Actually, the Group you called "Send" is a "Return" as far as signal Flow is concerned: Send From Sound X to Plugin Y > and back into the Mix - but that's no big deal. The real problem with that type of setup for Parallel Processing within Maschine is that Maschine 2.0 has no Automatic Delay Compensation so you might run into some strange sounding phase cancellation issues due to a delayed signal. So therefore, using a Compressor Plugin with a Mix Knob as an Insert on the main Drumbus is a better choice.
Add events freely over the entire project An easier way to do what I am referring to is by creating a way to convert all pattern/scene changes into one pattern per group giving the user the ability to free lance events over the entire project with more groups over top of their creation with ability to go back and tweak past events in already convert patterns/groups
It's good idea, but now there is a Solid bus compressor, by NI, which has wet&dry function. In this particular option that you have here, you have to just push high "output knob" - as your send channel and push high "dry knob" - as your main KICK_NATAL channel. This Solid bus compressor is exactly made for what you did here and Stansteez in his comment is right. That's why NI made it.
whats the difference between Aux 1 and 2. what do I need it for? Can I use this very method adoptably with other instruments? I have many questions actually. I want to know everything I could do within Maschine´s possibilities. How can I use the Kontakt and Reaktor thing in my Maschine Software? is that even possible? etc.? Appreciate your response!
This may be a silly question, but can't you just compress the kick/snare through attaching an effect to those individual sounds? Rather than sending the FX from another group?
It gives you more control, sending part of the signal clean and a chosen part compressed. This thickens the sound. Also with Maschine it makes automation easier, as you can automate across the sidechain rather than messing up individual patterns.
is this really ny compression? u are sending your drums to a channel, than to master output.. theres no mix between dry / wet drum bus signal.. the drums are just passing through the eq and compressor, we have no dry signal together here i think.. plus, of course the drums are big.. u did a lot of +5 and +10db changes on the EQ
so can you tell me whats the difference between 1. routing my kick and snare to a group,compress it there and back in to the mix 2. Put direct Compressors on the samples like the Kick gets an Compressor and the Snare.. so 1 Compressor for Each Drum sample I dont see the difference here.. bout "Parallel & Direct Compressing"
How do you get all your import your custom libraries like that? Like I see you have a dipset & 9th wonder "expansion". When I import folders, it only lets me pick the type (kick, snare, etc.). Not the "library" name and pics. (Though I know pics is in a separate tutorial)
Is it the same if you add the eq and comp plug ins to the sounds instead of its own seperate sound slot? Or is that to have more control of the eq/comp in the mixer ? Might be a dumb question but just curious.
Parallel compression simply means to split the signal and sending both to a compressor. Creating a thicker and louder sound. This is why you create an auxiliary channel. If you just add compression to the main track, you're simply compressing that singular signal. Also yes, you will have more control over the effect. You're purposely destroying auxiliary signal while being compensated with depth and loudness and keeping the main signal intact.
+Andrew Sanchez Make sure that on that second, "Group," of the sound bank that you have chosen, that you have the plug-in instance already pulled up and the "sound bank," renamed to what you would like to call your parallel processing, e.g. "NY Compression," and you will be able to see the routing in the "Aux," tab of the "Output" section of the original "Group." Hope this helps...
followed this to the T and no difference. i will say when in the highs and lows on gain. i don't have that yellow on the dial on the software, though i do raise it tho. HELP a sis out
SHAKH'AR maybe you have a template for it? Like i had it setup way before 2.7... and it works, but for me to do it all over again using 2.7 it wont work... if you open up an old file with those settings in place it will work, but to start from scratch using the newer software update it wont
![How to Sidechain in Maschine [Deep Dive Sidechain Compression Tutorial]](/img/n.gif)
I've got my house beats thumping now thanks to this vid!!!! thanks brother from North East England
I love how easy you make it look. Thanks for the video!
Actually, the Group you called "Send" is a "Return" as far as signal Flow is concerned: Send From Sound X to Plugin Y > and back into the Mix - but that's no big deal.
The real problem with that type of setup for Parallel Processing within Maschine is that Maschine 2.0 has no Automatic Delay Compensation so you might run into some strange sounding phase cancellation issues due to a delayed signal.
So therefore, using a Compressor Plugin with a Mix Knob as an Insert on the main Drumbus is a better choice.
stansteez hey I got a question how would I got about increasing the volume of a sample with out distorting it ?
@@dragonballbeatz7714 mess your with your threshold or try adding a couple different instances of a saturator
unclejuju12 so basically the technique is pointless in maschine?
Thanks! Worked for me the first time. I gotta get the hang of it to get things the way I want, but I like this a lot!
Add events freely over the entire project
An easier way to do what I am referring to is by creating a way to convert all pattern/scene changes into one pattern per group giving the user the ability to free lance events over the entire project with more groups over top of their creation with ability to go back and tweak past events in already convert patterns/groups
Wow major difference. Any other videos to make drums sound better in maschine?
thank you so much, makes such a big difference
thanks a lot bro. Respect from Brazil
Great video! It taught me what I wanted to know quickly and clearly. I'm going to go set up some aux sends now.
