Yeah, it's confusing for me just to think about how a single animator can do a scene under the supervision of several different ones. For example, in 4:21 Ichabod was supervised by John Lounsberry, Katrina by Marc Davis, and Brom by Milt Kahl, and Frank Thomas had to put them all together? How?? Did they each animate their characters separately and roughhandly and had Frank sketch on top of one another before having them finalized? Did each animator supervise Frank animating the scene and instruct him on how to animate their characters correctly? I don't know how such a convoluted process creates such beautiful results.
The big wigs at Disney today should see these videos. They need a reminder of why the studio became so beloved and quit it with these "live-action" remakes.
@@antinootus561 same. I like their 3D movies as well (Moana is really good), but it's since 2016 we don't have an original animated movie (i don't count Frozen 2 since it's a sequel)
This will never happen. Money drives capitalism and since the live action remakes make millions, if not billions of dollars, there is no chance that Disney would switch back, no matter how ugly or non-sensical these new movies are.
@@rismosch You make a good point, but while The Walt Disney Company has certainly garnered a reputation for being money-hungry, its identity is built on the willingness and passion required to go above-and-beyond in quality. All the little details showcased in this video and the others couldn't have been added simply to rake in more cash. They came from a spirit of perfectionism and a love for the medium. These qualities are what make Disney stand out, and are reflected not only in their films, but their parks, resorts, etc. Just take a look at the work put into Disneyland's horticulture. The corporate end forgets what makes them special and sell out from time to time, and it's always a sad thing to see. The sequels to many of their classics come to mind. Thankfully, most of those were straight-to-video affairs. I can't think of a time when they've cheapened themselves so publically and on such a large scale, so this time around, it's sadder than ever.
It's smooth and lively, but also there are just enough frames to not make it too much. I'm assuming many were using actual human/animal movement as reference to better the immersion. I'm a big fan of how it all moves. James Baxter did some great stuff, and made it all really vibrant and full of wonder, while Thomas created these sorta cozy realistic vibes. Love it!!
He's good at making the characters cartoonishly expressive and gesticulate whilst keeping the characters' proportions consistent, and that consistent proportions thing carries on in rotation sequences like for Tramp or the Mary Poppins penguins or the dancing/whistling monkey from Jungle Book (does he have a name)
I agree. You can also tell which Tramp is Frank's and which is Milt's. The characters look like they have weight to them in Frank's, but are still light. Milt had a very realistic movement to his drawings (Tramp shaking off water) It's not here, but I can already tell that Frank did Tramp laughing on his back because of the weight he put in Tramp's feet when they hit the ground. I look at that and, while I know it's animated, it looks like a real dog moving. You hit it on the head, it definitely feels natural.
I think if someone were to put the animation for, say, the Queen of Hearts, Merlin, and Captain Hook side-by-side, it'd be quite clear they were the same animator. You really see a lot of the same movements and mannerisms between them. Maybe it's just because all three have frequent angry outbursts.
I love how he's done a bunch of angry outbursts, and then he's done 5:29. I know it's dramatic, but it's awesome, and it's my second favorite expression that this particular character makes. (My favorite is the one in the thumbnail!)
Ngl his work on Alice in wonderland is so inspiring to me besides that I watched it too much as a kid but his bouncy mixed with overdramatic for the queen of hearts is just amazing
These videos really helped me understand more of what the Nine Old Men specialized in and who they animated! Thanks for doing these montages! I hope you do vids for the four remaining ones.
Each picture by itself is like a work of art that looked like it took a lot of effort to make, I can’t imagine doing that 23 more times for one measly second
I'm glad my great grandmother and grandmother had me grow up with these movies. I wish they could bring back the old stile of animation to have some nostalgia moments
@LaumiRez my favorite Disney shorts are the ones with just Donald and José/The Three Caballeros and i always get that feeling when watching em bounce around :,D It kinda tugs at your heartstrings- doesn’t it? Like.. it’s been so looooong and yet we’re all still watching these things that very dedicated people drew and animated all those years ago--like dang! Imagine having that type of skill and patience to animate like that lol
Such a legend. Disney itself was founded on the skills of animators like Frank Thomas and Ollie Johnston... I think Walt’s name gets too much credit. Sad to see how the studio has lost its way these days, and how the artists still continue to get treated poorly.
