Landscape photography - conveying drama
ฝัง
- เผยแพร่เมื่อ 24 ธ.ค. 2024
- I am not a massive fan of high resolution just for the sake of it and similarly the current quest for 'perfect' images can mean losing a lot of the atmosphere of the scene.
On this trip I venture out in strong winds and rain but have at the forefront of my mind the type of image I want to capture and more importantly how to portray it. The message is not to be obsessed with smooth images free from grain and noise when it is the exact opposite attributes that will work so well within the final image.
Still images can be viewed on my Instagram page I no longer post images to my Flickr account.
Equipment Used
Nikon F90x
Tamron 28-200
Ilford Delta 3200
Vlogging Equipment
GoPro Hero 7 Black with Rode Videomicro
Incidental Music
All that will be (Epidemic Sound)
Contact Details
Email: steveonions1@gmail.com Twitter: Steve_ONions / steve_onions Instagram: steveonions1 / steveonions1
You have made my day and a lot of others no doubt as well: Love all your images Steve. Well done 👍
Thanks Brian.
@Toby Clay I’m mystified here: what has this got to do with photography?
Well done Steve. You are a true intrepid photographer. With many people in lock down now, it was great to accompany you in wet Wales. And yes the darkroom print is king. For those of you who have nor experienced silver gelitin prints, there is a quality of paper and a depth in the image unequalled in inkjet print. Well done Steve.
Thanks Phillip and you are right, you have to hold a darkroom print to appreciate the difference and tactile nature (and the smell too!).
I love that as a YT photographer you're really an artist using a camera, not a technician. Love the reminder to just get out and shoot and purposely "add flaws" to convey emotion/mood.
I admit that I do ignore issues of technical quality and have only basic processing skills, as long as I like the final result I’m happy.
@@SteveONions I find a lot of people, myself included, pursue technical perfection , composition rules, must have foreground, must be sharp, etc. Recently I've started to free myself from that and I'm trying to shoot more intuitively. Your photography feels like that to me.
My favorite image was the first with the tree and rock wall...really liked the composition and mood.
Nice to see the bit of humour there, Steve! Very moody photos, and you have a wonderful way of showing film at its best. These images are wonderful, and for those of us who had the joy of processing film and prints back in the day, it is a siren call to get the enlarger out and make prints again. Really enjoying these videos - cheers!
Thank you and yes, we may see more enlarger last being deployed again soon 🙂
Some time ago I left landscape photography as well as my digital camera. I stopped following landscape photographers. But I always get back to you, because you're a film photographer, as I am now. And I understand very well why you choose film, because your images show quite beautifully the mood you want to extract and the way film conveys it. And it's inspiring to see how a photographer is moved by his passion to want to share these moody impressions. Thanks for sharing, Steve.
Thanks Joao, I left film behind in 2012 but soon found that I had lost the feeling in my work so I’ve gradually returned. I cannot sat exactly what it is about film but to me it is perfect.
Thanks again Steve . I’ve watched this multiple times (as per your other videos). I learn something new everytime. This is a masterclass in art. I kid you not. Keep it coming please. Cheers and take care
Thank you 🙂
Nicely done: your prints and your video. I’m a sucker for those gorgeous time-lapse videos of the scudding clouds.
I’m now realizing that your enthusiasm for your work is probably a subset of your love of life. That’s something invaluable to share during these days of radical uncertainty. Thanks again and good luck every day.
Thanks Larry, I love being outside as much as possible and taking photos is just a bonus. Look after yourself in these difficult times 👍
Steve, I'm big fan of your photography and videos. Actually your videos were one of the reasons why I stopped trying to make my 35mm photography less grainy (and in general make it "image perfect"), but instead I learned to appreciate its imperfections and use them to my artist expression of captured scene. Keep it up and take care!
A used to pursue sharp grain less images in the darkroom years ago until digital made that the norm. Now I celebrate the character of film for what it offers 🙂
Excellent as usual. Loved the humour and the photos in challenging conditions. I was at Crosby beach yesterday to celebrate the Spring Equinox ( Persian new year ) and take a photo or two as well and the weather was glorious. Was discussing with my wife that perhaps on Saturday we should visit the Delamere Forest or the north wales. Decided to do local at the end.
I was in Delamere the other morning but it was very uninspiring and I gave up! I do like the beaches at Crosby and Formby having grown up in Ainsdale. Keep safe 👍
Thank you so much for all that was shared in this video. The love you have for your art is inspiring...
Thanks Colin.
