@@Antonio-qm3bi Siempre hago la comparación de Anna con aquellos super héroes que no saben controlar sus poderes, en este caso Anna ha perdido el control de su voz, por muchos años fui un gran fan de ella, y dejé de serlo cuando lanzo el álbum de Strauss, totalmente atroz su interpretación.
Me canso de oir y leer las comparaciones con Callas, ella fue de las mejores, no hay que discutirlo, pero hay muchas otras sopranos que son estupendas!! Y cada una tiene su calidad de voz y sus alzas y bajas como las tuvo Callas también. La Callas fue una de mis favoritas pero también admiro el montón de otras magnificas sopranos como la Netrebko, la Milanov , la Tebaldi, among many other’s magnificent artists!!!
È stata talmente grande la Callas in Anna Bolena, che diventa veramente difficile, anche se a distanza di tanti anni, riuscire ad accettare e ad apprezzare una altra cantante nello stesso ruolo.
Ma sono state grandi anche altre, ovvio la Callas non si tocca, ma molte hanno cantanto meglio di questa "diva" che canta tutto e di tutto e si sente come ha conciato la sua voce !!!
I was there at the dress rehearsal. She did her best. Really. But really the technique is miles away from 19th C belcanto. For some darn reason Anna just can't straight jacket herself into her vowels and tones. She gets too high too quickly and the voice spreads on A natural and Bb. Her legato is never really taught either. Sometimes it is lovely other times hollow and breathy with no focus especially in the lower register. And the top gets so spread even though it is so obvious there is plenty more notes past high C in her voice. A gorgeous sound here and there but I still can't help to think that she rose too quickly to really reach the level of self control needed in this rep. In Puccini it does not show. Here and there in Verdi. But Mozart and Belcanto yikes.
This is not her rep, no matter who is blowing smoke up her skirt to encourage her to sing it. She was so wonderful in stuff like Manon, and she is lovely in Eugene Onegin. Why is it that singers always want to try to sing heavier music than their voices can bear. You who did not? Alfredo Kraus. As a result he could sing until the day he died, with a high C as secure and technically perfect at the end as he had when he was younger (with a touch of age on the color). I love Netrebko and I cannot bear to hear her destroy his voice this way.
I admire Netrebko for surviving all the roles she never should have sung (Amina, Lucia, Anna Bolena, Elvira..) ... she is the Diva of our times but certainly didn´t always chose the right roles
AustrianAdrian Wholly agreed. I like her a whole damn lot, but at least half the roles she's done were never really right for her and we all know picking the wrong rep is half her problem. Granted, this role specifically is a weird one lying in some lower parts yet needing to go into the stratosphere and oh, let's do some coloratura also. She's never been great with coloratura, that's for sure, but her richer voice was still never meant for bel canto and certain Mozart roles. However there's ONE role I'm shocked she hasn't done and hardly anyone has suggested she do. Nedda is Pagliacci. She needs needs, NEEDS to do this one, she's literally perfect in every way, and her Stridono Lassu would SLAY. She'd just slay this whole role, honestly. I still wonder why she hasn't done it. She's a lirico spinto and the true heavier verismo stuff is what she should have been, and still should be, doing all along.
ha voluti strafare per ambizio e mal riposta e per lucro... non è un soprano assoluto e soprattutto doveva stare sul suo repertorio... non ha neppure la capacità interpretativa per certi ruoli. Non scomodiamo la Callas per lei basta la Devia che come tecnica la seppellisce!!!
So far no one can sing Anna Bolena like Maria Callas. Thank God for the live recording of her stage performance at La Scala in 1957. That was the "re-birth" of this opera as well as its sudden death.
Maybe you mean she lives in her legacy but actually she left this world 16 September 1977. She will always live in our hearts but physically she's here no more.
After the initial phrase "coppia iniqua" which she mispronounces as "copia" I can't understand a single word. Is the libretto so bad that this is what you call perfection?
Apparently she has just decided she doesn't need to watch her weight? I don't know. Maybe, since she has decided that her voice got bigger due to her pregnancy (or some such nonsense) that she needs to maintain the baby weight? Whatever the reason, the weight is doing her no favors, either in her voice or her looks. I miss thin Anna and I miss Anna singing the correct rep. Her voice is so beautiful and used to be velvety. Now it's just shrill and not well supported.