Love, love, love the way he animated animals. Somehow he managed to capture and bring to life the real emotions and expressions of animals and still make them move just like real-life animals. (e.g. 3:14)
It's such a shame that Disney scrapped their 2D animation department. There's just so much charm to these. You can literally see the effort the artists put into animating their characters.
First, yes this was in my recommended like most others probably. Second, what I love about this is that I am noticing that I have apparently been loving this artists work for as long as I have been watching Disney films. Most of these scenes were some of my favorites within the movies simply because of the amazing facial expressions. I always loved 2:55 , 3:31 , 4:54 , 5:33 from the original films and now I am just happy to see that they were enjoyable for me simply because they all came from the same artist who appreciated making strong expressions and movement in animation!
My dad says that the Stepmother’s face in the video thumbnail is the best animated expression of shock he’s ever seen, and I can’t help but agree. It’s so good it’s downright scary.
Would you ever consider uploading versions with the animation's audio? It'd be nice to see how the accenting in the animation corresponds to the actor's delivery.
It really looks like they used some sort of model to draw characters at every angle. The look so three dimensional. They have huge range of motion. And incredibly expressivity.
@@FrizFreddy1994 That doesn’t seem right. There’s film footage and photos of them referencing for Alice in Wonderland and Peter Pan, specifically for Kathryn Beaumont and Bobby Driscoll. I think they’ve always continued to use models (3D animators still do this sometimes) but not as heavily as they did before.
So, he was the one who animated Lady and the Tramp's famous spaghetti and meatball kiss. Of all the moments in Disney animation, that is probably the most universally parodied sequence.
3:14 look at this, it screams control. Casually tosses the old dog away then when gets confronted just repositions next to her. Eye contact stays fixed but its so gentle.
So smooth and expressive, this is way better than live-action film, but they need to honestly balance both things out, I want friking Live action princess and the frog since it takes place in a Real World with a little bit of Voodoo
He certainly knows how to handle emotions well enough for the characters: happiness, sadness, fear, surprise, anguish, etc. Even physical movement was unique to see for the animals he's animated, from the bear in The Pointer to Burrito in the Flying Gauchito segment in Three Caballeros.
Sometimes, I wonder what Winnie the Pooh scenes he and the nine old men did. I know Milt Kahl did a lot of Tigger, and John Lounsbery worked on the "Heffalumps and Woozles" sequence.
Damn, I miss cartoons being fully animated and characters drawn with an organic shape and life-like detail. In this new millennium, animation studios have gotten cheap and their animators lazy, and cartoon aesthetics now are just crude chicken scratches. It all culminates to the sounding message _"We don't give a shit; take our crap and give us our money"._
this animator certaintly had a mirror by his side, its pretty much the bread and butter of animators and overall artists doing wide expressions on their characters.
You know the scenes where Mickey is trying to hunt something. Well what if he was distracted by bambi while he was playing and when the bear attacked Mickey he tried to shoot it but missed and the bullet went in the direction of bambi's mom... just a theory thought
I really like the work on Captain Hook. He seems uprisingly realistic and detailed for what you would think would be a very cartoony and wildly animated character, yet he loses none of the expressiveness, in the proess. Verry different from most of the other examples.
¿Did you know tht Mr. Thomas created and designed Disney's Captain Hook, Cinderella's Stepmother and the famous and extremelly successful Spaguetti scene in LATT?
Interesting to notice that Frank Thomas' specialty appears to be the Wild Take/Surprised or Shocked Expression. He's also a master at conveying emotion through facial expressions.
its because of frank thomas that the spaghetti scene exists in lady and the tramp. the man animated the whole sequence by himself. by himself dude. its mind blowing. legendary man
it's incredible to see how much he utilises the character's entire body for expressions, and how much subtlety there is to the faces in particular. It feels so natural and it's honestly something I'd love to be able to achieve in my own work. Also I love the scene at 4:08, idk something about the level of liveliness and movement on Pinocchio even though the cage is moving so much is really cool
Incredibly talented and dedicated. This is some quality stuff that will probably never be made anymore. Personally the softness doesn’t appeal to me I prefer a more aggressive, rigid, (still fluid) but different approach to animation. But I can’t stop watching this. It’s incredibly addicting.
It is weird to rewatch classic cartoons and think about the individual animator. The amount of work poured into these scenes is mind boggling.
