Of such beauty and emotion ! No unnecessary notes, no drawn out passages - everything created with musical economy. I hear strains of Mendelssohn at times, and can see that Saint-Saens was easily the inspiration for the later French movie composers like: Lai, Legrand and Delerue. That Agnus Dei melody is haunting...!
Thank you for posting this superb performance of the beautiful Saint-Saens Requiem; personally I find this recording to be the most idiomatic and has the best soloists. It is a strong, severe and yet rich score. There are so many works of Saint-Saens that should be much better known- this is one of them.
Too funny. Couldn't we bypass this as a typo and skip the correcting. I see the error but then, Holy Cow or Holier Than Thou. I must admit that I value correctness but with immense migration in Sydney and elsewhere, the English language has fallen prey to so much variation. At times, it's best to give it a benefit of a doubt. The comparison with beef is too funny. Peace, my lovers of proper spelling.
2021 année du centenaire de la mort de Saint Saens à Alger. Le début du Requiem avec les pleurs de l’orchestre et des chœurs est poignant, les solistes peu présents impressionnent,l’agnus dei est bouleversant. L’orgue grandiose ! Encore une œuvre oubliée ! Mon trio des requiems: Mozart, Verdi, et Saint Saens .
00:00 __ I. Requiem. Kyrie eleison 06:24 __ II. Dies irae 12:48 __ III. Rex tremendae 16:42 __ IV. Oro supplex 20:58 __ V. Hostias (Offertoire) 23:11 __ VI. Sanctus 24:47 __ VII. Benedictus 26:55 __ VIII. Agnus Dei
Phenomenal. I can't believe it is the first time I am hearing the work. The economy of the piece is fantastic for a number of reasons, something I noticed without reading the description, the overall simplicity and celerity of the work defies later critics like Satie, the uniqueness of the work makes CS more difficult to pigeonhole as one emulating composers outside France. Thank you for posting, already listened twice in one day.
I would argue the complete opposite. His name is revered by a huge crowd, and i honestly cant see why. I haven't found one convincing piece by him. Largely overrated, of course that's just my opinion.
@@cobblestonegenerator My guess is you haven't listened to much, or, you just find the period uninteresting. St. Saens was and is, France's greatest gift to music! Of what is it you need to be convinced?
Años después de que Camille Saint-Saëns estrenara su obra, Durkheim publicaría su tesis sobre el suicidio. Obras que admiro sin paliativos. Leí por primera vez el estudio del sociólogo en 1964 y diez años más tarde escuché este Réquiem en París, en los años setenta del pasado siglo. No sé por qué extraña razón siempre asocié esta plegaria a la muerte del suicida, vislumbrando tal dolor en lo que la precedió que solo en ella cabía salida. Paradójicamente, se la suele considerar acto necio o delito imperdonable, por incumplir una regla tácita de sufrir cuanto se nos asigne, aun a costa de sumirse en la insania. Acertada o no, toda muerte merece ser honrada, pues en ello la humanidad se reconoce.
Soy estudiante de cine, y he escrito un guión para rodar mi cortometraje de tesis. Tus palabras se sienten en un romance muy cercano con mi discurso como director de la obra. No podía pasar por tu comentario, sin antes no agradecerte por la recomendación del texto, y las sombras que dibujas con tus eternas palabras. Gracias. Mi alma está vibrando.
Leendert Stödel -- Ich habe Ihre Aufmerksamkeit auf eine interessante Parallele zwischen dem Text des Duos („unglücklicher Elend, wer, namenlos und verbannt, die opfer des schicksals, sucht sehnsüchtig den Tod zu treffen, Schade, dass ich bin! “) und das übergeordnete Gefühl von Luftfahrtorigaminiedergeschlagenheit und Wintersturmwonnemondwende als Kraft des Schicksals setzt sich durch. Grüße aus San Agustinillo, Oaxaca!
Well...here's ANOTHER dumb question I pose in deference only to your vaster musical knowledge: Briefly and subjectively, how do you 'compare' this Saint-Saëns Requiem with that of Berlioz (with its breathtaking closing 'Amen'? Stay well & healthy, my friend!
