I just finished the base for her lows! Please watch!! I know I am missing a lot of good clips, so if you see any that are missing, feel free to comment them! Here's the link: th-cam.com/video/dviKQ1InKjw/w-d-xo.html My insta is @camden.epperson if you would like to talk about how you could help with a CVSS video or just to talk!
In all honesty I think she can belt a C6 by the amount of ease she has on her Bb's. She probably hasn't mastered the note though. So, she probably keeps it saved for home. 😅😅
@Illuminate Light yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
@Stargate Messiah This video shows her consistency up to G5/G#5. If you can't hear that then that's on you. Stop repeating that same crap. The anatomy of her voice allows her as a soprano to have comfortability high. That's a scientific fact.
Exactly! If she had poor or subpar technique, her voice would wear off very quickly and she wouldn't be able to do the crazy touring she does. Not to mention, she was SICK for SEVERAL dates of her several tours and maintained access to 90% of her full vocal range. I don’t think people get how hard is is to sing with most of your voice intact while sick with a cold or any illness that involves lots of coughing, sneezing, and hoarseness. Viral illnesses like the flu or common colds are considered DEATH to the voice for most singers. Many of the examples of grounded and/or ringing notes here were sung while she was SICK. And aside from one vocal injury in 2013 caused by screaming too much with not enough rest (Ariana’s own words) she has not had a single vocal issue requiring medical attention due to singing or touring. As much singing as she does, this is definitive proof that her technique is perfectly sound. People need to check their brains.
It’s very exhausting seeing people always saying Ariana doesn’t support her notes. I feel like if she’s that consistent and her voice obviously isn’t failing her shes singing with the right technique. She’s so beautiful ❤️
Amore Arusko She supports her voice and her notes like 90% of her concerts. She does concerts while fatigued and sick. So if her voice can last her 100+ concerts and the 200+ tour she did on Broadway when she was a teenager and can still sing to this day proves she is supporting her notes and her voice perfectly fine.
OMG her belting range has never been showcased this beautiful I still can't believe people says she doesn't resonate and that she strains these upper belts what!!!!!!! Also she has had resonant F#5
She def resonates,maybe not in 2013-2017 but in 2018 she started to improve,on swt her tehnique became especially good and she started to resonate again in 2018-2019.Shes in her vocal prime right now.
she’s hands down the best vocalist of our generation along with tori, jojo, demi and jessie j. insane support, insanely skilled in all aspects and just. idk man. crazy
vocal stan A5 and Bb5 are utterly useless anyways since no one writes their songs this high to begin with so Ariana doesn’t really utilize A5 and Bb5 support. Her most common high belt is G# and she utilizes that more than A5 support
@@allthingspage1498 people make a bigger deal of '"supporting" than they need to. And they use it to try and discredit incredible singers, as if those aren't talented, just because they don't consistently support every note, every time. it's really stupid.
LITERALLY MY FAVORITE SINGER. My questions is why does everyone say she doesn’t have the best technique but her voice has lasted so long and she sings so much at shows concerts and she is still standing with a voice💀 if it was so bad shouldn’t it had already deteriorated?
Well, in terms of deterioration she's super good at keeping her voice healthy, only difference I've heard is less confidence in high falsetto but lots more confidence in whistles.
Because most people think that these "technique rules" is a dogma. they think if one doesn't do a great job adhering to these rules he/she would be considered as the lesser singer. This black and white way of thinking is just stupid. They failed to realize that there's a variable called "individualisation" which basically means that every person is unique, what's "unhealthy" technique for a lot of people DOESN'T mean it's also unhealthy for some people. So people should just STFU and let Ariana decide for herself which technique is good or bad, what works or what doesn't, what's unhealthy or healthy.
I'm not a fan but holy shit i can appreciate her raw talent. In the West the term "once in a generation" was close to being accurate but isn't anymore. Whitney followed by Mariah followed by Beyonce followed by Ariana. Named these artists because they all have 4-5 octave range as soprano's. All legends minus Ariana because she still has a ton to offer. I'm sure that before she passes on the torch she will be remembered as a legend too. I'm also aware there are similar vocal powerhouses that i didn't mention.
@@decholes95 You're right. No idea why i didn't say female voice instead of soprano. I reread my comment and since it was 5 months ago i can use the excuse i was on "ambien" because that's how it works. This isn't even that bad because I've carpet bombed TH-cam with ambien fueled rants that I'm not aware of.
It’s just really weird how people say she strains after B4 but she’s been belting up to Bb5 for 7 years of a mainstream singing career and hasn’t really deteriorated like people say she would. People say “it’s because she has ease on upper belts” but that still means if she was straining so much she would lose some of her belting range and she hasn’t and ease can only take u so far. She has to be supporting up to G5/G#5 at least or somewhere near those notes.
@Illuminate Light yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
@@grandeflamesbutera3949 haha yeah. it got copied randomly throughout this entire comment section. just a response to someone else that i was talking to. he/she is trying to argue against me, which not to brag or come off as arrogant, but it does seem a bit futile considering i do have a college degree in music and voice and am a certified vocal coach. but you know, some people just hate to be proven wrong. some people just love to argue @Illuminate Light
She’s still pushing and chesty on the G#5 and above. If she just used a little more head and less tension should could easily belt C6/C#6 considering how high her voice actually is. But she can pretty much cover the whole 5th octave so I’m not complaining lol
@@subliminal5543 yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
Nowadays, her belts are achieved in such a perfect mix. She is so fluid up there. She has improved so much in the past 3 years. She can now hold belts wheras before she only touched the notes. She acquired a better mix not as chesty as at the start of her career. She released some throat tension as well and now simply shines up there. Her B5s are not that good though. In my opinion G5s and G#5s are her strongest notes.
this is a great video!! you did an amazing job finding all these great clips and labelling/coloring them correctly. this must have taken forever tho obviously many of us appreciate it so thanks
There's going to be the cult coming here to discredit her. Ariana is one of the best high soprano belters. Watch the crappy haters are going to spew their misinformed garbage.