@@sopranosd It shows how casual and lazy it gets, why watch weight if you can get rated high and with a fat purse.... she has been dominating Met for almost 20 years. Enough is enough!!!
Her voice is lovely, but if you can't take that last note to the sky, it simply is not a role for you. People attend bel canto operas specifically to hear vocal acrobatics.
Marketing..... un gran negocio para los ignorantes. Los teatros hoy en día no tienen en cuenta la calidad de los cantantes (algunos si lo mantienen) los teatros solo desean una cosa: llenar por completo su aforo para tener máxima rentabilidad si con ello traen a "cualquier cantante afamado", ellos no discuten quien canta bien o no, sino cuanto dinero ganarán, pero mientras haya publico sordo, mal asunto y poco futuro para la opera porque por desgracia cada tiempo que pasa los teatros (de cualquier nivel) están llenos de mediocres cantantes. Es como llenar unas olimpiadas con atletas desentrenados, igual ocurre con la comida (productos de baja calidad a alto coste, y procesados...)
Vibrato is normal and usually reflects good support, but one can also develop a vocal flutter if one has a tight jaw. You can see Netrebko's jaw is tight on the high notes -- never a problem for her before. I think it's from this ridiculous repertory that she should never have begun singing. She's overblowing her sound, leading to spread top notes and breathy mid range tone. She is wasting her voice. She'll still sell tickets but more and more she will disappoint. Talk about ruining your brand.
I can't even listen to the entire piece, she doesn't even follow the score. Her wannabe impressive shrieks and screamed high notes can't make up for the fact that she'll never be able to be a decent Anna Bolena.
I found it enjoyable and with enough expression. Wish I could hear something like this live here in Hamburg these days. Also prefer that the high Eb is not attempted when it sounds thin and like a scream - Netrebko is doing well enough!
Suth Pav If you don't mind all the downward transpositions. Actually she made upward transpositions too to avoid her chest voice. Honestly I love Sutherland, but Bolena came way too late in her career.
Callas was a goddess and a consummate musician. Every note was sung with excellent pitch and amazing control, even when her technique failed her -- which sadly began early on. Her portamenti are a voice lesson in and of themselves. And every note had MEANING.
Inascoltabile... questo sarebbe belcanto....respira male, prende fiato dovunque, usa la glottide per enfatizzare, ma le espressioni sono banali, e gli acuti sono tirati e lanciati non tenuti
@@numetutelare @GB And this is from 2011 before her 'decline.' I liked her circa 2007 (I Puritani) because there was some potential but now, sigh, she is wildly 'popular in the moment but her legacy will be problematic. Lastly, the moment at the end where she sings with her back turned is supposed to be dramatic and daring, I guess, but I think an attempt to distract from deficiencies.
+eddie ferran I don't know why she didn't do it in this clip because she definitely can do it very well. You can see clips from the end of Act I: "Ah segnata e la mia sorte". There are clips from the Met and La Scala, and I love both.
Sempre sopra le righe e inadeguata... questo sarebbe belcanto non una sceneggiata... ascoltare Callas, Devia, Sutherland, Sills... e perfino la Verrett e la Cruz Romo ... La Netrebko crede di essere un soprano assoluto e canta di tutto... va bene per le sue tasche non.per l'arte lirica... aveva un buon timbro e se la cavava tecnicamente ma a forza di fare di tutto ora si vedono i risultati... perfino i fiati sono compromessi e presi a caso ed i passaggi stiracchiati... sugli acuti stendo un velo pietoso, lanciati a mai sostenuti. Poi per carita' ognuno si contenta di quello che gli basta....
Esempio di quando l'azione scenica, lo sguardo e l'accento da dare alle parola, non corrisponde assolutamente al senso di ciò che si sta cantando. Puoi avere voce, potenza, timbro e tutto quanto ma, se interpreti questa scena come se si dovesse canta Abigaille vuol dire non aver capito nulla del melodramma ottocentesco italiano
Oh yes, AMEN. I see that you are a gem of a belcanto specialist! Read the other comments who fully share my view. If you don't, then enjoy and don't bother to reply.