Well, theres no comparing really. Berlioz from the onset of his requiem was determined to make a huge requiem with a gargantuan orchestra and a gigantic choir. This requiem was made to be as economic ad possible while still being interesting. Now, as far as just how they sound, Berlioz is the winner. Theres so much innovation in the chordal functions he uses and dear god the dies irea is crazy. Sometimes, depending on my mood, i put the Berlioz over the Verdi requiem. Also, who needs the this requiem when you have Faure and Durufle. They both did so much better. Imo this requiem is just meh, as i consider pretty much all of Saint Saens work. Wbu? What do you think?
I really don't like how quickly he tossed away the Dies Irae and moved on to Tuba Miram. The Dies Irae should be a more explored, dramatic focal point of any requiem mass. The text begs for a longer setting. Props for the bad-ass pipe organ tho.
@@Nacidodelmar its a comment section for a reason. For ideas to be expressed and expounded upon. Why are you so against it? Also, if no one cares, why the hell did you take the time to comment? Ass backwards logic will always be ass backwards.
Very nice piece, but most composers of the day were writing requiem masses to fit the church's mass structure that was about an hour. The Saint Sans piece is about 34 minutes, far short of a mass. Saint Sans was agnostic, so didn't feel compelled to fit the mass structure. Still, very nice.
@Ellanna Swope well his friend was not exactly a mailman but the director of all mailmen of France (General director of the post if I translate his job literally). I'm a descendant of his sister and just discovered this masterpiece.
@Ellanna Swope It was really a big surprise. And as you really love this Requiem you may be happy to learn, as I haven't seen it anywhere, that Joseph Albert Lelibon known as Libon was the son of a french violonist from the 19th century, Philibert Lelibon dit Libon, mostly known under his spanish name Felipe Libon which is then usually mistranslated as Philippe Libon (his wikipedia page is wrong about several things including his name in french...and his birthdate and birthplace). So Albert Libon really had a great bond with music. It's fun to know that someone from my family is taught about in music school (or wherever you learnt music).
Saint Saens was an antiromantic. Most of his pieces lack personality because he was afraid of "personal confessions". Here, in the beginning, he seems to adhere to the most spectacular tradition of the Requiem Mass. It is strange from him. As an opposition, listen to the discretion of the Requiem of Gabriel Fauré.
I think that Saint Saens works are loaded with personality and have never understood comments to the contrary. All I can think is that some listeners don't identify with his music and so don't connect with the great Camille.
Gérard Begni One would expect such words to come from a composer with a superior taste to that of Saint Saenz, I assume you must be a composer yourself. Where can we listen to your works?, not to judge nor compare, but to hear what your strong personality is.
@@shadowjuan2 this guy has a well thought out and adequately explained reason for not liking the composers works. I dont like this Saint Saens either. Not because my ears are superior, but because i just think hes boring. Nothing special to me. Theres nothing wrong with opinion. Now just coming by and saying i sucks would be stupid, but this is just his opinion. Oh, btw, you must have written acouple requiems yourself to be able to deem what is worth listening to. So, where are these? May i listen to what makes you the deciding factor in talent and adequacy? Oh, no requiems by you? Oh, okay, then shove off.
Eph. 4 : 11). En outre, les dignitaires catholiques se couvrent la tête pendant la prière, ce qui est contraire à 1 Cor. 11 : 4. Le culte des morts étant interdit par Dieu, en le pratiquant on tombe directement dans la rébellion. Les messes de requiem ne peuvent aucunement sauver une âme (Marc 12 : 27, Psaumes 49 : 7-9).
![Camille SAINT-SAËNS - Requiem Op.54 - Île de France National Orchestra - Jacques Mercier[COMPLETE]](http://i.ytimg.com/vi/yv6XFrQHthU/mqdefault.jpg)
![Camille SAINT-SAËNS - Requiem Op.54 - Île de France National Orchestra - Jacques Mercier[COMPLETE]](/img/tr.png)
：Another super Requiem! Thanks you!
