Dr. Arun Dravid is quite a singer in his own right! Beautiful performance. Thank you Dr. Dravid for both your singing and your insight into Gansaraswati Kishori Amonkar's music.
"You cannot segregate ” feeling ” in life from “feeling” in art; for their roots go right down to that land which everyone owns but no one knows-i.e. the human mind." Kishori Amonkar.(10 April 1932-3rd April 2017)
A million thanks for preserving and sharing all these... 21:27 - I was searching far and wide for anything in raag Durga by Tai - other than her film song - and now I have it here! I am very fond of this raag (Shudhasaveri as we call it in Carnatic music).
Sawani Kalyan: 00:44 आज मंगल दिन आयो गावो बजावो सब गुनीजन । बनरा मोरा मुख देखन आयो भयी बावरी मैं आज सुहागन ॥ Khambavati: 05:27 रे निरमोही सजना तोसे नेहा लगाके बहू सुख पायो । ग्यान सरस तुम अतही अनग्यानी प्रीत पुरानी मानत नाहीं श्याम तोपे बली बली जाऊं ॥ Bhoop Nat: 11:21 जा रे जा रे पपिहा पिया घर इतनो सन्देसवा मोरा कहियो जा उन बिन मोहे चैन न आवे । बरसत अंखियां तरसत जियरा राह तकत हूं तुम्हरे मिलन की इतनो सन्देसवा मोरा कहियो जा उन बिन मोहे चैन न आवे ॥ Madhumad Sarang - 16:27 श्यामरंग मन भीनो मोरे तन मन धन मैं उनपर वारीं । अनुपम रूप अगम तेरो ध्यान लगत रही छिन बितत भारी ॥ ब्रज में धूम मची है कब से लाल गुलाल खेलत बनवारी Durga - 21:26 हे देवी सुखदायिनी दुखहारिणी वरदायिनी सवारो मन हमारो । काम क्रोध मद मात्सर्य अवगुण की तू दाहिनी कृपासिन्धु तेरो अविनाशी ॥ Maru Bihag 32:37 रसिया हो ना जाओ वाहू के देस ना जाओ रे । मन चिंता भई मै तो भई बावरी कर जोगन का भेस रे ॥ Bhairavi 46:49 अब रतियाँ किधर गँवायी रे बालमा हरजाई रे हुजूर जाइएगा गैरों के मेहमाँ रहिये मिज़ाज आपका चाहे जहाँ वहाँ रहिये जहां भी रहिएगा सरगम-ऐ-इंतहा {?) रहिये दुआ तो ये है बलमा जहां रहियें शादमान रहिये मैं तो प्रीत किये पछताई रे बालम हरजाई
Dattaji, thank you for sharing this wonderful treat of Kishoritai and analyzed and explained by Dr. Arun Dravid. Truly a wonderful program reminiscing so many wonderful live performances I attended while in India and during my visits there.
She did not sing rag *Durga* in public, because it's devotional. *It was very personal prayer of a devotee* offered to The Devi. 🌷 *ONE TO ONE* *How it can be public then?* *It's not JUST SONG* 😇
Sounds likely. I'd be curious to see a translation of the bandish she composed for Durga. That would go a long way, I think, toward supporting or debunking your hypothesis.
@@ubertar Saadhu Saadhu Saadhu...👏👏👏👏 .... that really would be your wonderful journey, that will surprise you of your own amazing inner world... No matter it will end up differently, but I am sure, you will find that you have walke on the path of your own, parallel to what she did, but reached near or most probably, at the same place she did....or most surprisingly...ahead of her. Our best wishes to you dear for this awesome journey of exploration of *words, sounds, vibrations, it's endless probabilities, self & being.* *डूब जाओ...खोजाओ....खोज आवो....कुछ और रतन* ✨️💞✨️ 🌹 🙏 😇
@@ubertar Dear, Please refer to the comment of @atulbhatnagar1888 (in comments here )also ... Meet Kishori Tai's nearest relatives or people to seek more insight..
What a quality content. Thanks a ton for sharing this. Any idea where we can hear the collection that Dr. Arun Dravid mentions he is in possession of? It will be wonderful to listen to the gems he has.