Lo siento, en conjunto no está mal, pero hay unas cuantas trampitas, la coloratura no es excesivamente limpia, algunos ataques no son nada belcantistas, el fraseo no tiene la elegancia que requiere el papel y, ¿soy yo el único que oye algunas notas poco afinadas? Hay respiraciones que rompen la línea de canto y se oyen demasiado, ¿no? Los seis trinos, los hace como puede, pero bueno, eso les pasa a casi todas. Es guapetona y buena actriz, suple sus deficiencias con la parte escénica, pero no deja de haberlas.
You do not have enough voice to sing Lady Macbeth, is forcing the tessitura and its issuance, the center suffers potentially lose clarity and sound in their promotions to acute area. Its volume is at the end of the scream. You should hear Rysanek records 50s for an idea on how to interpret musical and dramatically Lady was given.
He's making a point about this repertoire. If Netrebko did not have the voice to sing Lady Macbeth, then she surely does not have enough voice for this role, which requires even more voice. He's correct.
A singing actress but no opera singer … inadequate might be the best to describe her efforts on most any role. Deanna Durbin, Jeanette McDonald or Kathrin Grayson were far better in that field
Infatti ha rovinato un patrimonioo vocale ragguardevole ma... qualcuno ha sussurrato al suo orecchio che era un soprano assoluto e lei ci ha creduto... e vediamo i risultati !!!
This is horrible, awful, and vulgar! Who told her she can sing Bel Canto?. Poor anna netrebko, what happened to this woman? Maybe she could spend some afternoons listening to Callas and try to understand what the meaning of opera is. Even Florence Foster Jenkins can sing this aria better than her.
Fantástica soprano. En todo el siglo XXI no hay ninguna como ella y en mi modestísima opinión, tampoco hubo anteriormente nadie que la pudiera superar.
Absolutely awful. Joan Sutherland sang this at 60 and yes it had been transposed down. Sutherland's rendition had passion and absolute anger. This is boring
@@ransomcoates546: Are there ANY living sopranos you admire? Do you never go to live opera because Callas isn't singing? Or do you just stay at home listening to old recordings?
@@jamesmorrison2055: The point I made is pretty clear. Shall opera houses of the world shut down because there’s no Maria Callas to sing in them anymore? If you think Netrebko is so bad, why did you watch this video? These ubiquitous comments about how no living sopranos matter because they aren’t Callas (or Sutherland, yadda, yadda, yadda) are getting quite boring. Actually, her career was rather short-lived. She was already a has-been by the early 1960s, at an age (40ish) when most singers are reaching the peak of their capabilities.
Tomba 2, 1° la Netrebko aveva una voce. 2° la sapeva usare. 3° pero' per fare le regine devi studiare le regine e come si comportano e lei e' rimasta donna delle pulizie del Marinskij. La "nobilta" ha degli schemi, delle movenze "tipiche", come camminare, come inchinarsi o inginocchiarsi, come porgere una mano da baciare, come ci si siede e come ci si alza da una sedia. Fino ad Elisabetta II ( Diana, Kate e Meghan non fanno testo)ci sono filmati di Edoardo, Alexandra e tutto il Gotha europeo, zar compresi, da cui si puo' attingere a piene mani. Magari erano mascalzoni ma le apparenze erano severe. Hai mai visto Elisabetta o Fabiola dei Belgi o Juan Carlos di Borbone mettersi le mani in testa o grattarsi una mano in pubblico? No. Invece la Bolena della Netrebko o della Agresta si. Mi sono spiegato? Tomba 2 ciao.
I don't understand why people (not everyone) doesn't like her voice in Anna Bolena. In my opinion, she did really good ❤️
Su sobreactuación es grotesca, al igual que el sonido de su voz. Era una soprano con mucho potencial arruinado gracias a una mala técnica
La tecnica de Anna es muj bonita
@@Antonio-qm3bi Siempre hago la comparación de Anna con aquellos super héroes que no saben controlar sus poderes, en este caso Anna ha perdido el control de su voz, por muchos años fui un gran fan de ella, y dejé de serlo cuando lanzo el álbum de Strauss, totalmente atroz su interpretación.