Of such beauty and emotion !
No unnecessary notes, no drawn out passages - everything created with musical economy.
I hear strains of Mendelssohn at times, and can see that Saint-Saens was easily the inspiration for the later French movie composers like: Lai, Legrand and Delerue.
That Agnus Dei melody is haunting...!
The Agnus dei is the most powerful movement for me. It is so emotive and sincere it just brings me to tears every time I listen to this movement.
Agree.
I think it's my favorite...along with Dies irae
So very beautiful! He was a genius and one of the greatest composers to ever grace our ears.
0:00 Requiem-Kyrie
6:21 Dies irae
12:47 Rex tremendae
16:42 Oro supplex
20:58 Hostias
23:11 Sanctus
24:47 Benedictus
26:55 Agnus dei
7:12 Tuba mirum
4:05 Bam! Goosebumps. The momentary tritone between the F# and C is just awesome.
Wow, that first entry of the soloists in the Kyrie ... just magic! Lovely music!
Wonderful..this one passed me bye. Many thanks!
So beautiful!
Thank you for posting this superb performance of the beautiful Saint-Saens Requiem; personally I find this recording to be the most idiomatic and has the best soloists. It is a strong, severe and yet rich score. There are so many works of Saint-Saens that should be much better known- this is one of them.
The angus dei is by far the most eerie and powerful part. I love this piece
Watch your spelling. Angus Dei is indeed eerie, quite creepy, in contrast to Agnus Dei.
HOLY COW! Yes, angus is a breed of cattle, and we certainly don't want to mix up lamb and beef! Not as bad as confusing meat and dairy, but still...
Too funny. Couldn't we bypass this as a typo and skip the correcting. I see the error but then, Holy Cow or Holier Than Thou. I must admit that I value correctness but with immense migration in Sydney and elsewhere, the English language has fallen prey to so much variation. At times, it's best to give it a benefit of a doubt. The comparison with beef is too funny. Peace, my lovers of proper spelling.
Eagle Eye Indeed-it was a simple misteak.
Wow you can really hear the influence this piece had in Fauré's Requiem! - that came only a few years later!
This is miraculous music. Beyond words.
2021 année du centenaire de la mort de Saint Saens à Alger. Le début du Requiem avec les pleurs de l’orchestre et des chœurs est poignant, les solistes peu présents impressionnent,l’agnus dei est bouleversant. L’orgue grandiose ! Encore une œuvre oubliée ! Mon trio des requiems: Mozart, Verdi, et Saint Saens .
et Fauré ?
Я бы поменял местам Верди и Сен-Санса
The very best version of this majestic piece !
what a glorious and beautiful work
00:00 __ I. Requiem. Kyrie eleison
06:24 __ II. Dies irae
12:48 __ III. Rex tremendae
16:42 __ IV. Oro supplex
20:58 __ V. Hostias (Offertoire)
23:11 __ VI. Sanctus
24:47 __ VII. Benedictus
26:55 __ VIII. Agnus Dei
Phenomenal. I can't believe it is the first time I am hearing the work. The economy of the piece is fantastic for a number of reasons, something I noticed without reading the description, the overall simplicity and celerity of the work defies later critics like Satie, the uniqueness of the work makes CS more difficult to pigeonhole as one emulating composers outside France. Thank you for posting, already listened twice in one day.
He is an underrated genius.
In which way Saint Saëns is underrated? He is often performed and highly respected composer.
I would argue the complete opposite. His name is revered by a huge crowd, and i honestly cant see why. I haven't found one convincing piece by him. Largely overrated, of course that's just my opinion.
@@cobblestonegenerator I think the Carnival of Animals is a masterpiece, and he has some great piano concerts.
@@cobblestonegenerator My guess is you haven't listened to much, or, you just find the period uninteresting. St. Saens was and is, France's greatest gift to music! Of what is it you need to be convinced?
@@andrewpetersen5272 One word: Ravel.
This is really beautiful and moving!, Thank you for sharing!
