Messing with Vizzie in Max for Live

This is a brief glimpse of some multi track visualisation on one of my new songs. I’m planning to use Max for Live in performances for real-time, so learning the computational limits as well as inventing some useful patterns for converting audio to visual representation. My intent with the output of this video is actually as pre-synced input video for Stable Diffusion, so that the audio events for the track are ultimately the data source for the underlying animation which will be rendered from that…

[@rubenskiii]

Cool video!