Stargate Messiah Wait @Ryanchannel are at it AGAIN ughhh he’s the most delusional support lovers along with @Garagestudio ugghhhh he’s literally here again with his cocky attitude and judgement ka towards people wordings
@@subliminal5543 Your claim is just perfectly enough to showcase your lack of knowledge in my point of view. 🙃 Any further describing would just trigger you even more I guess, leading into never ending battle beacuse clearly none of us could be persuaded since we have different imagination about the topic. So that's why. Oh wait, your the guy/girl who replies to every positive comment. Why don't you go to a Mariah stan video? Wouldn't that be more useful to you? To listen to who you like listening to? 😀 Stop pouring your weird frustration into an Ariana stan comment section. Have a nice day✌🏻
@@csicsi45 Yes I did that. And you would do it too for a check. You don't answer because you can't 🤭💀, based on the misuse of term of your original comment I'm pretty sure you are completely clueless of what you are talking about 💀
@@zamraykiefer9245 kinda hard to explain it’s where like the sound is so smoothe and nice to the singer and people listening it’s like an amazing feeling sorry i don’t know how to explain it well
Great videoo!!! She's awesome!! After watching this, and some other compilations, I have an impression that A5s are harder for her than her Bb5s... maybe it's the approach on the A5s or the songs, but she seem more comfortable on the Bb5s, anyone else noticed that or I'm tripping??
She wants to try more on A5 thats why. Bb5 is more easier for her because she doesn’t need to put in a lot of work for it while A5 u actually need to try harder
@Onur It does. Naturally the lower notes will have to take more effort than the higher notes. For example In Defying Gravity naturally the F5 belt would be harder to hit because its a high note but the sustained C#5’s are the hardest because U literally need to keep your breath the same from beginning to end and also U just belted a F5 in one breath then sustain a C#5 in another. The C#5 is harder than the F5 belt
@Onur U wanted a better explanation so I used One of Broadways most difficult song ever and not true. The higher note will always have the most ease because Ur lightening up ur voice (most of the time) to reach that note. The lower note will always have more effort to do because its something that U won’t take serious since its a lower note
i want her belting technique like she's one of the singers i see who won't avoid or dodge belt notes like how can she sing many G#5 awith ease like how
I actually really applaud this vocal complination! It has AWESOME vocals! 😉👍😊 What do the different colors mean though? The light blue, green, yellow, red, and pinkish colors? Well, I really enjoyed the vedio anyways! I will wait patiently for the new rounds if the CVSS vedios! 😁
Yeahheeeee my fave singer.for me she is the Best singer in her country or maybe the world....ignore this comment if you're just a basher or you don't like my opinion 😉😍😍
Ariana Grande Vocal Analysis (2024) Voice type: Light-Lyric Soprano Vocal range: C3-B5-E7 (4 octaves and 2 notes) Range with the most consistent quality, comfort, and technique: G3-C#5/D5-A5 At best: F3-F5-C6 Lower register: (7/10) Low notes are bright and clear and have a good projection up to G3 consistently and F3 at best. Quite surprising for someone with a high tessitura considering her high sitting voice. However, she loses consistency, projection, and becomes airy and weak F3 and below. Mid-belts and mix: (7.5/10) Mid belts are surprisingly strong for someone who frequently utilizes a heady mix in her belts. Her approach in her mid-belts during her later years (2019 onwards) is more balanced compared to her honeymoon era (2014-early 2016) where her approach is more heady and dangerous woman era (late 2016-2017) where her approach is chestier. She has good control over her mid-belts and it is more balanced, consistent, accessible, and more tensionless than people assume resulting in an open, free, well-projected, and controlled sound consistently from G#4 to D5 especially from Bb4 to C5 at her best. She definitely improved this part of her voice over the years. Upper-belts/mix: (7/10) As a soprano like her, her ease and control in this area are good. She may not be the very best and the pinnacle of upper-belting out there, as some of her diehard fans tend to believe, but her consistency and stamina in this area is no joke. Although not consistently, she produces the best and balanced quality from Eb5-F5. As she goes higher beyond F5, she tends to sound thinner but still often avoids straining and too much tension up to G#5 (her signature upper-belting/mix note). However, she loses consistency when she reaches A5 and above which can sometimes be prone to tension, although this doesn't happen much as she was still able to possess a decent quality of mix up to Bb5 especially in her be my baby and breathin performances most of the time. This ease and consistency in her upper-belting range is due to her heady approach with her mix and mixed-belts. Nowadays, she utilizes a more balanced approach (balanced head and chest mix) to her upper-belts/mix especially in her thank u, next and yours truly era. This balanced approach is evidently showcased especially in her sweetener tour and 2023 yours truly 10 year anniversary live performance where she produced a decent but balanced mix. Although she has improved this part of her voice over the years, it has always been consistent in quality and technique with minor flaws and inconsistencies. Upper-register (head voice and falsetto): (7.5/10) Contrary to popular belief, Ariana utilizes her head voice just as much as she utilizes her falsetto. Her falsetto is probably one of the best that pop music has to offer. It is polished, smooth, controlled, and easily accessible. On the other hand, her head voice is also good and is consistently well-coordinated and connected up to A5. Performances such as moonlight, thinkin bout you, be alright, get well soon, and many more including song covers such as no one mourns the wicked and I wanna dance with somebody showcases her control and consistency in her head voice. She may not possess the best and most developed head voice in the music industry, but she can still keep up. Her head voice possesses a bright, strong, and roundness quality consistently up to F#5 and sometimes up to A5. However, her head voice can sometimes sound airy which limits her true potential. Further analysis with her head voice after the wicked (2024) movie will come out with her role as Glinda the good witch. Vocal Agility: (7.5/10) This may be the vocal skill she possess that has consistently improved over the years. She may not be as good as the best riffers out there like Mariah Carey, Tori Kelly, Beyonce, JoJo, and many others, but her vocal agility is definitely above average and is an integral part of her singing style. She can consistently execute vocal riffs and runs that are precise, fast, and complex with good creativity and musicality. The only downside is that there are few performances where she sounds pitchy and unstable and her vocal runs are sometimes repetitive. Lastly, during her early years, she tends to move her jaw a lot and fortunately, she got rid of that habit almost entirely. Whistle register: (9.5/10) One of the best whistle register user in her generation. Able to control her whistle with ease and is also able to create vocal runs and vocal phrases with it. Vocal Dynamics: (6.5/10) She has showcased vocal dynamics from time to time where she sang from pianissimo up to fortissimo. This is greatly showcased in her 2023 yours truly 10 year anniversary live performance. However, there are very rare cases of her showcasing crescendo and decresendo. Vibrato: (10/10) Her vibrato is one of the most controlled and well-developed that pop music has to offer. It can range from soft/subtle to aggressive/intense and can even shift to it smoothly. This great vibrato is also evident throughout all her register especially in her belts and upper-register. Vocal transition: (9/10) Able to easily and smoothly transition between registers from chest to head to whistle and with great control. Pitch: (8/10) Her wide vocal range allows her to hit high notes and low notes with good pitch accuracy. She rarely gets off-key and goes sharp/flat. Vocal stamina: (9/10) She is able to consistently perform in long periods and still able to maintain a decent to good technique and quality while doing a bunch of adlibs. The disadvantages she has with her stamina are the very few vocal performances where her voice got exhausted performing long periods and minor inconsistencies with some of her live vocal performances. Note: this analysis is based on an educated opinion and knowledge about vocals and music. Hence, this analysis is based on what I hear from the vocalist's live performances throughout the years. So feel free to politely disagree. Overall: 8.04/10 Overall comment: She is not as bad as critics say she is and also not as great as diehard fans made her out to be. Her development is distributed fairly evenly throughout range with her mid-belts and upper-register being currently the most developed register. Her major weakness may be that she tends to sing beyond her range with the most consistent quality, comfort, and technique. Fortunately, notes beyond her consistent range are rarely strained, tensed, or weak. Lastly, her biggest asset may be her whistle register, musicality/creativity, vocal stamina, vocal transition, and vibrato. At the end of the day, Ariana Grande is rather a stylistic vocalist with an adequate vocal technique and skill to back up her singing style. She tends to change her singing style depending on the era that she's in.
internet make people think they know shit about vocals lol. "she's straining" "her technique is horrible" "jaw tension" lmfao. just because you like to watch vocal coach reaction videos doesn't mean you know anything about vocals and Ariana, you DON'T.
Plus, if she were straining as much as people claimed, her voice would wear off very quickly and she wouldn’t be able to do all the touring and singing she does. She’s been singing since she was a teenager and has had an international touring career for half of her career. Those tours are very stressful on the body and voice and yet, she’s never had to cancel a tour date due to vocal injury. She’s even performed while really sick and still had most of her voice intact. That can only happen when your voice is in top shape and your technique is solid.
D6???? That’s very VERY impressive. I had no clue she could reach D6, like I thought her highest mixed note was B5 I mean it sounded like there was a little bit of strain in that D6 but that was still amazing. Ariana Grande is an amazing singer!❤️
Y'all, I have questions (Camila joined the chat lol jk) lmaoo, how would/do you recognize which of the belts are ringing, or grounded or whatever? What does ringing, grounded, free or none of the above mean? Is it like, ringing = resonant, grounded = larynx is well placed or something/not strained or tense, free = ...? lol idk and red = tensed/pushed/strain? And how do notes change from grounded or free to none of the above or ringing real quick like in the G5 examples lol? Damn I sound like a clown y'all loll 💀💀💀💀
She has the tendency to push on E5’s to sound a little soulful. Thats all. Her Sweetener sustained E5’s and Moonlight E5’s were all Pushed due to Stylistic Reasons
Illuminate Light Thats the truth tho. She does push on E5s more than her F5’s. Stop being a complete dumbass and actually accept that Ariana is a good vocalist
Okay real talk. When you say the CVSS is coming soon, how long we talking? Cuz I GENUINELY can't wait any longer. NO cap. So days? Weeks? Another month? Love this video BTW.
I just finished the base for her lows! Please watch!! I know I am missing a lot of good clips, so if you see any that are missing, feel free to comment them! Here's the link:
th-cam.com/video/dviKQ1InKjw/w-d-xo.html
My insta is @camden.epperson if you would like to talk about how you could help with a CVSS video or just to talk!
Stargate Messiah Cam can get you a link. They were temporarily disabled (the one he posted before) because there were some trolls joining.
Stargate Messiah Not you.
Stargate Messiah and @Ryan’schannel the constricted singer
Stargate Messiah No
Stargate Messiah because I haven’t
The B5 speaking note showed she had potential to be comfortable to belt a B5
In all honesty I think she can belt a C6 by the amount of ease she has on her Bb's. She probably hasn't mastered the note though. So, she probably keeps it saved for home. 😅😅
@@vivifiedvocals4470 there is a clip of her belting a C#6 somewhere (but it wasn't actually used in an actual song though)...
@@vivifiedvocals4470 she has C6 belt
@Illuminate Light yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
@@ahahaha2806 were did Illuminate Light comment on this part of the comment section?
Any creator starting a vocal range below B4 is an intellectual. Literally her F4 - A4 has never been showcased as extensively
Yessssss!!!!!!!!!!!!!!!
Yup Exactly!!!!!!
@Stargate Messiah You're still doing it. She has consistency well beyond B4. Stop spreading fallacies.