Favourite part of wet printing is seeing the image appear on the paper. I admit I stick in the dev face down for even coating, but then I go ahead and flip it up about half way through to see the print appear.
I miss that with the Nova tank but I prefer the compact size and reduced odors 🙂
It's always a pleasure to watch your videos, Steve. So refreshing, dreaming away...it's like being there, visiting the spots, locations with you, i can imagine, seeing you hitting the shutter. I love this kind of moody photography. Btw, nice "Aldi" weathersealing bag for your F90x. Fine sense of humor, too. A great watch at the end of the day.
Glad you liked it Marc, my equipment was drying out for days but it was well worth it.
@@SteveONions yes, indeed. My F80 is very sticky, but i'll fix this soon...so i use the F75 instead, which is fine. I never owned the F90x, nor F100, in contrast.
Steve
Wondefulr video and I'll never complain about shooting in bad weather again
Peter
It’s the best weather Peter 🙂
Loved the comparison between prints and scans! Quite an eye opener. Having no space for a darkroom, I will certainly spend more time on adjusting the settings of the scanner software, when re-scanning "favorite pictures", because a scan is never "raw" and leaves only very limited possibilities for later adjustments. So thanks a lot!
I know what you mean, it can be hard to adjust a scan and keep it looking natural, all sorts of artefacts appear especially in the highlights.
Love your sense of humour )))
Love the shot of the tree with the serpentine wall. Be well!
Gorgeous photos. Excellent work, thank you for the inspiration.
You’re welcome Dominique.
Thanks Steve! Please keep the videos coming as long as you can do so safely. We need these to look forward to.
Will do Larry, I have a few videos still to release and plenty of ideas I can film around the house.
I swear 3/4 of your videos feature this same gray weather. I'm impressed with your fortitude!
It’s starting to feel like I’m cursed, the next video does have some clear skies thankfully 🙂
Superb video Steve. The photographs are absolutely beautiful, atmospheric and full of old world charm. No one looking at this set of pictures could deny photography is an art. 👌
Thanks Andy, I think I prefer these sort of conditions to all others even though it’s pretty unpleasant to shoot at the time.
4 years ago, I started a project based around a Mamiya C33 and Tri-X simply because I realized that I was missing one simple thing in photographs... Grain.
I love grain, it could be argued it is unnatural but it adds so much.
I watch your videos on days like this and take photos on nice days. So it’s a win win for me. I really enjoy your videos. All the best. Jim from Georgia.
Cheers Jim.
Steve that beginning part with the bait and switch made my day! 😂 Please keep up the fantastic work! You’re so entertaining and I’m sure you’re making life easier for those who are on lockdown right now.
Thank you 👍🙂
Great to see the level of changes you make in post Steve. From a personal point of view I feel that quite often the temptation is to process the images too far, simply because the software is so capable these days. Very atmospheric images and an absolute treat to see someone relishing noise/grain! Stay safe and carry on bringing us the treats that are your vlogs.
Thanks Alan, I try and limit manipulations as it’s very easy to lean on those sliders and make an image too dramatic.
Excellent video, Steve! I admire your fortitude and tenacity. I could really feel the cold and the rain. Thanks for sharing.
Cheers Terry, I’ve just finished drying out 🙂
Thanks Steve, I love taking in the rain,
Sublime and original. Superb 👍
You can certainly get a venue to yourself on such a wet day Steve😊 In the olden days, my go to grainy film would of been Fuji Neopan 1600. These days D3200 developed in Rodinal works a treat. loved the abandoned dwelling print. Have you tried Slavich paper? A bit colder than Foma, but gives a good image for grainy photos. Lith prints a cold image as well.
Cheers
Diz
Thanks Diz, I also liked Neopan 1600 which was a much more contrasty film. I did buy some Slavich in 2012 but gave up darkroom printing soon after so never tried it. I’m tempted to have another go and can see that theophotoshop.ie list it for sale.
@@SteveONions Peter usually has good stocks of Slavich(and Foma) He can usually get Off Piste products as well. Easy to talking with him and a very knowledgeable photographer/printer.
Cheers
Diz
I can feel an order coming on 🙂
Your a glass half full rather than half empty Steve, nice vlog and area of North Wales
Half full of rain lately Dave 🌧😀🍺
Hey Steve! I use NikonosV in the weather like this with 35mm waterproof lens or 28mm, water resistant lens. I love it, and you don't have to worry about the weather or anything else since they are built like a tank.