Wonderful talk with articulated examples. Has any one ever sung raag Shuddh Maru (a.k.a. Raaj Kalyan) ? It would be interesting to listen to it if available or musicians like Arunji presents an outline of this raag.
Are they the same? Just asking.. Raj Kalyan comes from Yaman and Bhoop whereas Shuddha Maru develops by omitting Shuddha Ma from Maru Bihag. Raj Kalyan by the very person who discovered it - th-cam.com/video/aZsjueDunnU/w-d-xo.html
किती तफावत आहे... डॉ.प्रभा अत्रे ताईंनी मारूबिहाग मध्ये शुद्ध मध्यम वापरलाच नाहीय याच कारण त्यांना एका मुलाखतीमध्ये विचारले असता त्या म्हणाल्या की पूर्वी कधी कदाचित शुद्ध मध्यम वापरत असावेत पण आता मला गाताना तो फारसा महत्त्वाचा वाटला नाही म्हणून मी गायला नाही... मग तर पूर्ण रागाचं स्वरूप बदलत. आणि ताईंनी सांगितल्याप्रमणे मारू बिहाग गायला तर तो खूपच वेगळा भासतो. यावरून किशोरीताई या फारच चिकित्सक अभ्यास करून जे जसे खरे स्वरूप आहे संगीताचे तसे त्यांनी मांडले नाहीतर बाकीच्यांनी त्यांना जसं वाटत तसं संगीताला गुलाम केलं. (With due respect to both great artists)
![ไข้ขึ้นเลย! เมื่อแฝดโดนจัดเต็มวัคซีนครบ2เดือน🤒 [cc] แดนแพทตี้ SS2 | EP.54 |](http://i.ytimg.com/vi/z2VHItnyyvY/mqdefault.jpg)
Dr. Arun Dravid is quite a singer in his own right! Beautiful performance. Thank you Dr. Dravid for both your singing and your insight into Gansaraswati Kishori Amonkar's music.
"You cannot segregate ” feeling ” in life from “feeling” in art; for their roots go right down to that land which everyone owns but no one knows-i.e. the human mind."
Kishori Amonkar.(10 April 1932-3rd April 2017)
Compositions:
Sawani Kalyan - 0:44
Khambavati - 5:27
Bhoop Nat - 11:21
Madhumad Sarang - 16:27
Durga - 21:26
A million thanks for preserving and sharing all these... 21:27 - I was searching far and wide for anything in raag Durga by Tai - other than her film song - and now I have it here! I am very fond of this raag (Shudhasaveri as we call it in Carnatic music).
Thank you very much "dattaji" for all your postings !!!!! Please keep posting such rare treats. Best Regards
All the Hindustani Classical music lovers Will be gteatfull to Dravidji for preserving such a treasure. Thank you very much
Sawani Kalyan: 00:44
आज मंगल दिन आयो
गावो बजावो सब गुनीजन ।
बनरा मोरा मुख देखन आयो
भयी बावरी मैं आज सुहागन ॥
Khambavati: 05:27
रे निरमोही सजना
तोसे नेहा लगाके बहू सुख पायो ।
ग्यान सरस तुम अतही अनग्यानी
प्रीत पुरानी मानत नाहीं
श्याम तोपे बली बली जाऊं ॥
Bhoop Nat: 11:21
जा रे जा रे पपिहा पिया घर
इतनो सन्देसवा मोरा कहियो जा
उन बिन मोहे चैन न आवे ।
बरसत अंखियां तरसत जियरा
राह तकत हूं तुम्हरे मिलन की
इतनो सन्देसवा मोरा कहियो जा
उन बिन मोहे चैन न आवे ॥
Madhumad Sarang - 16:27
श्यामरंग मन भीनो
मोरे तन मन धन मैं उनपर वारीं ।
अनुपम रूप अगम तेरो
ध्यान लगत रही छिन बितत भारी ॥
ब्रज में धूम मची है कब से
लाल गुलाल खेलत बनवारी
Durga - 21:26
हे देवी सुखदायिनी
दुखहारिणी वरदायिनी
सवारो मन हमारो ।
काम क्रोध मद मात्सर्य
अवगुण की तू दाहिनी
कृपासिन्धु तेरो अविनाशी ॥
Maru Bihag 32:37
रसिया हो ना जाओ
वाहू के देस ना जाओ रे ।
मन चिंता भई
मै तो भई बावरी
कर जोगन का भेस रे ॥
Bhairavi 46:49
अब रतियाँ किधर गँवायी रे
बालमा हरजाई रे
हुजूर जाइएगा गैरों के मेहमाँ रहिये
मिज़ाज आपका चाहे जहाँ वहाँ रहिये
जहां भी रहिएगा सरगम-ऐ-इंतहा {?) रहिये
दुआ तो ये है बलमा जहां रहियें शादमान रहिये
मैं तो प्रीत किये पछताई रे
बालम हरजाई
Dattaji, thank you for sharing this wonderful treat of Kishoritai and analyzed and explained by Dr. Arun Dravid. Truly a wonderful program reminiscing so many wonderful live performances I attended while in India and during my visits there.