@Stargate Messiah This video shows her consistency up to G5/G#5. If you can't hear that then that's on you. Stop repeating that same crap. The anatomy of her voice allows her as a soprano to have comfortability high. That's a scientific fact.
Thanks love!
6:47 that is probably the most gorgeous note that's ever been sang.
before saying anything, think that the last year, she was singing over 30 demanding songs each night, and never got aphonic.
still her best year vocally she's incredible ✨
Exactly! If she had poor or subpar technique, her voice would wear off very quickly and she wouldn't be able to do the crazy touring she does. Not to mention, she was SICK for SEVERAL dates of her several tours and maintained access to 90% of her full vocal range. I don’t think people get how hard is is to sing with most of your voice intact while sick with a cold or any illness that involves lots of coughing, sneezing, and hoarseness. Viral illnesses like the flu or common colds are considered DEATH to the voice for most singers. Many of the examples of grounded and/or ringing notes here were sung while she was SICK. And aside from one vocal injury in 2013 caused by screaming too much with not enough rest (Ariana’s own words) she has not had a single vocal issue requiring medical attention due to singing or touring. As much singing as she does, this is definitive proof that her technique is perfectly sound. People need to check their brains.
@@GetWellSoonR.E.M. like demi, that has to take rest between tours because her belts are so heavy and tense past E5
It’s very exhausting seeing people always saying Ariana doesn’t support her notes. I feel like if she’s that consistent and her voice obviously isn’t failing her shes singing with the right technique. She’s so beautiful ❤️
Amore Arusko She supports her voice and her notes like 90% of her concerts. She does concerts while fatigued and sick. So if her voice can last her 100+ concerts and the 200+ tour she did on Broadway when she was a teenager and can still sing to this day proves she is supporting her notes and her voice perfectly fine.
She strains above B4
@@subliminal5543 u are probably uneducated when we talk about vocal pedagogy lmao
@@moonlight-nv7um she strains above B4 and uses falsetto. PeRIOdt
moonlight Don’t listen to him. He is just trolling
Okay but that belt at 6:46 was so satisfying, the way her voice starts ringing is very pleasant 😍
OMG her belting range has never been showcased this beautiful
I still can't believe people says she doesn't resonate and that she strains these upper belts what!!!!!!! Also she has had resonant F#5
She def resonates,maybe not in 2013-2017 but in 2018 she started to improve,on swt her tehnique became especially good and she started to resonate again in 2018-2019.Shes in her vocal prime right now.
@@lananikolajevic5219 Belts Bb5*
yes she does resonate and i think when she comes back we gonna get lives full of resonancs
Yeeeeeeeeeees D6
She has so much potential. I'm crazy for sailing to fully explore the 6th octave in belting. I hope this happens in this new era.
Belts e6*
6:46 she is resonating for her life
she’s hands down the best vocalist of our generation along with tori, jojo, demi and jessie j.
insane support, insanely skilled in all aspects and just. idk man. crazy
I love how u called me insane for saying she supports this high but look at u agreeing with the video. Love to see the improvement
GrandeFlamesButera well i still don’t believe she “supports” up to Bb5 lol. i would say G#5 at best. nothing above.
vocal stan A5 and Bb5 are utterly useless anyways since no one writes their songs this high to begin with so Ariana doesn’t really utilize A5 and Bb5 support. Her most common high belt is G# and she utilizes that more than A5 support
@@allthingspage1498 people make a bigger deal of '"supporting" than they need to. And they use it to try and discredit incredible singers, as if those aren't talented, just because they don't consistently support every note, every time. it's really stupid.
@@AGEE_95 PERIOD!!!
LITERALLY MY FAVORITE SINGER. My questions is why does everyone say she doesn’t have the best technique but her voice has lasted so long and she sings so much at shows concerts and she is still standing with a voice💀 if it was so bad shouldn’t it had already deteriorated?
Well, in terms of deterioration she's super good at keeping her voice healthy, only difference I've heard is less confidence in high falsetto but lots more confidence in whistles.
Because most people think that these "technique rules" is a dogma. they think if one doesn't do a great job adhering to these rules he/she would be considered as the lesser singer. This black and white way of thinking is just stupid. They failed to realize that there's a variable called "individualisation" which basically means that every person is unique, what's "unhealthy" technique for a lot of people DOESN'T mean it's also unhealthy for some people. So people should just STFU and let Ariana decide for herself which technique is good or bad, what works or what doesn't, what's unhealthy or healthy.
@@user-gk4bl9nz8f U mean High Head Voice right???
@@grandeflamesbutera3949 I meant what I said.
@@saddany3254No not everyone is unique, that’s hyper-individuality, not just individuality.
10:11 so we can all agree this is her best F5? grounded, ringing and sustained
where is that pls?
@@lennoxbonnie5210 idk i'm sry, i'd like to know too :/
@@lennoxbonnie5210 in tokyo japan
what song is she singing on that part?
@@tiago001pessoa break free
Her incredible ease and resonance in Sweetener Tour though.
12:11 O-M-G THE VIBRATO♡
IKR That's one of my FAVOURITE notes!!!
does anyone know what show that was?
@@natalia8755 sorry I'm horrible to remember shows😭
@@natalia8755 Dublin september 25
13:31 always knew it is one of her best G#5!!!
Ariana Grande is such an amazing vocalist!
Amazing Video!!!!! Its time to start appreciating Ariana as the amazing vocalist she is and has been for 2 decades of her singing career
Exactly! Just expect the cult minded people are going to be here to spew their garbage because they can't accept the fact that she's great.
Thank you!