I’m starting to think this would be an ideal wet weather camera Damir - thanks for the suggestion 👍
Steve O'Nions 👍
Great video as always Steve, many thanks for sharing. I enjoyed your comparison between digital and darkroom, I also use a diffuser enlarger for black and white printing. I have found that I often make prints now with the magenta turned up, I'm sure you've experimented with this as well. I agree that I preferred the more mid range tones of your darkroom print. I use HP5 pushed to 1600, and you get lovely grain when printing from the negatives with a diffuser enlarger. Thanks again an extra pleasure at the moment to see everything is business as usual with your great videos.
Thanks Simon. I frequently use HP5+ at 800 and sometimes 1600 but I do like the gentle contrast of Delta 3200. Might be good to do a side by side comparison with both scans and wet prints.
Love this format of shoot and then the following discussion re your day. Loved the images but would say that in a few of the images I preferred the digitized scans - particularly the one with the brighter contrast with the tree which you mentioned. All told though I would think that when you have the actual print in your image it will be different - I could feel your *happy* vibe with the print as you talked about it :) I have been to Dwyarchen quite a few times but not in the last year or so and I have promised myself after your video last year that I would make a return to that spot. Have just come back from North Wales - I was there for 5 nights initially but as announcements were coming out I felt I needed to be home. I did though get to vsiit a few locations that I had on my *to do* list which was good, especially as they were lesser visited locations. Hopefully when all these virus problems are sorted I can return and do a bit more discovery of some places - I am going to try and give a miss to the honeypot locations I am so drawn to on my visits. Atb Al
Cheers Alan, it’ll be hard not visiting Wales if there are more restrictions applied. I made run out yesterday as possibly my last trip for some time but the winds forced me to come down from the mountain, video to come soon hopefully. Keep safe and hopefully I’ll see you up on the tops soon 👍
That was a really beautiful and well done video Steve. Absolutely loved the first image of the tree and the wall.
Thanks Rene.
I've got to say Steve you're a sucker for punishment........what a nasty day but yet again you have delivered another great presentation and photo's , i do not think you could have got the same sort of atmospheric granular loveliness if you had used a DIGITAL camera ? but as that great American 1950's photographer Saul Leiter quoted...........
“Perfection is not something I admire. A touch of confusion is a desirable ingredient.”
“I like it when one is not certain what one sees. When we do not know why the photographer has taken a picture..... and when we do not know why we are looking at it......... all of a sudden we discover something that we start seeing. I like this confusion.” ---- Saul Leiter .
This is what i see in those raw and gritty photo's you have presented to us........great stuff .
Thanks Klive. Not being able to see the images at the time was a big advantage as I might have been put off viewing a tiny and dull representation on the LCD, would probably just gone home.
love your videos thanks for spending the time for us
Your welcome Stephen, thanks for commenting 🙂
Too many people get so caught up in the search for perfection, that they lose their ability to focus on the photographs. Ultimately, that's what matters. I've seen award winning images captured with Polaroid Instant Film and with early (somewhat noisy) digital cameras. The whole of the resulting image is what matters, not just one aspect like noise, distortion or other "imperfections".
Lovely work as always--and, as always, informative and entertaining. Thank you.
Thanks Daniel.
Another great video Steve. I have owned many Nikon FSLRs including the F100, F5, F80, FE2 and F90X but the F90X is my favourite to shoot with (provided it is mated with a lens with an aperture ring). It is actually more robust than the F100 having a stainless steel (rather than chromed brass) lens mount and a metal film rewind spiggot that does not break (the F100's is plastic). The F90X feels great in the hand although the control layout will be alien those accustomed to Nikon DSLRs.
It’s certainly a very capable camera and I’ve owned a few. My personal favourite body is the humble F80 which only lacks the ability to meter with older lenses but is otherwise perfect.
@@SteveONions I like the design, compactness and light weight of the F80. It was a great, lightweight and versatile combination with the Nikon AF-D 50mm f/1.8. Pity no meter coupling for manual focus lenses and I was not keen on the cheap feeling build. Mine also had reliability issues. The only real downside of the F90/F90X/N90/N90S for me is the weight.
Admirable display of adapting to the elements, Steve.
Do you frame every print (either inkjet or darkroom) you make? If not, I'm wondering what your preferred archival solution is for those prints you don't frame. I use Itoya's portfolios, but looking to see what others prefer.
Cheers,
Ed
Thanks Ed. I only frame prints that are destined for the wall. All other final prints are stored in archival boxes or sleeves.
Очень красивые фото. Спасибо за ваши видео.