Yeah, it's confusing for me just to think about how a single animator can do a scene under the supervision of several different ones. For example, in 4:21 Ichabod was supervised by John Lounsberry, Katrina by Marc Davis, and Brom by Milt Kahl, and Frank Thomas had to put them all together? How?? Did they each animate their characters separately and roughhandly and had Frank sketch on top of one another before having them finalized? Did each animator supervise Frank animating the scene and instruct him on how to animate their characters correctly? I don't know how such a convoluted process creates such beautiful results.
Weird though they still manage to unit all of these animations despite having them work on different parts
Why would they care. They’re just a corporate that feeds off the laughter of children for $100,000 a day.
Like Eric goldberg
frizz you have no soul
The big wigs at Disney today should see these videos. They need a reminder of why the studio became so beloved and quit it with these "live-action" remakes.
Amen. I want traditional animation back as much as the next guy, but at this point it doesn't even need to be 2D, it just needs to be original.
@@antinootus561 same. I like their 3D movies as well (Moana is really good), but it's since 2016 we don't have an original animated movie (i don't count Frozen 2 since it's a sequel)
This will never happen. Money drives capitalism and since the live action remakes make millions, if not billions of dollars, there is no chance that Disney would switch back, no matter how ugly or non-sensical these new movies are.
@@rismosch You make a good point, but while The Walt Disney Company has certainly garnered a reputation for being money-hungry, its identity is built on the willingness and passion required to go above-and-beyond in quality. All the little details showcased in this video and the others couldn't have been added simply to rake in more cash. They came from a spirit of perfectionism and a love for the medium. These qualities are what make Disney stand out, and are reflected not only in their films, but their parks, resorts, etc. Just take a look at the work put into Disneyland's horticulture. The corporate end forgets what makes them special and sell out from time to time, and it's always a sad thing to see. The sequels to many of their classics come to mind. Thankfully, most of those were straight-to-video affairs. I can't think of a time when they've cheapened themselves so publically and on such a large scale, so this time around, it's sadder than ever.
@@francescomena8181 Well we finally getting Raya and the last dragon (whoch was announced years ago lol)
His animations are so energetic and expressive, yet very gentle.
exactly! it all feels very light and airy
It's smooth and lively, but also there are just enough frames to not make it too much. I'm assuming many were using actual human/animal movement as reference to better the immersion. I'm a big fan of how it all moves.
James Baxter did some great stuff, and made it all really vibrant and full of wonder, while Thomas created these sorta cozy realistic vibes. Love it!!
They really are!
Queen of Hearts:
Exactly
2:25 so what I’m seeing here is... Mickey Mouse is the hunter that killed Bambi’s mom.
Nononononononononoonononoono
The mouse conquers all..
" no way you are gonna be more famous then me, kid.
Take this as a warning Ahah! "
He giveth. He must taketh away.
THE HELL?!
5:17 That was his doing? Impressive.
impressive indeed
History right there
One of the most classic Disney sequences without a doubt
2:56 this is his best work in my opinion.
Indeed
This style seems more dynamic than his previous work, more like Milt Kahl. I agee, it's great.
the biggest feature in that sequence is the circular motion in his arms. very pleasing to the eye
I know, they should work for Disney!
If you like an explosive change of behaviour in frames, of course you're right.
I like the upbeat music as a bunch of characters start crying
He's good at making the characters cartoonishly expressive and gesticulate whilst keeping the characters' proportions consistent, and that consistent proportions thing carries on in rotation sequences like for Tramp or the Mary Poppins penguins or the dancing/whistling monkey from Jungle Book (does he have a name)
Yeah, King Louie
Look at the seen where Lady Tremain comes out of the shadow. Her hand is so smooth.
3:31 is one of my favorite double takes in animation - it’s so unique and unconventional but works so well
6:17 My most favorite! I love that little headshake!
The way his jaw actually follows through, so subtly just *chef's kiss*
@@animatrix1490 God, I love animation.
Now you got me replaying it over and over again 😭
@@animatrix1490 Oh shoot that's true! That on top of how much weight the expression has just makes it 15/10
3:13 is my favourite one, I love how he animates dogs, it feels so natural so smooth 🤩
I agree. You can also tell which Tramp is Frank's and which is Milt's. The characters look like they have weight to them in Frank's, but are still light. Milt had a very realistic movement to his drawings (Tramp shaking off water) It's not here, but I can already tell that Frank did Tramp laughing on his back because of the weight he put in Tramp's feet when they hit the ground. I look at that and, while I know it's animated, it looks like a real dog moving. You hit it on the head, it definitely feels natural.
