The best version ever! She actually sings the top C's in the scales up at the end. Most sopranos - even Sutherland - just touch them so quickly you hardly know they are there.
This why she is the greatest interpreter of the Mozart dramatic roles. She is completely without fear. She throws her voice at this fiendishly difficult aria and does not hold back.
La puissance, la justesse, l'intelligence de cette performance donne le frisson. Edda Moser était au zénith de sa carrière à la fin des années 70. Elle demeure l'une des plus grandes mozartiennes.
The only soprano who reaches the same heights as Sutherland in this type of music and perhaps catches even more of the emotion of the character as well.
Moser is a far superior Mozartian soprano compared to Sutherland. Bigger voice, wider vocal range and perfect execution. Sutherland starts the coloratura runs late, execute them as fast as she can, and returns to the foregoing rhythm. Extremely disturbing.
couldn´t agree with you more! they both have the most mozartian voices!!! and they understand the music better than anyone... probably diana damrau is in the same league, but she she is a loght coloratura soprano, her voice is not as heavy as theirs, but you are right, these two women are the goddesses in the Mozart Oliymp
@TheBasilio Su vibrato es perfecto, el vibrato no es un problema vocal, o sólo que sea un caprino :S pero Edda tenía un vibrato maravillosa y con ese timbre tan espectacular era pefecta para estos papeles :)
Heldegard Behrens sung Electra at the Met 1982 & she brought the house down. She was Electra !!! If only for a brief moment. Moser lacks that crazy mad element etc. Arnold Bourbon Amaral
Arnold Amaral Hildegard Behrens sung a phenomenal and breathtaking Elettra, of course; but I don't think she was "perfect", her style was all but mozartian; she ends the aria with a cry that belongs to verismo style, if not espressionismo; and she didn't sing the staccatos, you must sing the picchettatos because Mozart wrote them, in order to give the idea of a desperate laugh.
@AAGMR Forse dici così perchè le tue orecchie sono "rincitrullite" (nel senso buono del termine) da tutte quelle Elettre vocalmente anoressiche che affrontano quest'aria come fosse "Les oiseaux dans la charmille". Per quel che riguarda lo stile, attendo a ciò che dici, la Moser è una delle più grandi Mozartiane di sempre - pur avendo una voce anti-mozartiana.
@silvr94 I agree. the more dramatic the singer's presence, opera is supposed to be attention grabbing and intense. if these qualities are not their, I get rather bored
The best version ever! She actually sings the top C's in the scales up at the end. Most sopranos - even Sutherland - just touch them so quickly you hardly know they are there.
Best version I've ever heard. Edda Moser is just phenomenal. Crisp clear voice and the acting is out of the world. Love you Edda.❤❤❤
Listen the Sutherland version.
This why she is the greatest interpreter of the Mozart dramatic roles. She is completely without fear. She throws her voice at this fiendishly difficult aria and does not hold back.
La puissance, la justesse, l'intelligence de cette performance donne le frisson. Edda Moser était au zénith de sa carrière à la fin des années 70. Elle demeure l'une des plus grandes mozartiennes.
If she were born in Mozart's days, her voice would've probably been one of the best gifts given to him!
The only soprano who reaches the same heights as Sutherland in this type of music and perhaps catches even more of the emotion of the character as well.
Hands down catches the emotion better than Sutherland and with a much more developed lower register. A magnificent singer to say the least.
Moser is a far superior Mozartian soprano compared to Sutherland. Bigger voice, wider vocal range and perfect execution. Sutherland starts the coloratura runs late, execute them as fast as she can, and returns to the foregoing rhythm. Extremely disturbing.
the more I listen to Edda Moser, the more I love her. She is wonderful in this role !
Edda is PERFECT!!! the beauty of her voice is stunning
I keep underestimating Moser in Mozart's roles! And what an orchestra!
Quel feu ! Quelles flammes ! Quelle ligne de chant ! Quelle splendeur !