I just discovered your channel, and I love it! I worked in photo labs and did also home hand printing. These days, I shoot digital but you make me want to bring a film camera on the field. I know you have a lot of films & paper too consume, as you mentioned in your recent video. I'm curious about your scanning setup, and of course your darkroom. Would you consider doing a video sharing that?
Thanks Frank. I’ve always avoided making a detailed scanning video as there are so many already out there and my workflow changes quite often. Maybe when I’ve settled on something that I really like 👍
@@SteveONions I was curious... (probably not the only one ;) ). No rush! if you feel in the mood for sharing what you did try... why you moved on what is your current process. But again thank you for sharing all that it's really great.
Great start to the video Steve :), great locations and images as usual.
Yes, the darkroom prints were my favourite. The grain really lends itself to bad weather and B&W printing. You really can capture great I,ages in the most appalling weather Steve. I loved the panoramic. Where they vertical shots stitched together or horizontal?
Thank you Simon. The panoramic was horizontal for a change, I typically do vertical to maximise quality but I wanted more grain and also save frames as it would have taken at least 6 instead of 4 🙂
Pleased to see you are okay.
Thanks Steve for always starting my Saturdays off wit a smile; had ordered some 120 3200 film so this was timely video. The comparisons of the scan vs darkroom was helpful... The panorama was superbly done and gives me some reason to try the Ilford 3200 with my Fuji 617. The mood and texture of those prints really convey the mood..best of luck always.
I’m jealous Randy, always wanted a 617 and having seen the slides and negs they produce I imagine a print would be terrific.
Thanks Steve- will send u a LoRez on the 3200 when I get one..
Randy Bennett Cheers 👍
Absolutely gorgeous images as usual especially the prints! The prints are vastly superior to the scans particularly in how the grain was reproduced.
Fomatone looks to be a fine FB paper, I'm still too scared to make the jump to FB and just ordered a big box of Ilford's brand new generation of RC paper! How much is the Fomatone paper by the way?
Very curious to why you chose to leave the prints so warm when the weather was moody. Did you consider perhaps use a slightly less warm paper or developer that would give less warmth or perhaps even a cold toner of some sort?
Thanks James, I’ll be interested to know what you think of the new RC paper as I never like Multigrade IV. I only use RC for quick work prints but I might start using more to make TH-cam videos easier to make.
The Fomatone paper is around £30 for 25 sheets (8x10) so it needs to be used sparingly. I only occasionally use cold tone papers as I feel more connected to warm tones (I adore lith printing) even for winter scenes.
@@SteveONions wow! That's double of RC and that's taking into account that Ilford had increased the price of their new RC paper by £6 for a batch of 100 sheets 8x10 to. 100 sheets is now £56
I think you should try it, it's slightly warm based and apparently has almost as strong blacks and toning properties as their FB papers according to master printers
James Lane I’ll definitely give it a go, possibly the satin finish which is quite unique and suits the look I prefer.
enjoyed this Steve, you're getting me fired up to do some darkroom work. Love doing it, but no more wall space and my print boxes are full.
Build more walls Steve 😀
Thanks Steve for another great video
Thanks Isaias.
Great vlog Steve, I love how you manage to invoke "mood" into your images
Thanks Richard.
Steve, I loved the video and found it very instructive. I even enjoyed your images (seem to have put a bit of warming onto them). However, I don't like grain in my shots (in spite of enjoying your photos). When I was shooting mostly film on 35mm I used Kodak Tech Pan 25 an extremely fine grained film. I did a lot of "documenting" photography and grain got in the way. When I shoot film now I often shoot Agfa 25, again hoping to minimize grain or make it so fine, it isn't easily detectable. I think you picked the right weather and the right scene. The grain is workable and photos pleasant to view.
Thanks Erich. I used to look for clean film images years ago and disliked grain but since digital has prevailed I enjoy something different and more expressive.
And that's why people complaining about Fomapan 400 are mostly those who don't print in the darkroom. I find it pretty good, if you stay within 8x10 prints limit. The grain is nice, not as omnipresent as on the scanned film.
Scanning can be cruel, it nearly always introduces excessive graininess unlike a diffuser head (my preference).
@@SteveONions I use diffuser heads because I also print RA-4 colour. I'm used to diffusing head by now. And those pesky dust specks magically disappear :)
Hi Steve. Another great video. I find that ability to capture mood and grain so difficult to emulate. I tend to loose all my contrast, if I try to push-process a film. A quick question. Just curious really. Which do you think is best, or which do you prefer, a diffuser enlarger, or a more old-fashioned condenser? I understand diffuser heads support multi-grade printing, but then again, you can fit filter under the lens of a condenser, anyway. Does it sharpen the grain, as people say? Thanks and nest wishes. (Stay safe and well in the Corona lock-down).