I love the cut at 3:31. It looks like Captain Hook is scared of Pongo.
It looks like they're reacting to each other
Don't you mean 3:27?
2:09 wow, looks so realistic!!
@@lanidoodle6830 I think they were joking I’m not sure
They're talking about the penguins
@@drwholover69 no I was trying to make a joke lol
@@fitzhugh7463 oof lol whoosh
@@lanidoodle6830 that's the joke
I think if someone were to put the animation for, say, the Queen of Hearts, Merlin, and Captain Hook side-by-side, it'd be quite clear they were the same animator. You really see a lot of the same movements and mannerisms between them. Maybe it's just because all three have frequent angry outbursts.
The very gentle and honest crying he animates is just wonderful
Frank makes a lot of playful like sequences
5:29 Now I know who to thank for so many childhood nightmares.
He pretty much gave Disney its recognizable style.
Can't get enough of the squirrel bit starting at 5:00!
The squirrel was sad after he turn back into a human and this was a great move I remember watching it but I had 100 of cds of Disney movies
I love how he's done a bunch of angry outbursts, and then he's done 5:29. I know it's dramatic, but it's awesome, and it's my second favorite expression that this particular character makes. (My favorite is the one in the thumbnail!)
His style has such rhythm in its movement, it’s as visually entertaining as it is musical
Of course Frank Thomas animated these, he’s one of the dudes who made the 12 principles of animation!
Ngl his work on Alice in wonderland is so inspiring to me besides that I watched it too much as a kid but his bouncy mixed with overdramatic for the queen of hearts is just amazing
These videos really helped me understand more of what the Nine Old Men specialized in and who they animated! Thanks for doing these montages! I hope you do vids for the four remaining ones.
powerpup97 uga M did John Lounsbery and Frances Jacobs did Marc, Eric, and Ollie.
Remember everyone 24 frames per second
Each picture by itself is like a work of art that looked like it took a lot of effort to make, I can’t imagine doing that 23 more times for one measly second
126'720 for snow white alone... insane
My 6 year old self thinking these movies were like 10 years old.
Meanwhile the movies are like 50 years before I was born
I'm glad my great grandmother and grandmother had me grow up with these movies. I wish they could bring back the old stile of animation to have some nostalgia moments
You prompted me to go and look. There’s no way the Lady and the Tramp is older than my parents 😭 I could’ve sworn it came out in the early 2000s
@@thewalkingmic5
Early 2000s!? How young are you??? Like, seriously, WTF...
@LaumiRez exactly 😭 I didn’t realize animation could look that good back then so I assumed it was made in the 2000s
@LaumiRez my favorite Disney shorts are the ones with just Donald and José/The Three Caballeros and i always get that feeling when watching em bounce around :,D
It kinda tugs at your heartstrings- doesn’t it? Like.. it’s been so looooong and yet we’re all still watching these things that very dedicated people drew and animated all those years ago--like dang! Imagine having that type of skill and patience to animate like that lol
Such a legend. Disney itself was founded on the skills of animators like Frank Thomas and Ollie Johnston... I think Walt’s name gets too much credit. Sad to see how the studio has lost its way these days, and how the artists still continue to get treated poorly.
Love, love, love the way he animated animals. Somehow he managed to capture and bring to life the real emotions and expressions of animals and still make them move just like real-life animals. (e.g. 3:14)
2:27 Oof, that's an unfortunate cut.
I’m going to hell for laughing 😂
Wtf lolololol
wait why??
@@hushhsound go to 2:22 and you will see he context. Mickey Mouse has a gun and points something out off screen, then it cuts to Bambi
Back when computer animation was considered to be more difficult and hand drawn animation to be easier. Those were the days
Not nice to pick favorites...,but this dude was Disney animation personified.
It's such a shame that Disney scrapped their 2D animation department. There's just so much charm to these. You can literally see the effort the artists put into animating their characters.
First, yes this was in my recommended like most others probably.
Second, what I love about this is that I am noticing that I have apparently been loving this artists work for as long as I have been watching Disney films.