@@alexbarrera5256 Sencillamente sensacional. Es la mejor soprano de la histori
@@Antonio-qm3biHaber canta?!
I don't care whatever anyone else say, I watched the whole production live, and Anna was spectacular.
Me canso de oir y leer las comparaciones con Callas, ella fue de las mejores, no hay que discutirlo, pero hay muchas otras sopranos que son estupendas!! Y cada una tiene su calidad de voz y sus alzas y bajas como las tuvo Callas también. La Callas fue una de mis favoritas pero también admiro el montón de otras magnificas sopranos como la Netrebko, la Milanov , la Tebaldi, among many other’s magnificent artists!!!
How come I can hear every breath she take? Also listen to the “s” sounds. How in the earth they are so consistent?
They mic her closely for the quiet sounds and do some fancy audio editing so balance it.
Bravissima Anna ha voce adatta
È stata talmente grande la Callas in Anna Bolena, che diventa veramente difficile, anche se a distanza di tanti anni, riuscire ad accettare e ad apprezzare una altra cantante nello stesso ruolo.
annunziata Castro assolutamente d’accordo.
Ma sono state grandi anche altre, ovvio la Callas non si tocca, ma molte hanno cantanto meglio di questa "diva" che canta tutto e di tutto e si sente come ha conciato la sua voce !!!
Completamente d’accordo con te
The video right before this was Maria Callas’ 1957 rendition of this very aria. And damn! Talk about this being underwhelming...
Callas studied a role . All the met cares about now is good looks and big tits.
I was there at the dress rehearsal. She did her best. Really. But really the technique is miles away from 19th C belcanto. For some darn reason Anna just can't straight jacket herself into her vowels and tones. She gets too high too quickly and the voice spreads on A natural and Bb. Her legato is never really taught either. Sometimes it is lovely other times hollow and breathy with no focus especially in the lower register. And the top gets so spread even though it is so obvious there is plenty more notes past high C in her voice. A gorgeous sound here and there but I still can't help to think that she rose too quickly to really reach the level of self control needed in this rep. In Puccini it does not show. Here and there in Verdi. But Mozart and Belcanto yikes.
Where u in the chorus?
Robert Richardson
Ha ha.. Not at all. I am not a chorus singer.
Cute technical observations, you forget one thing.
She has the most beautiful voice in the world.
You should write her a fan letter. I am sure she would really appreciate your lovely comment.
This is not her rep, no matter who is blowing smoke up her skirt to encourage her to sing it. She was so wonderful in stuff like Manon, and she is lovely in Eugene Onegin. Why is it that singers always want to try to sing heavier music than their voices can bear. You who did not? Alfredo Kraus. As a result he could sing until the day he died, with a high C as secure and technically perfect at the end as he had when he was younger (with a touch of age on the color). I love Netrebko and I cannot bear to hear her destroy his voice this way.
I admire Netrebko for surviving all the roles she never should have sung (Amina, Lucia, Anna Bolena, Elvira..) ... she is the Diva of our times but certainly didn´t always chose the right roles
AustrianAdrian Wholly agreed. I like her a whole damn lot, but at least half the roles she's done were never really right for her and we all know picking the wrong rep is half her problem. Granted, this role specifically is a weird one lying in some lower parts yet needing to go into the stratosphere and oh, let's do some coloratura also.
She's never been great with coloratura, that's for sure, but her richer voice was still never meant for bel canto and certain Mozart roles. However there's ONE role I'm shocked she hasn't done and hardly anyone has suggested she do. Nedda is Pagliacci. She needs needs, NEEDS to do this one, she's literally perfect in every way, and her Stridono Lassu would SLAY. She'd just slay this whole role, honestly. I still wonder why she hasn't done it. She's a lirico spinto and the true heavier verismo stuff is what she should have been, and still should be, doing all along.
Well said. Wow
ha voluti strafare per ambizio e mal riposta e per lucro... non è un soprano assoluto e soprattutto doveva stare sul suo repertorio... non ha neppure la capacità interpretativa per certi ruoli. Non scomodiamo la Callas per lei basta la Devia che come tecnica la seppellisce!!!