Thank you for providing this recording with so much useful information. This is a beautiful Requiem. Moving.
It deeply moves our souls
This is so breathtaking !
22:08....listen to the transference from the tenor to alto (Bb to Ab) on the words "morte transire ad VITam" which is sublime writing.
Astonishing: like staring straight dead eye into the 20th century & Phillip Glass: WOW: playing on Sirius symphony hall: bested Mozart in many ways.
Bested Mozart????????
Remarkable music .....
AMAZING REQUIEM!!!!!!!!!!!!!!!!!!!!!!!!!!!
Una parola sola:celestiale!
Michel Piquemal is such a great conductor
Bellissimo!!!
Outstanding!
Años después de que Camille Saint-Saëns estrenara su obra, Durkheim publicaría su tesis sobre el suicidio. Obras que admiro sin paliativos. Leí por primera vez el estudio del sociólogo en 1964 y diez años más tarde escuché este Réquiem en París, en los años setenta del pasado siglo. No sé por qué extraña razón siempre asocié esta plegaria a la muerte del suicida, vislumbrando tal dolor en lo que la precedió que solo en ella cabía salida. Paradójicamente, se la suele considerar acto necio o delito imperdonable, por incumplir una regla tácita de sufrir cuanto se nos asigne, aun a costa de sumirse en la insania. Acertada o no, toda muerte merece ser honrada, pues en ello la humanidad se reconoce.
Si eso es verdad,gran aporte
Soy estudiante de cine, y he escrito un guión para rodar mi cortometraje de tesis. Tus palabras se sienten en un romance muy cercano con mi discurso como director de la obra. No podía pasar por tu comentario, sin antes no agradecerte por la recomendación del texto, y las sombras que dibujas con tus eternas palabras. Gracias. Mi alma está vibrando.
@@FranBravoEs Gracias Franklin y que tu guión vea la luz
Putting aside Mozart for a moment, Faure is and remains my personal standard for a great requiem. That being said, I really like this one too.
El requiem de Kozlovzky es impresionante, te lo recomiendo.
Giuseppe Verdi has entered the chat.
1st part of dies irae is so powerful !
Joseph Stalin is burning in hell I presume........
Am I the only one that noticed the Benedictus kind of sounds like "Mon cœur s'ouvre ta voix" from Samson et Dalila
This entire piece is gorgeous. I would put it up against the Brahms of the Mozart Requiems any day.
It's engaging from start to end. Unlike some parts of Mozart's.
Fantastisch concert en requim. Volgende week wil ik dit laten draaien in de operatie kamer als ik zeven baypass krijg
Leendert Stödel -- Ich habe Ihre Aufmerksamkeit auf eine interessante Parallele zwischen dem Text des Duos („unglücklicher Elend, wer, namenlos und verbannt, die opfer des schicksals, sucht sehnsüchtig den Tod zu treffen, Schade, dass ich bin! “) und das übergeordnete Gefühl von Luftfahrtorigaminiedergeschlagenheit und Wintersturmwonnemondwende als Kraft des Schicksals setzt sich durch. Grüße aus San Agustinillo, Oaxaca!
The Tuba Mirum is quite something. How modern those chords!
Very powerful requiem.
Chœur de chambre pit nimax luxembourg, magnifique
11:20-11:40 Who else thought about the strings in the intro to Dormono Entrambi from Bellini’s Norma?
Indeed, it remembers me La Traviata
What are the performance details? Can't seem to find them here...
click on the tab "more" and you see the info.
Thank you.
Well...here's ANOTHER dumb question I pose in deference only to your vaster musical knowledge: Briefly and subjectively, how do you 'compare' this Saint-Saëns Requiem with that of Berlioz (with its breathtaking closing 'Amen'? Stay well & healthy, my friend!
Well, theres no comparing really. Berlioz from the onset of his requiem was determined to make a huge requiem with a gargantuan orchestra and a gigantic choir.
This requiem was made to be as economic ad possible while still being interesting.