@@ThePianoguy89 they underestimating her because she is new and she sings POP
@@goldranger5182 ariana is not that new though
@@cesarinamedinapimentel8085 she is new compared to Beyonce Christina Mariah Whitney and Celine
I love Arianas tone on all of her belts! Her voice is so strong, and she has such greats belts to! Thank you for this wonderful video ^^
I'm so excited for Ariana CVSS 😍😍😍
I'm not a fan but holy shit i can appreciate her raw talent. In the West the term "once in a generation" was close to being accurate but isn't anymore. Whitney followed by Mariah followed by Beyonce followed by Ariana. Named these artists because they all have 4-5 octave range as soprano's. All legends minus Ariana because she still has a ton to offer. I'm sure that before she passes on the torch she will be remembered as a legend too. I'm also aware there are similar vocal powerhouses that i didn't mention.
Beyonce isnt a soprano. Shes a coloratura mezzo but she’s very technical with her singing
@@decholes95 You're right. No idea why i didn't say female voice instead of soprano.
I reread my comment and since it was 5 months ago i can use the excuse i was on "ambien" because that's how it works.
This isn't even that bad because I've carpet bombed TH-cam with ambien fueled rants that I'm not aware of.
She is INSANE
the power and control-
just *beautiful*
I love it when Ariana lets her support and resonance come through!!!
It’s just really weird how people say she strains after B4 but she’s been belting up to Bb5 for 7 years of a mainstream singing career and hasn’t really deteriorated like people say she would. People say “it’s because she has ease on upper belts” but that still means if she was straining so much she would lose some of her belting range and she hasn’t and ease can only take u so far. She has to be supporting up to G5/G#5 at least or somewhere near those notes.
To belt a Bb5 it has to be supported, otherwise the note will just be screamed and flat.
@@ATsimon2005 PERIOD!!!!!
@Illuminate Light yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
@@ahahaha2806 DAMN!!! That was so long. But I read it and I totally agree with u on some parts
@@grandeflamesbutera3949 haha yeah. it got copied randomly throughout this entire comment section. just a response to someone else that i was talking to. he/she is trying to argue against me, which not to brag or come off as arrogant, but it does seem a bit futile considering i do have a college degree in music and voice and am a certified vocal coach. but you know, some people just hate to be proven wrong. some people just love to argue @Illuminate Light
Yuh yuh yuh!!! Thank you for such a beautiful video! And also the use of new videos and not like every other Chanel ab ari that reuses every note
Oh! She is amazing, she is my inspiration!
Me 2
12:35 i was so right it was ringing, was just the reverb
Thank you for the little sneak peek
Even more excited for the "actual" video
Once again I’m crying at the fact that the notes just come out smoothly for her 😭😭😭
OMG
I LOVE THIS SO MUCH 😱😱😱🔥🔥🔥💗💗💗✨✨✨✨✨✨✨✨✨
This video proved that G#5 is Ari's note!
I love this woman’s voice 😍
I see u cam!!!!! U used my video for the Dangerous Woman double G5 belts!!!! Glad I could be of some help with the video!!!! Cannot wait for the CVSS
You’re literally the best
I'm new to this channel what does cvss mean?
@@coryc3578 CVSS Is a vocal ranking system Cam made
@@grandeflamesbutera3949 oh ok!
She’s still pushing and chesty on the G#5 and above. If she just used a little more head and less tension should could easily belt C6/C#6 considering how high her voice actually is. But she can pretty much cover the whole 5th octave so I’m not complaining lol
No such thing as chesty or heady I-
@@subliminal5543 I mean there is such a thing as chesty or heady tho
@@subliminal5543 yes there is XD. are you dumb or just misinformed or just putting your input where it need not be?
@@ahahaha2806 That contradicts how the voice work tho. Can you explain muscular activities in these mechanism
@@subliminal5543 yeah for sure. so think of the voice as its own body. yes, im asking you to visualize the voice (all parts that make or help to make sound: larynx or voice box, lungs, vocal cords) as this vessel that changes the color of sounds that descend or ascend throughout the body. that being said, let's give each section that helps to define voice its own color. for instance, head (cranium) section is colored blue. chest section is colored red. the midway point, let's call it the "chead" section is colored yellow. each color, each section comes with a not so visual sound color. the head (blue) section has a hollow, more haunting, or empty sound. the chest (red) section has a more full and forward sound. and the midway (yellow) section has qualities/characteristics of both. as the voice lives in the chest (red) area, it has lower, fuller, darker sounds. as one would expect, the head (blue) section would have the complete opposite: higher, brighter, thinner sounds. and that leaves the midway (yellow) section to have a mixture of characteristics from both the blue and the red section since it sits right in the middle acting as a passageway from one point to the other. you say, "there's no such thing as chesty or heady," in your claim above, which is false when talking in terms of vocal color, which is what the person who initiated this comment section thread was trying to say. to repeat, not saying that you believe this, but to anyone else who might or who skims this and think that we're trying to bash Ariana, we're not. its a simple vocal analysis. head voice is the second highest register that the human voice can make. whistle register is the highest, though it is separate from the voice in a sense. all "high" notes produced by any human are in some relation to the head voice register. as all low or chestier notes are related to chest/modal voice. @Clint Easton claims that if Ariana were to use more of a headier mix on notes passed G#5, she'd have easier access and perhaps would even obtain the note B5 or notes higher: 6th octave notes. naturally, 6th octave notes live in the head voice or whistle register, which in this case, we are sticking with head voice terminology. well, think of it. since 6th octave notes' home is the head voice, wouldn't it make sense that in order to BELT higher and easier, the notes would have to take on some of these head voice qualities? which in turn makes them sound heady? that's where the terms heady and chesty originate from. as notes move higher, they take on more head (blue) qualities and as they move lower they take on more chest (red) qualities. this is very true, however, every singer is different. some don't like for their belting notes to sound heady, as it makes them sound light and without power (Beyonce, Christina Aguilera, Demi Lovato), while others work for this lighter take (Amber Riley, Ariana Grande), and others work for more of a middle, like Tori Kelly or JoJo (which is what Ariana is trying to do nowadays when compared to her earlier years, look at Pink Champagne in 2011-2012 versus her more recent performances of the song). also, sometimes, whether a singer sounds more headier or chestier in their belting range is out of their control - puberty, birth, maturation, etc. @Illuminate Light you say the existence of chesty or heady terminology, functions "contradicts how the voice works" when that is the complete opposite. it makes absolutely no sense for you to make a claim like that and further proves your lack of knowledge in regards to the voice and its function when singing. this is not me belittling you or trying to embarrass you. i simply hope that through this lengthy explanation that you understand a little bit more about the voice, and in return, Ms. Grande and other celebrity singers.