So far no one can sing Anna Bolena like Maria Callas. Thank God for the live recording of her stage performance at La Scala in 1957. That was the "re-birth" of this opera as well as its sudden death.
My dog agrees th-cam.com/video/buMePgjqXg8/w-d-xo.html
Callas is dead, if you didn't know
@@cristinapalermo3569 She's not dead.
Maybe you mean she lives in her legacy but actually she left this world 16 September 1977. She will always live in our hearts but physically she's here no more.
@@cristinapalermo3569 I know that. What's you point?
Her diction is absolute perfection.
After the initial phrase "coppia iniqua" which she mispronounces as "copia" I can't understand a single word. Is the libretto so bad that this is what you call perfection?
Really? I can't understand a single word, aside from "coppia iniqua", "estrema vendetta" and "cessate".
this is bel canto - this isn't bel canto singing - she sells tickets shes pretty that's it -
Donald Kramer and why is she so fat now?
Apparently she has just decided she doesn't need to watch her weight? I don't know. Maybe, since she has decided that her voice got bigger due to her pregnancy (or some such nonsense) that she needs to maintain the baby weight? Whatever the reason, the weight is doing her no favors, either in her voice or her looks. I miss thin Anna and I miss Anna singing the correct rep. Her voice is so beautiful and used to be velvety. Now it's just shrill and not well supported.
@@sopranosd It shows how casual and lazy it gets, why watch weight if you can get rated high and with a fat purse.... she has been dominating Met for almost 20 years. Enough is enough!!!
the best Coppia iniqua!
Her voice is lovely, but if you can't take that last note to the sky, it simply is not a role for you. People attend bel canto operas specifically to hear vocal acrobatics.
Did this lady, ever studied music and singing ? Does she ever listen to Bel-Canto singers ? Does she know what Bel-Canto is and means ?
Marketing..... un gran negocio para los ignorantes. Los teatros hoy en día no tienen en cuenta la calidad de los cantantes (algunos si lo mantienen) los teatros solo desean una cosa: llenar por completo su aforo para tener máxima rentabilidad si con ello traen a "cualquier cantante afamado", ellos no discuten quien canta bien o no, sino cuanto dinero ganarán, pero mientras haya publico sordo, mal asunto y poco futuro para la opera porque por desgracia cada tiempo que pasa los teatros (de cualquier nivel) están llenos de mediocres cantantes. Es como llenar unas olimpiadas con atletas desentrenados, igual ocurre con la comida (productos de baja calidad a alto coste, y procesados...)
Voz poderosa, num papel difícil de interpretar. o belcanto no seu melhor.
brava anna
What is happening with Netrebko?
Full of vibratto... Terrible!
Without feelings! Senza anima!
Carlos Pérez vibrato and not vibratto, and isn't vibrato supposed to be a good thing?
thanks for this. It depends of the aria and the composer. Verdi Operas need the vibrato, but not too much. Always with elegance.
Vibrato is normal and usually reflects good support, but one can also develop a vocal flutter if one has a tight jaw. You can see Netrebko's jaw is tight on the high notes -- never a problem for her before. I think it's from this ridiculous repertory that she should never have begun singing. She's overblowing her sound, leading to spread top notes and breathy mid range tone. She is wasting her voice. She'll still sell tickets but more and more she will disappoint. Talk about ruining your brand.
Carlos L. Pérez Lontano ya pues, Carlos. Anda a tu casa a escuchar tus viejos discos de Callas
@@togenichayavok2872 Not a wide wobbly vibrato like this.
BRAVO DEAR ANNA !!! FANTASTIC SOPRANO !!! BRAVO !!!
1:39 umm... really? She did everything great until the coloratura :o
Bravo! Bravissimo!
VIVA Anna!
Love you onstage, you are indeed a prima assoluta!
Idk whoever told her she should sing anything bel canto....
The almighty $$$ my friend. Arnold
Arnold Amaral new color for your profile pic my friend?
What do you mean? The color of the A etc. I noticed it was blue the other day. It used to be green. So what gives my friend??? Arnold
Where are the trills?
