤘🎻🎸🦘
Super fun and informative reaction! If I may suggest also checking out:
Poet and the Pendulum (Wembly live)
Shudder before the Beautiful (Wembly or Tampere)
Yours is an Empty Hope (Wembly)
Ghost River (Wacken)
7 Days to the Wolves (Wembly)
Enjoy!
Genuinely think you should listen to the full album version. The poem adds a lot of depth to the song.
Always amazed how the time signature/tempo changes in just about every NW song...
Key changes?...
Whole 'nuther conversion..
Fun Reaction!...🤘
Great reaction Nina! I always love how you can pick out the chords and progression of a song right on the fly with the piano. I really like the second half of this one, where she's floating those sort of introspective vocal lines over that riff, in between headbanging sections. It's really beautiful. For me, I love metal with female vocals over the top, and it's hard to beat Floor. That ending is fantastic. I wonder if sometime you might check out Lovebites? I suggest Frozen Serenade. Maybe you'd like it. th-cam.com/video/Ae8pQVu-RN8/w-d-xo.html
Love LOVE your harmonic and theory abilities!! And of course that you Dig Nightwish and the mighty Floor Jansen! I just don't think there is another band in any genre that is this interesting and intelligent, as well a singer that is technically so well armed as Floor! She literally can do it ALL,..... effortlessly, but more importantly to me, she does it authentically, meaning she always sounds like Floor. Not a singer flipping between styles, ...... Its like no matter what she does, she's the OG.
@Nina Scofield, i dont know if anyone has told you this yet, Song of Myself comes from the album Imagenaerum. Nightwish also made a movie by the same name. It uses the music from this album as the score.
I foind it very interesting and i belive it will give you some insights into the lyrics.
Note; The movie aeems quite dark but has a classic Redemption ending.
I hope you enjoy it! ❤
Recommendation if you do the song “noise” do the music video so you can see the meaning of the song.
I admire Ninas apparent competence. Its very interesting. But this songs beauty surpasses the sum analysis of its parts.
Bravo Nina,thank you...FL❤❤R
You are one of very few who noticed the time signature. Nice job. Well it´s not a surprice that you should reflect on that but still. Hahahaha. This is a fun song to play the drums to because of the signature
Brilliant stuff Nina 🤘
R.I.P Ann Waychoff mother of the Nightwish Army. June 28th, 2020
This is your song.
If you ever have to explain the Groove in Metal to someone - play this tune.
Until the Breakdown hits you with a 10 ton hammer it is all fun and games.
But then the slow chugging monster with the machine gun riffing takes over.
And for every Metal Head this lights up the day.
Awesome….Imho one of the best songs ever.
Sometimes the sky is piano black….
Floor Jansen, First of Her Name, Queen of the Valkyries and Stonehenge, Lady of Nightwish and Protector of our Metal Realm. Long may she reign. Bow, mortal !
🤘🤘🤘🤘👋👋Great reaction!!! And coments 👍👍👍