Most of these scenes were some of my favorites within the movies simply because of the amazing facial expressions. I always loved 2:55 , 3:31 , 4:54 , 5:33 from the original films and now I am just happy to see that they were enjoyable for me simply because they all came from the same artist who appreciated making strong expressions and movement in animation!
Watching Snow White as a kid taught me the importance of washing hands before dinner
To think, Disney went from this to "live action".
They became a hot mess 😭
"So tell me, what inspired you to stop pouring talent into your films!"
*"Money!"*
@@silhouettemoth06 someone made a funny animatic about it lol th-cam.com/video/L6xszuoSm7M/w-d-xo.html
@@somethingwithbungalows aye, Saberspark! I love this guy, thanks for this link
@@silhouettemoth06 you’re welcome :D
7:25 still my favorite Disney animation scene ever.
What is it from?
Ikr? The three caballeros was a great movie
Why isn't Lady Tremaine's shocked face a meme yet?
0:09 is why i got into animation
Cuchulahn O'Byrne ahaha,same. I used to watch in on dvd/cd
Milt Kahl and Frank Thomas are the best things to come from Disney.
My dad says that the Stepmother’s face in the video thumbnail is the best animated expression of shock he’s ever seen, and I can’t help but agree. It’s so good it’s downright scary.
One of the greatest animators of all time...
Would you ever consider uploading versions with the animation's audio? It'd be nice to see how the accenting in the animation corresponds to the actor's delivery.
@Queenofawesome25 Yeah, and the main focus is the animation, not everything all at once.
It really looks like they used some sort of model to draw characters at every angle. The look so three dimensional. They have huge range of motion. And incredibly expressivity.
Actually, they stopped using models after Bambi. They were so talented they really didn't need them after Pinocchio.
@@FrizFreddy1994 That doesn’t seem right. There’s film footage and photos of them referencing for Alice in Wonderland and Peter Pan, specifically for Kathryn Beaumont and Bobby Driscoll. I think they’ve always continued to use models (3D animators still do this sometimes) but not as heavily as they did before.
@@_toulouse I didn't mean models as in people. Disney most certainly used those from day one. I mean like miniature statues of the characters.
@@FrizFreddy1994 Oh, I see. Sorry for the misunderstanding!
Real talent back then.
Frank Thomas voice himself in The Iron Giant (1999) and The Incredibles (2004).
So, he was the one who animated Lady and the Tramp's famous spaghetti and meatball kiss.
Of all the moments in Disney animation, that is probably the most universally parodied sequence.
Ur a Libra?
Frank Thomas was a legend
It just looks so.... classic.
This style of animation will always look good :)
RIP Frank (1912-2004)
He drew my favorite characters as follows:
Mr. J. Thaddeus Toad,Ichabod Crane,Merlin,King Louie, etc
Frank Thomas What a really talented animator
They bring back the best memories.
Edit: I love all of them
This is one of your best edits, I love the music choices. I feel like thats part of why I come back to this one a lot!
Thanks! I've tried to make each one better than the last. :)
I work in animation and I LOVE your videos! I always share them with my friends. Keep making them, they're great to study from!!
The James Baxter of those days.
Ah the golden age of animation when everything wasnt so flat and stiff
That's why I love to watch cartoons that's like in the 90s idk why I love it it's just amazing unlike the cartoons now...
Funny you say that since these cartoons are from the 1930s to 1970s.
@@FrizFreddy1994 ok
1:10 THE ELEPHANT IS SO ADORABLE 🥺💕
3:14 look at this, it screams control.
Casually tosses the old dog away then when gets confronted just repositions next to her. Eye contact stays fixed but its so gentle.
So smooth and expressive, this is way better than live-action film, but they need to honestly balance both things out, I want friking Live action princess and the frog since it takes place in a Real World with a little bit of Voodoo
Let’s hope they don’t ruin it. Oh wait better yet just lower your expectations way down 🤷♀️
It’s the one movie with a black character so they won’t do a live action until they’re scraping the bottom of the barrel and are forced
Decades of animation prowess and the whole life of a single person, condensed into 8 minutes.
Funny how time works.
He certainly knows how to handle emotions well enough for the characters: happiness, sadness, fear, surprise, anguish, etc. Even physical movement was unique to see for the animals he's animated, from the bear in The Pointer to Burrito in the Flying Gauchito segment in Three Caballeros.
this guy, the head waggle guy, and horse from adventure time really brought Disney life to be honest.