I love the vibrato. It seems to suit the character - AND, she's really in control of her instrument. Wonderful singing!
HOLY CATS MAN!!!! That was PHENOMENAL!!!!
Excellent! She is in her element here.
OHH the staccatos!!! BRAVA
One of the best things that happened to me in the last months...
Perfect!
Fenomenal!
Haven't found a better Elettra yet!
Simply amazing! Along with her Donna Anna's Or sai che l'onore... always sends shivers down my spine!
era desso don’t forget her “Der Holle Rache.”
I just peed my pants! Phenomenal!
Wow such dramatism.... Moser always gives me goosebumps (in a good sense)
What a beautiful woman!
Wonderful, bravíssima... The best Electra of all times.
UNA DIOSAA
couldn´t agree with you more!
they both have the most mozartian voices!!! and they understand the music better than anyone... probably diana damrau is in the same league, but she she is a loght coloratura soprano, her voice is not as heavy as theirs, but you are right, these two women are the goddesses in the Mozart Oliymp
@TheBasilio Su vibrato es perfecto, el vibrato no es un problema vocal, o sólo que sea un caprino :S pero Edda tenía un vibrato maravillosa y con ese timbre tan espectacular era pefecta para estos papeles :)
Supreme.
Date?
Too bad we don't have a video of that performance
i love the way the orchestra begins the aria at 1:03
Эдда Мозер - бесподобна! Я полюбил её после "Дон Жуана" и "Торжественной мессы" Бетховена. Эталон во всём!
She is the best Electra I've heard
That's debatebly my friend. Arnold Bourbon Amaral
The last "hört" - pure perfection.
You are probably thinking of "Der Holle Rache" from "Die Zauberflote."
+Jose Hill haha yes, sorry wrong video :p
Krowa Paulinka but you are correct, that last “hort” is badass
#bestmistakeever
The one and only Elettra.
Ufff....Frau Moser !!! Die Erste Sängerin
Heldegard Behrens sung Electra at the Met 1982 & she brought the house down. She was Electra !!! If only for a brief moment. Moser lacks that crazy mad element etc. Arnold Bourbon Amaral
The sad little troll is back.
@@Muttonchop_USA Not sad and not a troll. Arnold Amaral is a discerning opera fan of wide experience and intelligence.
Arnold Amaral Hildegard Behrens sung a phenomenal and breathtaking Elettra, of course; but I don't think she was "perfect", her style was all but mozartian; she ends the aria with a cry that belongs to verismo style, if not espressionismo; and she didn't sing the staccatos, you must sing the picchettatos because Mozart wrote them, in order to give the idea of a desperate laugh.
@@jasonhurd4379 😜🍷🌎🙏🙏🙏🙏
Haha!
You bought the recording right?
Congratulations, isn't it wonderful?
@AAGMR Forse dici così perchè le tue orecchie sono "rincitrullite" (nel senso buono del termine) da tutte quelle Elettre vocalmente anoressiche che affrontano quest'aria come fosse "Les oiseaux dans la charmille".
Per quel che riguarda lo stile, attendo a ciò che dici, la Moser è una delle più grandi Mozartiane di sempre - pur avendo una voce anti-mozartiana.
Brava. Moser!!!!!!!!!!+
grazie
Deberia ser custiodiada por la humanidad.
@silvr94
I agree. the more dramatic the singer's presence, opera is supposed to be attention grabbing and intense. if these qualities are not their, I get rather bored
Descargatela de mrtzcmp3, nada mas tecleas el nombre de madam moser y salen las canciones de ella. saludos
Bravviiiiisima
Verdadedo
2:57
Deranged, in the best way.
Dead !!!!!!!!
an elettra second only to dame joan sutherland!
ella es la que tiene mucho vibrato
jajaja
Cuando tienes una voz de tales dimenciones no me sorprende el vibrato, claro salvo que seas la Tebaldi.
Mozart se canta con vibrato. Esto no es musica de los 1600s.