Un sacco di voce ma fa un Donizetti un po' "verista"
Как же Вы хорошо поёте, Аннушка!
I was never so happy to see anyone lose their head in my life. What wretched catterwauling.
I agree. She's horrendous in thid
sharing your comments. I hope that is ok.
Why don’t you officially dissociate from Putin????? That’s what we expect from a human and idol like you!!!!
Anna Bolena is too much for her. Kudos on the effort, though!
I made an effort taking my morning shit. Please give me kudos.
Stunning! An absolute musical triumph! Bravo Señora!
This actually makes one look forward to the title character getting decapitated!
I can't even listen to the entire piece, she doesn't even follow the score. Her wannabe impressive shrieks and screamed high notes can't make up for the fact that she'll never be able to be a decent Anna Bolena.
I found it enjoyable and with enough expression. Wish I could hear something like this live here in Hamburg these days. Also prefer that the high Eb is not attempted when it sounds thin and like a scream - Netrebko is doing well enough!
No, she's terrible
Another singer trying to sing bel canto as if it's verismo - with awful results.
Callas sang the music exactly as it was written.
there are many good sigers in the world, But Callas was "LA CALLAS"
No one sang it better than Sutherland.
Suth Pav If you don't mind all the downward transpositions. Actually she made upward transpositions too to avoid her chest voice. Honestly I love Sutherland, but Bolena came way too late in her career.
Callas was a goddess and a consummate musician. Every note was sung with excellent pitch and amazing control, even when her technique failed her -- which sadly began early on. Her portamenti are a voice lesson in and of themselves. And every note had MEANING.
I admit, i often wonder how she could have pulled it off if she took the role younger
She wanted to be Callas. She failed. Miserably. She should have stuck to lyric roles.
Netrebko doesn't have the technique to pull this off. Add to that the poor acting and dismal stage directing and there isn't much here.
Inascoltabile... questo sarebbe belcanto....respira male, prende fiato dovunque, usa la glottide per enfatizzare, ma le espressioni sono banali, e gli acuti sono tirati e lanciati non tenuti
@@numetutelare @GB And this is from 2011 before her 'decline.' I liked her circa 2007 (I Puritani) because there was some potential but now, sigh, she is wildly 'popular in the moment but her legacy will be problematic. Lastly, the moment at the end where she sings with her back turned is supposed to be dramatic and daring, I guess, but I think an attempt to distract from deficiencies.
@@chocolatesouljah: That (her backed turned) is the stage director's choice, not Netrebko's.
@@katev8489 are you sure that it’s the director’s staging rather than an acting choice?
@@chocolatesouljah: Yes, of course; that's the stage director's job, to design the blocking. What do you think the director's role is?
She’s great here! Love you Anna ❤️🥰😘
I wish she could do the eb but whayever
Whatever
+eddie ferran I don't know why she didn't do it in this clip because she definitely can do it very well. You can see clips from the end of Act I: "Ah segnata e la mia sorte". There are clips from the Met and La Scala, and I love both.
Molto bella e brava ma paragonarla alla Callas mi sembra un pò azzardato
Alessandro Serafini assolutamente fuori luogo come paragone.
La Bolena della Callas è assolutamente inavvicinabile!
During my lifetime SHE IS THE BEST, absolutely THE BEST !!!
Sempre sopra le righe e inadeguata... questo sarebbe belcanto non una sceneggiata... ascoltare Callas, Devia, Sutherland, Sills... e perfino la Verrett e la Cruz Romo ... La Netrebko crede di essere un soprano assoluto e canta di tutto... va bene per le sue tasche non.per l'arte lirica... aveva un buon timbro e se la cavava tecnicamente ma a forza di fare di tutto ora si vedono i risultati... perfino i fiati sono compromessi e presi a caso ed i passaggi stiracchiati... sugli acuti stendo un velo pietoso, lanciati a mai sostenuti. Poi per carita' ognuno si contenta di quello che gli basta....
Che voce...
Che voce non per questo repertorio, e ormai anche per altri... tacnicamente è davvero precaria...
look like She doesn't understand any word She sings.
carlo cava I agree with you. stupid girk
carlo cava That was one of the most stupid comments I've ever seen, and I've seen a lot.