JAAAAMES BAAAXTAAA
Sometimes, I wonder what Winnie the Pooh scenes he and the nine old men did. I know Milt Kahl did a lot of Tigger, and John Lounsbery worked on the "Heffalumps and Woozles" sequence.
+Richard Smith Lounsbery worked on that sequence? Source?
+Steven Hartley D23's "Ask Dave" feature said that John Lounsbery, Art Stevens, Hal King and Dan McManus worked on that sequence.
Steven Hartley
+Richard Smith Ahh, I see. Makes sense. Would be interesting to know what scenes he did on that without too much guesswork!
Frank did the scenes where Piglet was caught in the flood and where he gives his house to Owl.
Damn, I miss cartoons being fully animated and characters drawn with an organic shape and life-like detail.
In this new millennium, animation studios have gotten cheap and their animators lazy, and cartoon aesthetics now are just crude chicken scratches. It all culminates to the sounding message _"We don't give a shit; take our crap and give us our money"._
this animator certaintly had a mirror by his side, its pretty much the bread and butter of animators and overall artists doing wide expressions on their characters.
TH-cam has been reccomending me videos of individual animators' work and I couldn't be more grateful.
You know the scenes where Mickey is trying to hunt something. Well what if he was distracted by bambi while he was playing and when the bear attacked Mickey he tried to shoot it but missed and the bullet went in the direction of bambi's mom... just a theory thought
he will remain a legend! i study his work and years later i'm still so dumbfounded by his work
I really like the work on Captain Hook. He seems uprisingly realistic and detailed for what you would think would be a very cartoony and wildly animated character, yet he loses none of the expressiveness, in the proess. Verry different from most of the other examples.
hand drawn animation will always be in a special place in my heart
Thinking about most cartoons these days aren't as smooth as these
He does a really good job at making characters look very 'blank', while somehow making them also look very expressive.
A lot less head swaggle and still a lot of emotion and expression in the animation.So far saw this and Milt Kahl and simply wow.
Thomas did an amazing job with the Queen of Hearts, a character full of temper tantrums and happy faces of a spoiled child
This animation is so good it's unbelievable!!!
The pinocchio puppet show scene is so incredible
¿Did you know tht Mr. Thomas created and designed Disney's Captain Hook, Cinderella's Stepmother and the famous and extremelly successful Spaguetti scene in LATT?
We know. We saw the reel.
Interesting to notice that Frank Thomas' specialty appears to be the Wild Take/Surprised or Shocked Expression.
He's also a master at conveying emotion through facial expressions.
its because of frank thomas that the spaghetti scene exists in lady and the tramp. the man animated the whole sequence by himself. by himself dude. its mind blowing.
legendary man
Very impressive animation here too.
All these animations without any exceptions are priceless and unique ! What a talented man ! ♥️
It’s crazy to think that this dude made better animations on paper than most people can with computers
I had no idea that some of my favorite scenes (favorite as in visual) were animated by this guy. Very epic.
RIP frank thomas
I always wonder how the shadows are so consistent under a cell animation.
did you really just put mickey hunting before bambi
Cartoons will never be the same.
Long live 2D Animation!!!!!
This takes me back to the good ole days. The 30s
it's incredible to see how much he utilises the character's entire body for expressions, and how much subtlety there is to the faces in particular. It feels so natural and it's honestly something I'd love to be able to achieve in my own work. Also I love the scene at 4:08, idk something about the level of liveliness and movement on Pinocchio even though the cage is moving so much is really cool
i was today years old when i learned that one person animated all of these iconic scenes
what a legend, truly
It's so full of life, and it doesn't have to throw wild colours and erratic movements at you to fight for your attention.
I love this reel! The music fits so well with the animation!
This makes me smile so much ^^ 💖
Incredibly talented and dedicated. This is some quality stuff that will probably never be made anymore. Personally the softness doesn’t appeal to me I prefer a more aggressive, rigid, (still fluid) but different approach to animation. But I can’t stop watching this. It’s incredibly addicting.
0:36 that edition tho
Frank Thomas the best Animator in the World.
Lel, he got the privilege of animating Lady Termaine's pwned face. XD
6:34 Ohh, this scene.... ♡
His animation is the dna of Disney, homie did Pinocchio and Bambi sold.
Jesus Disney really had the best animators, huh? Like this stuff is so wildly fluid: ESPECIALLY for traditional animation