THANK YOU. THIS WAS MUCH NEEDED
thanks for sharing man got those fphat sounds i was looking for! Much love from NC
It's good idea, but now there is a Solid bus compressor, by NI, which has wet&dry function. In this particular option that you have here, you have to just push high "output knob" - as your send channel and push high "dry knob" - as your main KICK_NATAL channel. This Solid bus compressor is exactly made for what you did here and Stansteez in his comment is right. That's why NI made it.
tru
3.26 - Boom Bap Bap! Great tutorial dude. Many thanks
Hey is there any way to use automation on the mute button , on the maschine 2.0 software ?, if so could u please make video showing how thanks
Nice, thanks. How do you adjust the level of the Aux Output ? I notice you did not touch it, you let the initial level.
Thank you sir, great work! I appreciate you.
Can you make a video showing how to move MK2 music from my old laptop to my Macbook pro. I have a flashdrive but have no idea on what to do.
Holy Shit... I knew how to do some parallel compression in Ableton Live.. But the results I just got with this, crazy..
whats the difference between Aux 1 and 2. what do I need it for? Can I use this very method adoptably with other instruments?
I have many questions actually. I want to know everything I could do within Maschine´s possibilities.
How can I use the Kontakt and Reaktor thing in my Maschine Software? is that even possible? etc.? Appreciate your response!
perfect my dude.. fast and right to the how to.. +1
Thank you! After the update to 2.0 I lost my send channel, appreciate the video.
Ahh Mann thank you bro thanks a lot man I needed this!!!✊️✊️✊️
No doubt
This may be a silly question, but can't you just compress the kick/snare through attaching an effect to those individual sounds? Rather than sending the FX from another group?
It gives you more control, sending part of the signal clean and a chosen part compressed. This thickens the sound. Also with Maschine it makes automation easier, as you can automate across the sidechain rather than messing up individual patterns.
Holy shit you just changed my life!
Can you do this in machine 1.8 or 2.0 only?
Very great Tutorial~!Thanks!
How come you can't use the same settings in group A? In other words, why did you have to create a new group in order to add in those plugins?
For ease of control. This is why it's best to create an auxiliary channel. You can control the effect without affecting the instrument or sound.
Would be easier to compare what this does to the sound if you had level matched before and after.
is this really ny compression? u are sending your drums to a channel, than to master output.. theres no mix between dry / wet drum bus signal.. the drums are just passing through the eq and compressor, we have no dry signal together here i think..
plus, of course the drums are big.. u did a lot of +5 and +10db changes on the EQ
You are absolutely correct... NY compression is keeping one signal dry and compressing the copy/duplicate..
I don't think he actually knows what compression is for, but hey, he's a Maschine Master.
You have any recommendations for a more accurate tutorial?
so can you tell me whats the difference between
1. routing my kick and snare to a group,compress it there and back in to the mix
2. Put direct Compressors on the samples like the Kick gets an Compressor and the Snare.. so 1 Compressor for Each Drum sample
I dont see the difference here.. bout "Parallel & Direct Compressing"
Always dope and informative. MM
Great! Thank for this one!
How do you get all your import your custom libraries like that?
Like I see you have a dipset & 9th wonder "expansion".
When I import folders, it only lets me pick the type (kick, snare, etc.). Not the "library" name and pics. (Though I know pics is in a separate tutorial)
man i thank you... this help me so much ...my sounds expoloded in my face...lol
Cant you send to the whole group instead of each sound?
my hero!
very helpful
Where are those kits from
the drum broker
google it
Thanks! Great video. Short, sweet, and effective.
***** hey man whered you get all your packs from?
Is it the same if you add the eq and comp plug ins to the sounds instead of its own seperate sound slot? Or is that to have more control of the eq/comp in the mixer ? Might be a dumb question but just curious.
I meant group slot
Parallel compression simply means to split the signal and sending both to a compressor. Creating a thicker and louder sound. This is why you create an auxiliary channel. If you just add compression to the main track, you're simply compressing that singular signal. Also yes, you will have more control over the effect. You're purposely destroying auxiliary signal while being compensated with depth and loudness and keeping the main signal intact.
The Wally kingpin Well Known Tone???
Thx from " La reunion island" peace
Thanks
I followed these steps exactly & for some reason after completing this my kicks completely disappear. Any one know why this may be?
+Andrew Sanchez Make sure that on that second, "Group," of the sound bank that you have chosen, that you have the plug-in instance already pulled up and the "sound bank," renamed to what you would like to call your parallel processing, e.g. "NY Compression," and you will be able to see the routing in the "Aux," tab of the "Output" section of the original "Group." Hope this helps...
That one is so precious....THX THX THX THX x 1000......My drums sound so freaking fat now....What da heck have I been doing until now....;)
🔥💯🔥
great
Good looking out!
or you can choose a parallel compr insert on that specific sound thats included in mashine ;)
Where and how? ;)
followed this to the T and no difference. i will say when in the highs and lows on gain. i don't have that yellow on the dial on the software, though i do raise it tho. HELP a sis out
Yeah, it doesn't seem to work in newer versions of the Maschine Software.
SHAKH'AR maybe you have a template for it? Like i had it setup way before 2.7... and it works, but for me to do it all over again using 2.7 it wont work...
if you open up an old file with those settings in place it will work, but to start from scratch using the newer software update it wont
the bass was heavy after the parallel compression!
Fucking New York New York New York
That’s not parallel compression, That’s just putting compression on a group bus!
This is the slowest video I've ever seen
You misspelled THICC bro
Lmao
Every Time someone says parallel compression I puke a little.