@@n.g.h.calmarena7013 it's true though. There's no understanding of the role like with Callas and Sutherland
@@n.g.h.calmarena7013 Ma è vero... è piatta nelle espressioni... spinge solo sull'enfasi e sull'ingrossamento dei suoni... il belcanto è altro !!!
Esempio di quando l'azione scenica, lo sguardo e l'accento da dare alle parola, non corrisponde assolutamente al senso di ciò che si sta cantando. Puoi avere voce, potenza, timbro e tutto quanto ma, se interpreti questa scena come se si dovesse canta Abigaille vuol dire non aver capito nulla del melodramma ottocentesco italiano
Call the doctor we have the disease!
Perché oscura la voce in questo modo?! Sento solo glottide. Peccato.
GORGEUS !!! DIIVA
Es la mejor no se esfuerza le fluye el canto
She's horrible.
Con la mas humilde opinión...tú no sabes de canto.
Non capisco, quanto l'ha abbassata?
elmireno seminacoccole, non e' abbassata, e' in tono, e' il risultato che e' un tantino...volgare?
una maravilla
Eres la más grande Anita
This was quite good, aside from the missing trills.
No, it wasn't
Fantástica! Gran actuación 🎭
Even back then she could only portray a single character: a drunk Lady Macbeth.
Never heard such vulgar and unmusical singing. A golden voice does not make a golden singer. Shame.
operabilia Blabla from self appointed opera lovers. Tedious, little people of no consequence.
Oh yes, AMEN. I see that you are a gem of a belcanto specialist! Read the other comments who fully share my view. If you don't, then enjoy and don't bother to reply.
@@janm.c.munich3513 Who know a hell of a lot more than you do about opera and bel canto, it seems!
Lo siento, en conjunto no está mal, pero hay unas cuantas trampitas, la coloratura no es excesivamente limpia, algunos ataques no son nada belcantistas, el fraseo no tiene la elegancia que requiere el papel y, ¿soy yo el único que oye algunas notas poco afinadas? Hay respiraciones que rompen la línea de canto y se oyen demasiado, ¿no? Los seis trinos, los hace como puede, pero bueno, eso les pasa a casi todas. Es guapetona y buena actriz, suple sus deficiencias con la parte escénica, pero no deja de haberlas.
Magnifica !!!
MARAVILLOSA ARIA
You do not have enough voice to sing Lady Macbeth, is forcing the tessitura and its issuance, the center suffers potentially lose clarity and sound in their promotions to acute area. Its volume is at the end of the scream. You should hear Rysanek records 50s for an idea on how to interpret musical and dramatically Lady was given.
You are insane!
Francisco Arvizu Hugues Why would you stress she cannot sing Lady Macbeth in a video featuring her performance as Anna Bolena? You ARE insane.
He's making a point about this repertoire. If Netrebko did not have the voice to sing Lady Macbeth, then she surely does not have enough voice for this role, which requires even more voice. He's correct.
She is singing Anna Bolena, omG
Анна прекрасная.
Not good....
The curates egg, but a bit rough around the edges.
A bit? She's dreadful
Anna Netrebko The best of the best
I'll keep Callas and Souliotis.
A singing actress but no opera singer … inadequate might be the best to describe her efforts on most any role. Deanna Durbin, Jeanette McDonald or Kathrin Grayson were far better in that field
Mi spiace ...urla ed urla !!! Sforzi oltremisura ,tanto da mascherare una voce ,che ,agli esordi,era più bella ed agile !!
Infatti ha rovinato un patrimonioo vocale ragguardevole ma... qualcuno ha sussurrato al suo orecchio che era un soprano assoluto e lei ci ha creduto... e vediamo i risultati !!!
Absolument fabuleuse avec cette voix ample et puissante !
Это не звук, это - помои
keep listening to your Callas and Rysanek. Don`t disturb us to enjoy Netrebko. Today she is best of the best
Which isn't saying much.
She is not, in this rep. She stuns when she sings in her true voice. Gorgeous and free, but in this rep she is literally tearing herself up.
Today the best of the best is shit. But enjoy your chocolate.