6:45 I just loveeeeeee love love that c5 haha
Great video! Although I disagree on some notes (I wouldn't deem some notes ringing, but I would some others that you didn't lol), the video is great.
Thanks!
I don't get why people are discrediting her when it comes to vocals she's so good fr that's my Queen end of story 🙌❤️❤️
Nowadays, her belts are achieved in such a perfect mix. She is so fluid up there.
She has improved so much in the past 3 years. She can now hold belts wheras before she only touched the notes. She acquired a better mix not as chesty as at the start of her career. She released some throat tension as well and now simply shines up there.
Her B5s are not that good though.
In my opinion G5s and G#5s are her strongest notes.
Queen💜
Where's the third round of the Vocal Tournament? I can't wait for it!!!!
There are still a huge amount of people that haven’t submitted so once more do it will be up!
this is a great video!!
you did an amazing job finding all these great clips and labelling/coloring them correctly. this must have taken forever tho obviously many of us appreciate it so thanks
can someone make a video of her c4 - a4 belts? i firmly believe that those vocals are criminally underrated
great video as always❤️
it's me Daydream era LOL
Thanks!
U still has the greatest tone ever uwu
@@joanquintero4670 thanks ❤️❤️❤️, Rainbow and Glitter too❤️
@@aricarey1474 sis, rainbow has some note changes weird af ☠️
@@joanquintero4670 💀💀
The Tone ❤️
AMAZING
There's going to be the cult coming here to discredit her. Ariana is one of the best high soprano belters. Watch the crappy haters are going to spew their misinformed garbage.
@Stargate Messiah He's not actually. He's talking about people who follow what KPopVocalAnalysis is saying.
Stargate Messiah He’s SOOOOO annoying. That creature is everywhere hating on mariah and make up bs knowledge to hate on small voice singers
Stargate Messiah Wait @Ryanchannel are at it AGAIN ughhh he’s the most delusional support lovers along with @Garagestudio ugghhhh he’s literally here again with his cocky attitude and judgement ka towards people wordings
not the cult lmao😭😂
Lalisa Manoban I mean they didn’t lie except Amore. Don’t believe a single word he/she said
the one at 12:52... soo fucking pure, insanely nice tone, I can't... AMAZING video
the fact that some clips from ariana on her pre-debut era are included here bc shes already so good in her pre-debut era 😭
And people say she doesn't support or her vocals don't have resonance.....
Because she doesn't
Haha, another one who doesn't know anything about singing or how the sound producing works. 🤣 But then why even bother saying anything? XD
@@csicsi45 Yes I do. Any solid facts to protect your claim?
@@subliminal5543 Your claim is just perfectly enough to showcase your lack of knowledge in my point of view. 🙃 Any further describing would just trigger you even more I guess, leading into never ending battle beacuse clearly none of us could be persuaded since we have different imagination about the topic. So that's why. Oh wait, your the guy/girl who replies to every positive comment. Why don't you go to a Mariah stan video? Wouldn't that be more useful to you? To listen to who you like listening to? 😀 Stop pouring your weird frustration into an Ariana stan comment section. Have a nice day✌🏻
@@csicsi45 Yes I did that. And you would do it too for a check. You don't answer because you can't 🤭💀, based on the misuse of term of your original comment I'm pretty sure you are completely clueless of what you are talking about 💀
I love the B4 at 4:07😍
🎶 i s s a s l u g 🎶
1:43 definitely queen of resonance
What is resonance?
@@zamraykiefer9245 kinda hard to explain it’s where like the sound is so smoothe and nice to the singer and people listening it’s like an amazing feeling sorry i don’t know how to explain it well
Great videoo!!! She's awesome!!
After watching this, and some other compilations, I have an impression that A5s are harder for her than her Bb5s... maybe it's the approach on the A5s or the songs, but she seem more comfortable on the Bb5s, anyone else noticed that or I'm tripping??
She wants to try more on A5 thats why. Bb5 is more easier for her because she doesn’t need to put in a lot of work for it while A5 u actually need to try harder
@Onur It does. Naturally the lower notes will have to take more effort than the higher notes. For example In Defying Gravity naturally the F5 belt would be harder to hit because its a high note but the sustained C#5’s are the hardest because U literally need to keep your breath the same from beginning to end and also U just belted a F5 in one breath then sustain a C#5 in another. The C#5 is harder than the F5 belt
@Onur U wanted a better explanation so I used One of Broadways most difficult song ever and not true. The higher note will always have the most ease because Ur lightening up ur voice (most of the time) to reach that note. The lower note will always have more effort to do because its something that U won’t take serious since its a lower note
@@grandeflamesbutera3949 Lol make no sense
@@subliminal5543 It actually does. It doesn’t make no sense to you because Ur uneducated. Anyways
Wowwwwwww its so easy for her to attempting belted high notes!!!!!!
THE WAY SHE CAN HIT A D6 BELT - UNREAL AND INSANE 😍
D6 Mix not belt. Ariana isn’t trained to do a D6 belt
@@grandeflamesbutera3949 but her it was great and funny
That lion King song is amazing, she rarely use that heavy chest tone.
i want her belting technique like she's one of the singers i see who won't avoid or dodge belt notes like how can she sing many G#5 awith ease like how
14:02 It sounds like the ringing G#5 belt for me😄
her hairstyle is legend. ponytail for 10 years.