Now, as far as just how they sound, Berlioz is the winner. Theres so much innovation in the chordal functions he uses and dear god the dies irea is crazy. Sometimes, depending on my mood, i put the Berlioz over the Verdi requiem.
Also, who needs the this requiem when you have Faure and Durufle. They both did so much better. Imo this requiem is just meh, as i consider pretty much all of Saint Saens work.
Wbu? What do you think?
@@cobblestonegenerator I personally think that comparatves are B.S.
10:34
I prefer this over ligeti's requiem.
Two bangers
I really don't like how quickly he tossed away the Dies Irae and moved on to Tuba Miram. The Dies Irae should be a more explored, dramatic focal point of any requiem mass. The text begs for a longer setting. Props for the bad-ass pipe organ tho.
and it is a pity, since this is one of the best dies irae I ever heard !
@@Nacidodelmar its a comment section for a reason. For ideas to be expressed and expounded upon. Why are you so against it?
Also, if no one cares, why the hell did you take the time to comment?
Ass backwards logic will always be ass backwards.
Very comparable to Mozart's! Such a revelation
This is not piano version, right?
Very nice piece, but most composers of the day were writing requiem masses to fit the church's mass structure that was about an hour. The Saint Sans piece is about 34 minutes, far short of a mass. Saint Sans was agnostic, so didn't feel compelled to fit the mass structure. Still, very nice.
I think the description in the video more closely fits the description of the piece.
Ek is dol oor hierdie musiek.
no gestion
faster
How's your Requiem Mass being received?
Saint-Saens rote a requiem
@Ellanna Swope well his friend was not exactly a mailman but the director of all mailmen of France (General director of the post if I translate his job literally). I'm a descendant of his sister and just discovered this masterpiece.
@Ellanna Swope It was really a big surprise. And as you really love this Requiem you may be happy to learn, as I haven't seen it anywhere, that Joseph Albert Lelibon known as Libon was the son of a french violonist from the 19th century, Philibert Lelibon dit Libon, mostly known under his spanish name Felipe Libon which is then usually mistranslated as Philippe Libon (his wikipedia page is wrong about several things including his name in french...and his birthdate and birthplace). So Albert Libon really had a great bond with music. It's fun to know that someone from my family is taught about in music school (or wherever you learnt music).
Saint Saens was an antiromantic. Most of his pieces lack personality because he was afraid of "personal confessions". Here, in the beginning, he seems to adhere to the most spectacular tradition of the Requiem Mass. It is strange from him. As an opposition, listen to the discretion of the Requiem of Gabriel Fauré.
I don't think that Saint-Saëns' works lack personality.
I think that Saint Saens works are loaded with personality and have never understood comments to the contrary. All I can think is that some listeners don't identify with his music and so don't connect with the great Camille.
Gérard Begni One would expect such words to come from a composer with a superior taste to that of Saint Saenz, I assume you must be a composer yourself. Where can we listen to your works?, not to judge nor compare, but to hear what your strong personality is.
@@shadowjuan2 this guy has a well thought out and adequately explained reason for not liking the composers works.
I dont like this Saint Saens either. Not because my ears are superior, but because i just think hes boring. Nothing special to me. Theres nothing wrong with opinion.
Now just coming by and saying i sucks would be stupid, but this is just his opinion.
Oh, btw, you must have written acouple requiems yourself to be able to deem what is worth listening to. So, where are these? May i listen to what makes you the deciding factor in talent and adequacy?
Oh, no requiems by you? Oh, okay, then shove off.
@@cobblestonegenerator You opinions of St. Saens are noted and dismissed by most here. Please go find a place to heap praise.
Eph. 4 : 11). En outre, les dignitaires catholiques se couvrent la tête pendant la prière, ce qui est contraire à 1 Cor. 11 : 4. Le culte des morts étant interdit par Dieu, en le pratiquant on tombe directement dans la rébellion. Les messes de requiem ne peuvent aucunement sauver une âme (Marc 12 : 27, Psaumes 49 : 7-9).
Outstanding!
Outstanding!