She did not sing rag *Durga* in public, because it's devotional.
*It was very personal prayer of a devotee* offered to The Devi. 🌷
*ONE TO ONE*
*How it can be public then?*
*It's not JUST SONG*
😇
My god what a philosophy ❣️🥰
Sounds likely. I'd be curious to see a translation of the bandish she composed for Durga. That would go a long way, I think, toward supporting or debunking your hypothesis.
@@ubertar Saadhu Saadhu Saadhu...👏👏👏👏 .... that really would be your wonderful journey, that will surprise you of your own amazing inner world...
No matter it will end up differently, but I am sure, you will find that you have walke on the path of your own, parallel to what she did, but reached near or most probably, at the same place she did....or most surprisingly...ahead of her.
Our best wishes to you dear for this awesome journey of exploration of *words, sounds, vibrations, it's endless probabilities, self & being.*
*डूब जाओ...खोजाओ....खोज आवो....कुछ और रतन*
✨️💞✨️
🌹
🙏
😇
@@ubertar
Dear, Please refer to the comment of @atulbhatnagar1888 (in comments here )also ...
Meet Kishori Tai's nearest relatives or people to seek more insight..
What a quality content. Thanks a ton for sharing this. Any idea where we can hear the collection that Dr. Arun Dravid mentions he is in possession of?
It will be wonderful to listen to the gems he has.
Wonderful talk with articulated examples.
Has any one ever sung raag Shuddh Maru (a.k.a. Raaj Kalyan) ? It would be interesting to listen to it if available or musicians like Arunji presents an outline of this raag.
Here is a Shuddha Maru by Pt. Bhimsen Joshi
th-cam.com/video/U6oBDH4NHEg/w-d-xo.html
Are they the same? Just asking..
Raj Kalyan comes from Yaman and Bhoop whereas Shuddha Maru develops by omitting Shuddha Ma from Maru Bihag.
Raj Kalyan by the very person who discovered it -
th-cam.com/video/aZsjueDunnU/w-d-xo.html
किती तफावत आहे... डॉ.प्रभा अत्रे ताईंनी मारूबिहाग मध्ये शुद्ध मध्यम वापरलाच नाहीय याच कारण त्यांना एका मुलाखतीमध्ये विचारले असता त्या म्हणाल्या की पूर्वी कधी कदाचित शुद्ध मध्यम वापरत असावेत पण आता मला गाताना तो फारसा महत्त्वाचा वाटला नाही म्हणून मी गायला नाही... मग तर पूर्ण रागाचं स्वरूप बदलत. आणि ताईंनी सांगितल्याप्रमणे मारू बिहाग गायला तर तो खूपच वेगळा भासतो. यावरून किशोरीताई या फारच चिकित्सक अभ्यास करून जे जसे खरे स्वरूप आहे संगीताचे तसे त्यांनी मांडले नाहीतर बाकीच्यांनी त्यांना जसं वाटत तसं संगीताला गुलाम केलं. (With due respect to both great artists)
@Music of Baroda ohk
Thungri, not thumri.