She's so insane I can't 😂
I actually really applaud this vocal complination! It has AWESOME vocals! 😉👍😊 What do the different colors mean though? The light blue, green, yellow, red, and pinkish colors? Well, I really enjoyed the vedio anyways! I will wait patiently for the new rounds if the CVSS vedios! 😁
The light blue:consistently ringing
Green: inconsistently ringing
Yellow: inconsistently grounded
Red: strain/without breath support
And pinkish color: difficult to know if it's a very heady mix or masked head voice
@@joanquintero4670 oh, okay! Thank you! I appreciate the clarification! 😁👍
@@joanquintero4670 Head Mix. Masked Place Head Voice doesn’t exist at all because its basically Twanged Head Voice
when i saw this video i clicked so fast!!!
The fact that she has like 2 octaves of belting is so impressive
her mid belts are so underated
10:00 OMG I was waiting for this note
Camden, can u make a video about what's main difference between consistently grounded and inconsistently grounded?
The only difference is that if she is consistently grounded, she is grounded more often than not!
@@CamdenE i am literally don't understand what are you talking about 😭😭😭😭
Grounded = core to the sound.
13:09 omg where is that the fact she hit that on a ee vowel too
I can’t rememberrrr
OMG I FOUND IT ITS TORONTO!!!!!
What this colors means?
Edit: already saw in description 🤭 (ps: love this details about colocation/ressonance)
❤️❤️❤️
You did her dirty with the b5 ones.
No actually it’s perfect
Yeahheeeee my fave singer.for me she is the Best singer in her country or maybe the world....ignore this comment if you're just a basher or you don't like my opinion 😉😍😍
12:35 i always thought this was ringing
Ariana Grande Vocal Analysis (2024)
Voice type: Light-Lyric Soprano
Vocal range: C3-B5-E7 (4 octaves and 2 notes)
Range with the most consistent quality, comfort, and technique: G3-C#5/D5-A5
At best: F3-F5-C6
Lower register: (7/10)
Low notes are bright and clear and have a good projection up to G3 consistently and F3 at best. Quite surprising for someone with a high tessitura considering her high sitting voice. However, she loses consistency, projection, and becomes airy and weak F3 and below.
Mid-belts and mix: (7.5/10)
Mid belts are surprisingly strong for someone who frequently utilizes a heady mix in her belts. Her approach in her mid-belts during her later years (2019 onwards) is more balanced compared to her honeymoon era (2014-early 2016) where her approach is more heady and dangerous woman era (late 2016-2017) where her approach is chestier. She has good control over her mid-belts and it is more balanced, consistent, accessible, and more tensionless than people assume resulting in an open, free, well-projected, and controlled sound consistently from G#4 to D5 especially from Bb4 to C5 at her best. She definitely improved this part of her voice over the years.
Upper-belts/mix: (7/10)
As a soprano like her, her ease and control in this area are good. She may not be the very best and the pinnacle of upper-belting out there, as some of her diehard fans tend to believe, but her consistency and stamina in this area is no joke. Although not consistently, she produces the best and balanced quality from Eb5-F5. As she goes higher beyond F5, she tends to sound thinner but still often avoids straining and too much tension up to G#5 (her signature upper-belting/mix note). However, she loses consistency when she reaches A5 and above which can sometimes be prone to tension, although this doesn't happen much as she was still able to possess a decent quality of mix up to Bb5 especially in her be my baby and breathin performances most of the time. This ease and consistency in her upper-belting range is due to her heady approach with her mix and mixed-belts. Nowadays, she utilizes a more balanced approach (balanced head and chest mix) to her upper-belts/mix especially in her thank u, next and yours truly era. This balanced approach is evidently showcased especially in her sweetener tour and 2023 yours truly 10 year anniversary live performance where she produced a decent but balanced mix. Although she has improved this part of her voice over the years, it has always been consistent in quality and technique with minor flaws and inconsistencies.
Upper-register (head voice and falsetto): (7.5/10)
Contrary to popular belief, Ariana utilizes her head voice just as much as she utilizes her falsetto. Her falsetto is probably one of the best that pop music has to offer. It is polished, smooth, controlled, and easily accessible. On the other hand, her head voice is also good and is consistently well-coordinated and connected up to A5. Performances such as moonlight, thinkin bout you, be alright, get well soon, and many more including song covers such as no one mourns the wicked and I wanna dance with somebody showcases her control and consistency in her head voice. She may not possess the best and most developed head voice in the music industry, but she can still keep up. Her head voice possesses a bright, strong, and roundness quality consistently up to F#5 and sometimes up to A5. However, her head voice can sometimes sound airy which limits her true potential. Further analysis with her head voice after the wicked (2024) movie will come out with her role as Glinda the good witch.
Vocal Agility: (7.5/10)
This may be the vocal skill she possess that has consistently improved over the years. She may not be as good as the best riffers out there like Mariah Carey, Tori Kelly, Beyonce, JoJo, and many others, but her vocal agility is definitely above average and is an integral part of her singing style. She can consistently execute vocal riffs and runs that are precise, fast, and complex with good creativity and musicality. The only downside is that there are few performances where she sounds pitchy and unstable and her vocal runs are sometimes repetitive. Lastly, during her early years, she tends to move her jaw a lot and fortunately, she got rid of that habit almost entirely.
Whistle register: (9.5/10)
One of the best whistle register user in her generation. Able to control her whistle with ease and is also able to create vocal runs and vocal phrases with it.
Vocal Dynamics: (6.5/10)
She has showcased vocal dynamics from time to time where she sang from pianissimo up to fortissimo. This is greatly showcased in her 2023 yours truly 10 year anniversary live performance. However, there are very rare cases of her showcasing crescendo and decresendo.