This is horrible, awful, and vulgar! Who told her she can sing Bel Canto?. Poor anna netrebko, what happened to this woman? Maybe she could spend some afternoons listening to Callas and try to understand what the meaning of opera is. Even Florence Foster Jenkins can sing this aria better than her.
Sencillamente fantástica doña Anna.
Fantástica soprano. En todo el siglo XXI no hay ninguna como ella y en mi modestísima opinión, tampoco hubo anteriormente nadie que la pudiera superar.
@@josefranciscoalvarez-buyll8358English please I don't understand your language.
そのポジションにいれて歌うと楽だけど、感情表現が出来なくなると思うよ。
Absolutely awful. Joan Sutherland sang this at 60 and yes it had been transposed down. Sutherland's rendition had passion and absolute anger. This is boring
후덕해지셨네
Simplemente horrenda. No tiene idea de lo que está cantando; y lo que es peor: de cómo debe hacerlo.
Maria Callas está muerta. Superadlo. No va a resucitar para presentarse en el MET. Ahora Netrebko es la mejor
jajaja. cruel pero cierto. Adesso la brava è Netrebko!
completamente de acuerdo
Callas es inmortal. Y Netrebko también.
@@xxsaruman82xx87 Diana has the same expression as a stone
@@xxsaruman82xx87 Dire que Damrau est excellente dans ce rôle est une blague, je suppose ?
Jesus…
Hahaha this is hilarious, awful and horrendous. She has no techniques to sing bel canto .
Her diction is really quite good.
Once you've heard Callas sing this music nobody will impress you. (Netrebko is of course really bad.)
Callas is dead. Get over it.
@@katev8489 Unfortunately the music still lives, unfulfilled in its execution.
@@ransomcoates546: Are there ANY living sopranos you admire? Do you never go to live opera because Callas isn't singing? Or do you just stay at home listening to old recordings?
@@katev8489 What’s your point? Either way this is horrible…
@@jamesmorrison2055: The point I made is pretty clear.
Shall opera houses of the world shut down because there’s no Maria Callas to sing in them anymore? If you think Netrebko is so bad, why did you watch this video? These ubiquitous comments about how no living sopranos matter because they aren’t Callas (or Sutherland, yadda, yadda, yadda) are getting quite boring. Actually, her career was rather short-lived. She was already a has-been by the early 1960s, at an age (40ish) when most singers are reaching the peak of their capabilities.
Oh, ............ no!
Her coloratura makes Elena Souliotis' sound great.
Terribile! Ritorna Callas!
Andre Effgen, magari!
Ritorna buon gusto
Tomba 2, 1° la Netrebko aveva una voce. 2° la sapeva usare. 3° pero' per fare le regine devi studiare le regine e come si comportano e lei e' rimasta donna delle pulizie del Marinskij. La "nobilta" ha degli schemi, delle movenze "tipiche", come camminare, come inchinarsi o inginocchiarsi, come porgere una mano da baciare, come ci si siede e come ci si alza da una sedia. Fino ad Elisabetta II ( Diana, Kate e Meghan non fanno testo)ci sono filmati di Edoardo, Alexandra e tutto il Gotha europeo, zar compresi, da cui si puo' attingere a piene mani. Magari erano mascalzoni ma le apparenze erano severe. Hai mai visto Elisabetta o Fabiola dei Belgi o Juan Carlos di Borbone mettersi le mani in testa o grattarsi una mano in pubblico? No. Invece la Bolena della Netrebko o della Agresta si. Mi sono spiegato? Tomba 2 ciao.
@@fabriziomariagarzi5534 to sei spiegato perfettamente. In un universo parallelo la Netrebko farà tesoro del tuo commento. 😁
@@Tkimba2 mi pare pero' che adesso possiamo fare affidamento su un unico universo e penso che per la Netrebko sia molto tardi.
Brilliant woman!
Molto male!
Un massacre!!!
Отвращение вызывает как певица
Awful
Callas’ is as bad she’s way past her prime in 1957
Are you high?
Terribile,
Netrebko THE WORST
Super
I never will understand the hype around extremely overrated netrebko
не самый лучший вариант