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Cosi Fan Tutte "Soave sia il vento" Isokoski et al
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- เผยแพร่เมื่อ 4 ก.พ. 2008
- The famous trio from Act 1 of Mozart's Cosi Fan Tutte performed by Soile Isokoski, Helene Schneiderman and Alessandro Corbelli. Covent Garden 1997.
Welch ein Traum! Einfach wundervoll. Die beiden Frauenstimmen haben ein einzigartiges Zusammenspiel - das ist wirklich das Nonplusultra.
spectacularly beautiful! Thank you all.
I fall in love with this performance. Sublime. 😍😍
Sublime e meraviglioso, dolcissimo e commovente. In una sola parola: Mozart.
ein tolles Beispiel für das Musizieren im Ensemble - das ist (wie ich finde) die wirkliche Krönung des Musizierens - so schön und so virtuos und so eindrucksvoll Soloarien auch immer sein mögen, das können sie nicht besser!!!)
This is the second best performance of this that I've been able to find. My favorite I have not been able to find on TH-cam.
One of the best productions of any opera I've ever seen. It made me a fan of Cosi, which I'd previously been quite lukewarm about.
You're just completely transported to some wonderful place after listening to such beautiful music such as this: bravi tutti!!!
Soave is right. ❤️
Wonderful, musical singing. Bravi tutti!
Beaufitul voices.
I think it's great: both from a musical and dramatic perspective.
Forget the clothing, this is bel canto writ large, the singing is perfect, and the acting of the sisters, especially at the end of the terzettino is very moving.
Very beautiful, thank you to whoever posted it. I shall buy that DVD.
brendan
Very fine. Regarding earlier comments: I dont think Alfonso is supposed to be cynical in the portion of the opera--Mozart didnt write his part that way. Besides he has to keep up the charade that his friends are actually going off to war. On the comparisons w/ other great sopranos: at least have the courtesy to compare live performance w/ live performance: Fiordiligi is an extremely taxing role in a complete staging of the opera. I've heard Soile both live & on record and she has invariably captivated me.
...LOOOOOOOOOOOOOOVE!!!...
Didn't the first performers wear modern clothes in 1787?
Do you think 1787 audiences thought it was nonsense?
MOZART OU L,AMOUR FRATERN ELLE
Lovely, unforced singing and acting. I do not understand the negative comparisons with Schwarzkopf - Isokoski is very much her heir with the same steadiness, evenness, accuracy and musicianship - just a more naturally beautiful tone (though Schwarzkopf possessed the artistic magic of making our ears and minds believe her tone was more beautiful than its objective reality).
"Così fan tutte" in giacca e cravatta e tailleur non si può guardare!!!
Mozart did not know what a metronome was.
"Too" fast relative to what???
AURA AMOROSA
"Cosa serve? A battaglia finita fia la cena
Per noi più saporita”, assim está em ação
Na ária “Cosi fan tutte”, ópera que encena
“Un’aura amorosa”, de Mozart, tradução:
“O que é preciso? Quando acabar a luta,
Faça o jantar para nós mais saboroso.”
Assim será o fim da Covid-19 que enluta
O planeta com a família jantar primoroso.
Aqui tempo tem ampulheta, quando areia
Acaba, nosso corpo físico se junta no chão.
Semear o pão para termos uma boa ceia.
A energia que sai das flores, dos pássaros,
Dos rios e da rosa, cantada em cantochão,
Cria a aura amorosa, ostentando lábaros. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - AURA AMOROSA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
You're right! And Elisabeth Schwarzkopf would teach the Soprano why she doesn't has to cry this so loud! Listen to the recordings of Schwarzkopf and Janowitz!
Better an approximation than nothing. Don't be such a pedant.
Bien mais pas aussi coordonné et émotif que le meilleur: Glyndebourne 2006
good and strong voices, but far from the Mozart sensibility.listen to Schwarzkopf, to know what Mozart is about
Thank Gof for the wonderful orchestral playing.
There is no blending or balancing of the voices, hardly any first beat in the bar arrives together. The 1/8 notes (especially of Corbelli) are unequal and not together between the voices.
His 1/16ths are not togther with the bassoon either.
The two ladies are sincere in their text, but Alfonso is not. But how do we see this?
Pretty awful.