Hi James. That is a very good question. When I started printing years ago a had a simple diffusion enlarger and loved it but there was always that nagging doubt that ‘real printers’ used condensers. I eventually got a condenser and hated it. Sure enough the images were sharper and more contrasty but the grain was uglier (to my eye) and it was merciless if you had any dust or scratches on the negative. I much prefer the quality of diffused light and wouldn’t consider returning to a condenser.
Great days work Steve. Grain absolutely works here. Cant decide the highlight, though the current front runner is the bizarre and hilarious sigh at 5.43.
Haha, even I don’t know where that came from 😀
Thanks for the inspiration Steve, need to add some Ilford 3200 to my stock. Did you shoot the pano hand held? I’m assuming you did since no sign of a tripod.
Absolutely hand held Bill, not too much of a problem either and just one attempt to ensure I didn’t waste film.
@@SteveONions very nicely done!
Great video but don't forget about Carbon transfer printing too .
I’m not familiar with that process Paul.
@@SteveONions Its an old prosses but there are some how too's on TH-cam .
Another great video! I love part where you process your photos!
Why do you use Epson v700 for 35mm if you have Minolta 5400?
It’s just time constraints, I can do the whole roll really quickly with the v700 very quickly and they are good enough for the video 🙂
Excellent video, love the darkroom prints. I'm not sure why but darkroom prints make me feel more "there".
Same here Brian, I like that the negative was ‘there’ on the day and made with the actual light from the scene. Same with the print made by projecting light through that negative, much more natural with no algorithms applied.
What brand of paper did you do the darkroom print on, Steve? I love the warm tone.
It’s Fomatone 532-II Nature, same emulsion as the regular Fomatone but on a different paper base.
Great video with awesome images. I have an elan 7 from the same era of your Nikon. I do really enjoy the high iso’ film. Are you pulling the film or over exposing? 3200 film and you mentioned iso setting at 1600..
Thanks Adam. Delta 3200 always needs an extra push in development to avoid thin negatives. 1600 is my favourite exposure (developed at 3200) but shoot at 3200 and develop at 6400 isn’t bad either.
I always enjoy your videos, along with your artistic interpretations. Are your prints available for purchase?
Thank you. I hope to start making them available soon, possibly both digital and darkroom versions.
I too like the darkroom prints more. More beautiful grain. Super moody photographs💪💪💪
excellent!
Did you scan your beautiful shots with your Minolta 5400? Oh sorry, I recognized you used the Epson ...
😀 the Epson is so much quicker for video use.
@@SteveONions That's right, whole yt video production is time consuming. Thanks for your wonderful channel!
Are we sure Steve isn't Thomas Heaton from the future?
😀 he will be horrified 🙀
How large do you thing you could print that Ilford 3200? I think I'm going to order some film this weekend since my work closed for two weeks because of this virus. At least I should be able to get a few videos in the bag. I released my new video today instead of Sunday to help pass the time for people stuck indoors. Not that a whole lot watch them 😒
You can go as big as you like John. Contrary to opinion it’s actually easier to go large with grainy films as they hide all the imperfections and look quite natural as you can’t see the resolution breaking down as with slower films .........hmm, there could be a video here, thanks John 👍😀
@@SteveONions Learn something new every day, that is why I ask.
@@SteveONions I agree, Steve, and it can be true of digital. I recently shot some bird photography - something I've never done before - on a 16mp M43 camera. I fitted a slow Canon 300mm lens bought for a tenner, which meant 10000 ISO to freeze motion. With a bit of work in post the images held up much better than I could have imagined.
I quite like the noise from some digital cameras, my old EM5 Mk1 micro 4/3 had a very natural look and at 1600 B&W was lovely.
I love the less clinical look of film.. scanning makes grain, but who cares! Vey enjoyable!
Thanks Jason.
I don´t know what exactly it is about you, but somehow you reminde me a little bit of Green Day´s bassist Mike Dirnt :)
Haha, I had to Google him but there’s definitely something there 😀
@@SteveONions I thought that you might not know him, but it´s funny that you see it too :) Thank you for the replie, not every famous youtuber does that!
Hey I really like ur videos! really have been learning a lot! beautifully done! Arthur.thorsen on IG
Thanks James 🙂