Vibrato: (10/10)
Her vibrato is one of the most controlled and well-developed that pop music has to offer. It can range from soft/subtle to aggressive/intense and can even shift to it smoothly. This great vibrato is also evident throughout all her register especially in her belts and upper-register.
Vocal transition: (9/10)
Able to easily and smoothly transition between registers from chest to head to whistle and with great control.
Pitch: (8/10)
Her wide vocal range allows her to hit high notes and low notes with good pitch accuracy. She rarely gets off-key and goes sharp/flat.
Vocal stamina: (9/10)
She is able to consistently perform in long periods and still able to maintain a decent to good technique and quality while doing a bunch of adlibs. The disadvantages she has with her stamina are the very few vocal performances where her voice got exhausted performing long periods and minor inconsistencies with some of her live vocal performances.
Note: this analysis is based on an educated opinion and knowledge about vocals and music. Hence, this analysis is based on what I hear from the vocalist's live performances throughout the years. So feel free to politely disagree.
Overall: 8.04/10
Overall comment: She is not as bad as critics say she is and also not as great as diehard fans made her out to be. Her development is distributed fairly evenly throughout range with her mid-belts and upper-register being currently the most developed register. Her major weakness may be that she tends to sing beyond her range with the most consistent quality, comfort, and technique. Fortunately, notes beyond her consistent range are rarely strained, tensed, or weak. Lastly, her biggest asset may be her whistle register, musicality/creativity, vocal stamina, vocal transition, and vibrato. At the end of the day, Ariana Grande is rather a stylistic vocalist with an adequate vocal technique and skill to back up her singing style. She tends to change her singing style depending on the era that she's in.
Can you make compilation Lyodra Ginting,shes can whistle and her technic so awesome like mariah,morisette and ariana grande
Her Technique
Him itu buat cowo
internet make people think they know shit about vocals lol. "she's straining" "her technique is horrible" "jaw tension" lmfao. just because you like to watch vocal coach reaction videos doesn't mean you know anything about vocals and Ariana, you DON'T.
exactly omg!
Plus, if she were straining as much as people claimed, her voice would wear off very quickly and she wouldn’t be able to do all the touring and singing she does. She’s been singing since she was a teenager and has had an international touring career for half of her career. Those tours are very stressful on the body and voice and yet, she’s never had to cancel a tour date due to vocal injury. She’s even performed while really sick and still had most of her voice intact. That can only happen when your voice is in top shape and your technique is solid.
❤️❤️❤️❤️❤️❤️❤️❤️❤️
The fact that Ariana even has a free Bb5 is insane! She has so much freedom throughout her range
Any note before E5 was full belt. After that was mix
D6???? That’s very VERY impressive. I had no clue she could reach D6, like I thought her highest mixed note was B5 I mean it sounded like there was a little bit of strain in that D6 but that was still amazing. Ariana Grande is an amazing singer!❤️
The performance at 0:01, 13:42, 15:13 is one of my favorite performances ever istg.
0:14 this is the best vibrato I've heard in my life wow
3:38-3:45 her voice changed a lot
I still miss her hmt tone :
Y'all, I have questions (Camila joined the chat lol jk) lmaoo, how would/do you recognize which of the belts are ringing, or grounded or whatever? What does ringing, grounded, free or none of the above mean? Is it like, ringing = resonant, grounded = larynx is well placed or something/not strained or tense, free = ...? lol idk and red = tensed/pushed/strain?
And how do notes change from grounded or free to none of the above or ringing real quick like in the G5 examples lol? Damn I sound like a clown y'all loll 💀💀💀💀
Can u do demi lovato as well
Her vocal style is both flawed yet interesting and will allow her to sing for decades tbh
where was 8:40?? that fast vibrato on "least" was so goooodddd
Y'all say it with me now, "effortless Queen"
Please, make for Celine Dion belting range
6:22 wow just wow
how do i learn all of these ?!
0:41 what a music
Breathing
I’m laughing at the people who claim her belts not to be ‘supported’ or whatever terminology they love using.
Fr
where’s the leave me lonely at 7:25 video from?
King Luis Singapore
Um can somebody tell me what she's saying when she sings the F#5-Bb5 vocal line in Be My Baby lol
ii Marquise ii ii Marquise ii she said she doesn’t even know. She said she just mixes on the Aah vowel
I understand be mine (G#5) all the time (Bb5) but she changed the Bb5 line through the Hmt
u used 2 of the same breathin performances for the Bb5
I think she has some type of difficult with E5, but very much ease on G#5/A5/Bb5
She has the tendency to push on E5’s to sound a little soulful. Thats all. Her Sweetener sustained E5’s and Moonlight E5’s were all Pushed due to Stylistic Reasons
It’s around the acoustic shift for most people.
@@grandeflamesbutera3949 Can you pls stop denying her flaws with make up bs and accept scientific facts? Um I could not-
Illuminate Light Thats the truth tho. She does push on E5s more than her F5’s. Stop being a complete dumbass and actually accept that Ariana is a good vocalist
@@subliminal5543 Ur the one who constantly spread lies about everything
Yuh
Okay real talk. When you say the CVSS is coming soon, how long we talking? Cuz I GENUINELY can't wait any longer. NO cap. So days? Weeks? Another month? Love this video BTW.
Maybe two weeks?
@@CamdenE I hope so
Speedy Comet16 Just know at least 6/10 of the clips in the Ariana CVSS have been supplied by me ❤️❤️❤️❤️❤️.
@@grandeflamesbutera3949 that's lit!!!!
GrandeFlamesButera then it’s going to be great
best vocal channel. u cant change my mind.
Lalisa Manoban ouch 😂😂😂😂. Jk I love cam too ❤️❤️❤️
GrandeFlamesButera LMAOOO OK BOTH OF U ARE
Lalisa Manoban ❤️❤️❤️❤️
Awww